This GENUINELY Impressed Me || Natlan Live Performance REACTION

[@ScobraGaming]

HOW IS THIS AT 1K VIEWS IN A HOUR! THANKS EVERYONE

[@Asheriancommand]

Cause your content is great. Thanks for making the video.

[@evand6030]

The power of genshin fandom

[@brandon2173]

The first song feels like a sort of anthem for Natlan, and personally I think it seems fitting for something like the Olympics. The second song you did notice the leitmotif, it's been always present in every iteration of battle music for every region since mondstadt.

[@1nfamousprince]

The leitmotif is named "Photons of Fluctuation"

[@ScobraGaming]

Absolutely the first one literally felt like a Natlan Anthem. It's gonna be on my mind for a while.

[@keiibo9006]

@@ScobraGaming definitely on purpose too! this nation is in war and on the verge of death, the music is so courageous and powerful for the people in that world

[@jawboem4507]

i think the lack of variety in fontaine and no traditional instruments from fontaine is because french classical music itself are like that. they've got water glass, valse musstte, viella-à-roue in their instrumental composition. i found one of the most common reasons people are less like fontaine music is that they just simply dont appreciate Debussy, Ravel, Saint-Saëns that much xD

[@phatbeatz1311]

6:32 This is a leimotif of the Photon of Fluctuation that is present in every battle theme across all regions, which is regarded as the traveler's battle theme that is incorporated in each regions music.

[@ScobraGaming]

Music team is extremely talented to do that across all regions and STILL sound unique.

[@teumefatih5490]

@@phatbeatz1311 I called it Yu-Peng Chen legacy🛐

[@laineysays]

@@ScobraGaming I was gonna post the same comment. A simple leimotif composed of maybe no more than 10 notes, and we've heard it in multiple versions and styles, from battle themes to character demos. That's just epic🔥

[@tdlvidklp8833]

@@phatbeatz1311 Interesting how it is regarded as the Traveler's battle theme cause I have never thought about it. I would think that it's more of a Sovereign's theme or Teyvat's theme since Teyvat used to be the Land of The 7 Sovereign's and we also hear it in God-Devouring Mania (Guardian of Apep's Oasis' theme). But, now I feel like the leitmotif is definitely the "Traveler's battle theme" 😅

[@madara5458]

Natlan music somehow surpassed sumeru. I was sure that they had already peaked amd they exceeded my expectations. The languages used for both songs was swahili and the instruments used are mostly Latin American instruments hence we have a blend of African and Latin American influence. I speak swahili so there were a few translation errors, but the song was still amazing. Props to hoyo for this one

[@lynxylisa]

I’ve been watching Natlan symphony reactions for two days because I am so obsessed. I enjoyed your reaction the best!

[@cfeng0824]

LOL I feel the same.

[@henriicarus5488]

@@lynxylisa Same here

[@ouroboros6738]

Man I thought I was the only one 😂

[@azulmonotono]

sameeeee

[@Kairyu71]

same.

[@KamizakiIrsyada]

the first song is compose by Dimeng Yuan second is Yuxi Wang Dimeng Yuan is now the main composer after Yu Peng-Chen left

[@柏柏半邪]

@@KamizakiIrsyada 🙃

[@ERICKDGOMEZ-vf1pf]

nice info bro thx

[@ScobraGaming]

Thanks for the info! I'm gonna look into him to see what else he composed that I missed.

[@contessaminmin1337]

The lyrics of this song are in Swahili. And this is a language that perfectly captures the sacred aura of African tribal customs.

[@ScobraGaming]

I recently watched a Kenyan guy react to this music and it seemed like he really loved it. The moment he realized that he could understand the lyrics, there was this really big genuine smile on his face. I can tell that a lot of thought was put into composing this song.

[@januslee3934]

@@ScobraGaming This music reminds me of Sankara, Cheguevara...Kumbukeni majina ya mashujaa , Andamenni uwanjani ……I saw some good clips in Bilibili, which gives me a good sense of picture

[@AlphaWolfRadioWithEdygrimDJ]

@@ScobraGaming Hello, I believe I am the Kenyan Guy you're referring to 😀 Cool reaction video you have there. I'm watching it and will like & subscribe

[@ScobraGaming]

Thanks a lot! I wasn't expecting to see you here haha. I hope you're enjoying listening to more of Genshin s music!

[@AlphaWolfRadioWithEdygrimDJ]

@@ScobraGaming You bet man 😀 Doing reactions to the OSTs and going down the rabbit hole of The Genshin Universe

[@edwardshyu8479]

Fontaine music was gorgeous in my opinion. The instruments used in fountain music sound plain because people are so familiar with those instruments. However people might forget that those instruments which being used everywhere in modern music were actually the traditional instruments of Europe. It’s not the composer’s fault not having a cultural vibe, it’s just because everybody being so familiar with that vibe.

[@findingaether]

That may be true for western audience but Genshin has a huge Asian market who might enjoy learning about traditional western instruments since they get less chance to listen to them.

[@Lonerzyyy]

@@findingaether As a Chinese, I would like to say that China is very familiar with Western music theory, and Fontaine's music is also controversial in China, because Chinese people are "tired of hearing" those European instruments. I would say that yupeng Chen is really good, but the hoyomix team is also good, just in a region where the music happens to use traditional Western instruments, so people think, "Oh, these things are so normal." In fact, because we all grew up listening to the classical Western music, the music of Fontaine is not so amazing, after all, we learned Western music listening to Mozart, Beethoven. Who can claim to be more accomplished than them? (Machine translation, if you do not understand the place, please forgive me)

[@Lonerzyyy]

@@findingaether However, there is no doubt that the music of Fontaine Underwater in China's reputation, because he added a lot of non-Western traditional instruments. Harakami's music is so successful because the hoyomix team can add a variety of ethnic instruments and melodies to the base of modern mainstream Western music. This is true respect for other civilizations.

[@findingaether]

@user-xu6on9ic9g I feel it's respectful because they try to make the classical instrument the hero instead of as some background sound. It purposely gives time for the artist to showcase their instruments as the centrepiece.. be it the glass harmonica or pan flute. That's why it's well received compared to other works.

[@Lonerzyyy]

​@@findingaether Yes, I agree, that's why MHY makes me proud, because in the eyes of people who really understand, it is a good expression of Chinese culture while respecting world culture. In fact, both in Fontaine and elsewhere, many stories are told with Chinese ideas. The way these stories are told is how most Chinese people see the world. Respect, harmony, integration and common development.

[@kivvz8453]

the part where the swell calms down and there's this soft little chime and the gentle hum of the choir.... heavenly. my favourite part of the natlan's anthem. brought me to tears. it strangely feels like coming home

[@nguyenquangdung9892]

Truly mesmerizing. I live in Vietnam. Whenever I hear this song I can feel that flame igniting inside me, the urge to march onto the battlefield just like ones who fought for our country since the first days. Ive been having this on repeat lol.

[@ScobraGaming]

Truly deserves to be an Anthem.

[@ibelieveinwoozisupremacy8681]

Truly, sumeru and Natlan is my favorite ost so far. Fontaine for me is good, but since it's purely classical music

[@blackhust]

The moment the chorus started dancing to the beat, the vibes were so strong it made me tear up. I guess if I knew Swahili, I'd be even more thrilled.

[@biazacha]

The fact that I was doing the exact same motion as them while watching the stream and only realized when the camera pans to the choir was such a cool sense of kinship. They really outdid themselves with both compositions and presentations.

[@pandazzz319]

I feel exactly the same! I used to think Genshin's music can not reach the same height as before as Yu Peng Chen left the team. However, the Fontain music keep getting better and better in later version of the game. This two Natlan tracks also became my new favorite in the entire game. I was thinking are these two tracks produced by Dimeng Yuan 苑迪萌 (the guy make La vaguelette)?

[@lagrangewei]

no they have a few composer

[@BlueminSpring]

I believe Dimeng Yuan composed Natlan (1st piece) but the 2nd one was composed by Yuxi Wang

[@venexo1434]

I always knew that Hoyo has had good composers. My (soon to be former lmao) favorite track is Midsommernacht Fantasie (Fischl Domain Battle Theme) was not composed by Yu Peng Chen.

[@whoops5991]

I reallly LOVE the second SO MUCH!!! It’s probably one of my favourites TOP aghhh it really hits me in the heart😊

[@stixhistishi]

Natlan is in contention with Inazuma for my most favourite Genshin track. Inazuma because of its absolute beauty. Like that track is just so beautiful in so many ways. Natlan because of the vocals. It's always amazing when I hear composers from other parts of the world use our language, Swahili, in their composition. Christopher Tin did it with Baba Yetu in CIV 4, I believe, and he did it again with his own track called Waloyo Yamoni (which is in Luo, one of the tribes here in Kenya. Specifically, my own tribe.) So when I first played Natlan, I just paused for a few seconds because I did not expect it. And then it kind of just blew me away even further with how they went above and beyond. As you said, the Fontaine OST was kind of mild. I think that's just because of where it's supposed to be from. We are all really familiar with European and Western Orchestras, so Fontaine just sat at that sweet spot. There were amazing tracks there though. Ballad of many waters remains to be my favourite from it just because it's such a vibe. I think HOYO MIX shines when it incorporates other culture's instruments and music into their own.

[@ScobraGaming]

Wow that's incredible! I recently watched a Kenyan Creator react to the Natlan Anthem and he had a big genuine smile on his face when he realized that it was his language. Because of that, I truly think HoYo-Mix outdid themselves.

[@hoang7850]

Yu Peng chen already didn't participate in the making of Enkanomiya's OST and a large part of Sumeru. I think it's just Fontaine being heavily French influenced that there isn't much traditional instrument for your taste.

[@ScobraGaming]

I loved Enka Music especially more in game because the battle music was synced up to the normal music. I thought it was genius. As for my taste, while I do like traditional instruments, I like when modern elements are mixed in. Basically Electronic x Classical is my favourite. I just didn't feel like Fontaine (at least 4.0) had any "replay value" for me. Basically, I'd hear it a couple times and then be bored of it.

[@YuuSouji]

​​@@ScobraGamingmaybe because Fontaine is heavily European influence and most of instruments are already well known that might be the reason it will feel old and not refreshing like Sumeru or Natlan

[@xavehans]

Natlan is a nation of fire, and now we know one of the reason, the osts are absolute fire. I've listened some ost leaks, and i really hope they release them like that or better, can't wait for natlan 🔥🔥

[@ZionKid95]

The melody you recognized is "photon fluctuation" and engraved into all of Genshin's regional OST beginning from Mondstadt

[@ScobraGaming]

Thanks for the info!

[@leturna9866]

Natlan is already on par with Sumeru’s music. This was so incredible. And on top of how beautiful it was, the lyrics in both songs make me very excited for Natlan’s story!

[@marcusaurelius4777]

The classic leitmotif that you called "Liyue's melody" is actually called the "Photon of Fluctuation", it's something that binds all of the music together.

[@marcelocapeljunior3579]

I will say that the oversaturation of classic inspired music in video games kinda hurt Fontaine in the short run. Because it is the genre most portrayed in game sound tracks, or most relied upon. Though I've seen many music dedicated channels go deeper into the roots and nuances of Fontaine soundtracks I do have to agree that nations like Natlan and Sumeru just more untapped potential because they have elements you don't often see in games and thus feel fresher and new to the ears.

[@SaraBearRawr0312]

I got incredibly emotional hearing this the first time - It's like it inspired patriotism for a nation that doesn't even exist.

[@TheRealIronMan]

Totally agree with you on Fontaine music, imho Genshin is at its best when trying to depict non-Eurocentric cultures, whether its Egyptian culture or Chinese culture, they always feel so genuine and unique, Mondstadt/Fontaine very much feel just like the generic fantasy stuff we see in every other game.

[@UrLastSurprise]

Name another video game soundtrack where the Glass Harmonica is utilized within it; I’ll wait.

[@Fitz1630]

@@TheRealIronMan it’s because as many other people have stated, you are so used to the classical western instruments they feel slightly bland, to me though they are still fantastic instruments and Fontaine music is amazing.

[@dáinsleif_the_bough_keeper]

Fyi, the first song is composed by Dimeng Yuan and the second song is composed by Yuxi Wang. Apparently Hoyomix let each of their members in charge of different songs/musics. So there will be several composers in charge of different songs/musics in one nation (like Natlan).

[@jyuu6650]

@@dáinsleif_the_bough_keeper I’m sure there’s communication between each other though. You know, to keep consistency with the theme of Natlan…

[@ScobraGaming]

Thanks for the info!

[@TheGamingTeam101Tgt101]

saying fontaine music was not that great is insane. but glad you loved this one lol. imo fontaine is peak music too

[@graydient1106]

@@TheGamingTeam101Tgt101 i agree lol, fontaine arc produced the most atmospheric and technical soundtracks in genshin’s run so far, especially in world quests and cutscenes, saying that it’s not great because it’s not aligned with one’s taste for music is crazy to say the least.

[@TremblingQualifier]

@@graydient1106 wrong. Fontaine music is good but is mostly rather expected.

[@ScobraGaming]

Not saying it was not great. It just wasn't for me. Just my opinion.

[@madfritz3873]

i have watched many react to this and everytime i teared up

[@ScobraGaming]

I've been watching a ton of reactions to this too!

[@erilayne260]

Same, no matter how many times I hear it still makes me cry

[@riotangel4701]

Every region has at least one battle theme playing the *Photon of Fluctuation* battle leitmotif from Mondstadt.

[@Serfo_]

You're pretty much the best reaction I have seen so far (and I've seen many these days), always focused on the music instead of talking about unrelated things, and your comments pretty much spot on, I think I have the exact same opinion as you, Fontaine music isn't that good BUT mainly because of the battle music. Sumeru have Swirls of Shamshir which is probably the best battle piece of the game, and now Natlan has Anthem of the Savannah which is up there as well. And considering you'll hear battle music the most while playing Genshin Impact, it may affect your overall opinion of the region. That being said, and outside of battle music, Fontaine has some pretty fantastic pieces (the whole Remuria OST for example) And I also agree with the first piece called Natlan, I got chills hearing that the first time and I still do. Not sure where they'll put that one though, battle music always keeps the beat from start to end, so I think it can't be battle music, perhaps in the main city but I wonder if the choir and voices might get too prominent for a city piece. Perhaps it will have a different version. Not sure.

[@noox13]

I absolutely love (what I think is) the Natlan leitmotif! It sounds SO good in the 5.0 trailer and in the battle theme!

[@ar_greyheart471]

7:24 When you realize these lines were planned from the beginning of the Game 5 years ago - in fact, it is written in the Pyro Gemstone description (an in-game material). Hoyo-MiX cooked here🔥

[@Elder-Sage]

I think another point of issue with Fontaine, is that it is based primarily in late 18th century France. Other than some mandolins and accordions, so much of the tradition instrumentation ARE that classical European lineup we know so well. These sounds have become so widespread that it is already familiar to every region of the globe. So while it can be beautiful and well done, it is much harder to add that extra spice that says "This is French!".

[@elgiverdianabdillah9680]

Yep, thats my favorite so far. IDK why, its seems like brings some memories of past JRPG I have ever played, like Suikoden 3 really suits the first song if u know or play the game, you will understand how it feels, tribe, hero and rising really suits wells.

[@chase5436]

Reminded me so much of Baba Yetu. Swahili is so criminally underused in music.

[@gostttttttttt]

I thought nothing could top Sumeru’s OST but Natlan happened…

[@kenshi4296]

Fontaine did have a variety of instruments like glass harp, harp, achordion , Female choir etc wich is seen allot in french music. It's just that French music sounds like traditional Opera. IMO it's the way the song's where writtinen. It was nice IMO. Not banger like natlan or sumeru, But that's also because those area's just have more excitement and battle theme esk vibe. Where Fontaine was more about drama and mystery. I aggree, Fontain isn't as good as the previous i mention but still better then liyue and Monstad IMO. #1 Sumeru #2 Natlan #3 fontain/inazuma #4 Liyue and Monstad

[@mguitar3931]

A LOT of Yu Peng Chen's work on Genshin was actually just a rebrand from his earlier songs n you can find them published under different names years predates Genshin. A production of this size requires a team and more than one composer. Idk what kind of contract Yu-Peng Chen had signed but that surely didnt work out n we're seeing him publishing his new work under his own production house. Other in-house composers in the Hoyomix team finally gets their credit in Genshin, as it should be, just look at their other titles.

[@ScobraGaming]

I'm looking into the other composers that others have mentioned for this song. Absolutely gotta give them credit for cooking up this.

[@Zodia195]

That first song, you actually did hear it in the last Natlan Teaser when the Archon was first shown. It played at the end of the teaser. Just didn't have the vocals. But yeah, that first one really hit hard! Someone confirmed that the language being sung is Swahili, which is an African language. One thing I love about music in general is that it is a Universal Language, everyone loves it and you don't have to understand the words to something to feel the passion behind it.

[@Paula-133]

Wonderful the more globe gaming music becomes the more everyone feels respect. Its just magical.

[@neanahidden]

Instant chills. It was so good. I love how they got so many different musical flavours to work perfectly together and give something completely unique and at the same time quintessentially human. The emotions evoked are something shared by everyone. As game music it does so much for the world building. it paints a clear picture of who the people of Nathan are. How they see the world and themselves.

[@cfeng0824]

the first is written by Dimen Yuan, the second is by Yuxi Wang.

[@mukutta]

I had the exact same thought after listening to this masterpiece! This might really be the best piece of music from Hoyo so far and that means alot, especially after the irreplacable Yu-Peng Chen left the team last year.

[@ScobraGaming]

They've proven capable of evolving themselves. I seriously can't wait to see what they cooked for the Weekly Boss music in a few patches.

[@concurseirobob4509]

It's amazing music, they did it again.

[@leol.6679]

Tbe second song is beyond incredible ❤❤

[@DreamTiger5]

Sumeru had my favorite soundtrack, now it seems Natlan does. Especially if the vocals stay in.

[@Nico.Nightingale]

5:57 The first song made me very emotional. There are a few songs I like more than that one, but I will be honest, that ranks easily on my Hoyo-Mix top 5. Probably behind Mittsommernacht-Fantasie, Rondo Across Countless Kalpas, Le Souvenir avec le Crepuscule, and Village Surrounded by Green xD

[@ScobraGaming]

Hard Agree for the first two you mentioned. Don't remember the others you mentioned.

[@striate.8711]

You had me disappointed in saying Fontaine music wasn't "traditional" in any way, as if modern symphonies don't use classical instruments or cues that are centuries old at this point. Though I do understand that the way that Sumeru and Natlan introduced more instruments to their orchestral lineup are more obvious to us in general. It's not as if traditional instruments weren't used for Liyue and Inazuma's soundtracks however, but maybe Asian media is just more prevalent than others I suppose. Exposure is key here, and everyone's experience will be different depending on where in the world we are, which can affect preference as well. Through this, we can really appreciate what HoYomix is doing for music in general beyond just their games and who composes them.

[@reveriesend4668]

You know: your impresison about Fontaine, I had that worry since like 1.0. It's because the "western musical instruments" have become a norm in modern music in general, that their uniqueness, the value they bring to a musical composition has became a standard everyone have grown to know and familiar with, on a subconscious level. Liyue, Inazuma, Sumeru all have their unique regional instruments, and the mix of that becomes the taste of that region per se. Mondstadt is a fantasy land, and that's why it's hard. But Mondstadt was the first region and it set the standard of what was to come, where the music could grow. And grow have they did, no? (altho, Shimmering Voyage vol 1 disc 1 is still my favorite ost album in Genshin ever.) But Fontaine is full western. To be precise: it's mostly French, Italian, and Brits, with small Iberian peninsula influence. So they don't have much special, rare instrument they can put into. They opted for the glass harmonica. But glass harmonica is so rare, that you can't really borrow them so easily. That means you can only make like... a few pieces, at most. For the rest, either they have to avoid the glass harmonica (thus losing the unique taste) or... they had to rely on digital voices a lot. So for me Fontaine was always a test, and it seemed like YPC knew it was going to be a test, too (if you have listened to his new album, there's a bunch of musical ideas and melodical "baits" in his tracks that sounded a lot like Fontaine) and that's why they prepped it. But then it turned out YPC had to leave before the actual test, leaving a team that had to scrape by from his ideas and their ideas as they go.

[@reveriesend4668]

Natlan? see how much instruments they brought here. plus the whole anthem and languages too.

[@reveriesend4668]

Snezhnaya might be a test, but not as big as Fontaine was. Russian orchestra music have really strong basis, and YPC himself is a very Tchai guy as a composer, imho. (He himself said Rachmaninoff, tho). Genshin music has a lot of Tchai in them. As YPC left, that is slowly changing, but... yeah So Snezhnaya music maybe will be the most "Genshin" of the nations.

[@ScobraGaming]

I think Mondstadt and Liyue Music upped the standard for Music in Video Games. It was different than the norm which was usually just some loops put together. Genshin went out of their way to carefully compose every song and I think that's why I liked the earlier songs for a very long time. However, eventually, it gets old. Inazuma and Sumeru were very fresh with the new instruments and the way the blended genres. In comparison, Fontaine felt like it went back to Mondstadt and Liyue which is why I guess it didn't feel new. Natlan took Sumeru to another level by adding a choir which just made it imo 100 times better.

[@reveriesend4668]

@@ScobraGaming I completely agree with this statement. Genshin really set the bar really high for themselves, because how they started really changed the level of orchestration required in gacha games (or maybe even video games), in general,

[@luha4611]

Solo esperemos que si algún día sale, tenga el mínimo de éxito. Se tardaron demasiado.

[@sakurage6807]

I dont understand shawili in slightest, but man the first theme, oh my god IM A NAT(LAN)IONALIST NOW

[@silverhairedsamurai27]

I wish there's a boss fight or at least a local legend strong enough to make me listen the battle theme fully. It's so epic

[@ScobraGaming]

SAME

[@TsilaAinanomenjanahary]

Same man my fav song of hoyo mix ❤

[@ScobraGaming]

FOR NOW! I can only imagine how hard they'll go for Natlan's Weekly Boss.

[@TsilaAinanomenjanahary]

@@ScobraGaming can't wait for it❤️❤️

[@cherish_xo]

I feel the same way about Fontaine! It's nice but it just doesn't do it for me. However their comeback with Natlan is very impressive I actually teared up listening to the first piece for the first time 😭 I'm glad that Hoyomix is catching up well without master YPC.

[@ScobraGaming]

Same here! I liked Fontaine music the first time I heard it. But after a while, I was pretty bored of it. It felt very monotonous with every track. I'm just glad I wasn't the only one😭. Can't wait for Natlan Weekly Boss Music whenever that's ready.

[@mafileofua9591]

i mean fontaine is just mondstadt part 2, not much in terms of instruments happening there. also important to know that YPC wasnt the only one making music during his time, you got Dimeng Yuan, Xin Zhao and Yijun Jiang and the whole Hoyo-mix team

[@msh7563]

i think that's the problem with Fontaine itself. there aren't many exotic instruments from the place it is inspired by.

[@kivvz8453]

exactlyyyy fontaine music was gorgeous but it was only natlan that made me tear up

[@lagrangewei]

sumeru score was use only in cutscene. it might be the same with this.

[@marc-alexandregoncalves-ca2229]

Yup, people think i'm crazy when i say that fontaines music is my least favorite but it's literally the least interesting out of the bunch, Inazuma was great, Sumeru's music was fantastic, fontaine was a snooze fest for me, and now Natlan feels so fresh and filled of passion and emotion!

[@elgiverdianabdillah9680]

6:30 yes, i thought so, it is mondstadt or liyue, i forgot

[@Evitzeoshowerthoughts]

It's photon of fluctuation. The leitmotif for all teyvat battle themes. I read some people say it represents teyvat or represents the traveler. It's in the inazuma and fountaine battle themes. Sumeru I can't remember where it is

[@liwe-ds8dg]

枫丹本来就是法国，或者欧洲，乐器就是普通西方的乐器啊，钢琴什么的，不是加了个水琴么？其他的国家各有其民乐，所以乐器种类多点不是很正常嘛

[@ian3523]

all this just for kachina for not to return lmao

[@imbromidic6027]

heavy agree on fontaines tracks, im glad its gotten better with the new areas. i remember exploring fontaine and not only being disappointed by the music, but actually muting my game for the first time because i just did not like it. 😔

[@JT-cm9di]

Not sure is this my fav Genshin OST (i think Wanderer OST still the best to me) but pretty sure this is my favorite nation main theme out of all，maybe it's because with vocals and lyrics I can tell the Archon quest gonna be even better than Fountain Archon quest 😊

[@HollyWolf]

The fire nation attacked us all with its music. And I couldn’t be happier. For real though the thing I’ve always loved about Genshin, and hoyo in general has been the music. It’s become a staple in my playlists and I feel so blessed a music studio created a game just so they could produce this amount of quality. The hiring and us of traditional instruments and funding these projects is insane!

[@ScobraGaming]

It's actually insane. AND they don't claim videos about their music. Gotta appreciate them for that.

[@HollyWolf]

@@ScobraGaming yeah that’s actually super cool! Genshin be doing the lords work there