Stabat Mater, Nathalie Stutzmann, ORFEO 55, Vivaldi

Contralto et direction : Nathalie Stutzmann.
A. VIVALDI : Extrait Stabat MAter . Extrait exclusif du concert exceptionnel et première prestation parisienne de l'ensemble ORFEO 55, donné le 4-02-2010 à la Salle GAVEAU, Paris.
Vidéo produite par APTLY MEDIAS réalisée par Jean-Philippe Perrot.
Plus d'informations sur www.aptlymedias.com
La contralto et chef d'orchestre Nathalie Stutzmann, est considérée comme une des plus grandes voix et une des personnalités musicales les plus marquantes de notre époque.
www.nathaliestutzmann.com
En 2009, elle fonde son propre orchestre de chambre, Orfeo 55, ensemble jouant aussi bien sur instruments modernes que baroques, ce qui lui permet de s'aventurer en tout liberté dans les répertoires les plus divers. Son expérience de musicienne romantique et sa connaissance des styles anciens lui permettent d'aborder avec le même succès aussi bien Vivaldi et Mozart que Beethoven, Wagner ou Brahms.
L'approche de Nathalie Stutzmann, à la fois libre et rigoureuse, sa science du phrasé et l'intensité émotionnelle de ses interprétations, sa maîtrise exceptionnelle au service de la passion qu'elle communique sont autant d'éléments qui la font apprécier du public et des orchestres qu'elle dirige.
Orfeo 55 est en résidence à l'Arsenal de Metz.

[@laurakatemarshall7330]

How thrilling as a singer to conduct as well. The group is so tight that every word has a deep texture. Inspiring.

[@davidmiretsky3667]

Listening to Natalie Stutzmann became my almost necessary ritual each morning. The exceptional performance of Handel’s Ombra Mai Fu is capable of setting the good mood for the whole day and make one believe that the life is worthy of living. David Miretsky

[@bovnycccoperalover3579]

Baroque music keeps me sane!

[@joanngabrielson6571]

What a voice! May she live long and prosper!

[@JanetESmith-er8sk]

Sopranos move over. THE contralto has come to town!!!

[@miguelruckebusch]

Une merveille de voix qui fait vibrer les âmes 🥰❤️💕🎶🎶🎶

[@ladomi7962]

Quelle femme extraordinaire!!!

[@shirleyrombough8173]

Her voice is like liquid gold and to conduct with such artistry while singing I've never seen. Bravissima Mme. Stutzmann.

[@marielled5049]

C'est un moment tellement beau, tellement intense que mon coeur s'arrête de battre. Nathalie Stutzmann dirige, chante, elle sait tout faire à la perfection. Cette personne est habitée. Une merveille pure !

[@evimarouli4251]

Nathalie for ever... respect...!!!

[@davidsolomon8203]

One does not listen to Nathalie-one experiences her!

[@Ivanbelastegui]

This is the first time I see someone directing and singing. Impresive. Her performance is just amazing. Thanks for posting

[@MesalinaXXI]

I love the Vivaldi Stabat Mater sung and conducted for the mexican Iván Lopez Reynoso. It´s simply glorious!

[@MesalinaXXI]

kzbin.info/www/bejne/bnu1gHqOm5ito5Y

[@thonycg93]

I'ts not only her voice and talent... It's the way she feels every note and like she sings with all the heart... This goes direct to the sky... It's a message from her to God.... Simply amazing!

[@christo49]

La voix, le visage, le coeur....Plus émouvante que les altos masculins que j'aime pourtant beaucoup.

[@luloca63]

Grandioso Vivaldi, e grandissima anche l'interpretazione di Nathalie Stutzmann.

[@annreed7935]

Mesmerising. I have no idea how I've only just come across Ms. Stutzman. Elle est encroyable.

[@francoislebedel4428]

Fantastique ! Quelle dramaturgie. Bouleversant.

[@podguszercatherine1211]

la gestuelle est une danse

[@72paper]

In molti punti esce fuori volutamente dalla partitura, ma l'esecuzione è sicura fluida ed estremamente contemplativa. Un timbro vocale decisamente sostenuto e tondo. Grande artista, geniale maestria dei virtuosismi, profondità d'espressione e di lettura del testo e del suo significato.

[@hectorcosta7951]

Que hermosura de voz única y profunda, unos graves en voz femenina que transmite la tristeza y el dolor de la Virgen María.

[@davidmartini4219]

Impresionante. Parece haber captado todo el dolor de la Virgen junto a la cruz.

[@pascalfoulon8372]

Splendide ,merveilleux ,émouvant ,

[@bibinem2000]

yes un francais

[@dootscat3798]

The most beautiful voice.❤️

[@eepeirson]

Absolutely marvellous! There is no other way to be so at one with Music...

[@ruthmcintyre2313]

So beautiful

[@barbaragauhl6175]

So beautiful music ...thank you Nathalie Stutzmann !

[@Arteshir]

Soulful music and vocal performed exquisitely...Grazie seniore Antonio

[@margueritechristine9359]

Incredibly beautiful!

[@fernandacardoso3732]

Linda 🥰

[@marysesaurano1166]

pour moi c est le chef oeuvre par exelence!!!

[@user-sj6ce8ze9v]

toujours tres bien!

[@gertrudvanderbriele18]

laut Bravo...so schlicht und so voller Gefühl.

[@andresfernandes5906]

Incredible

[@patrick6110]

Voix extraordinaire

[@aguedabelen5639]

Es maravillosa!!

[@1thunderlight]

Beautiful voice!

[@rociode5406]

Wonderful musicienne!!!

[@mariapeterholm4442]

BEAUTIFUL!!!!!!!

[@gianpierobertolone5612]

Bravo!

[@maxestrella2320]

Muero...❤️

[@fernandacardoso3732]

💜💕💕💕

[@paulbarre4229]

La voix de l'âme

[@dominiquedarras1430]

Un vrai régal cet ensemble

[@paulbarre4229]

Superbe

[@alvarocabreravillalon3363]

fantastic !

[@yanakey953]

Beautiful voice

[@taichitolsteeg]

she's great!

[@mariesurprenant1657]

Quelle beauté et double talent extraordinaire

[@BearKamus]

I love you so much!

[@Zifdom]

Wow!! :O

[@FranciscoFerrerGaliana1930]

Exquisita música y voz.¡¡

[@carolineleonard3575]

Brilliant

[@magnanagnes3940]

Waouh

[@mangualde23]

Voz linda!!!!

[@nobaniagarda4755]

[@Nadelanu]

Exactly!! :O

[@ie9rws]

What a unisex voice!

[@ritasatta2888]

Meravigliosa!

[@riittasalonen8941]

gods bring that sound

[@ivct51]

♥

[@ghostofdayinperson]

AHHHHHHHHHHHHHH

[@dissilymordentroge5818]

Unparalled. How I wish Stutzmann would recort Mahler’s ‘Das Lied von der Erde’.

[@irethalcarin5961]

kocham

[@mariellegervaiscrabbe9974]

Dans la pure tradition italienne.

[@francoislebedel4428]

J'ai appris que Nathalie Stutzmann a dû se séparer de son merveilleux orchestre "Orphéo 55" qu'elle avait forgé avec une compétence, un savoir faire inimitable, et qui l'accompagnait si merveilleusement. Je trouve cela triste. J'en ignore les raisons.

[@ruthmcintyre2313]

Je crois qu'elle voulait se concentrer sur sa carriere de chef d'orchestre et n'avait plus le temps pour chercher des mecenes pour "Orpheo 55". (Je m'excuse pour l'omission des accents francais!)

[@francoislebedel4428]

@@ruthmcintyre2313 Elle cherche plutôt des revenus juteux...pour elle. Dommage pour Orphéo 55, merveilleux ensemble que j'appréciais infiniment.

[@ruthmcintyre2313]

@@francoislebedel4428 M. Lebedel, je trouve votre jugement sur Mme. Stutzmann injuste, voire insultant. Elle a dit dans beaucoup d'entretiens que son grand rêve c'est la direction des orchestres symphoniques. Elle aurait voulu le faire déjà comme jeune musicienne, mais c'était pas possible pour les femmes à cette époque-la. Il y'avait trop de préjugés contre les femmes qui voulaient devenir chef d'orchestre. Et maintenant elle vit son rêve.

[@ruthmcintyre2313]

@@francoislebedel4428 kzbin.info/www/bejne/eXPQYXqHoZJ9grM

[@nobaniagarda4755]

🌏🌎🌍🌍🌍🌍😇😇😇😘😘😘😘😘😪😪😪😪😪😪😪😭😭😭😭😭🙏🙏🙏🙏☝☝🙏🙏🙏🙏Vater unser im Himmel , geheiligt sei dein NAME

[@MacKenziePoet]

Honestly, everyone, who needs counter-tenors with their non-resonating "voices" when we can have magnificent contraltos like Nathalie Stutzman. I'm sick to death of the counter-tenor hype.

[@eyeship6037]

it's a matter of taste, I much prefer Andreas Scholl's version, less vibrato, less obnoxious techniques, more neutral and therefore purer. Feels more natural

[@MacKenziePoet]

@@eyeship6037 I almost forgot about Andreas Scholl. I have no choice but to share your opinion. Nathalie Stutzmann is not really in his league, technically speaking. She's clunky by comparison. Those old Harmonia Mundi recordings are worth gold today.

[@frogmouth]

@@MacKenziePoet chalk and cheese.I don't compare Scholl and Stutzmann.tbe technical challenges they face are different. Both brilliant

[@arxsyn]

@@MacKenziePoet conversely his voice is thin and weak in comparison. A Contralto is valued not only for her rarity but her unrivalled full, rich, earthy powers. It's a somber, dark voice. The darker and heavier the tone, the more mournful and haunted/haunting she sounds. The unique tragic beauty inherent in such a voice is all at once powerful, conversational, most compelling of all female voices. @2:00 l have always loved how she sounds here in this particular piece. Elegant and sorrowful, so much more depth I must disclose l am a Contralto myself and when l was young l would admire the dark voiced ladies, thinking it could be a preview of what l could be capable of, one day. Thinking my warm tone pedestrian, somehow my lowest register has aged into a rich smoky plum mixed with charcoal.

[@MacKenziePoet]

It's true that they are in two very different realms...

[@starbreez3]

I want to be like heeer, I want to be directing and singing aswell! She's awesome, one of the few contraltos out there, I'm tired of all the mezzo's playing alto's roles x.x.

[@user-bq2do1jd2z]

Прекрасный звук.

[@paulbarre4229]

Pour une fois une cheffe

[@rafikbaladi6555]

Frau Stutzman, your voice in this production is hollow and deep; yet another stunning perspective in addition to the countertenor shades I heard, earlier. But I am not stunned. I heard you sing various Arias such as Bach's Erbarme Dich, and many more. You stand as a proud klavier-spielender, also, director, singer, recording artist and, who knows what more. Yet you are a humble but accomplished and devout lover of music. I keep wondering what Helmut Rilling would say when he meets you. I met him, as a spectator, in Stuttgart in 1985 together with John Gardiner and other musicians reminiscing 300 years of Bach, Handel and Scarlatti. WOW thank you, thank you, Frau Stutzmann. Warm greetings from Cairo, Egypt

[@patrizialauraf]

è una drammaturgia cantata, la rappresentazione di un dolore straziante, talmente intensa che fa soffrire assistervi...a piccole dosi...Nathalie Stutzmann come Eleonora Duse

[@ilmelangolo]

sbaglio o li nella basseria col tiorbone c'è il Vecio Pasot?

[@justinekeri]

Est que quelqun aurait le texte? Ever someone can give me lyrics? У кого нибудь слова есть? Merci

[@nissulya]

Quis est homo qui non fleret, Matrem Christi si videret in tanto supplicio? Quis non posset contristari, Christi Matrem contemplari dolentem cum Filio? Quel homme sans verser de pleurs Verrait la Mère du Seigneur Endurer si grand supplice ? Qui pourrait dans l'indifférence Contempler en cette souffrance La Mère auprès de son Fils ?

[@broutinbenard5466]

Merci

[@Ditlinda]

Lyrics: Quis est homo qui non fleret, matrem Christi si vidéret in tanto supplício? Quis non posset contristári Christi Matrem contemplári doléntem cum Fílio?

[@rociode5406]

And I'm tired of all soprano's playing mezzos roles!!!

[@annreed7935]

She's not a mezzo, she's a true contralto, with the most amazing range of notes. I could listen to her forever.

[@patrick6110]

superb performance, the latin needs work however not to sound like a cattle rancher

[@dissilymordentroge5818]

Cattle rancher? Are you deaf?

[@wolfiesownx4893]

?! Do you know what Latin sounds like? Last time I checked it’s a dead language. It also had many dialects. Like French, for instance. Oh, wait, MS Stutzmann is French.

[@frogmouth]

a Latin speaking cattle rancher! You jest

[@TheClaricewilliams]

Love her singing and intense emotion but don't like her "conducting" . Too distracting from her astounding performance ! Do one or the other but not both at the same time !

[@sapphire6722]

I disagree. I love watching how much she gets into the music and at the same time is part of the whole production!