This Will Change Your Playing

[@bradking1536]

Thank you so much for sharing🎉 hope you are well God loves you deeply shalom 🤗🐼♥️✝️💐 Philippians 4:8

[@tinajackel]

thank you!

[@gtrplyrgrl512]

Hi, Tina! Love this lesson! Can you show us an example of what writing down the lines would look like? I have blank music paper with the staff on it. I have a fretboard rubber stamp. I don’t really know my accuracy for writing the quarter notes or 16th notes I’m hearing myself play. Thanking you always, Linda

[@blesseins4658]

With such inspiration , gonna climb over the hill ...!!!

[@alessiograziani6355]

Thanks a lot, I found a lot of useful and understandable ideas!! Without talking too much about the 3d, the flat13th, the #11th. A very practical guide

[@tinajackel]

thank you Alessio!

[@jorze79]

Another excellent video filled with vital content. Well done Tina. Thank you

[@tinajackel]

thank you Jorge!

[@danielwagnerrangel6712]

Thanks, Tina for this lesson. Absolutely fantastic stuff!!!!

[@tinajackel]

thank you Daniel!

[@garytrent1]

Great lesson thank you for sharing lots of good ideas thank you

[@tinajackel]

thank you Gary!

[@archiewiles5512]

Great lesson thank you 😊

[@tinajackel]

my pleasure

[@JazzGitarDersiSamiGundogdu]

Hi Tina, I very much like your videos, these are really mean a lot, your approach and sincere sharings are inspiring. Please keep posting, best regards,

[@tinajackel]

thank you for watching my videos 🙏

[@Raggo12345]

GREAT lesson!

[@tinajackel]

thank you!

[@bozakarlin9034]

Great lesson, thanks.

[@JBGuitarInstruction]

Great lesson, Tina. Thanks for your insight into improving my approach.❤

[@tinajackel]

my pleasure 😊

[@Jazzkovsky]

Thank you. This is helpful! 🎉

[@tinajackel]

your welcome! happy to be of help!

[@tompricking]

Hi Tina! Ich mag deine Video-Lessons sehr. Zum Thema Approaching habe ich eine Anmerkung. Was mir dabei sehr geholfen hat, ist Beschränkung. Ich meine damit, anstatt der Vierklänge nur Dreiklänge und deren Töne zu benutzen. Und darüber hinaus nur die Dreiklänge und deren Umkehrungen auf dem Stringset D-G-B zu benutzen. Den Tip bekam ich seinerzeit von dem wunderbaren Mike Outram (Electric Campfire). Der Vorteil für mein kleines Gehirn ist, dass ich mit weniger Input schneller ans Musik machen kam. Eine zusätzliche Beschränkung meinerseits war (und ist) lediglich erstmal die Terz zu approachen. Mach weiter so 👍

[@isso9943]

Mag deine Beiträge ebenso, Tina. Zur von Tom erwähnten Beschränkung auf Dreiklänge: ich benutze gern die von Barry Harris so genannten "Arpeggios" d.h. Dreiklänge mit Oktav-Verdopplung, inklusive Umkehrungen. Dies auch z.B. auf der 3., 5. und 7. Stufe, also zu C-Maj: e-g-b-e' oder g-b-e-g' oder b-d-g-b' etc. und umgedreht natürlich.

[@djmileski]

Dude, your lessons are very helpful

[@tinajackel]

thank you!

[@vspaulding1]

I really like your Channel, thank you for sharing:)

[@tinajackel]

thank you Vincent

[@JuanMorales-lz7rl]

Love this! I always consider chromatic leading tones as implying the entire whole-tone scale rooted on the V of my target note That way, I can elaborate even more than just the two chromatic leading tones Likewise with double chromatics from below, I call that giant-stepping the V of my target note, involving the entire Augmented Scale, including the double chromatic to the target. This, of course, expands my leading possibilities, and also opens the door to many potential key changes I feel that these augV motions create a sort of shadow to my song. Sometimes I practice just playing on the V's behind the several chords of the song Good stuff, Tina, thanks!

[@tinajackel]

cool ideas Juan! thank you for sharing!

[@carloscorreia1721]

Hi Tina so Good once again !!!

[@tinajackel]

thank you

[@WWS322]

if you deviate from your style do you lose your ear for it?

[@fdre3wsd]

[@LennyBonapart]

4:54 did she just flip us the finger. :)

[@monoliticaava5143]

muffim man frank zappa.

[@armando534]

👍

[@jesusislukeskywalker4294]

😎 very cool

[@carloscorreia1721]

What is the finger I didn't not see it...😂😅😅😅❤

[@albklang1272]

Respekt. Linke Hand, den theoretischen Hintergrund betreffend! Aber, es groovt nicht. Bebop?

[@tinajackel]

danke!