Saariaho: Orion ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada

[@dikaios245]

Gorgeous writing, masterful work! Certainly one of the most relevant composers of our time.

[@Racosz]

Andrés Orozco tiene que ser uno de los grandes músicos clásicos que ha dado esta patria olvidada por Dios llamada Colombia. Destacarse en un medio como el de la música clásica (para cualquier ser humano, pero sobre todo para un latinoamericano) es cosa admirable. Muy bien interpretada esta obra. Con respecto a Saariaho, ¡qué más se puede pedir! Una de las compositoras más grandes de nuestro tiempo. Ya desde finales de la década de 1970 Finlandia se perfilaba como uno de los países que podía generar una contrahegemonía en música contemporánea a lo que se hacía en Francia y Alemania. La música de Saariaho - y por extensión la de otros compositores escandinavos y del Báltico - es una demostración más de que puede haber expresividad y sutileza en la música de vanguardia sin sacrificar lenguaje musical. Tremenda obra.

[@notaire2]

Es ist meine erste Gelegenheit, dieses anspruchsvolle Werk anzuhören. Mysteriös, etwas bedrohlich, überall spannend und endlich ruhig.

[@gerardbegni2806]

Kaija passed away last Thursday at 70. RIP

[@marcellodantedealmeidanune9445]

Grande regência de Orozco dessa obra fantástica de Saariaho inspirada na mitologia grega do gigante caçador celeste. Uma de minhas favoritas da talentosa compositora finlandesa. Parabéns ao grupo!

[@mankiperukangas7785]

R.I.P. Kaija Saariaho (2nd June 2023).

[@jankovskialeksandar]

Gorgeous. Thank you hr-sinfonieorchester

[@pelegrino791]

Magnifique ! Une de meilleures oeuvres que j'ai entendue de Saariaho.

[@OmarFernandesAly]

Thank you very much for do avaliable this masterpiece

[@karimhabet6404]

beautiful performance of this masterpiece

[@gerardbegni2806]

Kaija Saariaho has practiced several styles, never forgetting to be herself. I am very sensitive to what emerges from this piece for large orchestra, which is a kind of modulation of sound rather than a more classiacl opposition pp/ff, even if these contrasts do exist and even structure the piece.

[@arunaszizys5225]

goes straight into my "must listen again to" list

[@JonathanKandell]

Stunning composition. Stunning playing. How does she keep churning them out?

[@MegaVicar]

Great! Especially the second movement. I wish AOE would program that with the Houston Symphony in the future.

[@agramsci7976]

Rest well Maestro. 🙏❤️

[@markdobbins1622]

music starts at 0:38

[@peterwhyte317]

Very nice

[@romanczura4146]

Grande obra!

[@berndbodenstein2258]

Bravo!❤

[@mattituovinen9005]

Hyvä,Kuunneltava toistamiseen !

[@AndreyRubtsovRU]

what's the last note on antiques cymbals supposed to be? Logis would suggest H but then it leaves the E overtone?

[@kuang-licheng402]

great

[@alskndlaskndal]

Very powerful piece!

[@inflatedear7131]

👍

[@rolandtruc9391]

Comment savoir si la deuxième flûte n'a pas oublié un triolet, là, juste après la mesure 145?

[@franzmuller7014]

Roland Truc regardez dans la partition.

[@theotimemilvoy4825]

Henri Dutilleux est passé par là

[@gerardbegni2806]

L'IRCAM et les spectraux aussi.

[@theotimemilvoy4825]

Je viens d'utiliser par mégarde l'adresse de quelqu'un d'autre. Je m'en excuse.

[@lonchaneyfanch9568]

Pas de problème

[@ronaldbwoodall2628]

Evocative, serious, intense, even frightening - but not particularly congenial with my listening tastes. It just didn't sustain my interest too well.

[@ChrisSquaredTwo]

There will be a time when people will listen to this and admit at last that it’s awful, it’s just awful, it’s just unbearable It’s like a “poem” made of letters randomly picked up. No more language. Of course, people in the commentary will disagree. There is no attack from me. I just can’t change my feelings. I wish all of you all the best

[@nathanielouzana]

No, this is very well composed by an educated and well-seasoned composer and I, like many others, find this music enjoyable. Nobody programs music that nobody likes. If you don't like something and can't understand it, just say it and leave the infantile babbling out of it.