Sadie Coles - Gallerist

[@toddfh]

Great interview. Love her perspective and review of experience in the art world.

[@alexismarquez3674]

SADIE COLES IS A TRENDY COLLECTOR AND OWNER OF SELF NAMED SADIE COLES GALLERY. SUPPORTER AND SCOUT OF MANY OF THE NEWEST AND COOLEST NAMES IN LONDON ART.

[@alexismarquez3674]

WHEN I HAD MY VACATION IN CEBU CITY. I SHARED MY COMIC BOOKS WITH CARLOS. I'M NICE LIKE SERENA VANDERWOODSEN. I'M HONEST ❤️ TIME: 5:10PM

[@alexismarquez3674]

I'M A HUMBLE PERSON ♥️ I'M HONEST ❤️ TIME: 4:51PM

[@alexismarquez3674]

I'M HUMBLE LIKE CARLOS . I'M HONEST ♥️ TIME: 4:58PM

[@antwortmir4451]

apropos art dealers vs. the art making process: Horror Endorsement from a notorious art dealer and her call for exploitation: "One has to be evil, downright evil!" quote Eva Presenhuber; We publish these embarrassing statements because we are not the only ones who have been closely following this worrying development in the art market for some time. Former director of Presenhuber gallery: “She’s the type of person who will finish your sentences for you, she won’t let you finish talking. Is there any clearer proof of hubris? Still, she feels very good about it. Eva Presenhuber is rather a special kind of person. I think the best word to describe her would be sociopath. She has been repeatedly made aware that she treats some artists (who depend on her sales activity) like shit. There's no remorse, she wouldn't even know what you were talking about!" Eva Presenhuber is the Harvey Weinstein of the art world. But male artists don't run to the police, even if a gallery owner maliciously molests them. Eva Presenhuber brutally bullied Hugo Markl. If anyone has information on where to find Hugo Markl, please let us know! Hugo Markl has disappeared, we don't know if he is still alive. The puppet master behind this extermination campaign is Ugo Rondinone. (Ex-husband of Eva Presenhuber) sic! Hugo Markl is definitely one of the most influential artists today. The works of a number of artists are directly or indirectly influenced by Markl's works. One should not look for banal copies of copyists, but for an attitude that made Markl's works irrefutably the foundation of their works of art. Markl's work is uncompromising and addresses the center of issues, and we think that getting rid of Markl's influence, consciously or subconsciously, could be extremely difficult for many artists. His work is powerfull if we like it or not. And at the same time hardly any influence is so fought and controverted (or would it be more honest to say denied) by other artists as the influence of Markl's stand on these days art. The manner in which contemporary artists are exploited can be equated with the most brutal psychological abuse of any other derogatory relationship, certainly one of the bloodiest lines of business there is. Of course, [all] carefully hidden behind the mask of the finest, most human and most sensitive of all motifs, namely art.