Sylvius Leopold Weiss-Suite en La mineur-L'Infidèle

[@ghmus7]

This waa such a classic recording. Still one of the best baroque lute recordings ever. The clarity of his playing is incredible.

[@jeremymozlin]

I agree with you! There's nothing like this. I find myself returning to it often for that reason.

[@beasheerhan4482]

Thank you for the post, Dear Axis. I grew up with the lute music of Mr. Dombois, and, though I do not know what happened to those albums, I am glad to come into contact with it again!

[@eliaruizfernandez2965]

1- Entrée 0:04 2- Courante 3:17 3-Sarabande 6:14 4- Menuet 10:15 5- Musette 12:38 6- Paysanne 17:21

[@aania8248]

thanks

[@jean-luccarta6889]

Version légendaire de référence .

[@isonoguitar]

Thank you for uploading this music. I enjoyed the record about 35 years ago!

[@raulsimon2218]

Great!

[@ikakatz]

This is beautiful

[@jeremymozlin]

Thank you for putting this online! Now I don't have to break out my LP every time :)

[@mrswimmyboy]

This music was never released on CD. I wonder why. The Baroque Lute I: Performed By Eugen M Dombois; Compositions By Weiss, Kellner, & Bach www.discogs.com/Weiss-Kellner-Bach-Eugen-M-Dombois-Die-BarockLaute-I-The-Baroque-Lute-I-Le-Luth-Baroque-I/release/4871173

[@jeremymozlin]

I'm guessing it's because it wouldn't fit on the CD - at 20+ minutes it takes up a lot of space. Label likely thought it was better to release a single CD than a double, too.

[@mrswimmyboy]

@@jeremymozlin - Here it is on CD [but very expensive] www.amazon.co.uk/Baroque-Lute-Sebastian-flat-Linfid%C3%A8le/dp/B01M5GDY1P

[@alanjeffrey7266]

It certainly was released on CD. I had a copy that was stolen together with all my other CDs. This was the first and only only one I replaced. Still listen to it more than any other. . .

[@UDG2000]

It's a pity that Dombois didn't notice that Musette's bar 55 must be played between bars 45 and 46. This is a mistake by the copyist of the London manuscript which, with a little attention, is easily discovered. In this way the passage of min 14:42 which, played as it is written, makes no sense, becomes musically logical and intelligible

[@thomassaldivar9879]

I highly prefer Dombois’ interpretation of this suite, irregardless of musicologists suggestions As all music is indeed An artists rendition/interpretation And The Maestro isn’t here to defend his beautiful choices A truly beautiful and rare recording