Technique for Tone | Season Five, Episode 31

It’s not all that surprising to think that you can make a well-tuned drum sound wild and even out of balance simply by hitting it poorly. You can also make a haphazardly tuned drum sounds quite good by playing with consistency and intentionality of strike zone. The key is to develop the control and awareness around these elements in order to deliver the sound that you intended.
PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): sladl.ink/GIK
AKG Audio (microphones): sladl.ink/AKG
Evans Drumheads: sladl.ink/Evan...
ProMark Drumsticks: sladl.ink/ProM...
Signal chain:
Mics - Focusrite Clarett 8Pre USB & OctoPre - MacPro w/Pro Tools 2022.5
Recorded at 48kHz / 24bit
Overheads: (Matched Pair in Glyn Johns - Cardioid) AKG C314 sladl.ink/C314...
Snare, Toms: AKG C518M sladl.ink/C518M
Kick Drum: AKG D12vr sladl.ink/AKGD...
No EQ or compression in use with drum demos unless otherwise noted
Acoustic Treatment:
GIK 242 Acoustic Panels: sladl.ink/GIK242
GIK 4A Alpha Pro Series Diffusor/Absorber: sladl.ink/GIK4...
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber: sladl.ink/GIKE...
GIK Tri-Trap Corner Bass Trap: sladl.ink/GIKT...
Drums:
Pearl Masters Maple Custom Extra w/Ludwig 70’s Supraphonic & Ludwig 60’s Acrolite
Cymbals:
22” Jesse Simpson clone of old Zildjian A, 15" Zildjian “Fat Hat” Prototype Hihats
Drumheads:
Snare: Evans UV1 / Snare Side 300
Toms: Evans G1 & G12 Coated / G1 Clear
Kick Drum: Evans UV EMAD / EQ3 Coated White Reso + UV EQ4 w/o port
Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media
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