Bro that release formula was so damn good. I love being technical about that sort of thing. I can generally feel where it sounds good but knowing the true quarters eights and sixteenths is choice. Thanks a lot.
@sageaudio3 жыл бұрын
Awesome! I'm glad you liked the video and enjoyed some of the technical aspects! SageAudio.com
@wadewilliams18923 жыл бұрын
Amazing song, I like the upward compression values used.
@sageaudio3 жыл бұрын
Awesome - thanks Wade! SageAudio.com
@krishnaranaofficial23543 жыл бұрын
Real Teacher ♥️on KZbin
@sumyupee3 жыл бұрын
This is solid advice.
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@weareone54293 жыл бұрын
Wow, a beautiful song. And the mix is gorgeous.
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@Pax30001 Жыл бұрын
Thanks for sharing!
@sageaudio Жыл бұрын
Thanks for watching!
@Selftaught3 жыл бұрын
Great insight and instruction 🙏🏿
@sageaudio3 жыл бұрын
Thanks for watching Jalil! SageAudio.com
@moseskorolinussomiar36503 жыл бұрын
Tqs sir steve to help.. My vocal not bad hope help my song sound..
@sageaudio3 жыл бұрын
Thanks for watching Moses! SageAudio.com
@palebluedotstudios3 жыл бұрын
What song is that? It's lovely!
@sageaudio3 жыл бұрын
It's called 'Summer Breeze' by Emorie SageAudio.com
@palebluedotstudios3 жыл бұрын
@@sageaudio Excellent! Thank you!
@doreldumbrava26272 жыл бұрын
Minunat! Îmi place că totul e concis, la subiect şi în multe variante. Mulţumim!
@matthewmcclure31813 жыл бұрын
Wow! This is one of the most beneficial sets of advise that I didn't know I needed. Looking forward to trying these techniques.
@sageaudio3 жыл бұрын
Awesome! Hope it works out well for you! SageAudio.com
@rocktonmusikschule3 жыл бұрын
Love the videos. Hope your channel grows. You help us a lot. Thanks Greetings from Germany Michael
@sageaudio3 жыл бұрын
Thanks for watching Michael! Glad you're finding the videos helpful! SageAudio.com
@vacuumelite20653 жыл бұрын
Interesting stuff. Thanks for the post. 😊😊
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@briancase61803 жыл бұрын
This is great. Thanks. And thanks for showing the bertom eq analyzer. I've been looking for just that so I can make sure the eq I'm using is the right one for the situation. Excellent!
@sageaudio3 жыл бұрын
Thanks for watching Brian! Glad to hear that the curve analyzer is something you've been looking for! SageAudio.com
@thegroove20003 жыл бұрын
Your good. Very very good. Thanks.
@sageaudio3 жыл бұрын
Thanks Self-law! glad you like the videos! SageAudio.com
@AjmalOmid8 ай бұрын
Nice 👍 job Hi dear how to mix vocal in the last mix down the vocal track is between in the mix or in master project thanks
@atschfab3 жыл бұрын
I love your videos
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@JunPVlog3 жыл бұрын
Thank you for sharing sir new supporters here
@sageaudio3 жыл бұрын
Thanks for watching and leaving a comment! SageAudio.com
@laughspree13 жыл бұрын
Damn.. you are so underrated man! Appreciate ur efforts on doing this! 🙏
@sageaudio3 жыл бұрын
Thanks for watching Ashok! SageAudio.com
@JohanDaniel3 жыл бұрын
sage audio strikes again!❤️🔥🔥
@sageaudio3 жыл бұрын
Thanks for watching Johan! Glad you liked this one. SageAudio.com
@sasarash3 жыл бұрын
Very good thank you
@sageaudio3 жыл бұрын
Thanks for watching Salah! SageAudio.com
@proj3ktil3 жыл бұрын
when i grow up i wanna be sage audio 💖
@sageaudio3 жыл бұрын
Haha thanks for watching! SageAudio.com
@haridhanrabha26453 жыл бұрын
You are the master of master😀
@sageaudio3 жыл бұрын
Haha thanks Haridhan! Glad you're liking the channel! SageAudio.com
@HitzdropBeats3 жыл бұрын
Good Information !
@sageaudio3 жыл бұрын
Thanks for watching - glad you liked it! SageAudio.com
@LanglaisGuillaume2 жыл бұрын
Thx for tuto. I love the song you use. Is there a link to listen it ?
@elcantantejr13 жыл бұрын
That's great!! Thanks !
@sageaudio3 жыл бұрын
Awesome! Thank you for watching! SageAudio.com
@paultp12cora243 жыл бұрын
Good One Thx
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@EpithetMusicTV3 жыл бұрын
i’ve read in many places that attack and release in compressors aren’t actually measurements of time especially with vintage emulations. So 10ms isn’t going to be consistent across compressors. so if that’s the case, what you’re proposing won’t actually work?
@sageaudio3 жыл бұрын
Hey Epithet Music! Thanks for watching! In some instances that's true - in that the attack and release values don't always directly relate to milliseconds (like the 1176; however the time is still measured in milliseconds, but the values used are 1 - 7). If you ever see ms though when using an attack or release you know that the measurement is in milliseconds. SageAudio.com
@DanUpdegraff3 жыл бұрын
Hi Epithet. I often wondered about consistency across plugins until I found a free (demo) tool by DDMF called "PluginDoctor". It analyzes EQ effects as well as compressor attack/release. In short, compressors that use milliseconds as units "do their thing" in the same amount of time. Compressors that don't use milliseconds can do wonky things, so avoid them in time critical situations. FYI - EQ's are a totally different story! Many (I repeat - many) EQs produce different results given the same frequency, Q, dB settings. That drove me nuts for years as I tried learning from KZbin mixing tutorials using my DAW's EQ but not getting the same result.
@sammiller98553 жыл бұрын
I am confused about when to use multi-band compression versus expansion on the mix/master bus. Most videos talk about lessening the dynamics through compression, not increasing them through expansion. Are both compression and expansion sometimes used in tandem--tame the "wild" transients then add back some controlled dynamics where needed?
@sumyupee3 жыл бұрын
Well if something in a particular frequency range needs to be more punchy, thumpy, more attack, transients, you're going to want to expand those areas. Every mix is different. Expanding isn't always necessary but I do tend to expand certain high fequencies and some lower ones for extra attack and punchier low end. The reason you do this before your limiting is because the compression and the limiter are essentially helping you get to a certain overall level and keep the general dynamics of the song within a certain range. Sometimes you'll need a multiband if certain fequencies are too dynamic, just like you'll need an expander if certain fequencies aren't dynamic enough. Make sense?
@sageaudio3 жыл бұрын
Hey Sam! Thanks for watching and leaving a question! Sometimes mixes have already been compressed enough, so to add more wouldn't help. When you find that too much compression has happened, some multi-band expansion can be really helpful! I'd say try it out and experiment with it - I always find that that's the best way to understand something. SageAudio.com
@Gratulsangeet3 жыл бұрын
Very nice...
@sageaudio3 жыл бұрын
Glad you enjoyed it! Thanks for the comment! SageAudio.com
@jshstuff2 жыл бұрын
Though the linear phase hipass advice is probably good, I’m pretty unhappy that you didn’t even mention that linear phase filters bring their own problem of pre-ringing. In some cases could this not be even worse than the phase shift??
@eastm93143 жыл бұрын
Best FREE Mastering SECRETS Revealed! Great! Now reveal the artist behind your beautiful example song!
@sageaudio3 жыл бұрын
Thanks for watching! It's called 'Summer Breeze' by Emorie SageAudio.com
@eastm93143 жыл бұрын
Thanks!
@SantaAgain773 жыл бұрын
Hello. Can You please tell what the song is examples ?????? The voice soooo nice !!
@sageaudio3 жыл бұрын
Sure! It's called 'Summer Breeze' by Emorie SageAudio.com
@sixthestupidcat3 жыл бұрын
Wait so when you divide 60000 by the project BPM do you set that as the release or attack time? Or both?
@sageaudio3 жыл бұрын
Hey Louie! typically you set the release as that number, but you might want to use an 8th or 16th note instead of the quarter note you'd get from this equation. SageAudio.com
@sixthestupidcat3 жыл бұрын
@@sageaudio thank you so much! What typically should I set my attack time to?
@PrasannaMusical3 жыл бұрын
@@sageaudio Hi there. Would like to clarify more. Should we set this value (/ 8th / 16th) that comes out of the equation as the release time, or should we set this value minus the attack (/ pre-delay) as the release time? For example, if my BPM is 100 there by yielding 600ms for quarter note, would it be a correct approach to use an attack / pre-delay of 150ms and a release time of 450ms such that it totals to 600ms? Please let me know. Thank you!
@luvaluvaproductions3 жыл бұрын
@ 2:03, you show the result of 69767 ms. Then you type in: Attack 68ms, Release 174ms. I don't see the correlation. Am I missing something?
@sageaudio3 жыл бұрын
Thanks for watching! We took 60000 divided by 86 (the BPM) and got 697.67ms. 697.67 /4 = 174ms (a 16th note). 68ms was supposed to be 86ms (a 32nd note). Sorry about that! SageAudio.com
@chestiitari95313 жыл бұрын
hi, where did you set the 600 ms : attack or release? even when divided by 4 it is over 100 ms (too long in general) Can you detail more?
@sageaudio3 жыл бұрын
Hey Chestii! Thanks for watching! It was 697ms, divided by 4 is 174! We used 174ms as the release time. Also, I think we used 87ms as well. I believe this was in the demonstration. SageAudio.com
@MutebeFrank Жыл бұрын
Good
@sageaudio Жыл бұрын
Thank you!
@Chydeofficial3 жыл бұрын
When you said to count out the bpm etc and it showed 697.67 ms, how come you typed in 68 on attack and 174 on release? How does that go together?
@sageaudio3 жыл бұрын
Thanks for watching Chyde! I got 174ms by dividing 697.67 by 4. As for 68, I meant to type in 86, which is 1/8th 697.67ms. SageAudio.com
@sq75073 жыл бұрын
Won't linear phase introduce preringing? Plus why is it necessary to care about phase shifts, isn't everything on the master shifting it's phase at the same time. Why would any phase cancellation occur?
@sageaudio3 жыл бұрын
Thanks for watching! You might have to worry about pre-ringing but only at higher linear phase settings. You're right! Since you're working with a stereo track, everything is being shifted at the same time, but this can result in unwanted changes to the frequency response near the frequencies that you're altering. We detail this a bit better in this video: kzbin.info2_v4VrPkzec/
@sq75073 жыл бұрын
Thanks for answering guys!
@BobbyCrane Жыл бұрын
Where can I find this song?!?
@sageaudio Жыл бұрын
Sorry I'm not sure! I made this one a long time ago. Thanks for watching!
@donatello78313 жыл бұрын
Please. Name of song. ..really like sweet
@sageaudio3 жыл бұрын
Hey Dona! It's called 'Summer Breeze' by Emorie SageAudio.com
@riktascale43 жыл бұрын
Thanks for this. How can l apply thiz to a track without vocals or a beat/"riddim"?
@sageaudio3 жыл бұрын
Hey Miguel! I'd say use the techniques here but without bumping 2k (unless that improves your track for one reason or another.) Thanks for watching! SageAudio.com
@seanchun80693 жыл бұрын
Aloha! My name is Sean and I work with Aixdsp. What's the best way the get our software to you for review?
@sageaudio3 жыл бұрын
Hey Sean! Thanks for reaching out. I'd recommend contacting Steve - here's how to contact him directly: www.sageaudio.com/contact.php
@seanchun80693 жыл бұрын
@@sageaudio Thanks for the response! I sent a message on your site!
@nhegskeelz3 жыл бұрын
hi sir how to get this plug in
@sageaudio3 жыл бұрын
Thanks for watching the video! You can download it online or purchase it directly from the developer! SageAudio.com
@JohanDaniel3 жыл бұрын
Hi why is the mid side eq used ? the side one makes everthing mono but the other one?
@DanUpdegraff3 жыл бұрын
Hi Johan. A normal HPF cuts mid and sides, so in this case, it would "double cut" the sides since a side HPF was also used. (i.e. The normal HPF would produce a steeper slope than you expect.)
@JohanDaniel3 жыл бұрын
@@DanUpdegraff ooh nice thanks mate!
@sageaudio3 жыл бұрын
Hey Johan! The mid one that's up to 20Hz, cuts out signal that you wouldn't be able to hear otherwise. This gives you more headroom without having to sacrifice anything audible! Also, lower frequencies mask those above them, so by cutting it we're making the frequencies above it more audible. SageAudio.com
@dulmin_3 жыл бұрын
Phase shifts caused by High Pass (Low cut) filters in zero latency may even WASTE headroom (instead of gaining), isn't it? So yeah, it's wise to use linear phase EQ (unless having it's own side-effects). Thanks for the advice! This is the video which led me to concern about wastage of headroom by filters. For anyone to whom it's useful, here is the link:- kzbin.info/www/bejne/aqDIl3tvrrdga5I
@sageaudio3 жыл бұрын
Hey Dulmin! Thanks for watching and leaving a comment! It's definitely possible for the shifts caused by zero latency filters to amplify frequencies you don't want amplified. Good point! SageAudio.com
@SpencerMMusic2 жыл бұрын
but you should also be aware that linear phase eq also has it's own issues such as pre-ringing which is particularly damaging to low frequency information. regular eq and linear phase are both tools to be used with advantages to each
@ssemujjubaweesi63153 жыл бұрын
🙏🏿🙏🏿🙏🏿🙏🏿🙏🏿
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@snaredrum9543 жыл бұрын
❤️💪
@sageaudio3 жыл бұрын
Thanks for watching Rev! SageAudio.com
@menjahboy3 жыл бұрын
💥💥💥👌👌👌🔥🔥🔥🔥
@sageaudio3 жыл бұрын
Thanks for watching MANGER BOY BEATS! SageAudio.com
@menjahboy3 жыл бұрын
I want you to do a tutorial, how to limit your beat with stock vst and also fabfilter pro l2.
@SXTWLVE3 жыл бұрын
Was this sponsored by fabfilter?
@sageaudio3 жыл бұрын
We wish! But no, we just use those since they're good for demonstrations and sound good. SageAudio.com
@GaryCunninghamyouareenough3 жыл бұрын
🤟🙏🏻🤟
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@digitaltrash_3 жыл бұрын
Reese Bass won't say you thanks if you cut low end in SIDE.
@sageaudio3 жыл бұрын
Thanks for watching! SageAudio.com
@abbasahmedlp3 жыл бұрын
Sync to bpm???...... Cries in polyrhythm
@sageaudio3 жыл бұрын
Hahah that can definitely be a challenge! Thanks for watching! SageAudio.com
@papa.alfredo3 жыл бұрын
I will never spend time in making mathematical decisions to sync anything, sorry but too much talking about multiplying numbers and digits, useless
@sageaudio3 жыл бұрын
All good! Thanks for watching regardless! SageAudio.com
@yembalaa3 жыл бұрын
Your first tip is absolutly useless. (taking a full bar as an example) Compressor takes time for react to the signal.. (this depends of threshold and attack time) so, never you will start to compress at the begining of the bar, hence, you can calculate what ever you want, but release never ends in the end of bar. If you had a trained ear you could hear it in the same way that pre ring can be heard when using linear phase high pass filters. Stop trying to cheat. Start learning :)
@sageaudio3 жыл бұрын
Thanks for watching! You're right that the attack determines the amount of time before the compressor reacts (but the threshold does not). If your attack is 0ms, then the compressor reacts nearly immediately, making the technique useful. Additionally, you could combine the attack and release times to equal a particular note. For example if a quarter note = 200ms, an attack of 50ms would be 1/16th, then you could set your release accordingly. Of course use your ears like you said, but math helps. SageAudio.com
@yembalaa3 жыл бұрын
@@sageaudio the attack determines the amount of time before the compressor reacts (but the threshold does not). OH, Really? Threshold not? So you have your threshold in -12 db(for example), but in a part of a song, kick and bass is missing, only piano, vocals and snare sounds, so, kick or bass dont shoot the threshold now, but, the rest of the instruments? Maybe some note of the piano can do it, maybe son peak of the vocal.... Where is your magic trick now ? I'll tell you, magical tricks in audio are for noobs and don't exist. They should be learning how a professional works, but instead they waste their time looking for magic tricks. And then I have to explain them why they should stop consuming cheap content like this. On the one hand it's fine, because they pay me to dismantle magic tricks like yours. But on the other hand it sad.. because there are many people wasting their money and time. PD: Ratio determinates de amount of time before the compressor reacts too. Now your brain exploded.