THIS IS one of MY BEST TECHNICAL TIPS - Tutorial (Subs en Español)

[@stapizo]

Pablo, you're incredible. Not only you're one of the best young cellists in the world today, but you SHARE your knowledge with your community, never seen anything like this coming from a star in it's field... Tank you very much, merci beaucoup, muchas gracias !! Keep it up, i hope to see you on stage in France one day ! Bless you

[@giuseppemengoli]

It is outrageous how much the "D" resonates after you stopped playing! Perfect intonation and Touch + perfect instrument setting. Bravo!

[@cellosong]

You are so generous to share tips such as this with other cellists. Great instruction!

[@alexcousins3607]

Cleaned up lots of my Haydn D major jaggedness thank you

[@taramccrory5412]

I really live your ideas; you're a fantastic teacher. Highest regards and appreciation!

[@taylornelson9430]

As soon as I finished the video, I ran to my cello to try it out because I had been struggling with this very issue. Using this technique, I was able to master a passage that I had been working on for weeks. Thank you so much, Pablo!

[@jean-michelaroyan]

I've learned it two weeks ago on the violin! 😁 it's an advanced shifting technique. It's important and necessary to practice it very slowly at first.

[@BarroqueSpirit]

Esta técnica es la opuesta a la "extensión". Yo le llamo "retracción" de la mano o de los dedos. Además si se combina con la técnica de los "impulsos" o "articulación" (lo cual significa elevar un poco más el dedo que va a tocar la nueva nota, antes de que caiga, es realmente fenomenal). Esto se aplica también al violín. Se combinan la flexibilidad y el gran rango de movimiento del meñique (que es considerado un dedo débil, pero de este modo se torna uno de los dedos más extraordinarios). Hermosa ejemplificación Pablo. Eres un extraordinario-super-mega chelista. Aunque soy violinista, me encantan tus videos. Sigue adelante compartiendo todo lo bueno. Te felicito y te saludo desde Argentina. Un abrazo.

[@belenramos3567]

Muchas gracias Pablo por el consejo! Me viene de maravilla con el 4to dedo que es muy cortito y siempre llega tarde. Estás haciendo una tremenda contribución al aprendizaje del Violoncello con tus vídeos! Por favor nunca dejes de hacerlos!!!

[@kennethslavett1177]

This is a very good way to explain this technique.

[@irebustini]

This is great! Finger placement and anticipation. My cello teacher always taught me that. I guess all the really great cellists work on this type of anticipation moves. ❤️👏🎶

[@estibalizuranga115]

Muchísimas Gracias Pablo es un gran honor que nos des estos consejos tan especiales.Eres de gran ayuda y una Gran Alegria

[@laurendelumpa]

Excellent! That was gold

[@dunjavesic1483]

Love your work and looking forward to listen to new recordings! You are so inspiring😊

[@AleVargasJaleaPizarnik]

Muchas gracias por este video, voy corriendo a practicar esto ! 🎉

[@cristiangutierrez4885]

Nada que agregar lo eficaz de la técnica que enseñas Pablo!...y tu claridad para enseñarla:Simplemente GRACIAS.

[@dizzyd254]

Beautifully shown and explained. THANK YOU MUCHLY!!!!!

[@yahelfelipe]

pure gold over here, thanks man!

[@BenVanWinkleCello]

Wow, mind blown! You are the best teacher I've ever had!

[@maxwung]

Wow that was amazing. Thanks for sharing. Also love your camera work and editing

[@JulianQuintero100]

Gracias Maestro Pablo por tu generosidad al compartir estos conocimientos, Dios te bendiga!

[@ArturoSernaMusic]

FANTASTICO! Siempre he pensado que el cambio de posicion 1 - 4 (4ta a 1ra posicion es uno de los mas complejos) super! Keep them coming!

[@avwel3827]

Thank you so much for these very valuable tutorials!!!🙏🙏❤❤

[@ruihualu6581]

Thank you very much.

[@davidhuckaby832]

Thanx for the stort distance tip.

[@janovera]

Muchas gracias Pablo, tu tiene su a gran actitud mental positiva

[@javieraliaga7052]

Que genialidad Pablo!!! No lo había pensado de esa manera. Gracias!!!

[@veckypc1040]

Genial gracias gracias!!!!😊👏

[@jorgevillavicencio2955]

Gracias Pablo

[@thesuze1717]

THANK YOU FOR THIS! This is exactly what my teacher was having me try at my last lesson - over and over with a pentatonic scale.

[@kennyapontemusic]

Wow increíble Maestro... Graciassss miles por este valioso video!!! 👏🏻👏🏻👏🏻🎶

[@robertoparraneiracellobert809]

Me parece muy bello que compartas tu conocimiento de la forma que lo haces !! Muchas Gracias!

[@cocoh3299]

Thank you so much for explain it so clearly. I have been demonstrate this tip for my students , but the way you articulate is so much easier to understand. Very valuable five mins video. May I ask what's your left hand index finger shape when you play minor 3rd double stop with 3rd finger on thumb position ? For example, double stop B flat and G on thumb position.

[@pianoflautistamtw5188]

Hola Pablo te escribo desde México, Wow es una tecnica muy interesante se podria decir que llegas al revés, como una vuelta hacia atras, además de menguar el camino, le generas potencia al dedo más débil y se escucha increíble, esta asombroza gracias por conpartir tus tips, Yo soy arreglista y siempre les dejo a mis alumnos ver tu super canal, también toco el cello, felicidades nos has acercado al mundo de concierto mas cerca.

[@deliaduro500]

Muchas gracias Pablo por tus buenisimos consejos.

[@JorgeCello.C]

Muchas gracias Pablo! 👌👌👌 Increíble tus videos!

[@Violinna]

Excellent technique!!! Great teaching!!

[@gibelrojas9518]

Creo que he empleado esta técnica veces y no me doy cuenta. Gracias Pablo por este video! Realmente me ha ayudado bastante y ya puedo ver por qué hay pasajes que me salen tan extraños y es porque mi 4to dedo siempre está lejos para tocar la siguiente nota. Muuuchas gracias.

[@sampaththallaramba6400]

Thank you so much🙏🙏🙏

[@otsugranelli]

Muchiiiiiiisimas gracias por compartir este video! Es de muchisima ayuda

[@jesushelgueraalonso8748]

Gracias por los subtítulos... 🎻🐾🐾🐾

[@wolfgang9190]

Absolutely fantastic. And see it done by you it's really great. The precision and control of your movements really helps to understand it. Thank you very much!!

[@dudaeterna]

¡Excelente, has dado en el blanco! Muchísimas gracias, chaval! Esto va por mis alumnos!

[@canalviolin]

Buenísimo consejo, gracias por compartir conocimientos

[@matthewmcdermit8744]

Fantastic

[@torysinitsa22]

Love your videos. Thank you so much for sharing Could you tell us how you care after your instrument? Strings care, bow and etc.

[@profesordeviola]

Muchas gracias por el vídeo. Es muy interesante por la preparación del disparo del dedo mientras la mano viaja, lo que optimiza el mecanismo. Son los pequeños detalles lo que te hace llegar lejos y sin lugar a dudas lo demuestras en cada vídeo ,... ¡bravo!

[@PanicKernel2008]

That is indeed an excellent tip. Thanks a lot !!!

[@kencarpenter2785]

Fantastic videos!! “Muchos gracias!!”... bien hecho!

[@augustomariogoulartpimenta4727]

This is gold.

[@aknurbagidullayeva6956]

Thank you🙏🏻

[@Lwayte]

Excellent! More like this, please.

[@roxanneqiao7511]

Awesome!

[@gasparocelloman9852]

Thank you! That’s a great help. I wonder, would you mind demonstrating something similar for shifting down in thumb positions, please? Not so much from thumb position to neck position, but thumb pos. down to thumb pos. Apologies if you’ve done so already and I’ve missed it.

[@camilaurrutia1580]

gracias Pablo, lo pondré en práctica .

[@ymgabaldon]

Gracias por compartir. Convence a tu hermana Sara para que haga una serie como esta para la viola. ¡¡Sois unos craks!!

[@paquicastrogonzalez3225]

Bravisimo!!!🎈👏🎈👏👏👏👏👏❤️❤️🎼🎼🎼

[@manuelalejandrocarcabosofl5804]

bravo!!!!!!!!!!!! Master!!!!!!!!!!!!!!

[@inesbustos8037]

Gran consejo, gracias!👏🏼👏🏼👏🏼🎵🎻😉

[@max.domante]

excelente video. en contrabajo estamos la mayoría todavía esclavizados por la posición. esto de abandonar la postura por la frase, por la música es de verdad muy nuevo para nosotros. tu video me deja super motivado

[@JihoonKcello]

can you make a video on how to practice 5ths in difficult positions? I'm having a hard time to play 5ths in tune with my pinky, it might be because my callus is weak.

[@angelalorenzo]

Super interesting video!!!! 🙌🏻🙌🏻🤩

[@jeliejolie]

genious thank you so much

[@cabaYT]

:o Muchísimas gracias por existir :3

[@donadolfo11]

Impressive and enormously helpful!

[@dsanchez3688]

i will dare to do a suggestion to you. Have you saw that chinese violin called erhu (is not a chinese cello =v ) that does not have a tastiera? well, it's my example for my students of how is not necessary to get the finger ON the tastiera. if you do the harmonic 1st position 3rd finger (4th on the cello i believe) and gradually start adding pressure, the sound will go from harmonics, to trashy, to clean. and if you did it gradually enough, you'll realize a clean tone appearse before your finger gets the tastiera. if you continue with the pressure you'll realize that sound does not becomes cleaner, and if you go on pressing harder and harder till it hurts, hearing that sound does not gets cleaner with pain, you'll realize how pointless waste of energy that is. So, if you are used to do a little bit of that waste and you play a beautiful mozart sonata but you get tired by the cadenza of the tchaikovsky, and you're exhausted by 3rd mov. Check this cause i'm sure that your arpeggios are just fine. Now, sure cello it's diferent and for sure there is no trouble with Dvorak or Elgar, you nailed it, but man.. your fingering is as loud as your notes. And all bodies are different and our stamina is not the same, but i bet my violin that with age you'll have to rethink your technique

[@kristenalexandra2701]

Thanks for the tips! I wish I had your stickbug hands, it would probably help me more on my double stops haha

[@LosAngelesChamberOrchestra]

Gracias por los subtítulos y la lección.

[@ardieson4542]

thank you

[@shannonboyd1890]

Super helpful. Thanks

[@josephhamlet703]

Bless you!!🙌🏽

[@Celloplayer16]

How to choose when to use the first technique or the other one? 🙏🏻

[@pabloabreu2172]

Gracias Pablo, una vez más

[@josephgarrido4035]

Excelente aporte al mundo cellístico, alguno me dice que pieza es la que toca ?

[@ezequielcamacho5956]

Esta técnica lo explicaba André Navarra, gracias!!

[@carmelo26enrique]

Podrías dedicirme cómo sería el funsiona miento si el salto va hacia el agudo?

[@jameson7783]

Thank you so much for this!

[@reauguimo]

Thanks

[@robertmaya3820]

Thanks for the tip!!!! It makes a lot of sense 😉😃

[@dawnpoint]

Dvorak third movement, here I come!

[@barbaravisalli717]

Thank you for your videos, always useful! Can I ask you wich microphone/recorder do you use for those videos? The quality of the audio is impressive!

[@daniloamadeusgallardoriver9731]

Hola, si muy buen consejo, pero veo que mantener la afinación del dedo uno se hace compleja o solo soy yo. Gracias.

[@dennisgruber8210]

Pablo, you are so amazing!!! Thank You:) This technique will definitelly change my style dtamatically! I´m just wondering how your thumb can force against, without pain. It´s audible that fingers can beat the strings on fretboard. I coldn´t press the strings too long because my thumb will give up and I have to stop playing or my fingers become too slow. Do you have tricks for that?

[@annezubieta2367]

Thank you so much for the subs in spanish😀😀😀😀😀😀

[@siulhisaleehernandezsantos6672]

Gracias

[@marysettehubert5032]

🙏🏻🙏🏻😊😊

[@BacemAnasRomdhaniViolinist]

What camera did you use for this HD video?

[@BassMarkMusik]

Great Man 💪

[@rosysh.131]

Wondering if it also works for violin?

[@mokhtarchida7604]

thanks a lot

[@Arktid]

yes but every time we make an odd "boom" "click" with our finger falling on the fingerboard

[@DiogoSantos-gy1yt]

Thanks Pablo, this will help me a lot in my pieces!

[@euomu]

Wow! I'm going to try it immediately. Really insightful!

[@SandieCanes]

I really want to improve my shifting accuracy and this technique seems to be the way...how would I start working on this technique...any particular etudes, scales or method books to recommend?

[@cansueray8433]

❣✌

[@jaimecabrera4511]

Me sirve igual si toco la viola? O exclusivo para violonchelistas?

[@tianspiritzhu5511]

What piece was he playing in the intro?

[@zsigmondneferenczi6141]

SUPER VAGY ⚘🌷⚘🌷⚘🌷⚘🌷

[@parammehta464]

what is the name of the first piece, sounds interesting to try out.

[@kalo3547]

Rococo variations, cadenza in variation 5

[@elmerdiazgarcia2386]

Cómo consigues acordarte en concierto de toda la técnica que quieres aplicar en cada momento?

[@annezubieta2367]

Practica :) todo es practica