The FX Jumping Trick

[@shanonkiyoshi4784]

This effect is absolutely REPRODUCABLE in Ableton's SESSION VIEW. You could add as many effect tracks as you wish and randomly bounce/fade between them (or COMBINE them) using Dummy Clips to control Effects Sends. ALSO you could Randomize the Drum Pattern using Midi PROBABILITY in Ableton's Piano Roll, so RIGHT ON 😎👍🎶💥

[@suturesound]

Yep super fun additional possibilities in Ableton

[@markmorgan5982]

Need the Andrew & Flume collab

[@violet-beck]

those drums sound so good, kick is so cleannn

[@DivKid]

Great to see ochd pushing all this already slowly. Lover those speed ups as it's modulated too. Following along with the LEDs blinking to the audio manipulation.

[@ricktheexplorer]

I just started modular synth. I got that plugin, and I want to start figuring it out.

[@Symmetriad]

0:59 "Hey Andrew, I'm Tain, your latest module. I can't wait to enter-Tain you."

[@No1ANTAGON1ST]

How have you remained looking absolutely beautiful for so long?

[@ariak9858]

Moisturizer and sunscreen

[@anthonymetcalf660]

Exfoliate

[@buckycore]

Modular synthesis.

[@DrMarlowski]

Being asian helps :D

[@JamesRamboPearce]

Selling your soul to the synth devil is it

[@aidanmurray8283]

Always inspiring Andrew! I’ll be trying some of this in my DAW now…

[@iamtheslumlordmusic6767]

I’m probably gonna try to make a patch today in FL Studio just to try out this workflow. Seems really freakin fun running LFOs/Envelopes to random parameters. Creating Patches have been more fun than finishing music for me lol

[@Krauselovic]

Did you found a way yet?

[@gerardomoran2923]

You are always an inspiration

[@RobertMaxwellMediaCorp]

The VCA Matrix by 4ms is also a module worth mentioning if you're into dynamic signal routing. If you control its VCAs with a good full-featured mod source like the Acid Rain Maestro, it can do A LOT for you!

[@versusentropy6375]

good point. that's why I built myself this kzbin.info/www/bejne/ZpXPZ5lraLCiY5o

[@G8tr1522]

I was so close to getting one when starting out recently. I went with the behringer 130 ultimately because it was $80, and my excuse for getting that instead was that I "only" needed to spend ~$500 to get started. But now, instead of the 4ms VCA matrix, I find myself looking at stuff like xaoc Tallinn, LPGs, or even weirder stuff like Schlappi's Boundary.

[@caxtnova]

I'm in love with this sound. Definitely going to give this a try next session. Thanks for sharing!!

[@Srcsqwrn]

Thank you for making so much amazing stuff over the years. Thank you for so many videos, and such high quality. One day I hope I can tell you that in person.

[@suturesound]

Thanks for the message!

[@monkeyplusplus]

Oooooh, fun! I'm gonna try this with a matrix mixer (NL Clump), a signal router (ALM Boss Bow Two), and a mult and see what kind of trouble I can get myself into.

[@okoiful]

In Bitwig you can use the modulators really easily, in Ableton yes a lot of work with modulation.

[@goonfish]

Modulation in Ableton is also crazy easy. You just hand-draw or map them within the Automations panel. *"Automation" = Modulation* if you only use it as such, it just also has some additional track-building uses than what modulation means in a Modular context.

[@okoiful]

@@goonfish I know, but it's way better in bitwig.

[@olekaarvaag9405]

You should check out Petr Valek from the VAPE. It might seems silly and kind of jokey at first, but he genuinely is one of my favorite artists.

[@robinpowers3602]

I think he's a genius. Everyone at least oughta check him out a little bit!

[@shanonkiyoshi4784]

The wacky guy that did a piece for "prepared guitar & prepared refrigerator" is a "genius"? 🤨

[@SlightlyNasty]

It's honestly kind of mental to me that these sort of open-ended dynamic modulation / routing shenanigans aren't a standard feature of DAWs in 2022. It's something that would be utterly trivial to do in software, but for some reason we're still stuck with virtual tape-and-mixer workflows that are often *less* versatile than the hardware world they're emulating. It's getting better recently, but that traditional track->channel strip->mixing buss structure has some ridiculous inertia.

[@versusentropy6375]

latency compensation might make it really complicated. or make compensation impossible

[@ecocentrik]

The complication of adding flexible signal routing to a DAW is really not prohibitive. Latency compensation algorithms can be developed that are flexible enough to handle subsample signal routing and even feedback chains across multiple plugins.

[@Strafuzz]

I think Bitwig is meant to be good for that

[@videosvideos6243]

The next dance floor phenomena.

[@Cyrax89721]

Coincidentally, Omri Cohen posted a video a few days ago discussing similar techniques that can be used in VCV Rack to get this glitchy effect. Specifically the '"Glitch with a delay" section of his most recent video on Nov 28 2022 -- kzbin.info/www/bejne/n4vOc2mFpZmCm6s

[@adel4735]

super cool effects! i've played with this kind of stuff before in a DAW and its always really fun! This track you've put together reminds me a lot of Superman That by Injury Reserve! great video as always!

[@HeruGalacticEmissary]

Your setup looks so dope😊

[@DawlessHouseMusic]

Roland MC707 Scatter feature.

[@BeTheAeroplane]

Sugar Bytes' Effectrix is a good plugin for this kind of thing.

[@axelrigaud]

Very cool !

[@NickBender]

The "in a daw you could xfade etc". Couldn't you accomplish this with something like qu-bit synapse?

[@biggsly]

Musical entropy!

[@joelkulesha8284]

I'd love to see you discuss how far modulation has come since the days of "maths and Pam's" in every rack to now where modulation is such a playground of ideas we never could have done before (without a lot of effort and money)

[@JazzyFizzleDrummers]

Big fan of Stutter Edit 2 for these kinds of effects

[@suturesound]

Yessss great plugin

[@rekall76]

a friend of mine has used a 2-channel pioneer battle mixer in live pa's to great effect (pun intended)... the fx mode selector was definitely not designed to take such abuse, though

[@goonfish]

Ooooh, DJM-707 or 909 per chance? I loved the 707 in my turntablism days.

[@rekall76]

@@goonfish the djm 450, i think

[@AlexReidStudios]

this reminds me.of what Infiltrator 2 can do

[@DrMuse-on2dx]

Very cool as always.

[@ecocentrik]

Ha. Andrew discovers switches. It's a rabbit hole worth exploring further. This one example can probably be recreated using a much simpler switch like the Doepfer quad sequential switch.

[@suturesound]

Been using switches for yeeeeears :)

[@jorgeelfeliz]

hey andrew, what do you think of Ae modules?

[@suturesound]

I’ve never tried them. Nice that they seem affordable

[@t4ngo_kilo]

Tayne? 🤫

[@Symmetriad]

Now Tain I can get into!

[@gumdr0p]

you're insane!

[@onesuavestudio]

wait wtf is this channel!?!? ive been watching andrew for years and missed all this content!?! fuuuuuuuuuuuu

[@anms_brk]

Whoa. I think I've finally been producing long enough. I never ever do analog, but I know just by looking at the patch cables, what I need to do to achieve this in like, serum, or pigments. Crazy. :o

[@semsmeb9745]

weird you understood him explaining this patch

[@anms_brk]

Not really? Just kinda clicked.

[@laurenpinschannels]

it really helps that his cable management is so good!

[@drd8974]

Andrew are my eyes deceiving me? Do you have all the FX going back into the giant switch? I can't figure out how you're mixing the fx outputs in the end.

[@suturesound]

Effects go back into the switch so it’s always routing the active effect to the same two outputs (two because stereo)

[@avril6799]

that's AMAZING

[@PFSTR]

Where are the halos?!

[@suturesound]

Patched this before I had any Halos

[@PFSTR]

@@suturesound ahhh dang, that would have been quite the light show! Pumped to get mine.

[@CNTRRNDM]

Woah🤯

[@MrVelpat]

❤️❤️❤️

[@RikMaxSpeed]

Much as I like interesting ambient backgrounds, all i hear is a lot of random noises - certainly without the beat.

[@okoiful]

So basically the illformed Glitch plugin.

[@nayaramirez1970]

all them wires for some shit glitchy sound... i still dnt get euroracks,, buying loads of modules to get some wack sound.. sounds llike rave music in the year 4000 for squirells

[@DarkMetaOFFICIAL]

don't jump

[@ohleepowlash265]

IMHO: Yes, technically interesting but not musically - although I generally like glitchy effects and stuff. I think using complex analogue gear let's you completely overrate the musical outcome because of the huge effort you have put in. It must be good because you have spent hours and used expensive gear. AFAIK this is called "effort justification bias" and even super-musical and talented Andrew is not safe from it. However, this is just my opinion, it's all a matter of taste and others might like the outcome.