Le Chatelet Production 2013 Dot: Sophie-Louise Dann George: Julian Ovenden
Пікірлер: 55
@volcano80435 жыл бұрын
OMFG I have never seen a video of this scene so beautifully acted with voices powered from hearts on the brink of self-destruction! My favorite version so far!
@alexanderbetka46602 жыл бұрын
this is the comment of comments! so perfect\
@colebb4108 ай бұрын
Still one of my favorite things on KZbin. Thank you.
@kenkoopa79035 жыл бұрын
I wonder if there’s actually any productions that emphasize that Dot’s his great-grandmother. Cuz there’s always a weird romantic energy to this moment. That could also tie into when Georges’ mother appears, the three feel somewhat like disconnected figures the way it’s usually framed.
@Diamondstar78512 жыл бұрын
The way I look at it: George isn't falling in love with Dot so much as he's falling in love with her image in the painting. Not a romantic love, but rather a deep and personal connection to what Dot represents (inspiration). I take this scene to be almost entirely representational as George deals with his artistic crisis, but I'm sure others have wonderful interpretations that differ greatly from my own.
@diggerhoward40787 жыл бұрын
What is this production!!!? I love it! She is transcendent!!!!
@thumbun8 жыл бұрын
I love the Peters/Patankin version, but this is just spectacular!!!
@NOTLMuseum3 жыл бұрын
absolutely.... I couldn't agree more. Moved to tears.
@mylesharris30505 жыл бұрын
Besides the original broadway version, this has to be the best Move On I’ve heard
@bnorem094 жыл бұрын
Agreeed. Carmen Cusack & Jason Danieley are up there as well
@chocolatesouljah3 жыл бұрын
@@bnorem09 I agree. I love the Cusak/Danieley version. This production was expanded with a larger orchestra by the original orchestrator with Sondheim's blessing. The actors are incredible but I think the larger orchestra soars as well. Sometimes I'm not a fan of a larger orchestra, can sound bloated and ponderous but this is pristine. These actors played in a very limited run, I wonder if they were able to pour it all out because, well, no 8 show a week grind?
@bnorem093 жыл бұрын
@@chocolatesouljah I was lucky to see the Cusack & Danieley production my freshman year of college. Even from the $25 nosebleed seats with limited viewing, it completely changed me. Like no joke, my dog’s name is Seurat haha
@chocolatesouljah3 жыл бұрын
@@bnorem09 That is a great anecdote. I can think of similar experiences when every blue moon there's a production that jolts me to the core. Sometimes those nosebleed seat is where it's at - you're leaning forward, they are trying to reach you in a way that so-called "good seats" sometimes can't compare. And Seurat is such a great name for a dog!
@joed1802 жыл бұрын
It's hard for me to agree. The intonation is sooo round and soft. I just can't *move on* from the original. Nothing else will do. Lol.
@jeffersonparis7767 Жыл бұрын
This is so beautiful. It really is! Thank you very much for sharing it.
@carlosangel94043 жыл бұрын
I sob like a baby every time.
@barneyr86546 жыл бұрын
Reminds me of the book the giving tree. A mom's message to his son who's an artist. tear.
@ginonovanta6 жыл бұрын
someone still have the full video mezzo offered for free download? I lost it long ago and never been able to find it again
@regress-c3t5 ай бұрын
I've never heard the orchestra sound like this on this song. Amazing.
@FLOWERSANDSLOTS2 жыл бұрын
I'm not necessarily a "Julian" fan as I never seem to embrace his interpretation of Broadway pieces. But this?????? NAILED IT! :)
@francescoroberts53046 жыл бұрын
This production was/is a gift to humankind.
@palmereldritch77772 жыл бұрын
Sublime, spectacular, play, music, composer, painter, singers, actors, art. it really doesn't get any better.
@pawdaw5 жыл бұрын
OMG the full orchestration!
@alextirrellRI4 жыл бұрын
Yup, Starobin got to enlarge it for this production. From NYTimes at the time: "The production, thanks in part to the arts budget of the city of Paris, is a more-is-more extravaganza, with elaborate sets, a light show, special effects and, most remarkably, a 46-member orchestra - and a new orchestration by Michael Starobin, who had done the original orchestration nearly 30 years ago, for a pit that had a mere 11 players."
@alextirrellRI4 жыл бұрын
Though I will always say that the 11-piece sounds huge for what it is. Brilliant work by Starobin.
@scottishphotographer2 жыл бұрын
It was thrilling in the theatre!
@DeanLotherington2 жыл бұрын
WOW! You have such class. Just the perfect mix for our world. Love it & YOU! More please X
@MrPoochsmooch11 жыл бұрын
See, this is why I love FULL orchestrations. This sounds like it even has a larger string section than the original. When shows are revived with smaller orchestrations it doesn't mean or SOUND like they're taking an intimate- in depth examination of the text and score. It means the producers are too cheap to pay for proper reinforcement to support the work. The last Broadway revival of this might as well have been played on Kazoos.
@ExploringLondon2 жыл бұрын
@ugly dog there was definitely a sweet spot at some point in it's history, where the orchestra was beefed up but the synths and rock band elements were still in there.
@glenncoe16 жыл бұрын
Love this so much! What a duet! Beautiful!
@patr0clus6 жыл бұрын
Hello! I was wondering if you have the full show? I'd very much like to watch it. Thank you so much! :)
@cstephenfoster3 жыл бұрын
Has she ever played Judy Garland
@jameshcarrington9 жыл бұрын
Why does she look so different than the other videos? Her face is less round and such. She is a superb actress and singer though. Just curious...
@lukemarriott58086 жыл бұрын
this scene is almost straight after the scenes where she's playing her daughter (as an old lady) so the makeup is soft so make her appear older... after a quick change I'm guessing they didn't have time to adjust her makeup
@andrewreid84892 жыл бұрын
My favorite version of this number, even better than Patinkin and Peters.
@alexanderbetka46602 жыл бұрын
fuck guys. this is it.
@DG-us6rh2 жыл бұрын
I like how the tempo was a little slower and she dragged the vowel sounds, and she has great vocal control
@joed1802 жыл бұрын
It's funny I was going to post this exact same thing except it was gonna start with "I HATE HOW" haha. ... Everybody has different taste!
@myke500010 жыл бұрын
Sublime. How the role was meant to be played!
@astrotheultimate5 жыл бұрын
I wonder what Julian's putting it together is like
@joed1802 жыл бұрын
Lesson #8 on ludes. Somebody give these guys some coffee!
@ryanfleming556 жыл бұрын
These two take my breath away. Best by far!
@AmarAlamdar Жыл бұрын
Stunning
@justasondheimbaby10 жыл бұрын
Wow
@FreeEnergyTech17 жыл бұрын
Both BRILLIANT!!! Hard to touch these two. Fierce!!!!
@joeb46145 жыл бұрын
Brilliant
@petradonovan51615 жыл бұрын
Sublime!!!
@subbtopp2 жыл бұрын
fantastico,
@alejandromorales95162 жыл бұрын
THE SINGING!!!! SUPERB!
@sophieamandaleitontoomey93433 жыл бұрын
Holy shit. Charles Blake can sing.
@deebee82902 жыл бұрын
this is the best version i've heard
@paulfienga9466 Жыл бұрын
2:14 😮
@markwilliams31744 жыл бұрын
Magnificent theatrical singing. Not impressed with the stage direction and choreography - more physical closeness and passionate embracing could have been employed.
@hm20111002 ай бұрын
They’re not meant to touch, that was very important to Sondheim. It’s a surreal meeting of 2 individuals from entirely different time frames & isn’t a love song. She’s his great grandmother & the song is about intergenerational patterns/connections, the struggles of the artist, & the need for each individual to shape their own destiny.