The Ultimate Camera Brand Shootout | Canon R5 vs Sony A7SIII vs Panasonic GH6 vs Blackmagic 6K Pro

[@TomorrowsFilmmakers]

Before you comment, check this out: ⬇ 1. The Sony A7SIII DOES have a touch screen. It was a simple scripting mistake that wasn't caught before posting. Still would keep the same rank though. 2. The R5C was backordered, so we weren't able to get our hands on one for the comparison. We plan on using that for the next shootout. 3. The Sony does have a native ISO of 12,800 and would blow the others out of the water, but we wanted to see how it compared on their level of 10,000 ISO. (It Still Won) 4. The GH6 does have a "tripod mode" which does perform better when walking. But we just tested everything with their standard IBIS 5. For all of you Nikon and Fuji fans, we have content coming out for those as well. So don't worry. :)

[@michaels5166]

just make sure you test the non recalled Nikons..D850/Z9,etc..hehehe

[@sardanapalos]

why not use the S1h which is the same price as the Canon and Sony and is Full frame and Panasonics top notch mirrorless camera for video at the moment...doesnt make sense mate .... at all

[@ferrygelluny9093]

why dont you choose S1H from lumix?

[@ferrygelluny9093]

@@sardanapalos true

[@VAPSBVI]

00

[@chrisccain]

I think it’s worth mentioning that the BMPCC Pro comes with Davinci Resolve software. Which is crazy. And it has the best denoiser on the market. This is a proper cinema camera that is used on Film sets across the world. When you start shooting with a real cinema camera vs a hybrid you can’t go back. You get used to having everything for video right on the camera vs having to map the buttons for film.

[@robrever]

Did you find a gimbal that you can use with it?

[@TacticalCactusMedia]

@@robreveryou can use any Ronin capable of carrying the weight, you just need a riser plate

[@NBP_Photos]

Works with Zhiyun Crane 3s and Ronin RS3's. Don't Know why they didn't add that information afterwards in the bio. Seems misleading for those that are interested in getting into the Blackmagic ecosystem. As @chrisccain noted, each camera also comes with the full Davinci Resolve software free which is an amazing editing software with extremely powerful features.

[@mythic_media]

BM6KP is by all means a stellar cinema camera for anything film. and a buddy of mine uses it with the riser plate and raveneye on the rs2 no problem. But, nothing beats the Sony as a workhorse in the videography realm. the capability to shoot a whole event, wedding, or anything really with the a7siii on gimbal and have sharp autofocus is like a comfortable armchair compared to lugging around one’s beloved cinema camera in that situation. mainly because of the weight, and the need for some type of follow focus. but when you go outside on a sunny day those internal ND’s are certainly nice.

[@OliverCao]

For the Sony a7siii low light test, you should've set it to the 12,800 iso which is its second native ISO. It would've cleaned up the noise

[@men770d]

Plus probably should test the fx3 over the 7sIII

[@sstteevveenn77]

@@men770d The fx3 and the a7s3 have the same exact sensor. There is actually no difference at all in image quality between the two. Anything regarding lowlight capabilities with the s3 applies to the fx3 as well. The only difference is the the exterior and the different features each have.

[@robertconrad6802]

omg that drove me nuts! like how do you test that at 1/3 stop away from the 2nd native iso? and they seem like smart guys that know it too. weird.

[@men770d]

@@sstteevveenn77 i know. But they test the grip of all cameras. If it was the fx3, he would win this category too.

[@RhettThompsonFilm]

I love how people complain about the GH6 at 2000 but the a7iii is only decent at 12800

[@sprinklememang]

This was really just clickbait right? 30+ minutes wasted to pretty much plug their course? The testing seemed so out of whack that it had to be a piss take. Using different glass on each. Not knowing or using native ISO. Not understanding how properly set up autofocus or stabilization options to yield optimum results. Not understanding how rig the BM on a gimbal. Shooting in standard picture profiles to compare color science. On what planet does Sony or any other camera here have 15 stops of DR? And how was this verified? No understanding of crop factors? You "needed" 2 lenses for the GH6 to cover the focal range when the 1st lens clearly does just that? They even showed the equivalent focal range on the B&H screenshot contradicting was they were saying! Best self own was at 4:06 "If you buy one of these cameras and don't know how to use it, it's essentially worthless". Pretty much summed up the presenters abilities to properly test, compare, use and understand basic camera differences. If this was a joke, then haha. You got me.

[@gabrielmachadobsb]

Yes!!!! At first I was thought the "using different lenses is better" was going to be worse, but this video just kept getting worse. It's probably the best showcase of the dunning-krueger effect on KZbin. I was baffled by just how many mistakes there were. At the end I wouldn't watch their course even they were paying me instead of the other way around

[@random_dev]

Wow, I’m disappointed by the number of mistakes. The A7S III does have a touchscreen…. Using ISO 10000 is a non sense when you have a dual iso triggering at 12800 in SLog 3. Stabilization mode on GH6 was not the right setup. I did watch soles footage with or without and that’s far stable than A7S III. Also talking about the R5 overheating issue without have a word for the R5C…is kind a strange. But good video anyway 👍

[@Aviciiz]

Testing color science in the standard picture profiles instead of log...

[@WiFuzzy]

Thankyou. The R5C was the elephant in the room...lol.

[@michaels5166]

@@Aviciiz if you do post and grading you need to check both..

[@jflores9891]

Lol touch screen

[@kifley19]

The dual iso at 12800 looks mushy. Sony is doing too much noise reduction.

[@michaszymanski7921]

The highest level of gh6 stabilisation is the "tripod mode" - it is deticated not to record movement - that's why your results were disappointing. Try the one stop lower mode and it will beat it's opponent's

[@247.mp4]

I was wondering on the end chart how it was possible for any camera to beat the GH6 stabilization.

[@debarghyasenguptaphotoandfilms]

Panasonic provides one of the best Ibis. You are correct that tripod mode is to take static handheld shot not moving

[@wingitreview]

For real bro piss me off 😂

[@isidroundercover]

They're very Amateur to be honest should have done a little bit more research on each camera to get a real comparison

[@kadeemcvisions]

i said the same thing to myself. like how they really low-balled panasonic like that. ok..we get it...sony and canon..wooohoo. meat riders for those two brands but costs so much money and they use prime lenses!!!..expensive i love Panasonic. so wht if it isnt full frame..still gets the whole job done!!

[@waynelast1685]

For me , a huge factor is built-in ND filters. Nothing is more annoying than having to swap or add filters in the middle of a wedding or live shoot. Also, the BM camera is big so it does not overheat. That's why I like Blackmagic sometimes.

[@ElMundoDuro]

The 12-35 mm lens for Micro Four Thirds is the exact replacement of a 24-70 lens on Full Frame. The 2X crop factor of MFT is easy to convert. Just divide or multiply by 2 to convert from full frame to MFT. 12mm on MFT = 24mm on Full Frame. 35 on MFT = 70 on Full Frame. This should not have been an issue, or even confusing to people that know and understand crop factor. To purchase a 35-100 for this comparison makes no sense. It is a full frame equivalent of 70-200mm. Come on guys....

[@bogdanpopescu8406]

Yes, exact replacement for the focal lenghth and for luminosity (at f/2.8 both lenses), BUT the bokeh is not the same, because of the sensor. Don't expect have the same depth of field (the depth of field of Panasonic 12-35mm f/2.8 is f/4 equivalent on full frame).

[@ElMundoDuro]

@@bogdanpopescu8406 Correct the depth of field would be different on a lens designed for a smaller sensor despite the aperture values being the same. I think for the purposes of this video it would have been fine. In real life situations this also makes smaller sensors better for landscape photography allowing for more light and a wider aperture while getting more in focus.

[@alvincamera]

Just asking in IBIS are you turn on all of the ibis in GH6? it will only work if you want to have tripod like shoot(not moving like talking head), for moving subject you only need turn on ibis and e stabilization,because if you turn on all of them it will look weird for moving shot

[@NBP_Photos]

The Blackmagic 6K Pro does fit on gimbals and also has a dual native iso at 400 and 3200 which should be mentioned that produces great footage with very minimal grain and high dynamic range. Also, the 6K pro is a cinema grade camera. That is the reason why ibis and continuous autofocus are not present. It is meant to be used with a follow focus system like the tilta nucleus nano and m system.

[@nickharris5231]

It just seems a little silly that you didn't choose one of the 3 different Panasonic full frame options. The a7s iii is the same price as a S1H. Would have been a more apt comparison.

[@chevaughnbeckford8491]

This is the same thing I was thinking, comparing a Micro four-thirds sensor to full frames

[@BKWill75]

Agreed

[@covialex741]

Right?

[@HGQjazz]

They knew what they were doing. S5 would've competed well against the others and at $1500, would've made the choice obvious.

[@NealJohnson]

I was also here for the S1H comparison - the most underrated camera on the market!

[@bobcrusader]

$50 worth of Smallrig parts and you can get the BMPCC 6K Pro to ride on an Ronin S or RS2. Probably would have been worth mentioning that the BMPCC 6K Pro comes with Resolve, which has great stabilization and noise reduction capabilities. With all the other brands, you'd have to buy editing software...

[@Belamarimages]

Exactly! 👍🏻 I have it on RS2 and it works perfectly!

[@AlpsLifee]

@@Belamarimages yeah I used it on a shoot recently and it was fine on the rs2

[@KeedonMD]

Doesn’t even cost 50 dollars. A 200g counterweight will suffice. It even works with RSC2 ! And yea, BMPCC paired with Da Vinci is the bomb for colour grading: DaVinci Wide Gamut already beats Adobe hands down.

[@Darrinwilliamsmedia]

Yes, love it on the Ronin S with counter weight and added handles plus the tilta wireless focus system.

[@Thedudemannn]

@@Darrinwilliamsmedia What counterweight do you use for the BMPCC 6k? I'm thinking of getting one. I like the image better but i'm not sure how it would match up with my canon mk3 as a 'B' cam...

[@jonkeau5155]

I live in Oklahoma, I run GH5’s for weddings, surprisingly they can run 4k/30 10 bit as long as the batteries last in 100 degree plus outdoor temps. Literally shot a wedding last weekend in 105 degrees and heat index over 120 for over 40 minutes… no temp warnings!

[@davegarciajr191]

why fujifilm xt4 not included? 😉

[@megvlogfilms]

I personally use GH6 and changed from Sony. I feel very comfortable about usability of GH6 and nothing change from Sony. And it has really detailed functions so I could customize all as i want to. As mentioned “easy to use” I know it might be big change from previous version but I think GH6 is worth to have it and great camera. Anyway I enjoyed to watch your reviews🙂

[@mitchhifi9192]

I use Gh6 and black magic 4K, very complimentary cameras for aby filming situation.

[@BrellTebelin]

i am planning to buy a panasonic lumix model,, but im confused.. which one is better when it comes to lowlight video and battery life...the gh5 or gh6.. hope u notice my comment thanks..

[@BrellTebelin]

@@mitchhifi9192 which is better?

[@mitchhifi9192]

@@BrellTebelin I prefer the GH6 over the bm4k better quality shooting

[@lizlana4200]

@@BrellTebelinGH6 as it gives ibis, internal raw pro res hq and looks just as cinematic as the bmpcc4k but with slightly more computational render. Not a big deal as it yields for more variants. Higher dr than gh5, cleaner. You need a vintage or cinema lens for it otherwise it won’t work on this camera for that cinema look that makes it obvious. No modern or native lenses is the best way to go if that makes sense. Lowlight is good on both but won’t beat the gh5s by a slight margin. Go for the GH6 👌

[@amadei2]

Should have added a Panasonic s5 or s1h, those are some of the most feature packed camera .

[@chrisklugh]

Price wise, the S1H is too much for this comparison. This is comparing mid level cameras. The S5 probably would have been the better one to fit in there. Feature wise, it's about the same as the Sony and Cannon. But I think they went with the GH6 because of its dynamic range boost, and it has more features the all of them to make up for it. But do those features make up for it it? Depends on what you shot!

[@amadei2]

@@chrisklugh I mean the r5 is more expensive. The S1 is also great value with the last firmware. You need to work around the autofocus in video unfortunately

[@chrisklugh]

@@amadei2 Depending on how you shoot, that could mean everything and nothing. lol

[@SmanEDITS]

And SONY A1

[@amadei2]

@@SmanEDITS sony a1 wouldn't even make sense, why not add a RED camera at that point. Where I live the A1 is double the a7s3

[@johnteki]

I would ask ONLY one question at the end... What camera did you use to record yourself and make this video?

[@matthuffman178]

Haha all of them!

[@johnteki]

@@matthuffman178 I mean the main talk head video

[@matthuffman178]

@@johnteki I believe it was the GH5S !

[@dicekolev5360]

Probably a Nikon z6ii or z9, hehehehhe

[@leebrandt8597]

Guys, gonna have to disagree with you on the Sony having better highlight detail than the Pocket 6k Pro. In post, if you grade on the Wide Gamut intermediate, and use highlight recovery, you will get 9 stops above middle grey (my tests with the camera) plus another 6.5 below. This is an advantage over any other camera on the market since Blackmagic has a patent in highlight recovery. If you're not getting this much latitude, then you're not quite doing it right in post. Would be happy to discuss this if you like

[@KeedonMD]

They are obviously not BMPCC users and only made an impression based on an off-the-bat experience. The true value of BMPCC is in the bundled software of DaVinci. Others have made the comment about this already. Hope they pick it up in their mistakes.

[@greenaditor7024]

Any other camera except for the alexa...

[@MarkusFinholt]

Dude, you're not getting 15.5 stops of dynamic range from the pocket 6k pro LMAO

[@leebrandt8597]

@@MarkusFinholt Yes I am. Wide gamut color space + HDR wheels color grading + highlight recovery gives you that much. You can see it in the zones graph: 16 stops of latitude.

[@MarkusFinholt]

@@leebrandt8597 16 stops of laditude on the IRE scale doesn't mean the stops are useable.

[@LaurentHAMMER]

You can balance the BlackMagic perfectly well on the Ronin, using counterweights for example.

[@atulupadhyay6430]

Why you didn't add nikon Z9 ??

[@WalkingHeadPro]

how about shutter roll? pretty sure gh6 be a dramatic improvement from the others yes?

[@donnik7064]

There are already some Benchmarks on yt. And yes really big improvement.

[@AdamCherrington2012]

Being M4/3 is not an issue with Panasonic, and you will not beat the amazing quality of the 25mm 1.7F prime lens I'm still using with my G7! But, AF. It ruins every YT video I produce, hence why I'm on here. I'm hoping the GH6 AF will be a big enough improvement over the G7 because it's completely unusable. Sony almost had me, until I saw some of these comments stating that the Image Stabilization on the GH6 is better in Tripod Mode and it has a Dynamic Range Booster. Please have good enough AF Panny boy! I don't wanna have the same problem.

[@charltonium4083]

When it comes to dynamic range, you should have also considered that the GH6 has the dynamic range booster function that can be turned on and off. Also, this is why you should have done an S-series camera instead, since they boast 14 stops instead of 13.

[@KeedonMD]

Nice video. Just a few points - 1. Comparing the video off different cameras with different brands of lenses isn’t a fair test. Lenses affect the image most, more so than an adaptor. 2. BMPCC 6K Pro CAN BE used with a gimbal like RS2 / RSC2. It is left heavy so you simply add a Smallrig counterweight at the right side. In fact DJI Gimbal systems acknowledge BMPCC and its Raveneye is compatible as well. 3. Leica SL2-S should be somewhere in that lineup. It’s colour science is said to mimic RED while stabilisation is smooth. 4. It’s worth emphasising that unlike the other three, the BMPCC is a cinema camera from ground up: it does not have a DELETE button alongside stabilisation or continuous focus on purpose (RED or Arri do not have them also). It comes down whether convenience Vs test of skill matters for the consumer. We really can’t rank hybrid cameras (photo/video) on top in these categories although price points wise BMPCC is in the bracket.

[@RSill25]

Blackmagic recently activated their in camera gyro image stabilization on the 6K Pro thru a software update. You need Resolve 18 to use it and there is a slight crop factor but it works pretty well.

[@kingalysterianlion5542]

Great video. I did some research and discovered that the Bmpcc 6K pro is fully supported and fits the DJI rack 3 pro

[@saviwaves5337]

I don't like Sony, but the A7SIII is probably the best all around camera, but for film making, it has to go to blackmagic for the beautiful footage you can get from it.

[@estebanod]

The 6k not having continous AF is an automatic disqualification 19:50 "no shot looks bad" *shows an absolutely disgusting shot from the 6k*

[@tubeman1983]

No Nikon Z9???? It can't be because of its price since the Canon R5 costs 3900 USD. Could you do a wider camera comparison up to 6000 USD? Cheers

[@logancartwright8280]

Could of used the Z6 or Z7 as well. Good to see I’m not the only disappointed one

[@RetroBusker]

Can the Sony a75 film 4:3 4k for long periods of time... I currently have the GH5, might upgrade to the sony next year... gh5 good although would prefair 4:3 on 4k 30/25fp3 for ticktok 9:16 & youtube 16:9, Awesome video :)

[@jwizzlebrainstorm5352]

I was using a Canon rebel t6 and I see cannot playback images what can be done to get back the images how can I fix the problem

[@iambrdy]

Why not the Canon R6 instead of the R5? Seems like it's closer and comparable relative to the price points of the other cameras?

[@BrennanMartin]

I'm confused why if you got equivalent lenses with the gh6, you still decided to push in with all its shots? I mean... 12-35 panasonic is the same as 24-70 on full frame, so why were they cropped in? Made me scratch my head a little bit...

[@lanceevans1689]

You and I had the very same head scratching.

[@sardanapalos]

no one knows what they mean .... i m pretty sure if they watch it now they ll understand their mistake....

[@pralex4477]

I feel like if you come from the nikon as photoprapher and want to get in video the GH6 menu will be a lot easier

[@planetfun85]

Ultimate ?? Where is the nikon z9 ?

[@maajidk.y7403]

Which camera is more eco for video

[@Abba555]

can you use a gimbal with the original blackmagic cinema pocket 6k?

[@MsMoeb]

The BMPCC6K DOES fit on a gimbal (Ronin RS2 & Ronin RS3 pro). Also, it captures ibis internally allowing for very accurate post stabilisation.

[@normannseils3936]

I personally have no problem working with the Pocket 6K pro on my RS2. Im using relatively light wide angle lenses and it works a charm. Even with the raveneye+focus wheel attached. But I have to say I’m considering getting a Sony as my second camera since those two perfectly add to each other’s weeknesses. And I’m wondering why they didn’t cover audio capabilities. I’m doing a lot of Interview shooting and being able to input 3 Mikrofons (or 2 on separate channels) is quite nice for the whole package that is the pocket 6K pro.

[@Bas20hz]

So you’re using the A7siii compared to the GH6? Wouldn’t it make more sense to compare it to the S1H? The GH6 is awesome for a micro 4:3 but the S1H is full frame.

[@Kreamcroque]

Hmmm weird, I've seen other video's about the GH6 & Sony IS and everyone says the GH6 is way best. Also their footage looked way more stable during movements. Maybe you missed something?

[@professionalpotato4764]

They used the tripod mode and walked with it. I wonder why it is shakey lol. In Richard Wong's demo, the GH6 + dual IS is crazy smooth you could walk easily up to 35mm equivalent.

[@vijhaib]

How does sony a7siii not have a touch screen!? 8:40

[@AdamSzarmack]

Give me Blackmagic over the rest all day long.

[@Imskyhighy]

All it needs is auto focus.

[@sitebstudios]

Agreed. The fact that the camera is last just because it doesn’t have auto focus or IBIS is insane. Good luck on a real movie set. And you can absolutely use it for run and gun if you learn how to shoot properly.

[@uptonfilms95]

@@sitebstudiosthe thing is everyone needs certain specs. If you are on movie sets then you’re right you should get the BM. But if you need some for run and gun no rig the other 3 are the better option. There is a rumor that BM is joint the L mount!! I hope the camera is a box camera or a GH6 style camera, big and beefy.

[@Une_Baguette]

Bmpcc is a cinema camera. Auto focus just doesn't do justice for filmmaking. That's why there's follow focus and focus puller

[@Pixel_FX]

​@@sitebstudiosit has gyro stabilization. These guys missed it.

[@oneeyedphotographer]

10:54 Every sensor/lens is exactly what it is, you are just measuring it wrongly. The correct comparison is by angle of view.

[@legendp2011]

why not test a7siii at 12800 (2nd native dual iso).

[@digida9351]

Hybrid Camera pricing and features categories for better shoot out comparisons ? - Sony A7S3, Panasonic S1H, Canon R5C - Panasonic S1/S5, Sony A74, Canon R6, Nikon Z6 II - Blackmagic 6k Pro, Fuji-film X-H2S, Panasonic GH6, Canon R7C? - Nikon Z9, Canon R3, Sony A1 Is this correct ? Any other categories ? How about Cinema Cameras ?

[@jonnybamberg5692]

Your Sony A7siii didn’t have a touch screen…? Was it broken or something?

[@jonkeau5155]

Multiply the camera’s crop factor by the mm zoom of the lens to compare to full frame. So micro four thirds has a 2.0 crop factor, a 25mm lens has the same zoom as a 50mm on full frame.

[@robrever]

Is there a gimbal that is compatible with the Black magic?

[@kiddgroovy]

2 questions: I posted this question on another one of your videos: Would you recommend the blackmagic for a 4 camera video podcast? If not what setup would you recommend?

[@asafblasbergvideographer]

What camera did you use to film this video?

[@ghanshyamc5773]

Why are you guys using the GH6 and not the S5 or S1H ?

[@asando6432]

7.9.1 update bricked my magic 4k!! Any suggestions?

[@top_tech.500k]

Why Nikon cameras are not there??????

[@angrians2762]

Sir what are your thoughts on canon r5c . My main goal is resolution for VFX work .So should I spend more on r5c or should I go with r5.

[@abregadoatseri4974]

He never replies, no point of asking

[@Vedimuthu-i5k]

R5C No Overheating 8k unlimited recording time hands down but cache is battery life is lower

[@matthuffman178]

R5C if it’s in your budget! It’s slightly better.

[@BobWilcox]

You’d want to have a beast of a computer with that canon codec

[@angrians2762]

@@BobWilcox didn't got your point

[@lydie.manzano]

Hi ! thanks for this video. there are English subtitles in your online course please ?

[@0LucasP]

ok so, if i want shoot things that are far from me i need an small sensor, because risparm with lenses right ?

[@dogeatdog5]

I've seen a ton of videos on gimbal setups for the Blackmagic 6k so I'm confused when you say it won't work on one?

[@bedenegative]

Hey guys what settings did you use for the gh6 stablizer test?

[@danukool]

where the gear for the course when will you ship to me ?

[@DmitriFilms]

Recently shot a short with the BMPCC 6K Pro on the DJI RS2. Yes it doesn't fit 100% on the Arca base plate, but luckily the latch closes just enough to keep it in place and the locking pin prevents it from coming off. Rigged it out with a Tilta Nano follow focus system, and the Raveneye transmitter, and we managed to pull off some incredible footage in a MMA ring. Total cost of the rig was about $5k - $6k AUD. We're so lucky as filmmakers to have the tools we have today. The fact that we can nit pick codecs and autofocus is a luxury. Happy filming everyone!

[@Orvulum]

I prefer the color rendering of the BlackMagic, way more than the others, but the "banding" of the blue sky in one of those shots, it looks pretty bad. I can't help but wonder if that's a problem with the camera or something to do with bit depth or some other factor in post maybe?

[@saulalanis141]

Is the course worth buying??

[@SultanEdhingo]

Blackmagic all the way 👌🏻

[@CaminoDidjeridu]

Great video 😀 Did you use a LUT for the Wedding shots, at 15.21"?

[@ashketchup1093]

What lense was used for the blackmagic clip at 27:54?

[@shadyninja1]

Does your online course include training on davinci resolve

[@akyhne]

14:05 Why didn't you mention, that the Blackmagic camera can shoot 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K? Also, the chroma subsampling of the camera, is incorrect. You wrote 2:4:1. That's its aspect ratio at 6K, 2.4:1.

[@RICH_Photography]

I appreciate the effort in the video but your GH6 stabilisation test wasnt correct. The GH5 would walk over the R5 and Sony and the GH6 is far superior. Using the 12-35 lens that GH6 would glide like it's on a gimbal.

[@frozenfilms8869]

Everyone be sleeping on Panasonic 🤦🏽‍♂️

[@asouthafricanguy2697]

Ek stem saam

[@nikkidcasting1182]

what did you shoot the overall video with? Looks great!

[@dmitry.sh.8946]

NIKON Z9 where???

[@limitless_habesha_tube]

THE BEST TUTORIAL CHANNEL EVER ❤❤

[@luisneumannp2748]

Why did you not use a Panasonic S1/S1h ? Would have been closer to the other cameras than a m4/3

[@CallMeDHC]

What is the best lens for POV on Panasonic Lumix GH6?

[@filmetta8521]

No battery comparison? That is worth looking into in my opinion. I have the BM6K Pro, and that thing will go through 1 battery per hour, even plugged into the Ronin RS2. I literally have 9 batteries for it, and go through most of them on a single wedding. That’s why I want to switch to an R6… maybe it’ll overheat, but I think it’d do fine with HD@60fps, which is what I normally need.

[@johnnywong83]

in the section of Sensor you talk about how the R5 doesn't focus on video... what about the now R5C?

[@raredreamfootage]

26:14 - Which firmware did you use for the GH6? I believe in firmware 1.1+ they addressed the IBIS warping.

[@Adventures_with_nick]

In my opinion as an R5 shooter that has worked with A7Siii footage and needs to crank out content that requires color grading, nothing beats the color science performance and ease of color grading like the R5. Consequently this allows for a greater range of error to recover in post

[@MichaelBouhnikProductions]

I think it would have been better to compare with the r6, price wise and low light etc...

[@hayderalothman7649]

Hi, which camera is the best for green screen?

[@valeriopompilii3374]

How about sony 7 iv? Is it better than 7s iii?

[@yenk82]

Very good video, really deep into details and really honest

[@CinemaWithSeth]

I have the LUMIX GH6. I love it for personal use. I used the BlackMagic 6k on a feature film recently and now I need internal ND’s

[@ozcinemarob]

Great comparison, respect that you saw the quality of the BlackMagic for cinematic work and also that each camera is fit and excels in a particluar purpose.

[@artart5404]

No it was garbage

[@bensilicate]

Black Magic does have stabilization if you shoot in raw, because the gyroscopic informations are saved with the images, and you can stabilize in post with DaVinci. Same thing for the rolling shutter. It's not as convenient as the other cameras, indeed, but it is cheaper.

[@TVogel-uz9ky]

The BMPCC 6k fits perfectly on the Crane 3 s Gimbal…. No problems there…

[@tonimining]

Also, no rolling shutter comparison?

[@Digmen1]

So why did you ignore Nikon? I'd never heard of Pocket

[@247.mp4]

Quite good comparison! I just think you guys didn't quite did the GH6 justice, but i get it that a quick comparison doesnt cover or makes to possible to notice some settings/features. Especially when it comes to usability/easy of use and ibis.

[@williamrowbottom5246]

What do you think of the canon r5c?

[@andersistbesser]

Lol complaining about the mft crop is dumb. Just buy the right lense! You cant expect to be everything the same as full frame, its a different system. Full frame is not the be all end all. For apsc or mft users the numbers of dull frame lenses is confusing.

[@yiyun911]

yes it is very very dumb , i keep laughing while watching . when thay say they're going 12-35 F2.8 , im like 'OKAY!' but next thay said '' and another 35-100 '' i was like "?????????" dumb dumb dumb

[@michaelsantangelo2936]

Yea what’s up with the image comparison? Didn’t you get a Lens that would have an equal focal length with the other cameras……?

[@stephenhintz9724]

It should be noted too that the BMPCC tracks gyro data and in Davinci Resolve (which is provided) and the gyro stabilization is amazing and very quick change in post

[@WHITEPERSUAS1ON]

I dont think yall shouldve included the Black mgaic because none of yall use it and I feel like it showed

[@kevinxin1545]

The A7SIII does not have a touch screen? I mean mine does I'm so confused.

[@DrSidewayZ]

I ended up going with the a7siii so far I love it the dual iso is insane, also loving yalls online class I’ve learned so much!! Thanks guys!

[@d2c9416]

Good job guys! Well documented

[@TITAOSTEIN]

Stabilisation for Sony?? You need to learn how to use the GH6 first…

[@zollotech]

Nice to see another KZbin channel in Charlotte. I recognize that nature preserve as I film there often. Great job

[@kurtanhkhoito]

^ This man is an apple celebrity and this comment got no likes 🤩 Cheers

[@nvstudiofilms]

Did they talk about the cinema 6k main seller point?

[@itsaaronmiller]

What on earth did y’all do to that shot at 20:12? It looked like y’all intentionally cranked the contrast