This Santana secret really blows my mind..

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The first time I listened to Santana, I was not impressed. Until I figured this ONE THING out...and it changed everything...
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[@Wallimann]

📌 Free Solo Workshop ➜ guitarplayback.com/melodicsoloworkshop?MELODIC&HD3TS-BvQOU

[@tommyabernathy9880]

That’s a lot of words. I guess I was lucky. My Dad sat me down and said “Listen to this album. It’s Abraxis and the group is Santana. Carlos Santana is the guitar player.” This was back in ‘84 and I was 15. Half way through the album I thought they were phenomenal. After the umpteenth listen Carlos was one of my favorite guitarists. Still is. 🍻

[@thomasguitarman9025]

Same experience for me

[@gunsofsteele]

Like BB said; It only takes one note to capture a woman's heart but it has to be the right note. 😎

[@kane6529]

The way you say Plethora is 100% unacceptable and infuriating 😂

[@jspartacus]

Shredders only connect with those who want to watch someone play. Santana connects with everyone else who wants to hear someone play. His note choice is very important, always asking the question "how can I say what I need to say with the least number of words necessary?" That's the lesson.

[@jackmyers5540]

agreed , should be in context to the song , i like it when the guitar enhances the song

[@jimking3288]

Shredding is unemotional shyt !!!!

[@micktheharp14]

I love his playing, it's soulful, he's not scared of playing melodies. He draws you in as he paints pictures with his notes. Music isn't a race or a competition, although it's very important to keep learning, for expressing yourself with clarity of feeling.

[@allansamilow728]

Best...guitar...player. Ever. You feel what he speaks with his instrument.

[@Steve-ve1mw]

Carlos' music is a reflection of the vibes of his soul. Truely spiritual..

[@TonyUnyun]

It’s alive!

[@stephenbedford1395]

I discovered Santana in the early '70s and he and his band blew my mind. When I started playing guitar in 1975 I started learning his licks and style and incorporating them into my playing. In 2005 I started a Santana tribute band here in Brisbane, Australia and was able to finally act out the part, so to speak. It was a highlight of my musical life which I will always treasure. I've seen Santana three times and each was an amazing experience. We are so blessed to have this amazing person on our planet; he has inspired generations of players.

[@garylove5475]

My story almost the same except I play keys and loved Rolie , and of course Santana’s raw powerful intense sound. Seen them 20 plus times and still play today.

[@th3edge744]

One name stands out when you talk about this is Gary Moore and he was the master of having an experience with the guitar.

[@friedrich1957]

Still got the blues still shakes me to my core

[@thomasguitarman9025]

absolutely

[@thomasguitarman9025]

@@friedrich1957 especially the live version at Montreau

[@stevemorse108]

Gary Moore most melodic and lyrical playing was divine.

[@MrMeltdown]

Great to see Tufnell getting the respect he deserves

[@iroc-z-blues8570]

Carlos Santana plays with feeling and soul. I call it getting into the zone.

[@philliphanford2792]

Santana made Mesa Boogie pop. His greatest popularity spiked with "Evil Ways" and "Black Magic Woman". All before fusion and neo-classical, speed picking and sweeping, tapping etc. existed. He was huge in the consumer market when he emerged. The song quality and how he fit that context was where he excelled.

[@myhealthycat]

I am SO glad you put this into words. I have FELT Santana from day 1. Wow! Thank you !!!

[@nazmoking3171]

I love to play Carlos Santana’s music because it has deep feeling to the solos and it’s easy to get swept away within the song itself.

[@randymiles904]

You're absolutely right. I figured this out years ago. I noticed that all the guitarists that sounded really good. Not good technically, but every note sounds MUSICAL and sweet, are the guys that you can tell they're putting everything they have into every performance. So I started approaching guitar In the same way. Being self taught and playing strictly by ear, this was not a hard transition. My playing improved quickly after that, I didn't need to look at my hands as much, and I just sounded better. Pretty insane. Thank you for sharing this. It will help many people, no doubt.

[@peterfoley4110]

The combination of emotion squeezed from within and the beautiful tones that leak from the equipment are SO MUCH MORE than tge sum of their parts....

[@josefeliciano9418]

I am latino so I've grown up around latin music of all sorts. However, I never really connected with it. I've always loved rock and metal from a young age so when I picked up guitar, I naturally gravitated towards those genres. My thirst for guitar knowledge continued and I eventually got into blues and other areas of music that I had never considered. That's when I found Carlos Santana. It was the first time that I saw someone play the instrument as the main voice of the music, not just the rhythm or solos here and there. At the same time, he combined these genres that I was exploring with latin music that I was already quite familiar with. I was amazed at how beautiful and expressive the music could be without a singer. It was an absolutely mind blowing thing for me at the time and it totally changed my trajectory as a guitar player and as a music lover. It opened up my mind to so much music and it gave me a bridge to get from guitar to the latin music that I had trouble connecting with before. I had the privilege to see him live and it's one of my fondest memories. He still is one of my biggest influences.

[@That70sGuitarist]

You and me both, brother. I was just a "tween" (11) when I bought my first Santana album, and I was spellbound. The man is a veritable wizard who, through his soul-deep connection with the guitar *and* the audience, captivates, mesmerises and uplifts the listener's soul. I didn't pick up the guitar myself for several more years, but Carlos became my greatest inspiration and teacher, not just as a guitarist but as a human being, a man. I once watched him talking with Letterman back in the late 80's, and when asked what the most important thing about playing guitar was, Carlos responded by saying, "Most important is that you play with enthusiasm, with a deep appreciation for the audience, and sincere humility." That has been my guiding principle ever since. Carlos Santana...what a man!

[@josefeliciano9418]

@@That70sGuitarist That's a great way to see it and he really does take that approach.

[@That70sGuitarist]

@@josefeliciano9418 That's why he still does it. Sure, he may be getting on in years, and doesn't have quiteas much "flash" as he used to, but he still manages to reach out and involve the audience in the magical act of creating and playing Santana music. If I still had money like I did during my years as a working musician, I would pay good money just to sit and listen to him talk about playing guitar. My ears, heart and soul are always open for Carlos Santana. I don't come from a Latin background, but I've loved Afro-Cuban rhythms ever since I was a little baby. Whenever I would start to fuss or cry, my mother would put on Latin big band or African folk records on the hi-fi, and in moments I'd be a happy baby again, smiling, wiggling around and clapping my hands to the music. I guess you could say I came by my love of Afro-Cuban rhythm from a very early age, and it became permanently infused into my soul.😉 I mean, I'm too old and crippled to dance anymore, but throw on anything with a salsa, rhumba or samba beat, and my feet and hips can't help swaying!

[@ernieficklin3593]

Carlos has a deep connection to God. He seems to allow God to take the controls…and he just is the instrument of God. Pretty amazing.

[@jfo3000]

He's spiritual. He channels when he plays. He has real Magick, my belief anyway. Our culture is mostly material, Carlos knows the true spiritual.

[@chopperdeath]

It always comes down to how does it affect you. Who cares what notes, how fast or how varied. If you smile it is great.

[@sylvestre.rawminey]

A la fin des 70’s, Santana et Gilmour m’ont donné envie de faire de la guitare… électrique !

[@richardderuiter4612]

I first heard Carlos when I was in high school in the early 70's. He had a very unique and attractive sound. What I liked about him then, and still do, is that instead of playing a lot of notes, he just played the right notes. And he wasn't just playing notes, he was playing music--music that moves the listener (I think that's your point too).

[@paullister7293]

@David Wallimunn it goes even deeper … I have been listening to CS since I was 16, I am 64 now. Carlos stumbles over notes, makes mistakes, but they don’t matter … he breathes life and breath into notes he plays, he runs out of breath, breathes in, and plays again. In his day, Caravanserai, Borboletta, Welcome albums, it was pure genius. Nowadays I still listen, but only to his music from the 1970s mostly. Still love him though.

[@akwamarsunzal]

Carlos Santana changed my guitar playing! Never a shredder and relying on pentatonic Santana showed that, sometimes, less is more, throw in a Dorian note at the right time and boom, you sound like you are playing music! You don´t need to play fast, you dont need to play every note, leave space and "see and feel" what you are playing!

[@Gabriel-ch7sx]

I think Derek Trucks and Matheus Asato are two other guitar players that also follow this principle while being able to shred if they want it.

[@thomasguitarman9025]

yes for sure Derek is from somewhere else , I have seen him close his eyes and play a non repeating solo for 20 minutes live and never even look at his guitar fret board

[@TejasAutoSalonJasonW]

The Album Santana III changed my life. It confuses me that he didn't get a Grammy until Super Natural. Toussaint 'l overture is a complete masterpiece. Great Horns and Titto Fuentes on Timballes.

[@richardosborne2067]

Borboletta got me back in 74 and " Practice what you preach " and "Promise of a fisherman" "Canto de la flores " took me on a journey till now.Seen Carlos 8 times

[@davidt9841]

While I commend your late-found appreciation of CS, I believe the reason for it is that you - as you admit - discovered his playing in the mid-90's.. I was 15 in 1969 - the year Santana played at Woodstock. If you want to understand the impact of Santana, you really need to watch 'Soul Sacrifice' from the Woodstock documentary video. In fact, EVERYONE who thinks they know Santana, and haven't seen it, should go there right now! When you consider that this was a live performance, well, what more can be said? When 'Abraxas' was released - over 1 year later, well, again...

[@jeddak]

Couldn't agree more. Seeing him play SS at Woodstock was eye-opening, a complete lesson in _playing with conviction_.

[@lifetimes2983]

Well Said - Santana was Soul not Tech and that performance will be in my head and heart forever. I was 16 at the time.

[@ExplodingPsyche]

All the more incredible considering several of the members, including Santana, were just peaking on acid given to them by Jerry Garcia. They thought they had 12 hours before they went on, but due to scheduling changes they had to go on or they would lose their chance. A career defining moment, while tripping.

[@paulhansen8566]

Yep, for sure, I was thinking while watching this, he should listen to Santana's first, second, third, and fourth albums. Then he would get it.

[@TOMMYBENICE66]

just like jeff beck its not about being flashy

[@nicolopez8180]

Certain things cannot be thought Carlos Santana's music comes from the heart, has soul God's given Much love from Africa my guitar King 🎸🎵🙏❤❤❤

[@douglaschristine8387]

Hi David, you know I had watched your channel a few times a couple years ago and you seem to push things and I was pretty new to guitar and up until last week I watched your Eric Clapton video. That led me to this video and I enjoyed it because I've always loved Santana's music. Not all that spiritual stuff but Samba Pati and Europa, all the old music I listened to as a kid with Neil Schon and company. I guess I'm just saying now we're on the same page. Thanks.

[@jeffrey.a.hanson]

Back in 2019, I had just gotten out of rehab…looking for inspiration. Santana’s Masterclass it was. To see one man so connected to every single note flipped a switch in me. (entire course is ingenious…never seen guitar viewed in that way)

[@jamesfarrington9030]

I prefer what he did mid 70s. He was using that Yamaha SG2000. Man did that thing have tone. His lines were more fluid, probably influenced by JMcLaughlin.

[@nunsc8484]

I agreed.yamaha was the best Santana sound.saw him 1978. No words.a tone like a Violin.

[@denjoga6612]

players like Carlos and Jimi too are more 'intuitive' players than technical players. They're not playing scales and modes, they're just playing what they feel, at all times.

[@michaelnunn3431]

Technique w/o soul is sophisticated noise . Soul comes from living and suffering which develops humility . Thats why IMHO Santana is far better than most . His music is not about ego tripping . Substance not flash . And he is very technical . Hear his work with MacLaughlin on Caravanserai from 71 or so .

[@AudioAtmos]

This is how you “get” Carlos. Light some candles, take a reasonable dose of your favorite psychedelic, put on Moonflower and get transported to another dimension of spirit and emotion by way of his band and his guitar playing. Also really analyze the Woodstock performance especially Soul Sacrifice. Watch a very young and green Carlos and band pour everything they had into the music and out to the audience of 500,000 people.

[@stevestarr6395]

Hey David and totally agree with you being into blues and heavy rock but when I first heard Carlos I noticed this deep emotional feeling in every note he played as well as his own signature style and tone. And later on hearing and seeing him on video I saw what I suspected a very spiritual guy with deep emotions!

[@SubaruDave]

I agree 100%, feeling is what it’s all about, I’ve been a guitar player/singer for over 40 years and I also play multiple other instruments. I am just average at best, but when I put real emotion into the music all of a sudden everything is different and people respond to it, even on my bagpipes and that’s amazing. To me music has never been just notes on a page it’s a feeling that you convey. (and I like how you slipped in the clip of Nigel because we all know even his technicality goes to 11)

[@spivvo]

The way you felt about Santana…. I feel the same way about technical players like Satriani

[@michaelortiz97]

I agree. It sounds very bland to me. Guys like SRV, Santana and Buddy Guy for me FEEL what they're playing.

[@theofficialdiamondlou2418]

I’m sharing this to my nephew who’s new to this world we live in. And you have explained this SO WELL … I’ve tried , just couldn’t put it into words.

[@ronojames4548]

Carlos is singing through his instrument. Duane Allman called it hitting the note,

[@JCM-LedZeppelin-Stories]

This is the eternal battle of music academia vs. the "crazy ones" who FEEL. Your video is fantastic, thank you for bringing Carlos Santana Barragán the appreciation he deserves as a HUMAN!

[@arjunmitra732]

Now's a good time for you to explore the Grateful Dead & Jerry Garcia..

[@zachsmith3376]

I like his late 1970's stuff especially Revelations.

[@JohnHenrySoto]

Great video! I agree 100%!!

[@davidriley4895]

it’s called “soul“. It’s a core component in the Afro-Latin music that Santana plays. As well as the jazz music he has also played in the past. some people mistakenly believe it is antithetical to technical proficiency that you spoke of, but Juilliard trained musicians like Miles Davis and Winton Marsalis or examples of how that is not necessarily the case. Something like this is often understood by those who came up understanding it.

[@torosuave]

it's not about emotions, it's about imagination! imagination a musical sound, movement, etc. the emotion is something mysterious hidden behind the notes. You can't play emotions, you trigger emotions. but the musical notes comes from 100% imagination. If you can imagine music in your head and you know how to play those notes on the spot, then you are a musician like Santana. not everybody is born with those skills.

[@papotaino]

I’ve been playing guitar since the 60,s Got hooked on Santana since Woodstock.I played in a funk band then in Jr & high school Santana was my strength when ever I played and mostly with my eyes closed because of what I was feeling & trying to project to those listening. Guitar Icons have come & gone but Santana has remained relevant 🎼🎸🎶

[@spaceman8839]

Definitely one of the best videos I’ve seen on guitar 🤘

[@lolo113]

just subscribed !!....on the the basis of this video 🙌🏼

[@erikdawg60]

I close my eyes and feel what Santana feels, so much emotion just listening with my eyes closed

[@thomasguitarman9025]

Its the spiritual intention and mindfulness that makes the difference he is taking it to another level internally , those who only focus on the external will never get this SK

[@vaportrails7943]

B.B. King (who was certainly an influence on Carlos) did an instructional video (available on KZbin) where he described his approach as “speaking with good diction”. He was talking about phrasing and articulation. Expression. When you’re improvising in jazz and blues, you’re (ideally) striving for pure expression, melodicism and communication. A lot of jazz players get caught up in excessive flash and repetitive scale exercises, so it’s not a sharp line, but “shred” gets caught there a lot. With pre-written, heavily practiced solos aimed at maximum speed, you often lose the audience because you’re not speaking to them, you’re just showing off. And it isn’t always musical. This is why it irritates me that “shred” and blues players constantly spit at each other and put each other down. You need both. You need skill, and you need expression. B.B. King knew more about jazz than he let on. And Santana has a fair amount of jazz influence as well. The “jam band” genre that Santana came up in (Allman Brothers, Grateful Dead, etc) is about taking a jazz approach to rock. Starting with something composed, and then taking turns improvising for as long as you want. Long story short: the ultimate guitar player has it all. You have to integrate all of these things. Maximize your skill in practice, but then use those skills for expression and improvisation in songs. The best “shredders” do that. EVH, Yngwie, and others would improvise on their tracks, do multiple takes, and then edit together the best parts. Vai starts from practiced parts, but improvises a lot on stage. Having something completely pre-composed and played the same every time is not it. No matter how impressive it is. When you communicate directly with an audience, they feel it. Even if it’s just one note played exactly the right way at exactly the right time. So if you know a lot of theory and technique, you need to practice improvising. You can do it by yourself with a backing track, but doing it live with a band in front of an audience is the real test. That’s what jazz and blues are all about. A live interaction between musicians and the audience. When you’re improvising, and your band mates get into it and follow you, and the audience gets into it and starts cheering you on, that is a whole different world. And that’s where Carlos is coming from. On the flip side, if you’ve got all that, but don’t know theory and technique, you should study those. It’s not either/or. The ultimate is both. Everything.

[@sotiristsamandanis6424]

Carlos speaks to the listener through the soul. It's not about technique....that's why Miles loved him🙂

[@waynepayne864]

well spoken man

[@legeplus1109]

Great expression! You coined it, he speaks thru the guitar with such soul intensity. Too human! With or without Sugarman!

[@dennisjones3253]

I watched that master class along with what I initially considered the “more technical” aspect of Tom Morello’s and although I was really early in my exploration of lead guitar and couldn’t absorb all of what they were relaying, I was thinking that I was finding more of what I was searching with Morello’s, especially how he approached the synapsis with his personal journey of gleaning different sounds, but then I began to see a correlation concerning the emotional/spiritual transfer bleeding through the guitar that was actually being addressed by both. So I knew that I had to go back and watch Santana’s class again and the spiritual aspect of the sound transfer from the soul through the guitar began to better click. There again, I was just starting, but they both created an extremely important foundation along with an added curiosity for my new journey into ever learning the beauty of the relationship between the mind, heart, soul, expression, instrument along with the importance of the synaptic expression of it all. I still feel like I have a long journey ahead of me, but it’s definitely one I’m enjoying. They are also part the reason I was inspired to add different aspects with even the open “cowboy” chords🤠

[@goodknight37]

Great video. You could say the same things for SRV.

[@MattAngiono]

Santana is the reason i learned guitar in the first place! Samba Pa Ti is my go-to jam! Then Europa... All day, any day. The most beautiful soul touching melodies! And truly a warm human being and inspiring philosophy!

[@MattAngiono]

Great video by the way! Such important advice!

[@AmbassadorJenks7086]

Remember Music Is What Feelings Sound Like!!!

[@AndrewGarcia-vm3uz]

He's special and his playing is special. I have always thought that he has always been underrated. I bet you're only familiar with his music that has been played on the radio or highlighted. If you listen to some of his older music there are so many gems just waiting to be discovered. For example, Contigo, Canela, Song of the Wind, so much more. As the saying goes, you're preaching to the choir. May the Grace of God be with you. 😊 ❤

[@roberttaylor6571]

I'm glad you rediscovered this too many play too technically without feeling

[@rootestini]

My compliments on your video everything you said is true. I met him in 1998 and I felt what you said

[@GoldtriggerDude]

Welcome to the club. Many of us guitar players have known what you are realizing now for 40 years. Blazing technique means nothing if you aren't sharing your spirit.

[@Frank-zq5gd]

Wow this was well put thank you David Walliman!

[@theofficialdiamondlou2418]

Man David you are so getting IT… 🤠🎸🎶✌️

[@gpunkvideo]

I noticed that with Jose Feliciano, when I watched FARGO; that night after watching that movie; 💥 It hit me! PLAY WITH LIGHT OFF from that moment on, (wearing shades 😎 helps) VISUALIZE YOUR FRETBOARD AND STRINGS with eyes wide shut! Stand up! Play moving around, walking, and dancing 🕺 didn't happen in one day... still what a difference

[@circlemover]

Very true and well articulated. Music composition evokes feelings and vice versa because it is 'felt' by the person making it. Of course being a virtuoso on an instrument is important as well but when it comes to making music, more often than not, a true expression of how you feel about the notes and sound is key. Everything else is production.

[@JerryDechant]

I know what you are talking about, for sure. I've heard the difference between a band playing notes perfectly, and another band playing the notes perfectly but with emotion. It makes a HUGE difference. This principle can not only be applied to playing music, but other aspects and activities in one's life.

[@JerryDechant]

Man, I am seeing a lot of fake posts, i.e.: appearing to be from the channel creator, but are NOT, so be aware of this, and don't fall for their ploys.

[@JerryDechant]

LOL! The idiot who posts those fake offers, posted one in reply to my comments above. Must truly be an idiot, or a bot. :P

[@mauer62]

I saw Santana live in in Seattle in 93. He played some shred stuff that was comparable to yngwie Malmsteen and Vai and I was blown away. So Santana does have the skill and capability but he knows what type of playing fits a good song and knows the song is more important than his shred abilities.

[@NathanPitts]

This is an important video, not a goofy one. THIS is the common thread among the greatest guitar players and potentially musicians in general. It's not a mechanical thing, it has to be coming from your mind, but without thinking much. From Van Halen to Steve Vai, Stevie Ray Vaughan, Jimi, Eric Johnson, Yngwie, BB King, Santana, they are finding the flow and opening themselves up in a way that is very difficult to maintain.

[@luminousswan560]

With so many options available for learning the fundamentals of music theory and guitar playing I am glad to see you taking on the aspect of virtuosity. The listening public has a couple of derogatory terms for unemotional "technical" lead guitar solos: typewriter leads and machine gun leads. In an interview with Guitar Interactive (???) Santana also said (and I paraphrase because I'm too lazy to look up the actual quote) "You owe it to yourself and your audience to put everything you have into every single note you play." It's a lot like comparing a school play actor simply reciting barely memorized lines to a seasoned actor delivering the lines with emotion. My favorite example of someone maturing from a technical player into a virtuoso is Joe Satriani. Prior to Surfin' his attempts are almost unbearable to listen to but from Surfin' onward, especially in the Campitelli era, he had discovered how to play musically. Musicians are like wines, the good ones get better with age ...

[@cm9660]

Santana plays and composes music from the soul! He doesn't play to impress. That's why his music is unique and always becomes a hit! Santana believes in spirit, soul & body. It's not all physical. This is difficult w/ people who don't have faith.

[@wernersteiner4325]

Most people don´t know "Borboletta" (with Airto Moreira) and "Illuminations" nowadays........it`ll blow you away. Technically and spiritually.

[@KevinHallSurfing]

1972 was Led Zeppelin, Jethro Tull, Muddy Waters, Rolling Stones, YES, Black Sabbath and John McLaughlin (Mahavishnu Orchestra) touring at their youthful peak so when Santana played by mid 73 with hard acts to follow they would be pressed to impress but Caravanserai had just been released by then and they were fresh from a huge US tour earlier that year so impress they did. 👍

[@thomasguitarman9025]

I saw them twice on that tour spellbinding and amazing

[@RustyAnchors2022]

You're absolutely right. I also belong to this kind of musicians.

[@catelewis7223]

Yes he plays with his heart.

[@sonnybedez7040]

Glad your able to find him while he’s still creating

[@hepplure6172]

I never really got Carlos, 'And then I got HIGH' welcome to 'The Enlightenment of Devidip " He always makes me smile!!!!

[@AllanGildea]

Nice one, David.

[@rolfjohnson830]

Have heard Carlos from when was playing in Aquatic Park in San Francisco. 1960’s Carlos once said “anyone can play the note. You have to feel the note. “

[@cinpa2968]

Blues for Salvador is the Santana album that clicked for me. It was an eye opener. Gotta admit that despite owning numerous other albums it’s the only one that gets regular play time.

[@cinpa2968]

Right, and I’m jamming with SRV

[@sotiristsamandanis6424]

Wonderful album

[@BillySoundFarm]

I took that course, and it's true at first it seems like he's just talking in riddles, but he really does mean something by every bit of it and it's worth it to try to figure out what it is.

[@dazgomez5949]

Iv always said carlos make love to his guitar and that's what makes him stand out to me.

[@djavidianmx1832]

"Surgical Precision"....cuts to Nigel🤣🤣🤣🤣🤣 Spinal Tap will never not be funny. Nigel--"I'm know for my solos,, they're my trademark"!!!!!!!!!!!!!

[@DJAbillitea]

Love the Spinal Tap bit snuck in there lol

[@pedrohgromero1]

there`s a book tha kind of speaks abou this, it`s called "Free play : improvisation in life and art"

[@edwardhaglin2322]

Intent is the key to magic

[@om13nrv]

L'intention, le cœur et l'âme ne peuvent s'écrire sur une partition. Au-delà des considérations techniques Carlos Santana est un génie.

[@J.C.Ky.ridgerunner1955]

doesn't sound wacky at all. it comes from deep down in your soul

[@billyvitale8994]

Great video...music has ..yes has to be an expression of the player.. it's that simple...that is what gives the act of making music something of value. It brings body, mind and soul together....it comes out at a given interval of time in a series of vibrations of different frequency and intensity...it is a very unique statement that represents a unique moment on time and space...that is real and living musicality..that can not be digitally or electronically reproduced.. We need to understand this, embrace to this so that real music can live on ..and maybe it is a key element that is needed for humanity to truly evolve.... without art is humanity possible?

[@martynh5410]

I love Santana. You can "feel" the music, the mood, the message..... No one else has this style perfected like he does. If you like guitarists who play with a great "feel" you ought to watch Andy Latimer play. He's with Camel. Check out "Stationary Traveler" by Camel. It's more bluesy but the feeling and intensity is profound. Then there's Andy Powell of Wishbone Ash. Check out "Persephone" by Wishbone Ash for a real musical treat!

[@pillmuncher67]

"I went to see a live show of guitar virtuoso X yesterday and I was moved to tears by all the virtuosity."

[@lourdesbardamangarcia6181]

Carlos Santana toca con el corazón y espíritu que se transmite en su guitarra,esa formula no se compra ala vuelta de la esquina eso se trae y su talento, pasará mucho tiempo para se repita en el tiempo de hoy, Santana toca con el corazón y espíritu y lo transmite al público que lo Ollé tocar es fantástico.

[@raymondmaynard2438]

It is called feel all the great guitar 🎸 players have feel that’s what makes them great musicians

[@WstlR]

I tried this, shut down all the lights and focused on expressing my feelings. The anger and frustration lead to me destroying all guitars in my room in a rage storm.

[@tripives1858]

Great video. Yes, there is music in silence. I love drinking from a firehose, for about 5 seconds, and again a little later, and so on... not two hours straight. Examples from the 80's... Jeff Beck, Alan Holdsworth, John McLaughlin, Pat Metheny, John Scofield, ahhh... BB King, Roy Buchanan, Michael Stern, Larry Carlton...

[@riffcrescendo1740]

Santana has been playing the same riff since the 60s. it's like Zoolander's 'Blue Steel.' Samba Pate is great. His greatest work was Love Devotion Surrender.

[@JohnColucci88]

This makes 💯 100% sense IF AND ONLY IF OR WHEN you understand the fretboard, and have developed your ear. THEN you will first experience those holy shit moments as you challenge yourself and find how much of it is intuition paired up with your knowledge along with your technique and dexterity development

[@baldemarmiranda2067]

Awesome

[@octaviovazquez62]

He's got the divine privilege and ability to reach the inside of the listener's heart captivating the soul even with very simple notes. His tone and sound its magical.

[@om13nrv]

Buddy Miles (RIP) ex batteur de Hendrix et ayant collaboré avec Santana déclarait : il y a eu 2 guitaristes sur cette terre qui étaient dans une autre dimension il s'agit de Jimi Hendrix et Carlos Santana.

[@richardpenhardt6100]

now you've dunnit! it's the spiritually destined play vs. the mechanic. Good.

[@christophernichols1379]

"Singing winds, crying beasts."

[@saguarotreker]

I love Carlos. But, lest we forget his "break-out" performance was at Woodstock. He and his band were directed to take the stage hours earlier than they had planed. Thereby hitting the stage while most of the members were peaking of 1960's grade acid. His performance was unconscious. There was no barrier to his talent and heart. I've also heard him talk about building his phrasing as if her were cussing somebody out.