Contrast and Pivot in 3 Levels of Difficulty | DaVinci Resolve

[@Scoober222]

I had a search and rescue team out for you, man. Please take your shoes off and stay a little longer this time.

[@ramanandh1261]

Where is he now bro?

[@edancohen3461]

No bragging, no yelling, no posturing, no selling - just quality content delivered in a professional way. Thank you!

[@JosiahVaughan]

The return of the king

[@rufaiajala]

The king is DEFINITELY back! 🙌🏾🌟🙌🏾

[@konstantinbuglevskiy6969]

возвращение КОЛОРЯ )

[@AngelRuiz88]

El regreso del Rey!!

[@joenicklo]

the person who gave this a thumbs down still does their color grading in Adobe Premiere. ;)

[@that24fpsguy72]

Or using a lut and call it a day perhaps.

[@joenicklo]

@@that24fpsguy72 oooof.

[@ahmadfauzanperdana5703]

@@that24fpsguy72 Sadly, it was me 2 months back. Doing grading in premiere and using luts.

[@vpr3i]

The amount of knowledge in this one video is just unbelievable. Thank you!

[@Vorobiov_Evgeny]

No masks and qualifyers, no selling luts and courses. Real colorist speaking here

[@Jeka85]

Хах) Настоящие колористы работают, а не пилят ютуб уроки.

[@tomasgomez1906]

Whats wrong with masks and qualifiers? :(

[@ErrickJackson]

Wait, what's wrong with masks, qualifiers, or luts?

[@Vorobiov_Evgeny]

@@ErrickJackson they are way overused by a lot of youtubers

[@ConnerFoxx]

@@ErrickJackson They're very useful and valid tools, but when someone can teach you something powerful/useful/new on the more basic tools that seem so innocent and simple, you know you're getting real information. Good color grading comes from a place of truly understanding what's going on with a digital image, and how to manipulate it from it's very roots to get the desired results. A lot of KZbinrs rely on very... I would almost call them "powerful surface level tools" (like masks and qualifiers) as these "magic bullets" to get certain looks or effects... and that's okay. But higher level professionals might be able to achieve the same effects more "naturally" with the most simple of color grading tools, only relying something like a qualifier if it's ACTUALLY necessary. You definitely want to pay extra close attention when those people have something to share. And as for LUTs, I don't think they're being inherently criticized at all here. I think the shade is being thrown at the people who self promote with things like LUT packs and paid color grading courses. I don't personally see such actions as inherently bad things, but at the same time... at a high level, professionals just make their own LUTs as needed for their own workflow. So if a KZbinr is trying to teach you about color grading at a fundamental and comprehensive level rather than just sell you a Cinematic LUT pack, you could say that demonstrates something rare and appreciable. A real interest in trying to give you the most powerful tools, rather than sell you a box of weak ones. Some color grading courses are probably great but, you gotta hand it to Avery for putting out everything he has so far as free content.

[@CalvinPowers]

As a noobie video editor, I have no hesitation in saying this is the best explanation of this topic I've ever seen. THANKS

[@gaarax0x]

Yesssss Avery Peck... the best Davinci Resolve tutorial on KZbin is back..So happy to see you again man. 😀

[@joenicklo]

He's dropping value bombs that are changing our lives and blowing us away with the secret sauce.

[@averypeck]

Thanks man! Feels good to be back :)

[@musicelect]

@@joenicklo lol. I see what you did there

[@joenicklo]

@@musicelect ;)

[@musicelect]

@@joenicklo I smashed the like button

[@GabrielCiccariello]

Sir, this is one of the best tutorials I've seen in over 15 years working with photo retouching. Congratulations.

[@averypeck]

Thank you!

[@yinoveryang4246]

Yup.It' s actually the key information everyone needs to understand, People that don't understand these basic principles are all over KZbin, and its kind of tiresome

[@alexandredebellefeuille4671]

You're the best teacher I've ever had. Keep it up.

[@DarrenMostyn]

Very good insight Avery. Love the beginners, intermediate and Advanced approach on one theme. All the best, Darren.

[@averypeck]

Thanks Darren!

[@danielchen1655]

Making youtube a better place, thank you for your service!

[@Daysofsamara]

the level of pedagogy of this channel is incredible. Congrats sir and thank you

[@PaulChristianMedina]

We need more videos from you man, your tutorials are so straightforward and informative that I’m actually learning so many things from one video of yours compared to the 100+ videos I’ve watch on other channels combined. You’re doing great my man 👍🏽

[@DehinorVargas]

Liked, very detailed video, specifically with pivot explanation

[@lulumink0]

The technical nuisances, finesse and analytical ability of you are off the charts. Best explanation of the technicality of DR on YT.

[@DemetriosLevi]

I love high contrasted looks and never understood why I would be loosing so much detail while other films didn't. Just when I when I think I can't be mind blown you prove me wrong again. I literally clapped after I finished this. Be back sooner!

[@Cooper349]

Also make sure your black and white points are properly set as a starting point when grading raw footage. People often forget that.

[@petermclennan6781]

Wow. Clarity, concision and competence - all in the same package. Superb in all respects, Avery. Thank you!

[@pooryazaree6854]

you are perfect man, The best KZbin video I've seen in the last five years.

[@antoniomarchante457]

The fact that you are losing contrast in certain areas by using the S curve contrast made me understand a lot of things about past grades I did. This video was super helpful , thank you so much! Your content is great.

[@josip1382]

Finally! Welcome back! :) Hope to see more from you! :) Great stuff!

[@RusskoVTw]

The first channel in my life I subscribed instantly after the first video cause it was more usefull than 100 from others

[@JimRobinson-colors]

Good one Avery, Everything one would want to know about contrast. I do think that when showing the contrast matching that the still over the greyscale down the side would make it more obvious to people that may have not followed you matching the skin tone. The other part that may have been brought into this discussion is how contrast affects the saturation when it is color video. But great point in respecting the photography and lighting. I usually balance with printer lights with that in mind. Saw your update for a new video and thought it was the LUT science that we discussed the other day. I found this one to be really accurate information and really interesting seeing it done with all the alternatives and scopes and greyscales. Really good - keep them coming.

[@averypeck]

Thanks Jim! Good points about matching exposure and the effects on saturation. It's always a bit of a hard call on what to include and what to leave out for clarity's sake. I'm a big fan of printer lights as well, though I often reach for the offset wheel directly. I think the LUT video will be next :) I'm excited to tackle that one!

[@walkmotopov]

Without batting an eyelash, I would immediately buy your film coloring program if it drops. I learn so much from your videos. You take time to explain functions and terms. Thank you for creating these videos!

[@tempuraimages2363]

Every video on this channel should be commented on, both to encourage more uploads and for YT to show it more on searches.

[@cinema8564]

Glad you're back!!! Love the more detailed dives into these contrast controls. Of course we knew that the S-curve setting was an option but I, for one, never explored it and certainly never thought it through. You have very helpfully shown how that works and the ways it might be applied. More!!! Thanks, Mike

[@cedricschanze]

THIS CHANNEL IS PURE GOLD! THANKS AVERY!

[@richardkrall4409]

I finally learned the difference between linear adjustment and a curve adjustment and why it's important to KNOW the difference. Thanks! Excellent delivery!

[@JCUTMoto]

Youre back!

[@TubeSilva]

I got so excited when I saw the notification that you posted a new video. Please keep them coming!

[@barrymurphy5548]

Absolutely brilliant as always Avery !!

[@filipeko1991]

man amazing last bit opened my mind with why operation on exposure are so crucial to do them linear before s curve

[@jackssketchbook]

Every time you upload my images get better, thanks dude!

[@cinema8564]

Love the three levels of difficulty. Frankly, there are so many "Getting Started," "Crash Course," "All You Need to Know," etc., videos which, for some of us folks, are of little value. Go deep! And hearing the thought process behind one's decision making is key after one already knows the mechanics. Keep it up! Mike

[@averypeck]

Thanks Mike! I agree, I went with this format after being frustrated with having to choose a target audience for each video. I figured why not reach cover the full concept? Glad you liked this one!

[@nicostrappazon]

You don't find this kind of acutely refined information very often on the internet. I am always delighted to see another one of your videos!!

[@TiagoFlores]

I need the Avery Peck color grading course! Your videos are amazing, bro! Cheers from Brazil!

[@loannesmarc5281]

Welcome back bro. Do not be pressure with the people who wants more content from you. Things that are great needs more time to think so I completely understand that you post videos not every week or not every month. Take your time. You always make us proud. ps. This is my first time to be cheesy with a youtuber.

[@averypeck]

I really appreciate it! You're right that these videos take time, but I've made it a hard goal to produce more this year. I'd love to make this a more regular thing.

[@stradesecondarie]

Happy to see another video in this channel!

[@orfanidis071]

Very informative indeed! And not only for resolve but for digital coloring in general. I think this info might even help me with my photography editing in Photoshop. Kudos to you!

[@juanpablomartinez4140]

DUDEE this was so detailed. I finally understand curves! this is masterclass level. thanks pal

[@MonzotoOfficialChannel]

Yep Man happy to see you back. Great info as always

[@chris5355]

Welcome back! Excellent tutorial video as always, thanks.

[@GuenniKurti]

So great to have you back! Every one of your videos helps me to take my skills to the next level. I hope we'll see some more of your tutorials in the future!

[@moecreations1]

One of the best video on youtube for sure!. Hope you will get well soon. Take your time to rest and recover!

[@averypeck]

Thank you! I'm feeling much better and hope to have a new video out soon :)

[@elissitdesign]

You haven’t put out enough content recently. It’s seriously great! I love to see how others work in Resolve. You’re explaining the core tools and how you use them in chain. That’s valuable. As a professional myself I cringe at most tuts on YT covering DiVinci “Buy my cinematic LUTs!”

[@heesang1989]

This is the best and easy explanation of Contrast and Pivot in the world :)))) Finally I can understand them, Thank you daddy

[@olodum111]

Your DR tutorials are the “bomb”!! Very well done and detailed in everyday language. Can you squeeze out a few more? Anything on DR 17 would be awesome!!

[@KennyYatesTV]

Avery just "wax on, wax off"d us when we got to the Gain and Offset portion. Like all the stuff ahead of that point I found myself saying, yeah, but why? Then we get to Gain and Offset and I was like....AHHHHH. So helpful in understanding the nuances of contrast! Another great video. Wish you were making more!

[@user-ml2iq7wj1o]

damn dude, your videos are a wonderful balance between academic/theory and utility/practice. Every grade is unique, so someone just telling me how (and not WHY) is often not broadly generalizable. The principles behind a particular concept however DO transcend all projects. and you do a wonderful job illustrating AND connecting them to an example. Particularly, the style by which you use simplified image to emphasize geometric impact on the wave form with the behavior on color properties and then tie that into full, complex image wave form is just awesome. much appreciated.

[@averypeck]

Thank you so much!

[@abelmalonzo9177]

This channel deserve more subs.. Your tutorial is on point.. Im midget on color grading now because of this

[@shane_taylor]

Wow. Who knew there was so much to the lowly Contrast control. You've definitely informed me, and made me a better colorist. Thanks! Excellent video all around.

[@stoodeeo]

Another great content. Good to see you posting again. Keep up the great work, mate.

[@ralvis20]

Glad to see you back sir!

Love your videos as always.

[@averypeck]

Thank you!

[@scotttebeau]

Thank you Avery, fantastic stuff. Refreshing presentation as well. Looking forward to more content.

[@Cooper349]

Great explanation. I also often notice that people start grading raw footage without setting their whites and blacks properly before adding contrast. But great video on how to manage contrast.

[@andresacunaroldan]

Masterclass! Thanks Avery

[@MountUpMedia]

So happy you are back brother ! Learn so much from you! Keep blessing us brother !

[@MikeErickson]

Now I know what that pivot point does! Great tutorial man. I really appreciate the knowledge share.

[@ItalloXavier]

Missing your content bro, you rock !!!

[@ConnerFoxx]

Oh SWEET, I clicked off another video just seeing this thumbnail, I didn't even catch that it was a brand new tutorial from you specifically! I literally just jumped at the chance to know more about those controls, because contrast is EVERYTHING.

[@thefilthyswede]

Damn dude you're voice is changing haha! So much deeper. Great vid, thanks!

[@YGharbi]

We need more videos from you ! You re Better thann Qazi ;)

[@R1kka]

bro, i love you you motivate me so much and i appreciate your efforts

[@lotharwilhelm76]

Kudos! Outstanding work. Checks all boxes on how to make a good educational video!

[@eydok5114]

I have to say bought my BMPCK4k 2 days ago and I was terrified to switch to Davinci as a Premiere user. It's really complicated at first, the workflow is just so much different, but your videos help me a lot. You are doing god's work my dude, keep it up! Great production value, no unnecessary 5 minute intros on how I should subscribe to your channel, just straight to the point with a ton of infos. Thank you!

[@averypeck]

I'm glad to hear it man! I was a Premiere editor back in the day as well; there's a learning curve, but you won't regret the switch!

[@victorfilm_]

Welcome back Avery! You have a way of explaining concepts so well. You should put together your own colour grading course. I’d be the first in line to sign up! 😉👍

[@goodtimesandgold239]

Awesome video. You are very talented and a great teacher. Cant wait to see what you have for us next!

[@averypeck]

Thank you!

[@CPtheCreator]

Wow! This was SO INFORMATIVE! Way over my head! I’m going to watch this more than once! Thanks for sharing this!

[@KZ-yu4jz]

Wow, really informative and well done. Looking forward to trying it out on my next project. It would have been nice to see the change on another few images, but that is for me to play with. Thanks again for the awesome tutorial!

[@yveslacroixproductions]

Oh my !!! You're alive 😆 🙏

[@hunterboen6410]

Great content as always! My grading habits have definitely changed because of your insight.

[@averypeck]

Thanks Hunter! I'm glad to hear that.

[@nelsonpuello8722]

Informative, concise, and practical. Thank you, Avery. I have subscribed.

[@MAXXX1195]

Best content on the subject, really good job

[@emrg777]

Great video. I love videos that match the functions to the theory or physics...Amazing presentation of the topic....

[@musicelect]

Great video. So clearly explained. You gotta love Resolve’s color tools. Over on the shadows midtones highlights page you get to control the pivot point for shadows and highlights using the low and high range controls. That gives you some control over the falloff.

[@filmreif3941]

He's back!! 🚀✨

[@semmussaev]

I'm so glad to see your videos, Avery! You are back finaly!

[@wombathijs4560]

This is an incredible tutorial. Thank you so much for your time and hard work. It has helped tremendously

[@averypeck]

Thank you! Glad it has been helpful!

[@FalcoII]

This is explained so clearly! Excellent job!

[@mrkimonojr9400]

OOOMMMMGGG its Avery folks he is backkkk!!! DUDE, BRO, STAY DONT GO AWAY!!!!

[@SupraheadStudio]

Nice to see you again !

[@smepable]

Awesome explanation of this Feature!

[@storyfirstfilms149]

Absolutely fantastic thank you again for the time and effort it takes to put these together.

[@CodyScott]

He is back!

[@yashmistri17]

Man, love the information you are sharing. Loved that you came back.

[@AriIsenberg]

This was fantastic! Super clearly explained and really well done. Looking forward to more videos!

[@rodrigo8269]

Amazing video man! Plz keep them coming!

[@宗原-r1s]

Great tutorial! We need more

[@phillipgroves4346]

Your videos are as a good as it gets for tutorials 👌🏽. Thanks for all your effort you put into these videos and in educating the colourist community 😁

[@averypeck]

Thank you! Glad you enjoy these videos!

[@richarddurkin833]

Thank you for this tutorial! Well explained and super useful.

[@jacquelinelmiller]

Fantastic explanations and great info - thanks so much!

[@todea]

Thank you very much for this super high quality content!

[@epiczebra8476]

Man!!! Glad you are back 🙌🏽🙌🏽🙌🏽

[@eccentrolab]

Love your videos, man.. They're sooo easy to understand.. Please do more videos.. Especially on shots matching.. I wanna know how you do it.. Thanks in advance..

[@glen-draketoolworks7186]

Enjoy your coffee. This video has proven invaluable to me.

[@averypeck]

Thank you so much! It's greatly appreciated! I'm glad the video has been so helpful for you.

[@antelopesurf]

So refreshing ... real learning ... thank u

[@HarriRomppainen]

Great to have you back on KZbin! I am using various Fuji F-Log to Rec.709 LUTs as the last node. After watching your video I added contrast before the LUT with linear contrast adjustment and it does look better and gives better control. Am I doing it right?

[@SmartPhotoVault]

Perfectly explained.

[@Veptis]

My personal way is to use the Luma curves and turn on editable splines. Just drag the low and high point with the hands. No additional points on the curves. Using soft high and low soft if needed to avoid clipping. You can set the waveform scope to decimal or % as well to get a direct relationship. Furthermore use the colour picker in 10bit to get actual values. But you don't get luma mix(in Fusion you do). Also a thought: the shadows and highlights controls work differently then lift and gain. But they work even a little more different in the raw tab. Contrast in the raw tab is always linear aswell - so you can use linear and s curve at once...