Schumann - Davidsbündlertänze, op. 6 (Audio+Sheet) [Kempff]

Wilhelm Kempff, piano (studio recording, 1967) | 📍▼ TIMESTAMPS below ▼📍
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00:00 No. 1 - Lebhaft
01:23 No. 2 - Innig
02:52 No. 3 - Etwas hahnbüchen
04:23 No. 4 - Ungeduldig
05:13 No. 5 - Einfach
07:02 No. 6 - Sehr rasch
09:06 No. 7 - Nicht schnell
12:50 No. 8 - Frisch
13:53 No. 9 - Lebhaft
15:36 No. 10 - Balladenmässig, sehr rasch
17:14 No. 11 - Einfach
19:01 No. 12 - Mit Humor
19:52 No. 13 - Wild und lustig
23:10 No. 14 - Zart und singend
26:07 No. 15 - Frisch
28:04 No. 16 - Mit gutem Humor
30:01 No. 17 - Wie aus der Ferne
34:27 No. 18 - Nicht schnell

[@Solfonny]

It's nice having an ad thrown in every few dances, to remind me that I'm a human being with a body in the real world.

[@angreagach]

Ads at the beginning or end of a video are one thing. Ads that interrupt a video are unforgiveable. Boycott anyone who commits this crime.

[@jackatherton0111]

This magical, deeply romantic recording opened up Schumann for me. Some say Kempff could not penetrate Schumann’s darker side, but a very different, more anguished pianist -Arrau - found Kempff incomparable.

[@elie2133]

the transition from minor to major in N17 is absolutely insane how perfect it is

[@PMiss-gl8fy]

One of the most beautiful music ever composed

[@user-im6ro3dv1x]

역시 슈만곡의 전문가 답게 빌헬름 켐프의 연주는 최고입니다 켐프의 중용적인 연주는 항상 과하지 않으며 그만이 가지고있는 부드러운 터치는 그러나 정렬적인 부분에서는 과감한 터치를 들려줍니다 슈만의 곡은 그만의 선율에 어디까지나 동기가 살아 숨쉬고 있는데 마치 꿈과같은 아름다운 이야기가 담겨있씁니다

[@dariodangelo8938]

Imho Kempff’s “tender touch”, delicate sound and love for nuances are something “unique” in whole history of piano.

[@StephenJackson1958]

😃Peerless playing in its characteristic finesse, clarity of articulation and telling understatement. I haven't heard this in years and it was Wilhelm Kempff in his absolute prime (early 1960's). Then he was a pianist then, absolutely, to take on the world; and the sound is far better (no doubt thanks to a digital brush-up) than I remember it. Can we have his 'Papillons', please, from the same era, and second-to none? Schumann himself said that if Papillons was the congenial mask, Davidsbundlertanze was the face beneath: we need them both. Bravo! And the score, for serious students, adds so much.

[@roberthayes7737]

Just wanted to thank you for putting the time and effort into these score videos. It's beautiful music, and nice to be able to read along.

[@barbarafasoli5004]

Sì è fantastico seguire con lo spartito grazie

[@pandiatonizm]

Wow!! Total earpleasure! A tone magician

[@czffg9757]

Prof. Kempff is the world's greatest pianist of all indeed !!

[@r0mmm]

Thank you, Schumann

[@r0mmm]

No. 15 is breathtaking

[@Alex-iu7dl]

Especially that soprano melody in the second part. Mesmerizing

[@yihui7176]

no. 17 is my personal favourite

[@CatkhosruShapurrjiFurabji]

It's so forward-looking!

[@TheModicaLiszt]

@@CatkhosruShapurrjiFurabjibut it has no eyes

[@filibertopierami6892]

Kempff aveva un tocco davvero magico, che non trovo nei pianisti orientali, che ormai sono numerosi come cavallette!!!!

[@letsschubertiad1966]

No.14

[@atlantargh]

Gorgeous beyond words.

[@quaver1239]

Thank you!!!

[@calebhu6383]

4:23, 7:30, 19:28, 20:14

[@CatkhosruShapurrjiFurabji]

3 more days to go ;)

[@ofpoprecords]

Quel touché somptueux.

[@luisfrodrimaz]

1. Animado - 2. Íntimo - 3. Con humor, algo engreído - 4. Impaciente - 5. Fácil - 6. Muy rápido e introspectivo - 7. No rápido con sensación extremadamente fuerte - 8. Fresco - 9. Animado - 10. Como una balada. Muy rápido - 11. Fácil - 12. Con humor - 13. Salvaje y divertido - 14. Delicado y cantando - 15. Fresco - 16. Con buen humor - 17. Como desde la distancia - 18. No rápido -

[@alexandrekuzmanovic4607]

Schumann wrote this piece in 1837, was he inspired by Chopin's Etude op25 n°4 when writing the N°8 Tanze ?

[@calebhu6383]

Seems possible

[@alanleoneldavid1787]

Maybe, but both pieces are very different. The only thing on common are the leaps

[@andreauribe6454]

Mas bien se parece a escenas infantiles.

[@TheModicaLiszt]

@@alanleoneldavid1787And the same melodic motif?

[@joshscores3360]

Fantasiestücke next? There were 1-2 score videos of it in the past, but they're both gone now.

[@andrewmarr8650]

No. 4 is peak Schumann, with all that syncopation and dissonance.

[@dnarvarg]

YES

[@Alex-iu7dl]

The fav part of the set for sure

[@MrGar11]

19:52

[@calebhu6383]

19:53, 34:28

[@user-ec8ms2ut1e]

23:10

[@pianoman1857]

32:10

[@bassonvolant7097]

Ça reste ma version historique...

[@CatkhosruShapurrjiFurabji]

0:08 rickroll 0:16-0:21 this anticipates jazz

[@rafabanonlizon3853]

4:44

[@purpleowl2075]

N15 sounds like Liszt's Liebestraum

[@maybeiamcool]

1-9

[@Me-ew8sr]

19:52

[@ameliacutlip6553]

19:55