Scarlatti - 26 Keyboard Sonatas K 141, 247, 27, 533 .. REMASTERED (Century's recording: Emil Gilels)

[@classicalmusicreference]

Album available // Scarlatti: 26 Keyboard Sonatas by Emil Gilels 🎧 Qobuz bit.ly/3R243t4 Tidal bit.ly/3BvmSPJ 🎧 Apple Music apple.co/3DEYYUL Deezer bit.ly/3Sm1hjI 🎧 Amazon Music amzn.to/3RYYNYJ Spotify spoti.fi/3Uql3vV 🎧 KZbin Music bit.ly/3jJCt8X SoundCloud bit.ly/3GwBQsq 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … Domenico Scarlatti (1685-1757) 26 Keyboard Sonatas by Emil Gilels 00:00 Keyboard Sonata in D minor, K. 141 (Remastered 2022, Moscow 1960) 04:31 Keyboard Sonata in F Major, K. 518 (Remastered 2022, Moscow 1960) 09:03 Keyboard Sonata in D minor, K. 32 (Remastered 2022, Moscow 1960) 11:17 Keyboard Sonata in F minor, K. 466 (Remastered 2022, Moscow 1960) 15:17 Keyboard Sonata in A Major, K. 533 (Remastered 2022, Moscow 1960) 18:05 Keyboard Sonata in B minor, K. 27 (Remastered 2022, Moscow 1960) 22:23 Keyboard Sonata in G Major, K. 125 (Remastered 2022, Moscow 1960) 24:49 Keyboard Sonata in D minor, K. 141 (Remastered 2022, London 1957) 29:02 Keyboard Sonata in C sharp minor, K. 247 (Remastered 2022, London 1957) 35:08 Keyboard Sonata in B minor, K. 27 (Remastered 2022, London 1957) 40:01 Keyboard Sonata in A Major, K. 533 (Remastered 2022, London 1957) 42:52 Keyboard Sonata in G Major, K. 125 (Remastered 2022, London 1957) 45:03 Keyboard Sonata in D minor, K. 141 (Remastered 2022, London 1984) 49:48 Keyboard Sonata in F Major, K. 518 (Remastered 2022, London 1984) 54:53 Keyboard Sonata in D minor, K. 32 (Remastered 2022, London 1984) 57:56 Keyboard Sonata in F minor, K. 466 (Remastered 2022, London 1984) 1:03:07 Keyboard Sonata in A Major, K. 533 (Remastered 2022, London 1984) 1:06:14 Keyboard Sonata in B minor, K. 27 (Remastered 2022, London 1984) 1:10:57 Keyboard Sonata in G Major, K. 125 (Remastered 2022, London 1984) 1:13:23 Keyboard Sonata in E Major, K. 380 (Remastered 2022, Moscow 1955) 1:18:26 Keyboard Sonata in B minor, K. 27 (Remastered 2022, Moscow 1955) 1:22:39 Keyboard Sonata in A Major, K. 113 (Remastered 2022, Moscow 1955) Keyboard Sonata in C Major, K. 159 (Remastered 2022, Moscow 1955) Keyboard Sonata in G Major, K. 125 (Remastered 2022, Moscow 1955) Keyboard Sonata in D minor, K. 141 (Remastered 2022, Moscow 1955) Keyboard Sonata in A Major, K. 533 (Remastered 2022, Moscow 1955) Piano: Emil Gilels Live recordings: London 1957 & 1984, Moscow 1960 Studio recording: Moscow 1955 New mastering in 2022 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr French/English. Cette compilation remastérisée témoigne de l’art d’Emil Gilels sur une période de 30 ans. 26 petits chefs-d'œuvre recréés nous amènent à mentionner dans notre titre le nombre de 26, car Emil Gilels n’interprète jamais deux fois de la même manière la même sonate. L’album complet est disponible sur Qobuz, Apple, Amazon, Spotify, Tidal, Deezer (voir les liens en description). -- This remastered compilation is a testimony to Emil Gilels' art over a period of 30 years. 26 little recreated masterpieces lead us to mention in our title the number 26, because Emil Gilels never performs the same sonata the same way twice. The complete album is available on Qobuz, Apple, Amazon, Spotify, Tidal, Deezer (see links in description). -- Piero Rattalino (à l’occasion d’un concert d’Emil Gilels en Italie) : "J'ai été un peu déçu quand j'ai lu le nouveau programme : Sept Sonates de Scarlatti en échange des Brahms-Paganini ne m'a pas semblé très excitant. Au contraire, ce fut l'un de ses plus beaux récitals. Gilels était de taille moyenne, plutôt court, avec une carrure agile mais trapue et une tête de léonin avec des cheveux de sébaste. Il avait une façon bien particulière de marcher sur scène : la tête fièrement haute, le visage sérieux, jamais souriant, son allure rapide. Je ne sais pas s'il a fait un entraînement autogène dans sa loge, mais vous avez compris que la musique avait déjà commencé pour lui avant qu'elle ne commence pour nous. Vous l'avez compris par sa concentration et par la position de ses bras (si étrange qu'au début elle semblait affectée), s'étendant à partir de son corps et pliés au niveau du coude. Quelle position étrange, pensai-je en le voyant entrer sur scène pour la première fois. J'en ai compris la raison lorsqu'il s'est assis au piano : ses bras étaient déjà réglés pour attaquer les touches. Un jour, un musicien d'orchestre m'a dit qu'aux répétitions, Toscanini montait sur le podium avec sa baguette déjà en mouvement. Gilels est entré avec ses bras prêts à jouer, et a gardé cette position. Il ne faisait pas toujours cela, mais quand c'était le cas, une force colossale jaillissait de lui, et on avait le sentiment que ce serait une soirée glorieuse". -- Piero Rattalino (on the occasion of an Emil Gilels concert in Italy): "I was a little disappointed when I read the new program: Seven Sonatas by Scarlatti in exchange for Brahms-Paganini did not seem very exciting. On the contrary, this was one of his most beautiful recitals. Gilels was of medium height, rather short, with an agile but stocky build and a leonine head with redfish hair. He had a very particular way of walking on stage: head proudly up, face serious, never smiling, his pace fast. I don't know if he did autogenic training in his dressing room, but you understood that the music had already started for him before it started for us. You understood it by his concentration and by the position of his arms (so strange that at first it seemed affected), extending from his body and bent at the elbow. What a strange position, I thought as I watched him enter the stage for the first time. I realized why when he sat down at the piano: his arms were already set to attack the keys. An orchestral musician once told me that at rehearsals, Toscanini would walk up to the podium with his baton already in motion. Gilels came in with his arms ready to play, and kept that position. He didn't always do that, but when he did, there was a colossal force coming out of him, and you got the feeling that it was going to be a glorious evening." Domenico Scarlatti (1685-1757) The Keyboard Sonatas by Clara Haskil. 🎧 Qobuz bit.ly/3rx56rT Deezer bit.ly/31wQaPO 🎧 Amazon Music amzn.to/3WUhPRV Tidal bit.ly/3xS0A8p 🎧 Spotify spoti.fi/31tjJBK Apple Music apple.co/3q7ytPp 🎧 KZbin Music bit.ly/3VBZB6N SoundCloud bit.ly/3qu1zIG 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …

[@elmiramuradova561]

Thanks

[@キン-f7r]

しけきかか 　😮😅😅😅zz

[@aquariusp]

Thanks for posting the links to the digital music stores. What a beautifully remastered series! I got the entire 26 sonatas.

[@classicalmusicreference]

@@aquariusp You're welcome! Thank you for your feedback :)

[@kpokpojiji]

I have never heard a recording by Gilels that hasn't moved me profoundly. Such magnificent poetry of interpretation.

[@axba001]

Keiner spielt diese Scarlatti-Sonaten so gut wie Emil.

[@hisky.]

Martha Argerich.

[@notaire2]

Wunderschöne und lebhafte (teilweise live) Interpretation dieser 26 fein komponierten Tastensonaten im relativ schnellen Tempo mit klarem doch warmherzigem Klang des technisch fehlerlosen Klaviers und mit künstlerisch kontrollierter Dynamik. Die verbesserte Tonqualität ist auch erstaunlich hoch als Original (teilweise live) aufnahmen von 1955 bis 1984. Alles ist faszinierend!

[@MenelionFR]

I've been listening to Emil Gilels from my childhood and still believe his rendition of the Moonlight Sonata is the best. However, I've never heard Scarlatti in his performance before, and it's a delight! I don't know what maestro Scarlatti would have said about it, but for some reason I believe he would appreciate these rich dynamics and colorful changes of articulation.

[@Регина-ъ4ъ]

Браво, спасибо автору канала за труд и Скарлати и Гилельса. Спасибо и вам за ответ, согласна, великолепное проникновение в душу сонат Скарлати и в наши души неотразимого Гилельса. Я живу в России. И много раз слушала Гилельса в Москве и Санкт-Петербурге. Божией милостью я писатель, вбить в Яндекс Лариса Розена писатель и выйдут в Ридеро и ЛитРес 17 книг,Бог дал много писала о композиторах, музыкантах, художниках , писателях художественных рассказов.хрант всех Бог, счастья, здоровья, успехов и удачи во всех начинаниях, с поклон Лариса Розена

[@jgamez5023]

The great Gilels !

[@quaver1239]

One more comment (that you probably don’t want or need). Am enjoying these (loving them) more than I can say. That a strong, sturdy, powerful-appearing man could make music with such sensitivity and delicacy is a truly stirring phenomenon. He need not be compared with anyone else - just marvelled at and enjoyed. Thank you again for these sonatas.

[@metteholm4833]

Talent and emotion - and musical touch has nothing to to with sturdy build or not. Take a look at Sokolov..... a marvel.

[@quaver1239]

@@metteholm4833 : I know that. It’s obvious; not so?

[@benjamMin278]

You are so right. Amazing discovery! 😮

[@happysailormusica]

I can't resist.but I hear this melodies in Bach's Goldberg variations

[@elmiramuradova561]

Thank you. Agree with you.

[@BrunoMachet]

Absolutely marvellous. But who could expect less from Gilels ...?

[@slmanbadr6832]

HE IS THE GREATEST PIANO PLAYER EVER

[@anahobintie]

I adore Scarlatti and this recording is brilliant. Thank you!

[@metteholm4833]

The worlds loveliest Scarlatti interpretations! Thank you, Emil Gilels 💖

[@excelsior999]

Gilels' rendering of Scarlatti on the piano was indeed superb. Ivo Pogorelich's Scarlatti album on DG is also remarkable. I have to assume, however, that you are not familiar with the work of the late, great harpsichordist Scott Ross, who was the first person to record all 555 of Domenico Scarlatti's keyboard sonatas - a monumental achievement by an incredible musician.

[@osiggaard-andersen1843]

Эмиль Гилельс - один из многих русских музыкантов, внесших свой вклад в мировое культурное наследие.

[@francodegrandis7531]

Ucraino con origine lituana da padre non russo!

[@serg68ful]

​@@francodegrandis7531 ukronazi detected

[@mehmetiksel3081]

Totally inspired. A gift to humanity.

[@magdalenaholt2967]

Indeed he was.

[@cecik5578]

His trills were SO TIGHT. Absolutely thrilling.

[@newyorkslim2001]

absolutely trilling

[@jayakumarkaarikuzhy4713]

I did get the notification of this video on the first day of release. But neglected it as I have never listened to the recital of this pianist although I saw several videos of his 'floating around' on YTM. After three days this video again peeped into my phone screen. Opened and listened to the music in its entirety overcoming my habit of going from one music video to another within minutes. I remember you have mentioned in the description that Gilels was a stocky man and "when he sat down at the piano his arms were already set to attack the keys". Absolutely correct. Several pieces of music were evidently prone to his strong attacks using a single finger which prompted me to wobble my head sideways in tandem with the beauty of the music! I don't know how many times I used to listen to this music every day. An excellent musical presentation which helps me nap in between because of the length of rendition. Not forgetting Scarletti while enjoying the fruits of his labour!. Thanks, you have carefully selected all the sonatas in such a way as to allow the listener to start playing and forgetting everything for 1.5 hours. Thoroughly enjoyed Gilels' charming 'attacks (on) the keys'. Bravo . Bravo.

[@류순열-h6i]

아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕

[@barbarabertoldicello]

Grandissimo Gilels!!!

[@Misteribel]

Nice of you to repeat the sonatas. Wonderful listening!❤

[@cecik5578]

54:53 D minor..sublime writing, sublime interpretation!

[@pasqualevalore5100]

Una verdadera maravilla del maestro Scarlatti ! Desde la universidad lo conocí y me cautivo la riqueza de sus composiciones !

[@igorkotov7780]

Удивительный пианист. Любимый и неповторимый. Народный артист Советского Союза, Герой социалистического труда.

[@francodegrandis7531]

Ucraino di Odessa! Con padre lituano e famiglia ebraica,cioe' tutto ma non russi

[@igorkotov7780]

@@francodegrandis7531 Grande pianista russo di origine ebraica. È cresciuto nella cultura russa e l'ha servita per tutta la vita. Odessa è una città russa. Storia dello studio.

[@francodegrandis7531]

@@igorkotov7780 ha suonato tutti i compositori non solo i Russi! Anche quelli che la politica russa vietava ( era riuscito a farsi esonerare dal divieto di suonare prokofiev e Company) poi si informi meglio di cosa pensava veramente gilels del sistema sovietico,temeva pure suo cognato kogan,che era stato obbligato dal KGB ad informare sugli altri musicisti,si ricorda che Rostropovich lascio' la Russia? Oppure non le risulta neanche questo? In Italia gilels confesso che aveva paura di essere seguito dal KGB,ma voi Russi queste cose non le sapete vero?

[@igorkotov7780]

@@francodegrandis7531 dammi un link in cui Gilelbs ha parlato della persecuzione del KGB? Non ho sentito parlare di una cosa del genere. Gilels ha ricevuto i più alti riconoscimenti dell'Unione Sovietica. Era un comunista. O non ne hai sentito parlare? Nessuno ha costretto i musicisti a unirsi alla festa. Rostropovich non era un comunista.

[@francodegrandis7531]

@@igorkotov7780 sono in libri editi nel mondo,specie in america dove il servitore comunista ha suonato più di tutti per 26 anni circa in un' intervista sulla rivista musica con in copertina Emil gilels. Alla domanda di cosa pensasse che i suoi colleghi fossero andati via dall' Urss rispose: cosa vuole che le dica,io sono qui che faccio i miei concerti e loro sono qui che fanno i loro! Ma non disse mezza parola contro gli scappati dal sistema sovietico,poi tutti sanno che scappare dal comunismo con i famigliari sotto controllo non era una passeggiata! Comunque c'è un libro di un accordatore americano che parlava di queste paure di gilels e addirittura ( ora non ricordo dopo 30 anni con precisione di una vicenda che gilels racconto a questo accordatore riportata nel libro Americano che io vidi a new york

[@ГалинаСердолик]

Thank you from the bottom of my heart!!! Bravo!!!❤❤❤👋👋👋

[@baoluan1288]

This is a jewel, thanks for sharing!

[@davidscott1052]

Born in the same year as JS Bach....two geniuses together

[@2Hot2]

Three, with Handel.

[@ericaconce9891]

Verdade ... um tocado pelas paixões humanas, outro movido pelo amor a Deus... amo os dois!!!

[@metteholm4833]

I´m quite sure, Scarlatti himself would have enjoyed this! Gilels made the music fly!

[@Регина-ъ4ъ]

Гилельс заставил музыку летать - сказали вы, думаю , не только летать, но проникать в сердца человеческие. Всех благ, с уважением и теплом, Лариса Розена, Божией милостью духовный писатель.

[@quaver1239]

Oh, thank you!! What a great gift to find on an iPad!! 🙏 😊

[@ingemayodon5128]

Je ne connaissais pas cet artiste. Je le trouve superbe et son jeu me touche beaucoup. Merci beaucoup et meilleures salutations de Montréal, Qc, Canada

[@classicalmusicreference]

Oui ! L'un des plus grands pianistes du XXe siècle

[@SuperHyperExtra]

Extraordinaire dans les sonates de Beethoven aussi. (Mtl, QC aussi...)

[@ingemayodon5128]

@@SuperHyperExtra Cela fait plaisir, Montréal aime la musique classique. Ns avons de bons orchestres! Bonne journée.

[@classicalmusicreference]

French/English. Cette compilation remastérisée témoigne de l’art d’Emil Gilels sur une période de 30 ans. 26 petits chefs-d'œuvre recréés nous amènent à mentionner dans notre titre le nombre de 26, car Emil Gilels n’interprète jamais deux fois de la même manière la même sonate. L’album complet est disponible sur Qobuz, Apple, Amazon, Spotify, Tidal, Deezer (voir les liens en description). -- This remastered compilation is a testimony to Emil Gilels' art over a period of 30 years. 26 little recreated masterpieces lead us to mention in our title the number 26, because Emil Gilels never performs the same sonata the same way twice. The complete album is available on Qobuz, Apple, Amazon, Spotify, Tidal, Deezer (see links in description). -- Piero Rattalino (à l’occasion d’un concert d’Emil Gilels en Italie) : "J'ai été un peu déçu quand j'ai lu le nouveau programme : Sept Sonates de Scarlatti en échange des Brahms-Paganini ne m'a pas semblé très excitant. Au contraire, ce fut l'un de ses plus beaux récitals. Gilels était de taille moyenne, plutôt court, avec une carrure agile mais trapue et une tête de léonin avec des cheveux de sébaste. Il avait une façon bien particulière de marcher sur scène : la tête fièrement haute, le visage sérieux, jamais souriant, son allure rapide. Je ne sais pas s'il a fait un entraînement autogène dans sa loge, mais vous avez compris que la musique avait déjà commencé pour lui avant qu'elle ne commence pour nous. Vous l'avez compris par sa concentration et par la position de ses bras (si étrange qu'au début elle semblait affectée), s'étendant à partir de son corps et pliés au niveau du coude. Quelle position étrange, pensai-je en le voyant entrer sur scène pour la première fois. J'en ai compris la raison lorsqu'il s'est assis au piano : ses bras étaient déjà réglés pour attaquer les touches. Un jour, un musicien d'orchestre m'a dit qu'aux répétitions, Toscanini montait sur le podium avec sa baguette déjà en mouvement. Gilels est entré avec ses bras prêts à jouer, et a gardé cette position. Il ne faisait pas toujours cela, mais quand c'était le cas, une force colossale jaillissait de lui, et on avait le sentiment que ce serait une soirée glorieuse". -- Piero Rattalino (on the occasion of an Emil Gilels concert in Italy): "I was a little disappointed when I read the new program: Seven Sonatas by Scarlatti in exchange for Brahms-Paganini did not seem very exciting. On the contrary, this was one of his most beautiful recitals. Gilels was of medium height, rather short, with an agile but stocky build and a leonine head with redfish hair. He had a very particular way of walking on stage: head proudly up, face serious, never smiling, his pace fast. I don't know if he did autogenic training in his dressing room, but you understood that the music had already started for him before it started for us. You understood it by his concentration and by the position of his arms (so strange that at first it seemed affected), extending from his body and bent at the elbow. What a strange position, I thought as I watched him enter the stage for the first time. I realized why when he sat down at the piano: his arms were already set to attack the keys. An orchestral musician once told me that at rehearsals, Toscanini would walk up to the podium with his baton already in motion. Gilels came in with his arms ready to play, and kept that position. He didn't always do that, but when he did, there was a colossal force coming out of him, and you got the feeling that it was going to be a glorious evening." 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

[@elmiramuradova561]

Thank you. Gilels is my lovely Pianist. ❤

[@レーガンオクサーナ]

Лечебный бальзам на душу-исполнение Гилельса!

[@sirdicaudore]

Oh God, how beautifully he plays.... (Sonata in C sharp minor, K. 247 London 1957, Sonata in D minor, K. 32 London 1984.... no words....)

[@elmiramuradova561]

❤

[@droogtchekhova32]

Շնորհակալությու՜ն:

[@newyorkslim2001]

wow - tempestuous... thunderous... terrific

[@ericaconce9891]

Grande Emil... 👏👏👏👏👏👏👏👏

[@belitkuzeyclassics6303]

Inspiring compositions, inspiring performance..

[@stijnzimny5097]

Best Scarlatti interpreter by far. Forget about Scott Ross (... may i have an opinion ?!)

[@sergeyhrapkovsky3452]

высший класс исполнительского искусства, гордость нашей страны.

[@alexmagon2645]

На самом деле здесь представлены 10 сонат, многие повторяются (в разные года исполнения), например ор.27 исполняется аж 4 раза. Для меня лучшими представились варианты 1960 года: они сыграны проникновеннее, по-авторски... а это чрезвычайно сложно в некоторой еще не преодоленной эпохе "клавесинности" музыкального материала.

[@iskander21024]

I have been adoring this for years/ Thanks a lot

[@ivetesimpson9018]

A sonata 466 é indizivelmente linda.

[@iivaridark6850]

These are very different from for example Maria Tipo's - but maybe that is the feature of a skilfull compositor to allow his art to be presented in many ways!

[@jonathanbein5559]

I love both this and Maria Tipo's. She is also phenomenal.....and underrated too.

[@shin-i-chikozima]

He holds an unchallend position as an interpreter of Scarlatti,

[@vdardano]

Wonderful... I am still partial to Scott Ross on harpsichord though, what do you think?

[@sergiucojocari4409]

Oh, my God!!!

[@joelpatrick287]

Now this is different! So glad the search engine surfaced this one for me. Gilels seems to go a lot further in sonorities with the piano. So intriguing. My intro to Scarlatti was through Ross on harpsichord: passionate work but less complex acoustically (harpsichord). Piano is so deep. The piano interpretations should be endlessly fascinating because of it. I think there is a sense that it sells the playing and listening experience short to hammer out Scarlatti on the piano as if it were a harpsichord. This is so creative. I do not see K 132 here. Wonder if he recorded it? It would probably be as amazing as this one from Alexandre Tharaud (France) kzbin.info/www/bejne/ZqK5qWytfaZpd6M

[@suelamullaj7068]

Gilels e un grande specialmente in beethoven

[@francodegrandis7531]

E in 20 altri autori! Si dimentica che Rachmaninov lo considerava il più grande pianista,prokofiev le ha fatto eseguire 8 sonata così come kaciaturian e kabalevski solo per dire alcuni

[@robhersey1796]

Amazing music but way too many ads

[@alombredeslava2468]

Scarlatti a fait le bonheur de Gilels, Haskil, Meyer, Michelangeli, Pletnev et beaucoup d’autres encore. à l’exception notoire de S.Richter qui ne l’a jamais joué (Saura-t-on jamais pourquoi?)

[@francodegrandis7531]

Negli ultimi anni Richter si dice dispiaciuto di non avere suonato le sonate di scarlatti e le voleva suonare ,ma purtroppo non ne ebbe il tempo causa ritiro e morte

[@alombredeslava2468]

@@francodegrandis7531 Richter était un pianiste génial et très singulier dans ses choix. Il s’est souvent abstenu de jouer des œuvres de compositeurs qu’il adorait sans qu’on comprenne toujours pourquoi. Son rejet de Scarlatti est semble-t-il tout aussi inexplicable. Pourquoi l’âge aurait-il pu le détourner plus des sonates de Scarlatti que des petites pièces lyriques de Grieg qu’il a souvent jouées avant sa mort ???

[@BADRUBULDURA]

❤❤❤❤❤❤❤❤

[@Iamsegesest]

💙🧡❤

[@likbezpapuasov4888]

Where/when was performed K27?

[@светланаавласович-ш1я]

If someone could add Scarlatti Sonatas by Gilels from Locarno 25.09.1984... Thanks.

[@ВеруняШевчугова]

🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹

[@liangseng7474]

William Shatner is a pianist?

[@CaroleHoldem-lh4np]

Scarlatti Keyboard , Wasn't sure if l liked it, But it has livened up a bit ,🎶😊@ Classical Music / Reference ⭐👏🎶🎶✨✨8:25am

[@zzbenjam9586]

12:20 yoo so Beethoven's 9th is sampled on Scarlatti??

[@ericaconce9891]

Pode até ser, talvez em nível inconsciente...

[@m.erubik]

Why there are some repeated sonatas?

[@andredelacerdasantos4439]

Because he never plays a Sonata the same way twice

[@sjorsvanhens]

I love Gilels' interpretation of Beethoven's sonatas because he plays them slower. Lets hear if the same holds true for Scarlatti's. Edit: It does. For contrast, hear: kzbin.info/www/bejne/fZmciIttibCZoas&ab_channel=musiklog

[@canman5060]

The slower approach to Beethoven's sonatas was Gilels much later interpretation. His many pre-1960's recordings took the tempo a lot faster.

[@classicalmusicreference]

In your link, the problem of Marta is not even the speed but a lack of relief and breathing. Everything is flat and treated superficially. For example, Emil Gilels played the complete piano concertos of Beethoven in public and his speed of execution is incredible but it breathes, the dynamics, phrasing and character are exceptional. Beethoven - Piano Concertos No.1,2,3,4,5 'Live Recordings' (Ct. rec.: Emil Gilels, Kurt Sanderling) kzbin.info/www/bejne/qJTRaYSsjLmsrpo

[@ЮрийОтрепьев]

Gilels' work is much more sensual and dramatic, and not a "circus number" ...

[@steveegallo3384]

@@ЮрийОтрепьев -- True.....Compares with Pletnev and Pogorelić....Cheers from Acapulco!

[@bifeldman]

Caviar.

[@johannesbrahms7414]

There is no substitite for an intelligent, sesitive---- "soul-deep"---- Performer! It was widely known that Gillels was obsessed with going on stage in an intense, "trance-like" state. All, the Public and stage-hands, would immediately detect that "Here is a Human, who does not want to be, and, out of---- Decency---- must not be disturbed! It it is so, painfully, unfortinate that he lived fight on the transition from Monaural to Stereo and then, to Digital Compact Disc! I have the "feeling" that he might have been consciously and/or subconsciously slighted for "looking" to the, MOST, FEEBLE-MINDED---- "BRAINLESS"---- like a "creature from a "backwards" Past----SHAME!!!! Thank you, You Tube, and all involved in the Production of this truly great and most enjoyable Video It is a most, shamefully, OVERDUE, Righting of an Injustice, EXTREMELY PAINFULLY---- TOO LATE---- FOR A DECEASED MEGA-ARTIST!!!!

[@leonardodemarco6398]

Certamente Gilels non avrà avuto la tecnica sopraffina di Benedetti Michelangeli ma quanto a volume di suono non ha eguali.

[@giuseppepuccidibenisichi8660]

Ok ok ok ok ok ok

[@JeanPaillard-e6w]

J

[@curlymyhero]

Gilels was more famous for his Ludwig and I never knew he played Scarlatti too. God bless them for trying but his piano sounds way out of tune!

[@shulahamilton9025]

Stupid interruptions in the middle of playing a piece of music.

[@ettoregelli6834]

Gilels Is a Genius but not with Scarlatti

[@ellenmaccarrone4936]

The pianist is lovely, but I just do not care for Scarlatti. I can understand his charms, but he simply doesn't suit my taste. Thanks for understanding

[@sahanarzruni584]

Bad remastering!