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Three young kids collect bottles and cans to cash in for ice cream.
ROCKET FUEL is used with permission from Jessie Posthumus. Learn more at jessieposthumus.com.
On a hot July day, 12-year-old Nora and her two younger siblings, Lizzie and E.J., are cleaning up the litter in their yard and house. Their parents, who are nowhere to be found, threw a party the night before, and the place is trashed.
The trio collects the empty cans and bottles, piling them into an old wagon nicknamed “The Rocket." Together, they set off to cash in their empties for money to buy some ice cream. As the oldest, Nora is in charge, and she shepherds her younger brother and sister through their sleepy small town. But the small trip turns into an altogether different kind of journey when they encounter unexpected obstacles on their regular route.
Directed and written by Jessie Posthumus, this down-to-earth yet lyrical short drama functions much like a snapshot in the life of three close-knit siblings, one where the small, precisely-observed details speak volumes about their lives and relationships together. The narrative scale is small, capturing an errand one morning during the summer. The visuals are naturalistic, but their simplicity belies a keen sense of observation and sensitivity. What emerges is a touching yet melancholic portrait of three children who only have one another as they fend for themselves in a world that is increasingly disquieting in ways large and small.
Told with storytelling that feels as languid as a hot summer day in July, the narrative tenderly captures the busy efforts of Nora and her siblings to clean up and then bring the empty cans and bottles to recycling for money. What's clear as they proceed on their journey is how Nora is like a second mother to them; her demeanor is more weighed down, and she never has the carefree aspect that E.J. and Lizzie do. Actor Abbey Jean Cowan conveys the wear and tear on a young adolescent who realizes their caretakers have failed in their obligations and is trying to protect their siblings from that truth for as long as possible. Her efforts emerge as increasingly monumental, especially when even moments of innocence and fun are never truly free.
Pared-down, tenderhearted and yet tough in not shying away from difficult truths, the gifts of ROCKET FUEL are those of a gentle, affectionate sense of observation, and a nonjudgmental, matter-of-fact perspective that endows these characters with a full sense of life, even in the film's short runtime. We can sense the small sadnesses and tragedies that exist outside the narrative's frame for these three siblings, from the dilapidation of the yard to their wary distrust of adults, including their parents. But we also see their unquenchable innocence as children, the way they find fun even in the simplest of situations and the love and trust they have in one another -- even if they've learned to not quite trust the larger world around them.