New student to clay, I felt like I was in church watching this video....AWE
@kinw2436 Жыл бұрын
Thank you so much for sharing so clearly with the whole world via KZbin. Humbly from Chicago, Illinois USA
@nawillis693711 ай бұрын
Thank you for the video. Very nice work.
@rz19743 жыл бұрын
He is such an amazing artist, I've always wondered how he creates his layered pieces
@Phoebe-cy8xc8 ай бұрын
Mr Izumita 🙏🏼 thank you Sir for sharing such inspiration ❤ your art is deeply beautiful and inspiring ✨✨✨
@chompers112 жыл бұрын
This is one of the most inspiring videos I've seen on youtube, I would absolutely love to be a fly on his wall. I was hooked as soon as I saw the folded paper. Incredible!!
@sabinecornic33894 жыл бұрын
That is mind blowingly beautiful work.
@patriciaabuxapqui9976 Жыл бұрын
So beautiful and inspiring, thanks.
@BethShoenfeld4 ай бұрын
Beautiful 😍. Thank you 🙏🏼
@KaterinaNikoloudi2 жыл бұрын
Absolutely breathtaking art !
@sashawhitehead73786 ай бұрын
Thank you , I love your concepts and work.
@deborahgarlandayurveda2 жыл бұрын
Truly Brilliant
@ringscircles1424 жыл бұрын
next level brilliance
@paulinegrymaszewski57003 жыл бұрын
Vos techniques, font rêver ! Merci du partage!
@virginielasserre31203 жыл бұрын
Merci !
@胡乾母6 ай бұрын
精湛的技術,泥釉的表現很自然。
@jimjimgl33 жыл бұрын
Thank you for the video...
@claudiacbfavre6386 Жыл бұрын
Magnifique travail❤
@ghadeerabuayyash92893 жыл бұрын
This is so inspiring!
@henkw74 Жыл бұрын
Very very beautiful and inspiring. The texture shapes and colors are amazing. Where can i get that clay? And does anyone know what type of washi paper he uses?
@anahelenafragomeni42882 жыл бұрын
Wonderful!!!
@isabellopezbenedicto91957 ай бұрын
Impresionante!!!
@mikeu53803 жыл бұрын
Izumita-sensei, yoroshiku from Takizawa-shi!
@walterjoemoore67324 жыл бұрын
Great tourial.
@廖洲新9 ай бұрын
Hownice !
@1Ma9iN8tive3 жыл бұрын
Sensei
@micass3561 Жыл бұрын
Woweee ❤
@markgoddard25602 ай бұрын
I find the tactile process shaping the natural landscape does not always transcend the motion in the modern vernacular when trusting the sensory inspiration of the hands in freely using paper to emulate the fixative values when employing acrylic boards. One must instead employ the sensual timeless aura of infinitely aged carvings of the mind from the old masters. Following this ancient pathway of ephemeral light one can truly grasp the meaningless vernacular of the modern era that parts the enriched from their coinage and improve remuneration for impractical pottery.