Tim Rudman - Silver Gelatine Print Making for Iceland, An Uneasy Calm.

[@The_Active_Region]

This guy is the Jedi master of making prints.

[@stuartwalker121]

Just beautiful work Tim - a hand-crafted masterpiece - thanks so much for sharing

[@cowboyyoga]

Thank you Mr. Rudman... what a great video. And your work is amazing! )))

[@dreamlike8655]

One of the most informative and fascinating videos on the developing process I've ever seen. great work and fantastic photo!

[@perpetualjon]

Absolutely fascinating video!!

[@YourXBestXFriend]

Wow. Amazing. Thank you for sharing!

[@ibm9117]

Joy to watch, thank you.

[@arledia3834]

Well done! Thanks for sharing.

[@AndresAmengual]

Beautiful. Thanks for share!! Amazing

[@AlfonsodeCastro13]

Really amazing! Thank you very much Mr. Rudman I always learn listening your lessons and watching your works!

[@johntuttle4486]

Tim, thank you! I also enjoy your book on toning.

[@milandragojlovich5500]

Great and very enjoyable presentation; the real art!

[@joecrafted]

Mr Rudman, you are a master and have taught me so much with your books, esp lith printing. Thank you for this video, it was a joy to see your work in the darkroom.

[@MichaelCarter]

Truly inspiring.

[@craftyklaus]

The magic of the darkroom - irreplacable by digital tools!

[@Gintarasphotographer]

Thank you for such interesting video

[@Esau_Garcia]

Amazing!!!

[@BAstudios5]

Thank you for the video :)

[@PBosco]

Two things. One, if you mess up localized bleaching, you can reconstitute silver back in the image by painting the area with straight print developer, (like Dektol). You can only do it one time. Secondly, print size, color, framing should be dictated by the PRINT. The image leads the process.

[@jameslane3846]

Wow! This is an amazing video. I'm slowly going into film, both colour and BnW, away from digital and this was amazing to watch. I must learn more from you!

[@fanjan7527]

A dying art, not the overall, but the intricate experiences learned over decades Amazing. I once saw an exhibition of B&W prints, and was immediately drawn across the room to two prints, cause they just looked different, upon which the host told me, those are wet prints whilst the other where digital.

[@bentuinstra4441]

Increble! Increbile! Inedible!

[@TaiChiBeMe]

Nice Print.

[@mamiyapress]

Wow!

[@pepeg.luthier566]

The print: Looking at your work and Ansel Adam's I can tell for sure you were the precursors of analog Photoshop.

[@Foxglove963]

Pepe G. Luthier. Not quite. The catalogs of main camera manufacturers like Houghtons from 1914 illustrate fine brushes and stands for corrections on prints.

[@markharris5771]

Those that don’t understand the magic will never understand, those who do understand are blessed.

[@stevjohnson6557]

I love film, I shoot film, but I haven't got the patience for this palarva to repeat over and over for a print. I just scan my negatives, edit digitally and pigment print or just shoot digitally with my Fuji GFX50.

[@nickfanzo]

Nothing wrong with scanning or digital. Inkjet paper these days is fantastic and some having better statistics than darkroom papers

[@35mmlove_eric]

Any particular reason why toning Selenium first and then sepia?

[@user-ti9zc1xv2b]

Selenium to reach the papers maximum density, sepia to shift to tones to a different tint.

[@faraz2498]

Selenium also protects the shadows from sepia toning to achieve a split tone

[@amsil2002]

노광시 닷징으로 충분히 확보하지 못한 암부 디테일을 탈색 과정으로 추가 확보한다

[@barryryan8267]

Tim.....I hate you! Now I HAVE to get a darkroom going again...... You've left me no choice. I'll start Monday. Fact.

[@nickfanzo]

Inkjet papers these days can have a depth and dmax rating better that darkroom paper. Just. Saying