The 5 WORST Mistakes Every Beginner Guitar Player Makes

[@diversidad6550]

Brother, I strongly disagree about bar chords. I think you should explain to whom or what style your approach is directed, I play alone, I am Hispanic, I play in restaurants and events, sometimes in the company of another guitarist and the bar chords are needed, especially because of the colors and the robust and large sound that the basses give, Latin rhythms need the 6 sounds. I accept your approach when you're going to handle arpeggios, as I say. It depends on the style. It's a feedback with love, think about it, there are styles that do need the 6 sounds and the bar chords. In short, it is not necessary to play all 6 strings on the guitar, but it is convenient to learn how to use them all to have more options and musical possibilities. Music is not a matter of comfort, in fact if it is anything, it is the opposite: determination, effort and work. But above all, you have to avoid being comfortable if you aspire to be a musician with all your letters, at least when you start, once you have passed that phase is when you start to "have mischief". I get someone who knows how to play at exorbitant speeds but doesn't know how to play an F Major and I don't know whether to laugh or cry...

[@Bastikovski99]

Bar chords are much easier on nylon strings. Playing bar chords on steel strings will give you arthritis. But yeah, you need that full sound for the flamenco-type strum.

[@Sd12sx23]

I would tell a beginner that barre chords are definitely worth learning, but also don't beat yourself up if you can't do them right away. They are hard and I was probably a few years into playing before I could play a halfway decent barre chord. In the meantime, there are ways around using them, as this video demonstrated. I also would say, dont get upset if you never learn to play them perfectly. Even now, many, many years into playing, if I play a barre chord and one or two of the notes is a little muted or percussive, I just embrace that imperfection and keep strumming. I say it adds a little personality to the chord.

[@j.blogsblues]

I agree with you. I find the thumb over far more painful and difficult than the full barre. if you need to play a quieter minor chord just play the bottom three strings (with one finger across all three) at the fifth fret to get A minor play the bottom 4 to get Amin7 (by bottom strings I mean the thin ones), although mostly I'll play full barre chords for a fuller sound. If the full major barre chord gets painful then I play the basic F shape and use my ring finger to mute the E string. Or move down to play the open A with one finger across the DG and B strings then muting the thin E with your second finger as if playing A7 but not sounding the E. This is also a good way (I think) to play Seventh chords up and down the neck (obviously sounding the thin E ) As I get older my fingers, not that big anyway are also getting less and less flexible so need simple shapes to play.

[@chriscaskenette]

Completely agree. There are countless popular songs with barre chords. Any guitar player should know how to play them. The more musical knowledge you have, the more options you have for chord voicing, it makes you a better player.

[@erniejavier]

Guitar playing has no worth without the bar chords. There's no mistake having it. I'll say you're being a guitar player today wasn't successful without doing bar chords when you started. Come on.. ✌️🙂🙃

[@tahoemike5828]

When I try a new song the first thing I usually do is mute all the strings, and just try to find the groove with my right hand playing chucka-chukka's and plinka-plinka's along until I find something close, and get a feel for the timing or picking pattern. After that I let the melody and the feel of the tune be my guide.

[@joemom1012]

when i do surf its like that ill lay down beat and rhythm with spring reverb chucka- chucka drips pinkapinka drips around it and then some back in forth and stabs in-between and any chords that work with the jam i think i will try make a vid to show that for surf musicians out there as i have a rare dick dale kinda way sorta of playing and writing but didnt even know who he was

[@reginasayles]

Learn the barre chords people. They help you connect scales and triads. If you later decide to not use them, you will still have all the knowledge surrounding them.

[@FretboardMaestro]

100% - this idea of not to use Barre chords... that's pretty much the worst advice I've ever seen on KZbin or just about anywhere online, honestly...

[@marshallapplewhite5941]

I play whatever chord voicing fits the song the best -- in my opinion. I'm the furthest thing from a chord snob. The chord snobs I know insist that the most difficult voicing is ALWAYS the best. Hey, I love cowboy chords as much as any other chord. Sue me. 🤣

[@marshallapplewhite5941]

@@FretboardMaestro It's pure chord snobbery -- simple as that. I can't stand chord snobs.

[@FretboardMaestro]

@@marshallapplewhite5941 nope, I completely agree, sometimes it's best to use a full on barre chord, and sometimes it's not... its the blanket statements of no one uses barre chords that just isn't accurate IMHO...

[@johnadams3888]

I agree. I have short fingers. I find it much easier to do full barre chords than put my thumb over the fret board.

[@h.smontage1615]

in fingerstyle the usage of bar chords is crazy don make the bar chords look not important they are extremely important in fingerstyle

[@h.smontage1615]

when changing keys they are also extra important

[@h.smontage1615]

an example mate kzbin.info/www/bejne/n6LEip5jq7WIg9ksi=tvN-nksC54uZ7MwA

[@castleanthrax1833]

Yeah, he should've given the context. I just watched one of Sean's shorts vids where he's playing fingerstyle on a baritone, and he was using whole barre chords throughout.

[@h.smontage1615]

@@castleanthrax1833 yeah right

[@THE-zv7vj]

@@h.smontage1615 Tissue??

[@tomm5023]

How about this one: don’t start with a pick. Acoustic guitars are meant to be played with fingers and it honestly feels a lot more natural vs a pick. Also the sound is a lot less harsh.

[@Skittles821]

Finally understanding guitar and progressing daily thanks to your videos! Its really helping get me through a very rough time. Watching you lose your mind about people who don't understand teaching is hilarious

[@mirandaterrell]

3:25 is by far my favorite moment with you, trying to say down down down up at lightning speed w/a gruff voice impression. Thank you.

[@GuitarNerdTexas]

Try "digada" for triplets and "diga" for twos, etc. Yes, counting is important, and there are ways to count that compliment the strum rather than detract from it.

[@SuperJsimo]

Jack johnson plays barre chords all the time, it gives him that signature rhythm and style. Learning barre chords is essential for certain styles of playing, so definitely learn them if you want to get as much under your belt

[@annanilsson9372]

No no big mistake, you heard the man - only for beginners ha ha ha 😂

[@tonightweareone]

The difference in tone from the f barre chord and basically all the other Fs is huge to me but I get what he’s saying

[@RobBach]

This guy knows that barre chords are essential and commonly used, needed and easy once mastered. From what I can gather he is using this just to increase his KZbin exposure by utilizing comment interactions that the algorithm uses for search visibility.

[@Expedient_Mensch]

Let's face it, Sean's as rough as guts, about as refined as a fart at the dinner table, so dropping a note here or there is no big deal.

[@cheopys]

I’m playing steel strings for the first time after 40 years of nylon and, yeah, bar chords are a real exhausting strain.

[@greggorsag9787]

Barre chords are actually much easier than getting clear sharp tones from partial chords through muting and “missing” strings, at least in most contexts where people play acoustic guitars. That technique is great, and is part of a more advanced player’s arsenal for sure, but it requires right (strumming) hand accuracy and control , particularly with faster tempos/strummy parts. As others have said, the type of music you’re playing decides the issue, and barre chords are an essential tool much of the time. Plus, they’re simply not that hard. I have small hands, and with work, I got mine to a consistent point for gigging and recording in a reasonable time. With work, mind you, and one has to get a few tips at the start so one doesn’t waste practice time/muscle build with inferior technique.

[@coyote520]

For some of us, barre chords, esp covering six strings, are literally impossible. I had a serious hand injury, a long with a stroke, that makes barre chords impossible for me. My hand will never be strong enough again.

[@greggorsag9787]

@@coyote520 Yep, I was just responding for the typical student. I’m glad you’re playing despite those challenges! Just in case, have you tried hacks like lowering the action down to the bare minimum, getting a smaller acoustic to increase leverage, putting electric strings on an acoustic, or playing an electric with, say, 8-gauge strings and just dialing in a tone that works? Not sure if any of that will work for you, but if not, there are indeed many other chord forms than barres.

[@THE-zv7vj]

first thing i learned was bar chords I can crush all 6 anywhere on th fret board I fingerpick . even wrote 2 songs using them.. . Im glad i learned it, It has served me very well in other aspects of MY playing ..

[@McGhinch]

...even if I don't use them as often as before. But when I need them I have them. There are a few songs where bar chords are needed. Stray Cat Strut is one where Brian Setzer uses one. If you don't practice them, you just can't use them. -- But for a new player, I suggest that bar chords are part of a later stage in a guitar player's career.

[@pathfinder1273]

Both you and Rick Beato have talked about muting the top string with your thumb. Well, Im so happy for you two that you have long fingers and thumbs. It is next to impossible for me to reach the top string with my thumb on an F chord, and beyond impossible to do it with a C chord. Please understand that we are not all created identical.

[@callmejackaroo4723]

Damn dude. Get laid & cheer up bro!

[@tomrees4812]

Ignore he guy above who obviously lacks any empathy and just wanted to show the world. I agree. Far too many (all?) of the people ‘teaching’ on KZbin go for a one size fits all and that means basically do what I do. It can be a complete waste of time watching these. There is no substitute for lessons in person from a good teacher. The problem is finding one. What annoys me most about the creators of these videos is they claim to ask for comments but it’s been 10 days and crickets … except for the loser. I’ll mark this guy as a ‘do not recommend this channel.’

[@pathfinder1273]

@@tomrees4812 Good for you. My reply to him obviously got removed.

[@Anthony_Goncalves]

Just get a smaller neck guitar then bro i teach kids they can do that ....

[@pathfinder1273]

@@Anthony_Goncalves If you know about human physiology, you would realize that those with short fingers usually have thicker fingers. Ive already got enough trouble with neighbouring strings buzzing because of the thickness of my fingers. Besides, Ive already made the switch from a classical to an acoustic, which made the buzzing problem even worse.

[@jimmyv6703]

Using coated strings, learning songs, not basic licks, which I intend to do when I practice (noodle), and trying open tunings, is making me more excited about my practice sessions. I'm like a beginning intermediate, if that's a level, and those suggestions will really help me get more excited about guitar. The other two were great too.

[@melindamercier6811]

I consider myself an intermediate beginner. 😅

[@MrSDFD18]

1. Don’t learn chords. Learn triads. 2. Don’t learn all notes of the major scale, top string to bottom. Learn one octave major, minor and pentatonic scales starting at their root on each string. 3. Always play to a metronome or drum track, even when noodling. 4. Noodle at will but pay attention to intervals. Even sour notes have an interval! 5. Have fun. When it’s not, you’re playing it wrong.

[@ziblot1235]

Why? Why cant you do both? I did. Ive been playing since 65. I should be terrific. But Im not. I took off for periods when I didnt play at all. I always played better when I was in a band. I learned more stuff. Theres no short cuts. I planned on doing it all. Im so glad I have succh a wealth of teachers arund now.

[@MrSDFD18]

“Why?” “Why not?”@@ziblot1235 They are simply suggestions. You don’t have to do anything I suggest. There you go. I just eliminated your why and why not.

[@raymorgan4657]

Good tips, especially the down up! I disagree with bar chords though. I do primarily play fingerstyle, but I use bar chords all the time, along with thumb over, or partial chords like you showed. It all depends on what melody notes I need in a particular song. Hell, some songs I might play that F chord 2 or 3 different ways or octaves in the same song depending on the notes needed. And because I do use bar chords so often in fingerstyle and am used to them, I play them al lot stumming as well.

[@0rkrist]

I somehow find the open f major a bit more complicated by now, simply because I didnt practice it as much as I did with the bar chords. I did use Sean's 3rd tip however: Basically I learned or trained bar chords by learning a song that had a ton of F in it :P

[@louieo.blevinsmusic4197]

F is a good barre chord to use for some extra heaviness/voicing when your tonic is Dm or Am and playing cowboy chords. Elliott Smith used that major barre F plenty. “Happiness” and “Waltz #2” come to mind

[@notmyname3681]

I think the thing is that new players get put off struggling with barre chords. They spend too much time on them, get frustrated because they think they can't play their favourite songs and quit. Remember showing a friend who was new the easy open F and it really upped her motivation. Couple of years further on and she's fine with the full barre, but it never held her back.

[@raymorgan4657]

@@notmyname3681 Yes, they can definitely be a struggle for beginners. My disagreement with Sean is that he said professional performing players never use them which is just not true at all. I think bar chords are important to learn and are used a lot.

[@notmyname3681]

@@raymorgan4657 Yeah, I agree. Like most things it's better to have the ability and choose whether or not to use it than not be able.

[@ralfybaby]

As a relative beginner still i am always a bit surprised whenever u see a song lesson and below the line i see countless "what's the strumming pattern?" I always just strum and try get the feel for the groove. Although sometimes it is useful to start with a formal strumming pattern when first learning a song.

[@PunkRockVibes]

Nothing at all with power/bar chords. Disagree with that one. Been playing power chords for over a decade. Depends on the style of music.

[@starbuck-mz4ts]

Excellent info Sean. My oldest daughter plays piano and guitar and “caught” me during a solo practice session taking the chords of a key and making a “song”, not the traditional way of learning. It was like an epiphany for her own practice.

[@josephcasey322]

Dude, nice seeing you rattled and passionate about what's up or what's down. Thanks. Nice to know you are speaking from experience.

[@epiphone278]

The no down down down up, wow yeah the way you show it with timing instead is actually for me anyway much easier to remember than keeping track of when to down and when to up. 1 & 2 & 3 & 4 makes way more sense and is easier to remember and apply. I’ll convert the down and ups in future videos I watch to the timing method. Thanks so much Sean!

[@flakvr]

THANK YOU! This is my first week of starting to play guitar (learning chords) and counting the rhythm actually enabled me to play something that sounds like a song for the first time. What a rush! ❤ Im just trying out different counting patterns.😍😍

[@srakagensta4461]

Learn the barre cords PROPERLY so you can play with puting the bar on and of, thats much better

[@srakagensta4461]

I challenge you, yes they happen in real life just practice

[@oldun18]

I do wish that YT guitar teachers would remember that many of us learning to play the guitar do not have large hands, ‘ie’ large enough to be able to play a chord and bring their thumb over the neck to play the low E string. Yes I agree to be able to play the low E string with your thumb does give you the opportunity to be more creative etc with hammer on’s etc as apposed to playing a barre chord with your pointer finger, but you can only do that if your hand is large enough, I do not have small hands but they are not large enough to use the ‘thumb over’ method, it would be great if I could.

[@raymorgan4657]

Neck profile and shape, not just width can make a big difference for thumb over. I have a few guitars and on some I have a difficult time with thumb over if at all. However, my Martin solid wood GPCRSGT, I have no problem with thumb over, even though the neck widths are virtually the same

[@tanglewife]

I have tiny hands and can do this. Stop making excuses!

[@1001CP]

I like the refreshing view of your opinion especially on the F chord (The Beast!0. Looking at all the combo for notes there is nearly always an alternative. Anyway, I came from playing sax to try the guitar- nearly the same size case is what they have in common, but both great instruments. keep the good work going my friend.

[@andywalex]

This is the first video I've seen from this channel, so I'm not really sure what your level of playing is and I get that this video is for beginners. I understand we want to avoid driving off new players because they're frustrated, but in my opinion you have to learn not only Barre chords, but multiple versions of chords to graduate to being an intermediate player. This is the only video I've seen that tells players to not learn Barre chords. If you're struggling with Barre chords take your guitar in and get it set up, your action is probably too high, or try a lighter gauge string. Most guitars I play, I've sanded the saddle down a bit. Of course, you might not always need all of the notes in a chord, for example Gaug7 (aka G7#5). I once new an excellent guitar player that only practiced to a metronome, he asked me how I learned timing and playing in the pocket. I explained that the only time I might use a metronome is when I'm recording (with no drums) and practice to the actual recording of the song. If you can play in time with a recording, you can play in time with professional musicians.

[@Dutcharmytent]

Seriously, I wasted five years learning down and up. One day I played wonder wall free style and then realised that down and up is just a guide. I now play with feeling and emotion. You said it.

[@williamlewis700]

Once you said no Barre chords, you got got me ! Your tip number four, I teach drumming and always give students a fun piece of music so they can enjoy the rudiments.

[@GuitarSeekh]

Hey Saun, glad to see someone speaking the same thing which I speak in my live guitar lessons and also, on my channel to guitar players.. never understand strumming through stroke directions - learn the goddamn rhythm 😊

[@forcemajeur.5138]

Great video. Took me forever with the f bar chord, then I saw Waylon play it wrapped in an old concert. You can actually hit the low e on first fret with your thumb, or atleast many people can (depending on the persons hand size and the neck size, etc).

[@RedtreeJoe]

When I was first learning guitar I never did the down up down thing. Remember trying to get into it, and just not doing it, rather just listening to the beat and playing along with that. I remember feeling bad about not doing it, imagining it was something I was supposed to be doing. Because it was in all the beginner "Learn to Play Guitar" materials.

[@tammieschiller397]

Since i've watching this i've been doing this daily, (the part where you said practice chord changes with a strumming pattern with 1,3,4,5,) and it's changed my practice and made me a better guitarist already, thanks so much Sean!

[@JR-pr8jb]

I guess nobody believes small hands/fingers are a "thing." No way my thumb would reach around the neck to catch the 6th string. But I agree, a full barre is rarely needed. Just play the strings (notes) you need.

[@ronhoffman2405]

Sean, try wrapping the e-6th string with your thumb, play B-2nd and E-1st with index finger, and the rest of the strings as you would with a bar chord. It makes it easy and you're using the forearm muscles instead of the thumb muscle to exert the pressure. I've been playing that way for 55 years. You don't get tired and youget the full six string sound for both major and minor chords all the way up the neck, i.e., F, F#/Gb, G, G#/Ab, A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F. i teach it as Form 1 major and minor chords.

[@Hungrykittynomnom]

You are a great teacher and have taught me a couple of things from the one or two videos I have watched. I have to respectfully disagree with the bit on Barre chords unfourtunately. After some practice I can use them fluently and ring most notes and there are certain songs such as All Around The World by Oasis that use these alternative barr chords in the bridge sections. Further to this, playing them regular helps hammer the E string notes into any newbies brain further unlocking their knowledge of the fretboard. Other than this, I think everything I have heard you say is spot on brother.

[@tonym2513]

The strumming pattern rant was absolutely beautiful. Bravo.

[@merkazoidduff7651]

I like the idea of using riffs and solos for practicing scales.

[@richardlenz2655]

Funny. I have invented the arm rest 50 years ago. I even made a patent for it in Switzerland 😋Happy to see that it became common knowledge. Also with this strumming pattern or bar chords I had the same difficulty as you described. Very good advices. Thank you 🤭

[@christopherobrien6570]

Hi Shaun, enjoyed the video, I am an old beginner, and what I'm about to say comes from a place of respect for you and all skilled musicians, who have devoted your lives to it. For me, picking up my guitar for the first time, I found it very helpful to learn strum patterns, (down up etc)until eventually, I could put them aside. Totally agree with you about learning a song, and the chords in that song, it's how I progressed, rather than learning a load of chords, and wondering what to do with them. having learned a few songs, I could strum by "feel", that is, I knew the song , I learned to play it, and I would get a feel as to how to strum it, and not worry about whether down was up or up was down. (Hope that makes sense) I started with songs which I liked, (I'm 63 I've heard a lot of music) so I enjoyed learning them, now I like to learn stuff which I might not like, but the techniques and chord changes have helped me to improve. I can't do barre chrods, long story short, my fingers are short and are webbed, so I can't stretch past one fret. This has been a positive, because I've had to practice alternatives. I change my strings every year, (I have 5 grand children, I have other demands on my money) I would do so every 6 months if I could justify it in my budget. Finally, for me when I come to practice, I have to be in the mood for a particular thing, be it a given song, or technique, or whatever, once I get going, I find I move on then to something else, rather than soending a couple of hours plodding away(I'm english, I can't think how you would say it) with something which I wasn't feeling. Sorry to go on, resectfully yours, Chris

[@thetransformationalbabyboomer]

Hi Chris. I am 68 and started my guitar journey a year ago and enjoying it. I play like you don't like the ups and downs. To me too tedious to learn and monotonous. I play by feel and have learned to play and sing more than 26 songs by now. Great fun. Don't think I wanna learn the music theories. Having said that I am working to compose a song. Fancy that! Was in England for 6 years. Thanks for sharing. Thanks Sean for the tips! I love your take on the barre chords. Been doing that. Fingers too short like Chris! Lol! 😊

[@christopherobrien6570]

@@thetransformationalbabyboomer Take care over there my friend, and good luck.

[@ekisoderqvist]

That Washburn! I have the exact same guitar as my steel string and it's an awesome sounding and beautiful looking instrument! And great value for money, imo sounds like a much more expensive guitar than it is. And the reason why it's so cool to see it in a video like this is that I've never seen it actually used anywhere except videos that advertise/showcase it.

[@ekisoderqvist]

My bad, commented before I saw the part where you advertised the guitar 😂 still a legit great instrument

[@lsealey20]

I just got mine and love it.

[@MrA1582000]

Love this. Could never do the up/down, but counting the beats and any intervening & makes so much easier.

[@rabecht245]

Thanks Sean, best instructor, by far, simple and easy to understand, cut and dry, no BS.

[@6jay66]

What he says about barre chords is THE most ridiculous thing I've heard a guitar 🎸 instructor say! WTF?

[@6jay66]

Which IS a LOT of BS!

[@billallen1594]

Great call about the open tuning. Sometimes you can move stuff around and it still sounds great - even if you make a mistake. It’s good for your confidence. I like open C especially for this CGCGCE. More so if you like Fahey

[@ziblot1235]

I never play open C. I play G, D or open E. I learned open E first. (Allman Bros, Melliisa) Tune open E, then play the shape of an e chord, then play it again up a whole step, Then play an "A"shape on 5th fret. Then back to open E chord. I think I have that right.

[@justbeingmybestbob]

OMG people who teach in down ups drive me crazy too!! Great video.

[@tahoemike5828]

The best advice I picked up on when first learning was; if you are learning guitar to meet girls, learn to play songs. She wants you to look into her eyes and play her a song. Bonus points if her name is in it. She doesn't care about that half a solo, or the new arpeggio you just learned. Learn simple versions for the F and B chords and get on with your life. There are times and places for the full volume versions, but Sean is right, the smaller versions usually work. Don't worry about playing half-azz'd chords, the other half's will grow up to be power chords, and you can reunite them later.

[@notmyname3681]

Or as John Lee Hooker said "Forget all them fancy chords and just play something with a funky beat" 😁

[@ThinkIsMe]

Thank you for setting me free from the down ups! I felt so incompetent because I could not grasp it!

[@Jerry16776]

Best thing for me as a 6 or 7 year old learning to play was learning bar chords. Set me up to be able to move all over the neck. Don’t really use full bar chords now but use portions of them all the time.

[@sjd5750]

I use some barre chords still, but I make much more use of triads..You don't always need barres anyway..In place of full barres I'll use root position D-G-B string triads up the neck, or some other inversions. Triads are also the absolute best and quickest way to learn the entire fretboard hands down, imho.

[@clawhammer704]

Iv been playing for forty some years. I learned G C and D major cords to start with to play simple early folk, country, bluegrass music with simple rhythm strumming. Playing with others helps a lot.

[@fragslap5229]

Think maybe toking up before doing a video could be considered a "beginner's mistake."

[@knotwilg3596]

"Trading the D-U secrets" cracked me up. The bars advice was completely new to me and I'm older than you. It might be a little controversial too - I'd rephrase it as "get away from fixed chord shapes and learn new voicings". But as a shocker, the advice serves its purpose. Coated 11 - check. Practice in context - absolutely. I'm mostly practicing scales as a warm-up. Open tuning - I finally got into doing that more often when I realized I could leave my spare guitar in drop D or any alternative tuning for a while. Before that, I would stay away from open chords because I was too lazy tuning my guitar back and forth. Good stuff!

[@sawdustcrypto3987]

Listening to this channel should be #1

[@seandaniel23]

:)

[@davidhumphreys8530]

As a newby, I only recently discovered the importance of counting. I LOL'd at the remark about how ludicrous artists back stage sharing their up-downs would be 😂

[@rpisuba]

Me to hahaha! I’ve been called out, but at least I’m laughing about it 😂

[@RyanSheppard-tq4pg]

Your intros are worth the free subscription.

[@sladen3884]

Thank you! I've been playing almost 30 years.. I have my own students , and i've never once heard someone say out loud no one plays the full F chord! 2 weeks ago i had an actual situation with a student showing him "dont let me down' by the beatles and he was having a devil of a time playing the F#m until we realized in allowing him to work from the high end to the low in 'importance', he was simply fretting everything darn near sideways (which i couldnt see well looking across from him).. Once he understood it was far more important getting the high part fretted and we didnt need the low F#, it rang true and the bigger lesson about hand placement was learned by both teacher and student! LOL. With that settled, we could focus on singing it as loud as we could (because : fun) and the bonus lesson of : once your on the right spot of the neck for George's F# run intro, it plays itself no matter your skill level and is soooo addictive. Sorry for the long comment, but it was super exciting to see someone i respect laugh at full barre chords! Keep up the damn good work!

[@seandaniel23]

We’re out here changing the game!

[@jefftiebout1376]

I agree, very seldom. And it's beautiful to play Sean's version and include the high E string.

[@freddysnewchannel8885]

Just turned 70 and all you're teaching is spot on. Love the crack about Mel Bay I thought that no one else had heard of those horrid "learn guitar in two weeks" books.....

[@seandaniel23]

I’ll never forget my time with Mel

[@joepike6460]

Hey Sean, really great info as usual! Just wondered if you could do a video on the partial chords electric guitar players use in bands commonly - I know a lot of guitar chords but whenever I watch bands live it’s like they all know completely different shapes and I’m pretty sure they are just broken voicings of chords to minimise effort and reduce how heavy they impose on the mix.

[@tammieschiller397]

yes please Sean, was going to ask same thing, but i found your minor chord you showed much harder to play than the double finger one, just bc of muting the a chord to stretch two chords over for the index finger note

[@martydoherty2660]

Triads? Three thinnest strings, all open is Em. A little barre across all three at third fret is Gm; fifth is Am; seventh is Bm; eighth is Cm; tenth Dm. Take the Dm shape and slide it up two frets (thinnest strings only) is Em; one more Fm etc. Much easier Fm than a big barre at the first fret. Same with D shape (thinnest three only). Up two and it’s E major; to the fifth and it’s F major. Who needs ‘the beast’? If you CAN do ‘the beast’ on the three thinnest, slide up two, you’ve got a G major, two more it’s A major etc. I used to be amazed watching guys playing funky guitar without seeming to do anything. But think about it. A little ‘three thinnest’ barre at the fifth fret gives you A minor. Plonk your second finger onto fret six of the B (second thinnest) string, and you’ve got F major. Interesting sound for no effort. Have a go!

[@tammieschiller397]

thanks!@@martydoherty2660

[@harrisbooker5792]

@@martydoherty2660excellent information thanks

[@RandyTorrez-wb5sz]

​@martydoherty2660 RANDY JUDAH TORREZ ❤< Make a bloody Tutorial this sounds interesting but a visual will be more better.👍😆 🤣 😂

[@lougeorge]

This is so helpful. I recently started learning the guitar having learnt the piano first and I hate the down up thing! I also can't bar and naturally use my thumb so I'm very happy to hear this!!

[@gazzie12000]

I agree with most of this but the comments about full barre chords are just plain daft. You say you'll never play a full F barre chord ever. Utter rubbish. Professional guitarists (me included) play full barre chords a lot. Not all the time, and as you say usually a partial chord or inversion is preferable. But to say you'll "never play them" so don't learn them. Very bad advice. I'm a teacher and I teach them for sure. Just to show the most obvious guitarists I could think of to demonstrate how useful full barre chords are - check out The Beatles playing live on any song. Full barre chords all over the place, but then again what did they ever achieve? 🙂🙂🙂

[@devonkile]

This video 🙌…20 yrs in I’m still trying to bar these fkin chords 🤦‍♂️ ..never again!

[@JohnnyASan]

So helpful! Down-Up is the reason I couldn't figure out triplets!!!!

[@seandaniel23]

Glad it was helpful!

[@michaeldematteis3409]

Knowing the chords of the key is a game changer.know the intervals of one key you know them all

[@KenFarthing]

I also really disagree with you on not playing the bar chords . I play bar chords as much as regular chords in every song I play. It's a million times easier to play abar chord for alot of people then it is to get their thumb on that top E string. Remember not everyone has a big enough hand and long enough fingers to make the F style regular chord with their thumb. Been to lots a concerts and gigs and bars. Most of the guitar players are definitely using the bar chords.

[@samsblues]

F major bar chords are way heavier also, completely disagree with this video. Some people don’t have large fingers/thumbs either. Stupid video

[@-Pol-]

I learned to play the Bodhran (Irish Drum) before I learned the guitar. With hindsight I think that was a great primer for learning the guitar later in life as it meant I already had acquired the rhythmic wiring in my head and the wrist action for strumming the guitar and drumming with a tipper are in some ways quite similar..

[@cheopys]

I strum without using my thumb. Called rasqueado in classical playing. Listen to the opening of the Concerto de Aranjuez by Rodrigo. It’s a MUCH cleaner sound than thumb strumming.

[@tonydalton459]

Yeah, that makes a lot of sense.

[@lightningstrikes7314]

The problem with teaching the inbetween/upstrums between the counts though is that they don't necessarily fall exactly on the 'and' at the half-way point between beats they fall on any one of the two other 16th note divisions known as 'eh-and-ah'. Students need to know direction and should be able to copy aurally anyway. You can get them to copy a rhythm without any verbal direction: if they get strum direction wrong it can be tweaked/corrected after they have 'heard' the rhythm.

[@bc3316]

Sean's Safe Zone channel - Keepin' it real. Always good stuff, especially for us noodlers aspiring to play creatively coherent sounds. Cheers

[@TTripp1]

F major bar chords absolutely exist in the wild.

[@GaveMeGrace1]

Coated strings! Thank you.

[@richardbrucemusic]

The #1 thing a beginning guitarist can do WRONG is watch this video! Just about everything this guy says is WRONG! "Up" and "Down" are perfectly fine strum descriptions for a beginning guitarist if he or she doesn't know the musical terms. "And a one-a and a two-a" is SO Lawrence Welk! Once the beginning student gets the idea, a teacher can THEN introduce the concepts of timing and time signatures. If I started my students out on those, I'd lose half of them in the first month. BARRE chords (not BAR chords) are essential for moving from 1st position "cowboy" chords to becoming an intermediate guitar player. I'm not saying that they have to be perfectly formed, or played for hours on end. That would also cause me to lose students and possibly even cause injuries to fragile young muscles and bones. But as a teacher who knows music, we should at LEAST introduce our students to barre chords so they don't become reliant on using a capo for the rest of their musical lives. And if a student wants to play even an intermediate song like STP"s "Plush" properly he or she is DEFINITELY gonna need that F barre chord, as well as a Eb major 7th using the C position on the 3rd fret. Learning scales AT LEAST in the open/1st position is SO important in order to become familiar with the notes in the first 4 frets of all six strings so we have a common language between teacher and student. If I have to say "put your first finger on the first string at the first fret" every time I need the student to play an F note, the lesson is going to take twice as long and not accomplish the REAL objective, which is to teach the student HOW to fish instead of GIVING them a fish. If he or she every gets into a band situation, or even jamming with others, it's not going to go well if he or she has to get (or give) instructions on how to form chords that way every time. Same with teaching songs, BTW, Yes, playing music IS the goal. But in order to give a student a LIFETIME of LEARNING songs, I have to help them develop the SKILLS. Otherwise, the student becomes dependent on the teacher to "teach me a song" instead of the SKILLS to learn songs ON THEIR OWN. Of course, that keeps the students coming back, and the $ flowing. Not my goal as a teacher. Yeah, open tunings are fine and even fun - if you want to be Duane Allman. But as much as I love Skydog's musical styles, he's DEAD. And there's about a one in a billion chance I'm gonna be as good as or better than him. The world already has one in Derek Trucks. Let's leave the open tunings to the advanced students, ok? About the only thing you mention that I agree with is learning the diatonic chords and the notes they're built on in each key - the numbering system. I'm not big on calling them by their more traditional names, like tonic, sub-dominate, dominate, etc. Heck, if a parent hears me using those terms with their child, lessons are OVER ;-) It's the NUMBER of the chord that's important - especially again when playing with other musicians. Often called the "Nashville numbering system" it's vital to their future musical lives to be able to quickly and easily communicate. Watch Billy Gibbons when he sits in with other musicians. Of course, he only needs three fingers to communicate what chord he's going to next :-) but the idea is the same. Jazz musicians? That's a WHOLE 'nuther language. Peace!

[@pdcorlis]

Maybe the most important lesson I’ve learned in years. Thank You!

[@gwoody4003]

Man I can testify to the quality of Washburn acoustic guitars. I have a G17 that was my first guitar... 25 years ago. It was like $200 in 1999. Its been knocked over, dropped, sat on... its been to 1000 festivals and camping trips in all weather. All the gold is worn off the tuner keys and there's plenty of dings and scratches. Still stays in tune, the neck is still straight and square. And I still play it cus it sounds better for open-air un-amplified playing than anything I have had over the years. Its a sleeper, it looks like a POS but sounds great.

[@gwoody4003]

Donner Circle Looper is what I use now, used to have a Digitech Jam Man but the foot switches kept breaking. For drums I use a Beat Buddy, which is really awesome for what it is. And the Circle Looper has drums too. You can also save i forget how many loops... 40 maybe... so you don't have to re-make them every time.

[@hrpickinstuff]

👆 Best advice for a beginner. I just strum, sing and play songs. People ask me what is the strumming pattern. I say I don't know. It's just a feeling. The strumming automatically fits. Your brain knows what the original song sounds like and your hands should automatically go there if you don't occupy it with DDDUDU nonsense. I'm more focused on playing in time and hitting the notes when I sing. I've never had anyone say. Hey that's not the right chord or strum pattern at a campfire setting. They're too busy singing along and having fun. As far as barr chords? If you struggle with them change the chord formation or the chord altogether and keep going 95% of the population can't tell the difference anyway. If you play in time. Everything sounds right even BS.

[@MrSpencem1959]

Due to arthritis in my index finger on my left hand I have to play the barre cord and I have no problem.

[@christopherlynch788]

Do y know mad marching man ? I am 66, been teaching since I was 16 ! I agree !!! Hat ddudddu shit and I also have never taught one way barre chords...good on you man. Ps Prince used his Thumb ...enough said !

[@cnking27]

The 6 string “e shape” barre chord is not only difficult to play well on its own, especially down by the nut, it’s also almost impossible to make clean, musical transitions into and out of it. When I use it I find myself sliding up to G or A minor instead of going into their open shapes because the transition sucks so bad. And then you’re holding that shape for a whole song and your hand is dead after 2 minutes. Learning “Wind Cries Mary” and “Goodbye Carolina” and learning the freedom and flexibility of the shorter shapes has done well to break me from it.

[@anthonyrioux4835]

Dude is great teacher and probably someone I could hang out with based on his personality

[@BarerMender]

My favorite movable chord shape came for a Mel Bay book. It's a minor seventh using the sixth, fourth, third, and second strings. Put your middle finger on the tonic on the sixth string and lay your ring finger across the 4,3, & 2 strings on the same fret as the tonic, while killing the 5 & 1 strings. Easy peasy.

[@margaretblack8491]

Very helpful, even though I play the Octave Mandolin instead of the guitar. :) Thanks so much for taking the time and making the effort to share this.

[@seandaniel23]

Oooh, octaave mandos are so cool!

[@StreaminFreedom]

First time seeing your content, subscribed! Great insights.

[@seandaniel23]

Welcome to the party!

[@timothy-thomas-coach]

You are by far my fave guitar guy on the KZbinz.

[@seandaniel23]

Thanks so much!

[@MarkandSandieInMotion]

Omg, so glad you said that about bar chords:)

[@JohnTandy74]

I agree with the barre chord theory but I would say when learning it’s good to learn for finger strength and muscle memory

[@neilmartin7564]

wow that was great.....been playing 40 odd years and its exactly what i tell people new to guitar,,,This is the first video of yours ive seen,,,Nice work mate, SUBSCRIBED ✌😎🤘

[@seandaniel23]

Welcome to the party!

[@superdave1964]

Santa is as real as the spinning globe!! Level stationary plane and everything lines up with music!

[@55tmilam]

He’s so spot on about the strumming patterns!

[@StumblebumBand]

My first teacher, Griff Hamlin was a stickler for counting, so I learned early. Five years and our learning something new every day. Today, working on harmonized sixths and thirds,and 5ths in a piece of music

[@maxcarter3413]

ONG. Thank you for telling me I don' t need bar cords! Yay! I thought I would never plat guitar!

[@Edge9404]

BLESS with the down-up crap. I hate that so much and it's honestly so distracting for new players.

[@garethmartyndavies2250]

Love your 1234 , that’s what its all about , your brain automatically does it if your blessed to musically perform, and barre chords , if it Dont sound right’ stick with open. We are all built different and what’s comfortable to you , use it .and if you don’t look after your strings , dam you , clean clean!!!! Different songs have variations . Moving open chords across the board is brilliant and to finally link the scales is exciting.

[@henslerartanddesign792]

THANK YOU... for addressing the Down / Up thing!

[@daleturner3507]

My guitar teacher taught me the F chord that way. He also taught alternative ways to play chords much like I see you doing in your videos.

[@kenbagwell8551]

Wow, and the truth shall set you free ... Thanks man!

[@possm33]

I OWN IT!!! I don't change strings often enough....wow, I feel better with that off my mind......great tips and I agree with all!!!! Peace

[@Bailynagy]

You are hilarious. The down up thing seriously cracked me up! Thanks for all you videos.

[@wraith_1171]

😂I so enjoy your videos and I had a "son of a gun" moment with the barre chords, thank you!

[@dougww1ectebow]

THANK YOU for the down up thing. I HATE it and refuse to watch teachers who use it.

[@johnlockyer833]

Such a good video. We need more of these. Thanks

[@gwoody4003]

For people learning to play, I would suggest getting a looper and drum machine, or a looper with one built in. You can lay down a rythm, a bass line and then jam with yourself. It really accelerated my learning. I am 100% self taught. Didn't even use books. I learned by listening to music figuring it out and looking up tabs. The looper accelerated my progress x10. I went from being awful after 10 years of noodling, to being good enough that people wanna hear me play. And I learned how to improvise solos and accompaniment. I can play along with just about anything now. I am sure I do everything wrong 😂. But the looper helped me with making my own music, and learning songs that don't sound right without the rest of the instruments.

[@jremedy7053]

Man I like your bar chord tip. When I first started I just played “power chords”, so 3 or 4 fingers/strings instead of all 6 strings. I play my F the same way you showed.

[@RebelHawg13]

Mel Bay, talk about a blast from the past. I can sadly remember trying to barr my classical guitar with my little eight year old fingers way back when.

[@silverstem2964]

I call that the "Church Strum". New players use it and call it rhythm. Btw, I own a 1939 Washburn "Tonk Brothers Aristocrat" archtop. Made in the Gibson Kalamazoo factory for 1939 only. They were usually built by Selmer. Only 50 built that year. The way to tell the difference is the '39 has 19 frets and Selmer-built Washburns have 20 frets. I had no idea it was that old when I bought it. I called Washburn and they couldn't tell me. George Gruhn (Nashville vintage guitar expert) narrowed it down to the 1930s and I discovered the 1 fret difference a short time later in an article. It plays great.🎸

[@richacello339]

the sweetwater sales department is open for business!