Studio Time Special: The Dark Tower (3M25)

[@zemertz]

You're right that cello stretch sounds really great, fascinating insight, thanks

[@boarderofcanada8790]

thanks for being so humble and showing us ur work, i dont think normal ppl can get this deep into the behind the scenes not even in master class with hans zimmer

[@FlashGrover]

As an aspiring film composer, Im loving these videos. Thanks so much Tom. Greatly appreciated from all your fans

[@connorbuckinghamstudios6227]

Just got back from seeing this movie! Loved every second of it! It was definitely enhanced knowing and hearing the score before I went in! Great work!

[@issiewizzie]

thanks ..it evolves from dark to the gun slayer and back this is not like the other score you have done ..... (thank you for the walkthrough )

[@antonisfakiris505]

Thanks Tom for all the precious knowledge you are sharing to all of us!! full support on!!

[@dessguy7199]

Wow, I like how Tom respond to people in comment section. Not became presumptuous, even at his level. I wanna be like him, when I grow up :)

[@achillesamusic]

Hell yes, he is iconic :3

[@patrickfullsail2011]

This is the best channel on youtube!

[@95TurboSol]

Holy hell this channel is underrated, this studio time series is so good, I love all your tips and tricks for VST samples. Thank you for taking the time to make these and teach us stuff.

[@daleturner]

That "time-stretched" (pre-recorded from Mad Max sessions) cello demonstration near the end is KILLER!!!!!!!! I'd never leave the house, if I had that, lol! Though my kids would go running...

[@thepianoman007]

Beautiful! Dank U wel meneer!

[@MythixMusic1]

That's possibly the best strings riser I've ever heard. So nice!!

[@birdtubes5964]

This deserve more views...

[@84bcc]

wonderfull job, wonderfull music

[@celestialaeonproject]

Thank you for posting these, so informative and inspiring

[@MythixMusic1]

Haven't interlocked my brass voicings for a while. I should go back to it. That sounded so thick and nice

[@raphaelcosta6006]

Thank you Tom

[@LotusEater14]

Thank you. You are the greatest source of high level composing/scoring information, ever.

[@getkilted]

I love these videos - and music is top notch Tom, it really is. The brass at 14 minutes - very 'Vertigo'! (that's a massive compliment)

[@joostvanbunnik7646]

cool stuff Mr Dutch

[@ayresstradiotto9368]

Another great video! Thanks a lot!

[@Fyrlink]

tom, this is breathtaking. thanks so much.

[@lucaantonini2872]

Thank you Tom, these insights are awesome!!! By the way, you said you didn't want to reveal the cue title to avoid spoilers... but it's actually displayed on the first page of the score! Just so you know... Thanks again, I'm enjoying these videos immensely!

[@ClydeStarke]

Oops...

[@dether3]

These are amazing thank you so much. keep creating and shine on my friend!!

[@SergHalen]

Best tutors ever!

[@GprokYB]

Thanks for all that precious work of yours Tom, I f I may, what's the verb on horns and winds? it's so rich sounding!!!

[@WilliamMorrisMusic]

Thanks for doing these Tom, I always look forward to hearing your work. Just one question, when you get a feature film delivered how do you divide the cues or scenes to work on? Are they sent to you as different reels? Your 3M25 title suggests the 25th cue of the 3rd reel.

[@JogLab]

Amazing video, thanks! What's your usual sampling rate for the innstruments like the cello in 27'00''? Do you go above 96kHz?

[@swapnil009]

Thank You _/|\_

[@KleyFilmz]

Hey Tom, great vid as usual! What software is this you are using?

[@KleyFilmz]

thank you sir!

[@jorgecancelamusic9890]

Hi Tom! Sorry if you've answered this before and I've missed it. In the final mix, do you replace the programmed orchestral instruments with the real ones, or do you keep them both? Enormous thank you for the astounding work!!! I've been following all your tutorials and learning a lot! Cheers

[@sonoman247]

Junkie - how are you liking the S88?

[@NotesProd]

Are the live woodwinds, brass and the strings recorded at the same time or in separate sessions ?

[@sfan1]

On the sessions for The Dark Tower, the percussion, woodwinds, brass, and strings were recorded separately.

[@junkiexlofficial]

correct

[@LordKevkis]

What was the point of recording musicians if you just put synthesized brass an strings on top of them anyway? Just curious why it's done that way a lot.

[@SecondUniverse101]

to give it a brighter spectrum and "feed" the frequency range/fill the gaps in the frequency spectrum i guess

[@Michael_H_Nielsen]

How did you time stretch the cello?

[@achillesamusic]

What's the divise (?!) cello, strings ? Anyone ?

[@MaxxMcGeeImpactStudios]

"Divisi": It's for polyphonic playing of strings. Strings can play more than one note at a time, but if you want separate players to play a chord you write divisi.

[@achillesamusic]

Maxx you are a god mate, thanks a ton and cheers :D !

[@Mandy-Lane]

i would love to see you making trance music, not only movie music

[@junkiexlofficial]

I did that from 94 till 2012!! I am taking a break from that... But glad to see you here

[@blancodeplomo]

Mixing tutorial please,!!!

[@beverrecords3593]

Hoi Tom ik heet pascal heb cubase 10.5 en ik zou graag via mijn mixer de mackie fx pro v2 16 door willen linken naar mijn behringer 404 hd en naar mijn laptop linken alleen waar moet ik mijn kabels in pluggen en mijn midi zou je meschien míjn aub een antwoord op kunnen geven. Alvast dank voor je moeite

[@nicksaya]

Tom when u print your final mix stems are they each surround stems or stereo? Are you printing the surround effects (verbs and delays)?

[@junkiexlofficial]

see other video's here on this channel

[@nicksaya]

junkiexlofficial I believe I've seen them all. Thanks for sharing your knowledge with us. Love your writing

[@michaeldemartino1204]

What music software program is he using

[@1GearG0]

Cubase

[@Compositeur100]

Hello Tom, do not you prefer to work on the image? I've experienced it recently, it's quite special!

[@DEFAZIOJeremy]

THX THX THX JJJJJJUUUUNKIIIIIIE XXL !! lol :D