Sequencing and editing your photography with Alex Nail -Fotospeed | Paper for Fine Art & Photography

in this weeks video Alex Nail join Tim again to talk through his process in the field when taking photographs.
Alex will show you his best techniques for editing and how he came to the final edit for his amazing book the Great Wilderness.
Alex's website: www.alexnail.com/
Fotospeed newsletter sign up: fotospeed.com/...
FREE Fotospeed Art of Printing Ebook: fotospeed.com/...
FS Platinum Cotton 305: fotospeed.com/...
___________________________________________________________________________________________________
Fotospeed - Whatever your photographic requirements, let our passion for image-making provide the solution.
___________________________________________________________________________________________________
Fotospeed, inspired by image makers around the world, Fotospeed began life manufacturing quality darkroom chemistry and specialist fine art printmaking processes.
With 35 years of the photo trade dealing with printing paper and chemicals. The wide selection of papers available range from the everyday photo glossy to the Fine Art textured paper that can turn a photo into a painting. Lots of research and development have helped Fotospeed to create the perfect paper no matter what final result is needed and the ability of the paper to receive the photo inks has been fine tuned to perfection, giving even coverage whatever the subject matter.
With a respected reputation for quality and service, Fotospeed is now an established distribution company for worldwide market leading brands such as Hahnemuhle Fine Art Papers, Kaiser Photographic equipment, Herma Adhesives and Canson Infinity Papers.
Whatever your photographic requirements, let our passion for image making provide the solution.
Meet the team. Everyone at Fotospeed is dedicated to ensuring that your requirements are met. From the moment your order is placed to the point it is dispatched. If you need technical support, advice or information we are available for help.
____________________________________________________________________________________________________
► Whatever your photographic requirements check our website ➡️ fotospeed.com/
► Subscribe: / @fotospeeduk to see more videos.
► Find us on Twitter: / fotospeed
► Find us on Instagram: / fotospeed
► Find us on Facebook: / fotospeeduk
► Find us on LinkedIn: www.linkedin.c...

[@jbairdexp]

No matter what level of experience your photography is at, I think there is always something to learn from Alex. 🙂

[@thomastuorto9929]

A great conversation, thank you both.

[@paulwarrilow1019]

Having already enjoyed Alex's video of this trip it was an extra pleasure to see these prints and to gain insight into his thought processes. These images are simply stunning! 😍👏 Thanks for sharing

[@desclarkphotos]

Tim, very much enjoyed this talk with Alex. Being a mountain photographer myself (albeit a lot older and less fitter than Alex!) I really enjoyed hearing his way of choosing images and what would work well with his book. One thing that surprised me was the difference in toning in some of his photos from the same / nearby stance and which I would have assumed was a shift in white balance - which it seems was not tweaked. What would be interesting to match both your interest (promoting different papers) and Alex's (promoting his book) would be a discussion as to what paper (and why) he did eventually choose for his book. Thanks again Tim (and Alex)

[@ddsdss256]

Yeah--curation is hard! For me, it's the most challenging aspect of photography, and it changes depending on the context. Compiling a book is different from determining which images to display in a show (and how to arrange them). With the latter, print size, orientation, and aspect ratio are even more important, as you have more flexibility (plus lighting is a major concern that can affect printing). Always check the space before producing a bunch of prints that may be too dark, light, or on the wrong paper (plus glass vs. no glass and matting/framing options). As I'm dealing with both of these issues, it's always good to get additional perspectives, so thanks for taking the time to share your insights. In any case, I totally agree that you need actual prints to effectively see how they interact--you just can't do that as well onscreen. BtW, I also try to avoid having diagonals hitting the corners--too contrived!

[@spl1970]

I've spent all week trying to contact you via email and other social media platforms but still no joy so I'm trying here. Any chance you can check your customer service/sales email inboxes please?

[@saitvprintandcut1222]

waiting for the faded dye and pigment update