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Low frequencies have great diffractive properties, that is, they can go around obstacles. And at the same time they are the ones that can cause us feedback problems or commonly known as feedback. This is how cardioid arrangements emerge, whose main objective is to create acoustic sum at the front and cancellation at the rear. This is achieved using some concepts that we have learned previously such as: distance, wavelength and electronic delay. In this video I explain in detail the cardioid arrangements that you can design according to your needs and budget.
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