The Larynx Must go Down! Luciano Pavarotti | Opera Singing Basics

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“The Larynx must go down!”
Luciano Pavarotti.
Legendary Luciano Pavarotti confirms the roots to a powerful vocal performance: the significance of a low larynx. Discover how mastering this technique clears the path for the air column, allowing the larynx to tilt easier and create better tension on our vocal cords to vibrate freely and resonate with unparalleled clarity and quality.
🎶 From the maestro himself, in this short clip, learn why this foundational aspect is crucial for every singer’s journey. Let’s embrace The Old School of Singing with a modern twist, guided by the timeless insights of Pavarotti and the passionate teachings of Giancarlo Monsalve. 🕊️
Luciano Pavarotti was a student of Arrigo Pola and later of Ettore Campogalliani, who was also the teacher of Renata Tebaldi, Aldo Protti, Renata Scotto, Ruggero Raimondi, Carlo Bergonzi, and Mirella Freni, among other great singers. Mirella Freni was one of the foundational teachers of Giancarlo Monsalve, demonstrating how traditions and the wealth of generational knowledge are passed on.
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[@JacquelineLanceTenor]

The thing about this is that it's an easy concept to grasp, but getting the layrnx to actually stay down consistently while singing is such a difficult thing. Pavarotti once said "it will take 10 years to make a sound like that" and I completely agree. I've been studying classical singing for many years and my technique is still not where I need it to be. But, we always work towards being better!

[@user-ry2pv6oz8o]

Even with English not being his first language. With such grace he is able to communicate how to sing well.

[@davidjaczina4370]

W. O. W. Pavarotti explaining. 😮😮

[@smurf902]

He's talking about literally a low larynx position. It's not something you can teach in one masterclass, takes years. But that's what he's describing. It's not fully possible in extreme range, particularly high, to keep a completely low larynx all the way throughout the entire range, but it's a goal.

[@Leonella449]

Спасибо, Лючано, это бесценная информация!!❤❤❤🙏🕊🕊🕊

[@blackrose1034]

Legend!

[@edinshealtiel3754]

Aaaaaaaaah .... Got it .....😮

[@moonshine3781]

I think what he was saying is to keep the larynx placed lower.

[@josh95263]

I’m not sure

[@downfromkentuckeh]

​@@josh95263he was literally pointing at where his larynx is....

[@geminikid1617]

@@josh952631st thing he said was the larynx must go down

[@grzegorzjrobak4363]

Good evening! What is the exercise to make it go down?

[@reraltizgivii9318]

Yawn

[@ramoncenteno7326]

the larynx lowers with yawning

[@stevenburton7922]

Keep the floating ribs area expanded like when you are inhaling but do this while singing or exhaling. So you have inhaling and exhaling muscles working at the same time.

[@WiggyWamWam]

Put your fingers on it and practice. To see it move, try yawning and swallowing.

[@LJKayser]

Deep breathing in your diaphragm. Try this: push all air out of your lungs, really squeeze all air out. See how tight and closed your throat is. Doing the opposite of this, deep breathing in the lower diaphragm opens the throat and pulls the larynx down.

[@romanticwhispers90]

❤

[@luismanueltena]

Kraus wouldn't agree on the low jaw.

[@Leonella449]

Челюсть должна быть не зажатой, свободно опущенной, а вот гортань должна на всем диапазоне опускаться вниз, чем выше, тем ниже - это и есть "крытый" облагороженный оперный верхний регистр.

[@christianwalters7075]

I’m a man but I could never do this I’m an Alto 1/soprano 2 in choir