Symphonye II - Loui Vierne.

[@ericgarner6175]

Amazing recording of this instrument and wonderful playing.

[@passitelexk43]

grande eccellentissimo infinito Aristide Cavaillé-coll , GRAZIE!!! senza di Te non avremmo avuto nulla…… i grandi maestri compositori e gli esecutori… sono ovvieta', nozionismo inutile, eh?..... e invece la nostra è riconoscenza come per Pascal, il Grande PAsTEUR, e tutti coloro che Dio , nella sua misericordia ci ha inviati…..e tra questi Louis Vierne!!!!!!!!!!!!!!!!! ...ma Dio é il creatore dell'infinito….. che si sappia , che si sappia!!! e celebrate e mettete i manifesti…. io , pazzo , lo faccio, ogni giorno.

[@JacquesBRUNO13007]

Merci Marie-Claire pour cette magnifique interprétation. Puisse-tu faire encore respirer l'orgue dans ton éternité !!

[@sicartista8486]

Thanks for this amazing organ playing. I was only familiar with the performance of Cochereau (the integral Vierne symphonies) where he used a lot of chamade and very close recorded. This perfomance is much more cathedral like and tastefully done. Thanks again.

[@paradoxicus]

Las líneas bajas y el maravilloso uso del pedal,me conmueven y pienso que Marie-Claire Alain,fue una de las mayores intérpretes de órgano del siglo XX.

[@HERIBERTO37ify]

@spirmessi Tanks, its greatt your channel!!!

[@HERIBERTO37ify]

@paradoxicus Efecetivamente!! Gracias por comentar y echarles un vistazo colega!!!! Ella es la unica sobreviviente actualmente de una generacion de musicos destacados, alumna de Marcel Dupre, su ejecucion a memoria de todas las obras la hacen muy especial y destacada. La obra de Loui Vierne se acerca mas al Romanticismo y el art Nouveu de transicion del siglo 19 y 20. La linea melodica sigue de derecha a izquierda y culmina el tema en el grave con un dramatismo poetico musical, Un Saludo!!!

[@georgemurphy2579]

Greatest Bach player of all time. Listen to her performances on record from churches in Sweden.

[@kyotokid4]

..I had the wonderful experience of hearing her perform an all Bach programme for the Tri Centennial in Seattle back in 1985 at St Mark's Cathedral on the massive 4 manual Flentrop there. Was able to attend reception and she signed my programme.

[@passitelexk43]

non accetto il pollice verso…. è demenza ! negare l'innegabile è …. non ho parole.

[@HERIBERTO37ify]

@HERIBERTO37ify Tanks to much for the commpliment!!

[@pg3529]

Wow!

[@javiervelascomarquez3225]

La Laguna, de Chipiona.

[@georgemurphy2579]

Well played, of course! Organists of the current generation: Please do not play so fast so as to not give the music an opportunity to breathe.

[@Highinsight7]

AMEN George! I TOO have to remember your thoughtful words!

[@georgemurphy2579]

@@Highinsight7 we all need to keep that in mind.....the printed page is a road map - it's not the actual venue.

[@samsiklas8088]

Definitely agree about music needed to be able to breathe. Example: Bach Fantasia in G Minor (from BWV 542) which is noticeably more dramatic when played at a less hurried pace.

[@georgemurphy2579]

@@samsiklas8088 Hi Sam - perfect example. That Fantasia is such a great journey through the world of music, itself! The fugue is difficult enough without the speed! Sit back, play, enjoy and take it in for all of its glory!!! Virgil Fox was always focused on the "singer" in the playing of the organ - our "natural" instrument can be used as a guide through all other areas of the art. I believe that is the reason Westminster Choir College produced some of the finest players in the history of organ music. Blessings - - - GM!