The one 'with' and the one 'without' - Couperin's "No. 3" with and without the infamous "misprint".

Here is Couperin's Prelude No. 3 - from l'Art de toucher le Clavecin with and without the infamous "misprint" - the B-flat that does not correspond with normal sequence treatment - and, what "everyone, with expected musicality" would hasten to correct to a c at the point-in-case.
Well - probably - it is a misprint indeed - it 'ought to be'a c - and that our 'still modern' ears still find the B-flat 'striking' and beautiful, is a 'modern handicap'...
But - it does remind both quite striking - and, quite beautiful in my opinion.
You'll be the judge..! :-))))
This little video-snippet is meant as a complement to the video of all the preludes - you'll find them here:
• François Couperin: The...

[@luuktorn]

I never knew there was a misprint in this beautiful piece! I like the B-flat more. Beautiful performance!!

[@davidhertzberg]

Brilliant!

[@LiselotteSels]

We need more of such videos!

[@ghmus7]

I always thought it was weird, but maybe it's a happy misprint!

[@jensegger7528]

great video. Vielen Dank u Gruss nach Köln

[@InMaLa]

Ok have been learning the piece today and it plays better with the C

[@gretchenweiss1925]

The Bb is more surprising, I like it!

Both sound perfectly fine to me. I probably wouldn't have even noticed the difference if you hadn't played both versions, one after the other. So, if Bb is a mistake (and it probably is), it certainly does not offend my ears.

[@gilgermesch]

There's most definitely a misprint - the guidon at the end of the previous line sits on c. So either the guidon is a misprint, or the following note. In any case, there's a misprint :)

[@InMaLa]

I find the Bb Not guilty of Misprintery