SMART Adjustment Layers in Adobe Premiere Pro

[@cakeller98]

Always helpful 💙

[@VideoRevealed]

Thanks!

[@shoesupsleevesdown]

interesting. when i have two or three clips to string together i had been adjusting the lumetri color correction of the first clip then manually applying the settings to each subsequent clip. it seems that working with what you covered in this video will save me a lot of time. thanks for the info.

[@VideoRevealed]

yep, it's a huge time saver.

[@sanjibdera4839]

Nice video sir. I learned a lot of things from this video. Could you make a video about export settings in premiere pro? Which export settings should i use to export video in highest quality or upload on the internet or to show video to the client. There are a lot of export settings in premiere pro like h.264, avi, mov, etc so which setting should I use in which cases? Please help me. I am struggling with this problem.

[@johnhpalmer6098]

If you root around in his library, I believe you'll find it as he's been doing this for quite a while and covers everything as he can. That is your first step.

[@VideoRevealed]

Here ya go: kzbin.info/www/bejne/iprGpmOFZ7eHn9U

[@VideoRevealed]

I got it for him. 😀

[@sanjibdera4839]

@@VideoRevealed thank you sir.

[@sanjibdera4839]

@@johnhpalmer6098 thank you.

[@ArizonaGhostriders]

Oh, I didn't know that about the Master Clip application! Thanks!

[@VideoRevealed]

Yep, Master Clips are very powerful.

[@TeclaSAPcomUlissesCarvalho]

Thanks a lot, Colin! That was very helpful. Take care

[@VideoRevealed]

Glad it was helpful!

[@badmoonPL]

Thanks a lot! I couldn't find answer to my problem anywhere and this video was exactly what I was looking for :)

[@CarstenSvendsen]

Thanks, this is exactly what I was looking for! I was searching on google, and people said to right click and save as a preset, but really? That's not user friendly. This is perfect!

[@ChaosCanyon]

Great tips. I could have used this just recently. I had the adjustment layer cut into multiple pieces to fit a project - but the adjustments were all clip effects. I then decided on a whole new look and had to change each clip individually. Would have been much better to be able to do it in the master and change all instances of it at once. Going to reset my project up like that now :) Thanks

[@VideoRevealed]

Yep, that's a great workflow.

[@davebaileyme888]

Great explanation of creating a smart adjustment layer. It seems like there are some effects you can create with the gaussian blur in the clip (like a mask) that you can't copy into the source of the adjustment layer. Are there any workarounds for that

[@AlexanderBroy]

Great help! Thanks a lot, Colin.

[@VideoRevealed]

Happy to help!

[@altercode1500]

dude that was EXACTLY what i needed! thank you.

[@VideoRevealed]

I'm glad you found it useful.

[@leocarlschmidt]

Hi. I was trying to get your methodology to work for having canon clog3 to rec 709 LUT applied as a master adjustment layer. But I could not seem to get it to work. Am I missing something?

[@DOUBLEAFRONTLINE]

Thank u so much. Ur a good teacher 👍

[@VideoRevealed]

You are welcome

[@putvogel25]

the start of the video is a little bit tight hahaha now I will watch the rest ;-) Thanks again Colin..!

[@MrSnooooze]

Was wondering about commenting on this. The content is still there, it's just, he's in a hurry!

[@VideoRevealed]

I guess I did rush the intro...🤔

[@VideoRevealed]

It was "one of those days" I guess.

[@putvogel25]

@@VideoRevealed we love you Colin :-)

[@bedrockmedia5250]

Hi there! First of all great video. But what suprised my most we seeing footage of my hown town. Where you visiting Ljubljana during the lockdown?

[@jaedii7287]

Duude I was actually wondering if this was something you can fix in premiere! 🙏

[@ketevana11]

Thank you! 👍👍👍👍

[@VideoRevealed]

You're welcome.

[@putvogel25]

Question if I may: Colin, you work with a nvidia 5000 card, if I recall. Do you output it to a 10bit or higher monitor, so your color-correct with bigger color-profile?

[@VideoRevealed]

I don't output to a 10-bit monitor. My footage is all 8-bit and my output is also always 8-bit so I really don't need anything more.

[@Memo2Self]

I edit a TV series where each episode is on a different hard drive, and I create a new project for each. Once I've created the Master Clip Adjustment Layers on Project #1 - since the same cameras are used on every episode - can they be saved or exported in any way so I don't need to rebuild them each time? (Yeah, I know, they take seconds to add one Lumetri effect, but maybe, as in your example, you have a LOT of effects on one layer.) Many thanks, as always.

[@VideoRevealed]

Maybe create a Project as a template and import that into a new Sequence. That template could have all the stuff you need regularly like Adjustment Layers, titles, music, etc. That's what I do for my show. Here's a tutorial: kzbin.info/www/bejne/i3zYf4eGjdKZpKM

[@TCCTaylor]

Great info. Thanks so much!

[@VideoRevealed]

Glad it was helpful!

[@orcapodmedia]

Can I use this? Yes. Will I use this? Hell, I have! Thanks for the info.

[@VideoRevealed]

I'm glad you found it useful.

[@sumaydemir]

Thanks

[@VideoRevealed]

No problem

[@janezerj2857]

Hey, You´ve been to Ljubljana! Do you like it? Best wishes..

[@VideoRevealed]

No, I've never been there. These amazing video clips are from Artgrid: artgrid.io/

[@achievefilmmakers110]

Thank you so much sir

[@VideoRevealed]

You're welcome.

[@sunilchristian3430]

Thank you!

[@VideoRevealed]

You're welcome!

[@sih1985]

Thank You...

[@VideoRevealed]

Thanks for watching.

[@lukapocius2323]

For some reason I can't automate effects in adjustments layer

[@VideoRevealed]

Some effects won't be available as Master Clip effects, so if you don't see it, then it won't work.

[@GabzAndregoogleworldwide]

It's been a while and that you

[@VideoRevealed]

That's me! 🙄

[@ownscene]

People DON'T USE CROP THAT WAY. IT LOOKS STUPID ON ULTRAWIDE DISPLAY/PHONES! Instead, create a new sequence with the aspect ratio you want and export that way. (or it's meant for traditional TV network that's fine)

[@VideoRevealed]

Cinematic crops are an industry standard. They have absolutely nothing to do with phones.

[@ownscene]

@@VideoRevealed but when you watch those videos on KZbin with 18:9 or 21:9 display it's small video in the middle of a screen, with 4 sides cropped. This is driving the ultrawide community nuts.

[@ownscene]

Just to add some examples in case I'm not explaining good enough: proper cinematic encode for youtube kzbin.info/www/bejne/hKSQf4JvlLOdac0 bad encode that's driving ultrawide people mad kzbin.info/www/bejne/n6TKlqZooZikl7s (you won't see a difference if you watch on 16:9) I just want the mainstream media to do it more that's all. It's much better to experience watching cinematic content on an ultrawide display. Netflix mostly got this right.... mostly.

[@JeffreyBoles]

@@VideoRevealed Why would you render the video with the black bars baked in? Why not just render it in the 2.35 aspect ratio?