Stop Drawing Awkward Feet… | Loomis - Comics - Manga - Fundamentals

[@filippo8254]

Thank you so much Tim. This is a great explanation, often overlooked by teachers. Can't wait to see how you approach drawing hands !

[@vanessalipnica9563]

Exactly what I need perfect timing 😭

[@Sara-pk8wv]

your videos fixes the specific problems in my art that's very helpful

[@nil_blank]

Thanks! Helpful stuff to keep refreshing.

[@wesmindo5729]

Tim, thank you so much. I can't stress enough how much you help us with each and every video you upload. You're not only a great artist but also an amazing teacher. The way you explain things is so clear and easy to understand and simply effective. Much love and respect to your way, sir. 👏💙

[@davihoefling3889]

Very helpful, Man! Tnx!!

[@CuT7yFlaM]

Damn you're really giving everything lately, 4 amazing videos in a week!

[@je4nette]

Simple and elegant explanation of the foot form. Very helpful, thank you❤

[@TheDrawingCodex]

Thanks so much!!

[@cory99998]

goes well with the backgrounds video

[@elisaelisaross]

Thanks for this explanation! Please can you do another video where you explain how to apply this method to different dynamic poses?

[@joaovitora.pelegrini2000]

This class finally thought me how to use the vanishing points

[@JeanneBowman]

I absolutely am so thankful for your channel. I have been struggling with trying to teach myself structural drawing for so long and your guidance makes me feel like I could actually do it!

[@jeffnunemaker7284]

Really helpful tutorial, thank you. I always enjoy seeing the full process from the skeleton to final figure drawing. Not a lot of KZbinrs are showing that.

[@loonylunya]

I have been dying to find anything on this topic for so long.. drawing feet grounded on a ground plane. Thank you so much!!

[@tiamatandall]

Hello Tim. Thank you for all the videos lately. You asked in the past video for suggestions so here goes mine: Following your channel I've noticed that you are pretty strong on the construction side of things (which I find amazing because it's What's missing in my drawings at the moment) but, even though I'm not a specialist, I think you go one step further in the construction than Loomis himself (your usual reference) I've seen that you introduce a lot of draw through that loomis doesn't use that much for the figure. It might be the case that this comes in Successful Drawing and I'm just ignorant, but for me that's what separstes ypur teaching from the rest. So I think that to lean on thst side of it would be great. I know that you've made a few videos on how thr basic formas can be useful an all, and also for the importance of the cylinder, but I think that a series dedicated to your own spin on the "Loomis Method" of draw through asypu did for the figure/character drawing side of things would be awesome and would even come the other way around and help people draw more solid figures rewatching you character videos once again. To keep what might be dry content interesting my suggestion would be to put the draw through lessons into practice with drawing backgrounds for characters. You kind of already started this series and I would be the first one to watch that one. Probably many times. You could approach drawing props, background elements, ground planes as in this video, vehicles, buildings or even animals and mosters in this particular series. Something that I heard from another youtube channel (1fw on mentorships with independent artists) is to lean on what comes easy for you. Because it doesn't come easy for anyone else and that's where you can provide the most value to the community. Maybe thinking in those terms can help you decide how to select future topics. PS: It would be cool to have, after each big series like "character" "draw though" etc., a longer illustration in a "whatch me draw" way in which you put it all into practice. I know you already have a lot of those, but after each series is a nice way to cap it all up. You have the opportunity to enunciate all the topics that you've gone though in the series with real life complex examples - and now you can be sure that the majority of you audience knows what you're talking about - and thst yould also maybe provide a opportunity for you to plan big scope illustrations where you drive the concepts you've just taught to 11. These are some ideas. Thanks for al the knowledge shared. I have no idea how much your channel has been helpful for me and I'm sure a lot more people too.

[@patbollin]

This is great stuff, Tim. I'm curious about that head worn microphone. Could you tell me what brand and model that is? Thanks

[@TheDrawingCodex]

Thanks Pat! It’s a Rode HS2. I got it a while back for presenting on stage. But it works really well for this purpose. Mostly because I’m moving around so much when drawing i don’t trust a lav mic. And when I use a normal podcast style mic it’s hard to stay on it when my head is pointed at the drawing table. + it picks up way less background noise.

[@patbollin]

@@TheDrawingCodex oh wow! I had no idea that Rode made a head worn mic. Do you use a body pack transmitter with it?

[@DCUOMultiverse]

Cool video. ;)

[@Redvixion_123]

Where did you buy your skeleton and human anatomy models? Trying to teach my daughter human anatomy to help her drawing. And I think those would help her. Thank you

[@yamapishy9792]

I have the same ecorche in gray color, but I want to know where to get a skeleton model like that!

[@artwhat..]

Codex, great lesson..Hay, I tried to draw you in a box, and I couldn't see you..ha..

[@willrockdesigns]

Rob Liefeld could have used this back in the early Image comics days 😂