This is the New #1 Broadcasting Mic -- Shure SM7dB

[@Senpai]

What mic are you using right now and what's your dream mic? If you don't have one, just leave an emoji for engaaaaaagement ❤

[@youdidntaskforthisbuthereitis]

Using an SM7B and I want an RE20

[@MidinVal]

Currently rocking an AT4040

[@AutumnRainTurkel]

Using the SM7B but I was looking to grab another for podcasting with fellow artists in my studio. Problem solved by Harris yet again! Enjoy those sweet affiliate bucks, lol.

[@AKubbles]

Using my Dream Mic right now, the SM7b, going into a Cloudlifter then a wave xlr. Really, I love it, and the quality it gives.

[@KrazyKillzone]

Im using the antelope audio edge solo and I love it, pared with my wave XLR, I think its the perfect combo to really make this virtual mic pop

[@CloudMicrophones]

@Senpai Thank you for your review! The original Cloudlifter was created over 10 years ago as an active circuit for our Cloud Ribbon Microphones. Since then, our patented design has proven useful for low output dynamic mics like the SM7B and many others. It's worth noting here that we collaborated with Shure on the new SM7dB through licensing our Cloudlifter technology to give customers both convenience and quality in one product.

[@postpup]

Glad to hear yall were able to be a part of that - my Cloudlifter has served me well for the better part of five years with my SM7B, so thank you!

[@skorpers]

You guys literally privated a video about the cloudlifter that was so full of shit that you even got memed upon by audiophiles. Cool story.

[@totallyfrozen]

But according to this KZbinr, you’re wrong and your product exists because the Shure SM7b needs you. I wish the viewers on KZbin watched these “experts” and their “reviews” with a little more skepticism. I’ve seen all sorts of myths and misinformation get all sorts of praise and 👍🏻 on KZbin when the information is just fabricated fiction.

[@totallyfrozen]

@@skorpers So called audiophiles making memes is your authoritative source? Sucks to be you.

[@skorpers]

@@totallyfrozen Yep and Harris has said a fair amount of bs over the years. The dynamic mic background noise myth is one.

[@diminished4934]

My left ear loved that inro. Awesome video, love the hardware aspect of streaming, so these mic videos are awesome!

[@SeraphimDoesSomething]

I was just scrolling through to see if anyone else mentioned this.

[@abass_]

Was this done on purpose?

[@efficientapp]

This is the BEST video on the Shure SM7b + SM7dB It actually helped us understand the difference between the two and this mic as a whole. Literally watched this video twice in a row as it was that good. Thanks for all you do! 🙏 Just purchased the SM7dB (have issues with room echo using a friend's shotgun mic ATM)

[@Hammer7Jnr]

The production quality on this video, the flow and the cleverness to this video was great !

[@BanterSage]

Honestly, its too late, if it released like 3 years ago it wouldve been amazing, but nowadays, even some of the budget interfaces have enough gain for an sm7b without needing a booster, making the whole point of the sm7db useless

[@PawFromTheBroons]

Some people are using XLR handles on their camera, whose preamps are not exactly newer interface levels. I indeed think it's coming a bit late, but just because we're not the use case doesn't mean there isn't one.

[@isMiIes]

@@PawFromTheBroons Anyone actually uses a dynamic mic on their camera?

[@PawFromTheBroons]

@@isMiIes Sony and Panasonic have XLR inputs on accessory handles. There are many use cases when you'd want those, notably for streaming when you don't want A/V to be out of sync.

[@JMMinistries]

Completely Agree 💯

[@isMiIes]

@@PawFromTheBroons Yeah, ofc XLR inputs make sense in cameras, but I am still not sure if a dynamic mic like this one does at all. I've only seen Shotgun mics being used in cameras, which makes the most sense out of all the options imo!

[@Steggy]

I'm conflicted on the Shure SM7dB because there's a 3rd option in this scenario that isn't covered - buy the Shure SM7B - and instead of buying a fethead/cloud lifter at all - just get an interface that can properly drive the microphone. In any of these scenarios you need an interface anyway - and I think if you end up buying an interface that makes sure it can drive a mic like the SM7B - you'll also get more/better features included in that too so you get more for your money. AKA lets say you have $600 to spend total: $400 SM7B + $50 Fethead + $150 Interface $500 SM7dB + $100 Interface $400 SM7B + $200 Interface That $200 interface SHOULD give you the gain you need to drive the SM7B - and will probably give you more pro features to boot - all for the same total price.

[@trohfe]

I own the SM7B and this would’ve been great to have a few years ago when the massive growth in streaming happened during COVID. With the GOXLR becoming a brick due to the lack of support, the SM7dB may find its use. This is definitely worth it to eliminate any cloudlifter unit. But the green branding on it really bugs my OCD for a monochromatic aesthetic 😅

[@AnthonyGoodley]

The GoXLR is far from a brick as there is still support. While it's not exactly support from TC Helicon directly. It is as close to that manufacture support as you can possibly get. It's via a 3rd party who obviously has source code level access. They can and have even added new features.

[@trohfe]

@@AnthonyGoodley oh wow! I’m in the TC and some audio related discords and personally haven’t updated any ‘firmware’ since early summer but before I upgrade to a Rode unit, any info on the current support for the GOXLR would be nice - reach out if you’re able 👍🏼

[@Glanzern]

Bro saying the GO XLR is a brick is so disingenuous that it actually pisses me off.

[@AnthonyGoodley]

@@trohfe I caught a 1 day ban from commenting while trying to communicate to you how to locate the video that contains the info you requested. My appeal seems to have worked. My ban has been removed. I'll try again later to communicate to you how to find a video from another person's channel. It's not my channel. But I know this person pretty well for a long time.

[@trohfe]

@@AnthonyGoodley appreciate it!

[@WildSantiago]

Omg I was about to buy the Sm7b and I was wondering if I needed the preamp and now this new mic comes in with it included ! Do I need a mixer with it too or no? Sorry I don’t know much about sound

[@jacksonbeckwith1925]

Clear, concise, educational, well scripted and brilliantly delivered. You sir, have earned a Like + Subscribe

[@machinima1402]

My brain screamed when i only heard the intro music panned all the way to the left. It's one of those intros that i love and suddenly i stopped working

[@RobertHollis]

THank you!

[@TilTheEndOfficial]

Good overview and comparison. My thoughts: If you're already running an SM7B, no need to upgrade. If you already have separate outboard mic preamps with suitable gain and are looking to add the SM7B...go with the older version. If you are relying on the on-board preamps of a budget or "prosumer" type interface and are looking to add the SM7B...the new SM7dB might be worth a look. The SM7B is fantastic and I use it on so many things (vocals/guitar cabinets/drums) Super versatile...I can't remember a project I haven't used it on since I bought mine.

[@XGWOLVERINE]

Thanks for the heads up. I’ve always enjoyed the way you break things down Harris.

[@LodinSteelheart-j2o]

I had three videos pulled up just so I could get a full explanation of the SM7dB, and I thought, "I wonder if Harris has covered this." Yeah, you explained it in one video. Thank you!

[@Morgan_England]

I'll be back to comment my experience once I receive my SM7db next week :). Great video as always Senpai

[@JackTDipper]

At 0:43, it appears that the dB version has more mid-range than the SM7B. I've noticed that some streamers who have the Shure SM7B, treat it like a long-distance microphone. It's unfortunate that these streamers seem to be following other streamers without fully understanding their microphone choices. The Shure SM7B is a fantastic microphone, but it's not always the best fit for everyone's needs, and some people gravitate towards it simply because it's popular among big-name streamers. An alternative worth considering is the Rode Procaster, which offers excellent performance and comes close to matching the quality of the SM7B at a significantly lower cost (and can work without a FatHead or a Cloudlifter). However, it often gets overlooked because it's not a Shure product and might not have the same "cool" factor. If I were in the market for a dynamic microphone and had to choose? I would certainly consider the Db version for the 100 bucks more and I should mention that using a Fethead with your external sound card can be inconvenient, because it sticks so much out, and it is heavy so it can sag.

[@tc59932]

Well said, I own both the Procaster and SM7b and the Procaster is so close, yet such a bargain for the price.

[@darkfable199]

Thank you for the wonderful breakdown!❤

[@EddieArafa]

Wow, I'm here very early yaay xD! Love your videos dude! they really helped me alot choosing gear! All the best to you!

[@klaymoon1]

Great video! For your SM7B, which mixer (without a preamp) are you guys using?

[@WTLclips]

Personally. One of the reasons I moved to an XLR microphone setup (other than to play instruments through my microphone input) is for the modular upgrade ability. If I want better headphones I can buy new headphones. If my microphone breaks I only need a new microphone. In this case you lose a set of upgrade ability/repairability in a setup. In a studio case obviously they may have multiple of these microphones for that (just in case) moment.

[@Cyclically]

Your intro tickles and massages my left ear

[@WorkingClassNerds]

Thanks for the info. You have helped me so much over the years. I love my sm7b. Thanks for being you!

[@JosiahDyrud]

Helpful thoughts and feedback. Thanks!

[@Reeezeful]

some tech just speaks to me - even if i am not a broadcaster or streamer or anything ... i just love the tech. Awesome video! I will consider it as a xmas gift for myself :D

[@RobKristjansson]

Hmm... I gotta say, this too little, too late. I picked up an Earthworks ETHOS last year, and I've never looked back. Killer streaming/podcasting mic, and a solid backup to my Twin87 for VO. (And even a go to for audiobook or other long form VO stuff.)

[@phtevenstevin4625]

Thank you for commenting about the ETHOS. This looks like a way better option for me. Gonna grab one :D

[@FatherLamb]

Earthworks absolutely OWNS shure on the broadcast and recording segment, period! The Ethos is legendary.

[@RobKristjansson]

@@FatherLamb I couldn't agree more. Shure = Rent Taking

[@BennyxCo]

Hey Harris, thanks for taking the time to record this as your were flying out to TwitchCon just for me

[@everEman]

Always on top of the latest and greatest with a fair assessment and cool side-by-sides.

[@BumN8]

interesting to finally add it years later. hopefully this will help those who were uneasy/unsure about this one issue.

[@DKTD23]

Great mic, but I also like the Ethos Earthworks mic a lot, and of course the RE20 Black looks great in person. I'm all set having those mics plus an SM7B. With how good preamps are on the Roland Bridge Cast, 4th gen Scarlett's, and the Rode Rodecaster II series you don't really need to spend the extra $100 if you're looking to put that towards a more complete streaming/DAW interface.

[@totallyfrozen]

As a very experienced radio personality I can highly recommend the RE20. The SM7b is only necessary when interviewing people who don’t know any mic technique. That’s why Joe Rogan uses them.

[@tc59932]

@@totallyfrozen Love the RE20 but it sounds extremely nasal and thin on my particular voice. SM7b meanwhile is perfect for me. The Rode Procaster was my former forever mic, but still has some minor nasal sound compared to the SM7b, for me.

[@NintyPrime]

Yeah, it's just a smidge too late to the market. Yes cloudlifters and such are still common in some setups, but a lot of mixers and such now take into account both the SM7B and the RE20's massive need for gain. I use a rodecaster pro 2 for my lives, podcasts, and standard video recordings, and it's already got the hardware built right into it to not need that extra gain. They even sell XLR mic jacks for cameras now that come with the ability to boost gain by 80DB if needed. Companies have basically solved the problem. I will say for folks on a budget, maybe it serves a purpose today? But for most studio setups willing to buy $400 mics, they likely already have equipment that can run them now just fine if they bought anything that;s a more recent product. I use a couple RE20s, and have thought about at least buying one shuresm7b just to compare them as they offer different audio profiles - but I definitely don't care about a $500 version that provides a key feature that just isn't needed in my setup.

[@openedpandorasbox]

Thank you for another great video Harris. 🤘🏻

[@austin.t5557]

The issue I have always had with Shure Microphones, is for voices that sit, in the more mid-high range (women voice) they add almost a artificial level of depth and warmth and its extremely had to mix it out. Some people are ok with it, but because if you know what the voice on the other end sounds like, and your listening to someone on a Shure might it can feel like it has clean muddieness if that's even a thing.

[@PatrickRussellMusic]

I highly recommend checking out the Lauten Audio LS-208! Really loving it for exactly the reasons you mentioned.

[@duckiezoomie]

⁠@@PatrickRussellMusic why do you think the Lauten is better for women’s voices? Could you elaborate further ❤

[@divamichellejohnson]

@@PatrickRussellMusic tell us more!

[@divamichellejohnson]

I was wondering about this! Men's voices sound rich and full on the SM7B, but mine sounds like I am trying too hard to sound like broadcaster ... if that makes any sense ... lol.

[@PatrickRussellMusic]

@@divamichellejohnson it being a condenser instead of a dynamic mic really helps brighten up the sound and give life to the vocal. It sounds much brighter, modern and lively. Still a year later with the mic and I have never regretted selling the SM7b once.

[@Ben-zd1ky]

I can't stop thinking about how much you look like Aaron Paul haha! Also, thanks for this video on the SM7dB, it was a nice way to know about this new mic from Shure.

[@Ben-zd1ky]

Also I use the SM7B, but I'm also getting the Sennheiser MKE600 for an on-camera mic for outside/portable videos.

[@DJSkandalous]

Should have made this $450 and added in the software to work with it, then i would consider a "upgrade" since most of us already invested in a cloudlifter or fethead lol

[@BaooO0o]

Can Snepai share his OBS audio filters settings for shure SM7DB? I would be forever grateful!

[@MIKEZGAMER-g8b]

Ive been lookin for a mic, how the hell did you just pop up withput me searching, did you tube read my mind arrrr tech..

[@feorh3438]

So in the used market it's crazy. SM7B is around 130-150 and the SM7DB is around 350-400. It made me to with the SM7B with a duel cloud lift so I can accommodate several pieces of equipment in the future.

[@KrazyKillzone]

love that mshadows pic you guys used at the beginning

[@or10nsharkfin]

If they had kept it at the same price point it might be a bit more of an attractive option, but this is basically only an upgrade if you didn't already have an SM7B. There are already a few interfaces that have enough gain to drive the mic without introducing noise to it that one can get for less than $300. For a less expensive option one could get the Blue Sona (if still available) and have effectively the same audio quality experience.

[@xSkully_H]

Thr big selling point and why i replaced all my sm7bs and there fetheads with sm7dbs is because now i can take my mic from my streaming set up to my band jams without the need to worry about forgetting something like my fet head or to just make it easier to use as is.

[@ClayDoh]

I've been using an AT2020 XLR microphone for the past few years, and I've been looking to upgrade to the SM7 series microphones, and this video is helping me a lot in making the decision on which one to upgrade to

[@ArbyWan]

One day maybe I'll own an SM7 but for now? My choice for a mic was the Rode PodMic USB. My reasoning was that it gives me an option to upgrade to an XLR interface down the line, while giving me access to a great sounding Mic over USB-C for the time being. Your videos as well as other audio-esque content creators helped sway me in making this decision, so a big thank you!

[@JimmyDukesGaming]

Great video as always!

[@DoctorFu]

Has this changed the SM7B (/SM7dB) versus EV RE20 debate at all?

[@PeterDavisGaming]

Wow, so you already got the Beacn mic stand :)

[@VoskoWTF]

I so unknowledgable on audio and mics but your channel helps me get some of the basics thank you 🫶

[@animeshuun4211]

Love the review.

[@levelupwithmikenewman]

The earthworks ethos does the SM7B sound better than the SM7B, without the need for EQ’ing which the SM7B definitely requires being so flat and neutral. I’ll spend $450 for the matte black earthworks ethos with the “voice of God” audio with little to no eq. !

[@MikeCore]

cool upgrade, happy my sm7b isn't "inferior" didn't really like the cloudlifter didn't know about the fethead sooo this was a great deal of knowledge! will def be picking that up in the near future.

[@darksidevenom6]

the blue is sharper than the green which sounds warmer, Im assuming that the dots is you recording the different mics

[@OmniJerBear]

Not sure if you even read these, but this was a nice review. While I'm not in the market to spend $400 on a mic, this did inform me about my options and why it is a good investment if I want to go that route

[@darkrangersinc]

Can you use this with your camera and record onto an SD card if you have one of those interfaces? Right now I just use a shotgun mic because it can plug directly into my camera. I don’t want to have a separate audio and video recording. I like to just have it all onto one file.

[@robertwells3556]

That was dope. Thanks bro!

[@MattJSowards]

Always on top

[@FOHFILMS]

I enjoyed the left-ear-only intro :p

[@DeividasGedgaudas]

The SM7dB is bassier in this video. I dont know if it's your Eq or just how the mic sounds now. + your intro is only on the left channel

[@bobabbott8370]

Great video as always. It is worth it to me to not have extra equipment on my already crowded desk. I am running 2 Rodecaster Pro 2 and 2 Shure SM7DB. I broadcast from my machine shop and my 3d printing room. I was using 2 Procaster mics. Do you mind me asking what low profile mic stand you are using?

[@L0ELIIFE]

Just in case you might not have been aware the Rodecaster Pro II has enough power to drive the SM7B w/o the need for an external preamp.

[@MichealColhoun]

Wow Harris. You sound great with that mic. I think I prefer it to the shotgun mics. ❤

[@mechanicalmonk2020]

I bought my SM7B for $300 from guitar center during one of their pandemic sales. The cloud lifter on sale too. And my interface. I think my whole setup came in under the price of the SM7DB

[@iamenergizer9766]

I have the Rod Pod mic, and It sounds pretty good! i have no complaints and would buy it over the SM7B any day!

[@clubkevyumba]

i see that low profile beacn arm! how're you liking it? seriously considering picking one up

[@MrML4L]

I have a SE Dynacaster and I LOVE IT! ITs half the price of this new one and sounds just as good!!

[@cl0wn_z3r0]

Great info as always!

[@ZAKtalksTECH]

I'm currently using the Shure Super 55 Deluxe for my recording and streams. I love the gorgeous classic look and sound.

[@prometheuseleutherios8645]

I have a Shure SM 7B and a Fethead Triton. My Interface is a Presonus Studiolive Mixer with Firewire 800. But I also use the Shure SM 7B directly connected to my "Digitech 300 Vocal Effects Unit", wich has enough power to boost the Shure SM 7B.

[@666thsense]

the camera during the main speaking parts on this video has dead pixels or dust and i can't unsee it. right in the shade on the shirt at chest height, right in the corner of the roll up screen rod, and a few others. now im trying to find them all. also engagement.

[@D0omscream]

I am curious... got anything to say about that BEACN mic arm?

[@smashallpots1428]

its a nutty idea to a corporate company but they should have done this while also cutting the price down a little bit if they want to actually compete with the crowd on the public streamer market at $320 it would be at my ideal price to still have that pseudo premium price tag while still being attainable

[@michelbarbagallo]

Greetings from Seattle. I see many new podcasts that are using the AKG C214 and the Aston Spirit, could you explain the reasons, thank you

[@justfatpanda]

I went for one of your recommendations, the Elgato Wave 3, worked fine for me =)

[@nathanksimpson]

5:28 high end studios will have mic preamps that can drive an SM7b.

[@DontFollowZim]

Literally got my first ad for this mic in front of this video

[@M1k3y7_]

Next upgrade is going to be a decent mic. You didn't need to know. But engagement and all that jazz 👐

[@caseyzx]

my left ear enjoyed the introduction

[@WeMightBeDrunkPod]

We use Klark Teknik $30 dollar mic booster/preamp with SM7b. This isn't worth it.

[@bowtygaming]

Love it! Thanks for all do

[@FhernandoMusic]

❤️🔥

[@eggytoasty_]

I own the SM7B, also I found a video where you can use without Cloud lifter n still works fine. Unless you focus on gaining that extra gain then is fine to invest in one.

[@TMacGamer]

Charging an extra $100 for this mic is a bit ridiculous. I have used the SM7B for years & love it. When i heard the SM7DB was coming out, i was interested to see the difference. Then, I saw the price hike.

[@RedBeardedJoe]

its good that it has the Bypass option thought because some people already have Phantom Power but now they could get rid of it if they wanted to when they buy that Mic

[@ElainesStory]

favorite emoji. Also I think that this might be a bad idea. If the preamp breaks in anyway inside the microphone, you'd have to buy a hole new mic. If it's the regular sm7b then you just need to replace the outside preamp if the preamp breaks which again is $50 vs the whole thing at $400+

[@jpg334]

I have the Elgato Wave DX with the Wave XLR would there be any point in changing to the Shure SM7B in the future I might also at some point in the future get a new XLR interface maybe the Bridgecast

[@clampz4175]

does an audio interface not already have a pre amp ? currently using Behringer U-Phoria UMC202HD USB Audio Interface

[@AshToneAudio]

It's cause streamers aren't audio engineers. Audio engineers know how to work with a regular Sm7B. This just makes it easier for basic users.

[@actualnotanewbie]

What song is that in the beginning? I'm pretty sure it's the outro of a KZbinr but I'm having trouble putting my finger on whose it is.

[@Senpai]

StreamBeats, my dude. It’s from the Synthwave genre. Link in the description.

[@actualnotanewbie]

@@Senpai That's dope!! More people use Streambeats than I thought 😎

[@Jackson_Zheng]

4th gen scarlett focusrite 2i2 does the job just fine without a fethead or a cloudlifter, negating the need for the new sm7db

[@azuldebianka328]

I have a Rode Procaster. I have had it for over a year and have never heard how I sound on it, but other people tell me that it is crystal clear. So ... I was thinking of moving up to the SM7B. I already have a Motu, so there wouldn't be a problem powering it, but SHOULD I spend $400 for another mic? Is it THAT much better than the Procaster?

[@WolfCatalyst]

Haven't needed a preamp with my rodecaster pro2. Works fine with that and works fine connected to my Zoom H6. That said, if I buy another, I'll consider the new model. I'm betting it'll have a price drop eventually anyway.

[@divamichellejohnson]

What are you using that gear for? Gaming streaming? Podcasts? Just curious. I own a Zoom H6 and I am thinking about getting a Rodecaster Pro II. I was going to invest in some mics but will start with what I have. (Starting a podcast.) I may just get the SM7b since people are selling them like crazy now and the Rodecaster Pro can handle any preamp issues. Just curious how the Zoom H6 is working out for you. How are the mics?

[@malfana07]

between elgato X corsair, shure and rode, which one is the best for podcasting + gaming ?

[@KleskReaver]

I actually thought the SM7b was much older and was the one Michael Jackson used, thanks for the education!

[@Dwoalin]

I've had my SM7B for about 12 years. If you're a creator and don't already own an SM7B, get the dB model. Save yourself the present of future hassle about worrying if your hardware will be able to power it. Having it integrated solves so many problems.

[@georgen6439]

Was his lil intro music only in the left ear for everyone or just me? On purpose?? Rest of video sounded fine tho.

[@yeffocface]

What are the chances of the built-in preamp failing? Should an external pre-amp paired with an SM7B fail, replacing the preamp seems a lot less stressful than repairing/replacing the whole mic itself. Thoughts?

[@quesadylan145]

what mic arm are you using? is that a Beacn mic arm?

[@marmowedaw4021]

As someone whos got an MV7 and wants to upgrade to the sm7b the db is a great option, especially because price isn't an issue. And i already have a buyer lined up for the MV7

[@ZivayaAI]

What are your thoughts on the Shure MV7+?

[@kenneth.h]

🤔Love the take on this latest iteration of a release

[@MatthewFoo_Zygardias]

ooooh this is the first time I'm seeing a call to action of liking the video having a bit of a graphic on the like/dislike button! I can definitely see it being helpful.

[@ungabunga115]

On the topic of the SM7B being used for vocals, Metallica also used SM7B's to record St. Anger (despite its poor production), and used it for Hardwired...To Self Destruct as well. Death Magnetic i think they used a different microphone during that.