I think there's a Dennis the Menace cartoon when he says after listening to Mozart, " He's no Cannonball Adderley, but he's alright."
@olebirgerpedersen3 жыл бұрын
Everything Cannonball Adderley touces is filled with geniality.
@jaksilb2 жыл бұрын
Yes, even brilliance!
@SynAstra3 жыл бұрын
I would say this is gold, but it's beyond that, this is diamond level.
@morcheller2 жыл бұрын
I've been saying that since I first listened to the album some time in the mid 60's. It's now been on my favorites list for nearly 60 years.
@johnholloway24455 жыл бұрын
CANNONBALLS IS LIKE A WELCOME FAVORITE COUSIN TELLING YOU HES MOVIN BACK TO YOUR STATE. AN IF HE CAN STAY WITH YOU UNTIL HE BUYS A HOUSE, HELLLLLLLLL YEAH . THESE WERE SOME OF MY HAPPIEST MEMORIES. CANNONBALL FOREVER..
Great great album. Thank you for sharing. Happy new year. Nadir
@olebirgerpedersen3 жыл бұрын
Clouds was his favorit, but I find the solo he plays on Cocovada tue most fantastic Imagination and compotison unic ..
@delfinmontoya42773 жыл бұрын
super album. muchas gracias
@mariabernadetetorino5808 Жыл бұрын
Demais
@jameswebb45934 жыл бұрын
If perfection is possible playing the Alto Saxaphone then Julian Adderley has achieced it. A beautiful tone unlike the saccharin sounds of Desmond, Konitz and Pepper, but full of feeling and warmth. Thankyou Cannonball for sharing your gift.
@Agressel14 жыл бұрын
Why the need to trash other masters? Music is not a zero sum game!
@jameswebb45934 жыл бұрын
@@Agressel1 Not criticizing their content , only the tone of the instrument. Its all to do with the inner shape of the mouth , Blacks have a greater cavity .
@Agressel14 жыл бұрын
It's only that saccharin is an artificial sweetener that causes cancer! Also its hard to think of three more disparate players than those, as far as concept and sound goes. Cannonball is wonderful, so is Clarence "C" Sharpe and the Boid. It's perfectly normal to prefer artists, I just don't see the need to put other great exponents of the artform down
@olebirgerpedersen3 жыл бұрын
@@jameswebb4593 Nonsence. The sound comes from what you hear.
@jameswebb45933 жыл бұрын
@@olebirgerpedersen So you are unable to distinguish the Sax playing between a white and Black artist. Parker and Pepper , Coltrane and Getz . I cannot believe you to be a dedicated jazz enthusiast , as you would know that the races followed different influences . Getz and co liked the mellow sound of Lester Young whereas Blacks biggest influence was the Harsher sound of Coleman Hawkins. I have ears and that is why I have been a fan for over sixty years.
@stuartgerger78283 жыл бұрын
Other musicians? Important because they were PERFECT on this record. Brazilians? They had the correct syncopation, and CBall hit right with it. Also, was this before or after the seminal Getz/Gilberto record?
@65tb313 жыл бұрын
Yes, Getz/Gilberto album was out in 1963.
@olebirgerpedersen2 жыл бұрын
@@65tb31 when was this album released ?
@jean-josemesguen493020 күн бұрын
Recorded December 7, 1962 (#1-2, 6) December 10, 1962 (#3, 7-8) December 11, 1962 (#4-5) New York City Charly Bird was the first US jazzman to exploit the brazilian mother lode and showed it to Getz, so their "Jazz samba" was recorded in Recorded in February, 1962 ; then "Getz-Gilberto" in march,1963 (and Getz had recorde "Jazz samba encore!" with Luís Bonfá on February 8-9 and 27, 1963 ; and "Stan Getz With Guest Artist Laurindo Almeida" on March 21-22, 1963. Everyone of the releases was directed by Verve's producer Creed Taylor. Cannonball recorded with a Brazilian jazz group that already existed, Bossa Rio Sextet, leaded by Sérgio Mendes-piano with Durval Ferreira - guitar Octavio Bailly, Jr. - bass Dom Um Romão - drums Pedro Paulo - trumpet (#2, 4-5, 7-8) Paulo Moura - alto saxophone (#2, 4-5, 7-8)
@arq.leopoldogutierrez98883 жыл бұрын
Nice!!
@hackeymabel16172 жыл бұрын
please open the other one for my country too
@jmblain9593 Жыл бұрын
Étrange disque de cannonbal Adderley il n était pas très inspiré par la bossa on n ais très loin d un Stan Getz je pense qu il as fais ce disque pour des raisons commerciales financières sans intérêt dommage
@lesprilib1 Жыл бұрын
Personnellement, je ne trouve pas ce disque inférieur à ce que Stan Getz a fait . Mais il faut dire que la comparaison peut paraître inappropriée, vu que Adderley, c'est du saxophone alto. Alors que Getz est du saxophone ténor.