TM Krishna: Ragam Mayamalavagaula

[@arjun_ragafanatic]

In the first iteration of kalpana swaram (at 17:36), he sings Ga Ma Pa Ma Ga Pa Ma Da Pa Pa Mayamalavagowladi..... These ten swaras contain a complete expression of his genius in them. An absolutely simple combination of swaras. But the sound of each swara is carved out to perfection. Akkarai Subhalakshmi acknowledges the brilliance in this as well. For instance the final Pa has a gentle spuritam gamakam which makes the karuna rasa overflow when landing at Mayamalavagowla..... This would not have worked if the Pa was plain or if the spuritam was more aggressive. I just discover more and more each time I listen. Each time he urges rasikas and learners to pay attention to the "sound" of the swaras and the "colors" imparted by them, these examples show that this advice comes from a place of deep knowledge. Just Awesome.

[@ramdinesh3618]

Thank you for explaining it out sir ;-) keep imparting wisdom to wider audiences

[@surfingsage]

thank you for an insightful comment.

[@kumark214]

Wow. How beautifully explained.

[@pramodkrishnamurthy3707]

Wow jus wow...my childhood was full of Carnatic music...and then I wandered off for several years...now 52 years old...want to come back to an original love...and what a beautiful way to return to the fold :) Eternally thankful to music and to amazing musicians such as these

[@Sreeprayag]

Pl do get back at the earliest. The right track

[@ramamoorthyh]

I grew up in a place full of carnatic music. Never learnt it. Listening off and on as going on. At 42, my friend loaned me her son's old violin. Went and joined a school full of students my son's age. It was painfull and hard. Three gurus in multiple places later, I'm still a student at 51. But I can fiddle reasonably well. I do practice at least 30min everyday. Now pandemic is still around, I'm learning from KZbin videos. Please start again where you left it.

[@tamizylnathan4306]

ஆஹா அற்புதம் . எனக்கு கர்நாடக இசை பற்றி ஒன்றுமே தெரியாது . நான் ஒரு ஞான சூன்யம் . ஆனால் இதை கேட்கும் போது கண்களில் கண்ணீர் பெருகி வழிகிறது . நான் யோகப்பாதையில் நீண்ட காலமாக பயணிப்பவன் . யோகத்தில் ஏற்படும் அனுபவங்கள் இங்கே ஏற்படுகிறது . மிக நன்றி கிருஷ்ணா .

[@shaktishastry7206]

No words to describe the performance of versatile Akkarai Subhalakshmi. Great artist indeed.

[@krprabhu8833]

I can't express my feelings while listening to this amazing rendition by Sri TMK with excellent support from his highly talented team. We have to close our eyes and listen to this under pin drop silence. It is so soulful and blissful. He is totally involved in the music and only music while singing. He carries the accompanists along with him, admires and supports them. As an ardent fan of TMK and having attended many of his concerts I can vouch that he and carnatic music are made for each other. Blessed to be living in his era.

[@jvaghela55]

25 minutes of divine bliss. I can listen to this and dream. The crew has been blessed by Goddess Saraswathi.

[@shreeraam_22]

This is probably TM. Krishna's best concert. Perfect balance of Kalpana and Kalpeetha sangeetha. If i have to say it in TM Krishna's words For every single song "Sangeetham Vanduchu". I hope we get a full recording of the Janaki Pathe.

[@parakuma23]

How can people even hate this video? Treat for the ears, can't stop wiping my tears

[@madhav0821]

தெய்வீகக் குறல், அதற்கு நேர்ந்த பக்கவாத்ய கலைஞர்கள். உங்கள் பெற்றோர் கொடுத்து வைத்தவர்களைய்யா. வாழ்க பல்லாண்டு.

[@rinkismailbox]

Goosebumps! As legends go, Muthuswami Dikshitar felt he had a divine encounter at the temple of Tiruttani; overwhelmed by that experience, he is supposed to have spontaneously composed and sang this krithi for the presiding deity. Legend resurrected, for sure! Thanks to Vidwan T.M.Krishna, for recreating the ecstasy behind what is considered to be the legendary composer's very first composition!

[@Gowtham.D]

25 minutes of divine bliss. Whatever you say about his societal standpoint, TMK s aesthetic expression of the art takes me to a different plane of serenity, which I feel disabled to describe

[@ms1381]

Exactly.. I feel lose to divinity when I listen to him.. Nothing else matters

[@aru123able]

What is the problem with his societal standpoint? He is right in both

[@avaneeshj.damaraju175]

@@aru123able quite the contrary. He is not 'right'!

[@prasannasridharan3730]

Lol what an astute observation. I completely felt that. I almost 99% disagree with him on his societal views but full captivated by his treatment of mayamalavagowla ragam which is very rarely done justice to this level by many others

[@sridharganesan7691]

Irrespective of his political standpoint, I’m not sure anybody else could’ve rendered this composition as well as TMK. Absolute mesmerizing. Take a bow, TMK.

[@gopikrishnan19]

This might be best performance of TMk's. 25 minutes of pure divine especially from 8th minute. I just wish everyone can understand this composition 🥺🥺

[@arrangesh]

@Praveen Kumar on Mridangam - Excellent job on accentuating the song at the right places, beautifully. Well done !

[@perinkolamvenkateswaran4832]

the voiice range two octaves as dreamt by musicians is never achieved only the great genius TMK sir has done it and demonstrating it in Mayamalava gauala will encourage music students to practice and develop proper singing voice.great TMK sir namaskarams

[@SYOGESHWARBEC]

He sings 3.5 octaves... Listen to his sabhapathikku very deivam aboghi he had explored anumandra stai and 1 mohanam rendition he went upto the thara stai shadjam...

[@RangaprabhuParthasarathy]

I have come to listen to this rendition of Dikshitar's magnificent piece over and over again. It is just that good. Just a sheer joy to listen to.

[@rainmanvs]

The mridangam and ghatam accompaniment is amazing. Great touch and the fact that they didn't play at the charanam made the emotion very raw and the karuna rasa was super palbable. It's hard to overstate how superb the accompaniment was in this rendition.

[@sriramrajan5160]

I have in the past have played Ghatam for Shri. T.M.Krishna, as accompanists we have to play in the groove of the main performer. This part requires silence on the part of the percussionists silence has its own rhythm. Groove is linked to emotion.

[@sriramrajan5160]

Music is in a great way connected to human emotions.

[@guydechalus4561]

As a non-Indian, over-40 years old man, I can listen to this and dream. Dream of being as proficient on violin, dream of making my guru proud, dream of winning the respect of rasikas of this remarkable music...dream. I'll wake and try again during my practice, but to me, this level of depth and virtuosity seems unattainable. One can dream, I guess.

[@rajeshmadhavan4422]

your interest and hard work is going to make you achieve your dream one day. My best wishes.

[@sanjaysriram8592]

remember sir, there are also many non indians who pursue carnatic music....it is the ardent interest and hard work towards music which will help,music shows no boundaries with religion ,race ,gender etc.

[@bkbk4726]

Never stop dreaming. Never stop practicing. One day it will become true. It will happen somehow somewhere. All the best.

[@srinirgs]

My best wishes too

[@anithaajaien6391]

And let that dream come true one day... All the best wishes

[@flavius401]

I came trough "The Secret Life of Plants" book... I just love this beautiful music! Thank you for share this piece of art with us!

[@jayamangalamsudharsan5296]

Chandrasekhara Sharma on ghatam it is a very clear strokes followed master perfectly and I thank in the name of Saraswathi for both of you having participated and supported Rithvik Raja and Bhavik Mankad on tanpuras.

[@ksbalaji1287]

Excellent sound, great camera placing and perfect editing. Added immensely to the already great experience. Thanks to the technicians all.

[@FirstEditionArtsChannel]

Thank you K S Balaji. We really appreciate it when some folks "get" the filming process and the efforts that go into the post production of the videos. As a principle, we always believe that there is no way to replicate the actual "LIVE" experience, but with the videos we are attempting to make the experience more "immersive" for the viewer without making the presence of the cameras and the editing too obvious. So we're glad you appreciate the effort.

[@tharanidharan2685]

@@FirstEditionArtsChannel Hello First Edition Arts Channel folks - you guys are doing (did?) a faboulous job. Keep coming back to these videos. Kudos.

[@tharanidharan2685]

I love the fact that I can actually see the Mridangam player play and can also see the interacctions (on how he/she tries to follow the main artist). Wonderful job again.

[@beethoven6185]

Sri Nadadi Guruguho Ragam: Mayamalavagowla ARO: S R G M P D N S || AVA: S N D P M G R S || Talam: Adi Composer: Dikshitar Version: D.K. Pattammal Pallavi: Sri Nathadi Guruguho Jayathi Jayathi Sri Chidaananda Naathohamiti Santhatham Hridini Bhaja Anupallavi: Naanaa Prapancha Vichitrakaro Naamaroopa Pancha Bhoothakaro Ajnaana Dhvaanta Prachanda Bhaaskaro Jnaana Pradaayako Maheshwaro Madhyama Kala Sahityam: Dinavanodyukta Divyataro Divyaughaadi Sakala Deha Dharo Maanasaanandakara Chaturataro Mad Guruvaro Mangalam Karotu Charanam: Maaya Maya Visvaadhisthaano Maatmakaadi Mataanusthaano Maalini Mandalaanta Vidhaano Mantraadyjapaa Hamsa Dhyaano Maayaakaarya Kalanaa Heeno Maamaka Sahasra Kamalaasino Maadhurya Gaanaamruta Paano Maadhavaadyabhaya Vara Pradaano Maayaa Sabalitha Brahma rupo Maarakoti Sundara Svarupo Mathimataam Hrudaya Gopura Dipo Matta Suraadi Jayaprataapo Madhyama Kala Sahityam: Maayaamaalavagaulaadidesha Mahipati Pujitha Pada Pradesha Maadhavaadyamara Brunda Prakaasha Maheshasya Mahaarthopadesha MEANING (from TK Govinda Rao’s book): Victory (“Jayathi”) to Lord Guruguha, who is adorned (“bhaja”) by all Gods(“santhatham”) beginning with Vishnu. Oh! Mind! Constantly contemplate on the fact (“iti”) that you are the Chidaanandanaatha. He is the originator of different (“naaana”) diversified (“vichitra”) forms (“aakaro”) of worlds (“prapancha”). He manifests (“rupa”) as the five (“pancha”) elements (“bhuta”) and as the named (“naama”) and famed ones. He is the mighty sun (“bhaskaro”) destroying (“prachanda”) the darkness (“dvantha”) of ignorance (“ajnana”). He is the bestower (“pradaayako”) of spiritual knowledge (“jnaana”). He is the Maheshvara. He is the divine (“divya”) Kalpaka Vruksha (“vano dyukta”) for the afflicted (“dinaa”) ones. He bears the sacred rivers like Mandakini. He is adept in granting happiness to the heart of His devotees. May my Guru bless me (“mangalam karo”). He (who) is the substratum (“adhistaano”) for this illusory (“maayaa maya”) world (“visva”). He (who) is to be invoked through mantra (“mataanusthaano”) beginning with “Ka” (“kaadi”), ending with “ma” (“maatmaka”). He resides (“vidhaano”) in the center (“mandalaanta”) of the Malini-Chakra. He (who) is to be meditated (“dhyano”) upon as the swan (“Hamsa”) representing the AJAPAA Mantra. He who is an expert in obliterating (“hino”) the result (“kalana”) of MAAYA, the illusion. HE resides in my heart which is like a thousand (“sahasra”) petalled lotus (“kamalaasino”). Who enjoys the nectar (“amruta”) of mellifluous (“madhurya”) music (“Gaana”). He provides (“pradaano”) sheltor (“abhaya”) and boons (“vara”) to MAADHAVA and others. Whose Brahmasvarupa is veiled (“sabalitha”) by Maaya. Whose beauty (“sundara svarupo”) excels that of crores (“koti”) of Cupids (“mara”). Who shines as the light (“deepo”) atop the tower (“gopura”) like the heart (“hrudaya”) of his devotees (“matimataam”). He who vanquished the proud (“matta”) SURA and others (“adi”). His place of abode is worshipped by the kinds (“mahipathi”) of Mayamalavagoula Desha and the like. Who shines (“prakaasha”) as surrounded by Vishnu (“madhava”) and other Gods (“brundha”). Who impounded (“upadesha”) the real truth (“mahaartha”) of Pranava to His father, Mahesha.

[@meenapurushothaman9137]

Thank you so much 💓 🙏🙏

[@jazzman4353]

S R1 G3 M1 P D1 N3 S This is a Sampoorna Ragam

[@chakripanithumurowthu9224]

సంగీతానికి మీరు చేస్తున్న సేవకు మీకు నా హృదయపూర్వక అభినందనలు క్రష్ణ గారు

[@aphrsolutions9928]

MAYAMALAVAGOWLA mother of all ragas...amma...cant control my tears...

[@prasannasridharan3730]

Beautifully described the raga.

[@tombattley8304]

Superb concert! Kudos to the artists of course, and kudos to the production staff that recorded them and produce this excellent series!

[@madhvamunirao.sandhyavanda40]

Today I chanced to experience it and this cherished experience will remain in my conscious. When the artist envisions the great vaggeyakara's creativity and is lost in its immense beauty, recreates the original creativity with purity of svara, akshara and laya taking along with him accompanying, nay participating in devotional offer, Karnatic Music is at its splendour. Great offering by the team of First Edition Arts Channel.

[@FirstEditionArtsChannel]

Thank you Madhva Muni Rao. Sandhyavandanam for the encouraging words. We are so glad you enjoyed this rendition. Do check out our other videos featuring TM Krishna on our KZbin channel. And if you like those as well, please watch our videos of some of the other artistes featured here. Warm regards, the First Edition Arts team.

[@madhvamunirao.sandhyavanda40]

Creative Team, I shall watch the other offerings. I am tempted to request you to please consider and to curate 'UTTAR-DAKSHIN' event, with 1. panel discussion on 'Manodharma' -literally, meaning 'Manas' sense of mind in imagination, ideation and creativity (not improvisation) and 'Dharma' sense of mind (ideally, a Being) in righteousness to art form's lakshya(practice) and lakshana (theory)- of Hindustani and Karnatic Music with panelists consisting of practitioners one each-performer; teacher; musicologist; scholar; critic; discerning rasika. 2. 'Mano Dharmi-Dharma', concert, jugalbandi of HM and KM. Great Maestros of AIR had the goal of 'integrating the value systems' of HM and KM listeners and Indian Classical Music to achieve the exalted state, which it richly deserves.

[@appabombay]

Superb rendition of Muthuswamy Dikshitar kriti ‘Srinathati’ in mayamalawagowlam ragam by TMK. Excellent. ✌️Radhe Krishna

[@rshiva08]

Divine. Esp starting at 8:11. You can feel the karuna rasa. So much so that TMK himself had to stop to wipe his tears :)

[@janarthananalagarsamy5549]

He just wipes sweat...!!

[@metalforlife4ever]

Yeah! Around 9 minute mark he has to stop singing for a while to regain his composure

[@raghuprakashkolla7104]

గానామృతం... నాదా మృతం .. సంగీతా మృతమ్ ...కలగలిపిన చిత్రామృతం ఇది ....మీకు దైవం ఇట్చిన వరం ఈ సంగీతం

[@tarangtr9321]

@@janarthananalagarsamy5549 no he said ahaa and couldnt control raaga bhava..

[@Sowmya-Mohan]

The marvel of Dikshitar brought out magically!!

[@jyothichetan195]

Aha!!! This is the perfect justification to Sri Dikshitar's composition🙏 Amzing artists

[@jayamangalamsudharsan5296]

Akkari Subbalakshmi Garu , the support given and your personal experiencing lively , has given real zeal , Mr.Praveen Kumar , you have rightly/truly followed him, it is great by both of you !! hats off !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[@kneelarambham2860]

I have been listening to music of of one type or the other all my life .Carnatic music never sounded this soothing .this serene . Thanks

[@saveri_sumadyuti]

This rendition is just "magical"! The beginning of the charanam though, the beauty and that emotion can't be described in words! The Neraval was one of its kind. The Tanam and Kalpana Swaras were so beautifully and aesthetically bound to the composition. Violin, as usual at its best. And the thani avartanam, is just, hands down, one of the finest ever! My all time favourite!

[@luigiluigi1652]

What is the name of the song please?

[@Nandakii]

@@luigiluigi1652 Sri Nathadi Guruguho.

[@MoniVHS]

Though it was a programme of 2017, in 2022 is still fresh. Very very enjoyable

[@anuvad1]

Krishna u r music manifested here. Ur pauses meant a lot of mayamalavagowla than ur prasthithi. Very very nice ma, Master piece of music maestro!!

[@jayashreesambamurthy5485]

What an amazing conversation with music- extremely very Heavenly to watch Sir sing with so much emotions, expressions and ecstasy. Thank you for the Blissful experience 🙏🏻🙏🏻🙏🏻

[@raviradhakrishnan1433]

This is the most touching rendition of mayamalavagowla that I've heard... I heard his lec demo on Carnatic music and it was lovely to see some of those principles in action in this masterpiece..the Kalpana swarams were beautifully in sync with the composition...

[@aarthy09]

One of the best pieces of music I have ever heard. Kudos to all of them!

[@vaidyalingasiva]

The crew has been blessed by Goddess Saraswathi

[@chethannv2.0]

Don't insult their Hardwork and efforts.

[@bshanmukha3757]

@@chethannv2.0 lol .. he is praising not insulting 🤦

[@sanjukp8886]

No, they are hard working and skilled ..

[@sanjukp8886]

@@bshanmukha3757 no, he is praising the god and nullify their skill and hardwork.. one simple qn, y saraswathi is not blessing a lazy fellow and turn him into a magical player in one day.. i know the answer as well."She will bless those who do hard work".. so the common factor is skill developed by practice and hard work

[@bshanmukha3757]

@@sanjukp8886 lol !! It's the highest form of praising in this culture ! I think you can understand .. btw the person well acknowledge their work that's why he say that they are blessings of saraswati

[@kannanjayaraman5197]

I m first time listner to Shri.TMKs Mayamalavagaula.it mesmerized.

[@janarthananalagarsamy5549]

Ragam: Mayamalavagowla ARO: S R G M P D N S || AVA: S N D P M G R S || Talam: Adi Composer: Dikshitar Version: D.K. Pattammal Pallavi: Sri Nathadi Guruguho Jayathi Jayathi Sri Chidaananda Naathohamiti Santhatham Hridini Bhaja Anupallavi: Naanaa Prapancha Vichitrakaro Naamaroopa Pancha Bhoothakaro Ajnaana Dhvaanta Prachanda Bhaaskaro Jnaana Pradaayako Maheshwaro Madhyama Kala Sahityam: Dinavanodyukta Divyataro Divyaughaadi Sakala Deha Dharo Maanasaanandakara Chaturataro Mad Guruvaro Mangalam Karotu Charanam: Maaya Maya Visvaadhisthaano Maatmakaadi Mataanusthaano Maalini Mandalaanta Vidhaano Mantraadyjapaa Hamsa Dhyaano Maayaakaarya Kalanaa Heeno Maamaka Sahasra Kamalaasino Maadhurya Gaanaamruta Paano Maadhavaadyabhaya Vara Pradaano Maayaa Sabalitha Brahma rupo Maarakoti Sundara Svarupo Mathimataam Hrudaya Gopura Dipo Matta Suraadi Jayaprataapo Madhyama Kala Sahityam: Maayaamaalavagaulaadidesha Mahipati Pujitha Pada Pradesha Maadhavaadyamara Brunda Prakaasha Maheshasya Mahaarthopadesha

[@AneeshkK-ro2hl]

Thank u

[@kolliparahemanth8432]

Nice

[@kamalaa1904]

good effort

[@lalkrishna07]

Thank you

[@Amrutha000]

❤

[@RamakrishnaAppicharla]

Adbhutam! Just Fantastic!

[@jyotisampat3246]

TMK shines in all performances, I think with sanskit lyrics, he attracts all audiences across India. No audience should be deprived of riches of south Indian music.

[@krishnaphanindra1841]

Everything is just perfect about this rendition...

[@giridhartirumalai1600]

A perfect master piece for lovers of Carnatic music. You can listen to an excellent combination of excellent rendition of Dixitar's very first composition, very well rendered in vilambakalam, mayamalavagowla in it's excellent form, excellent exhibition of janata swara prayogams, daatu varasai prayogas, nyaasam prayogas in swaraprastharama, clear rendition etc. Supporting artists were - as usual excellent, what an extraordinary melody from Mridangam and perfect synch with Ghatam. What else can you except from Akkarai other than a supreme support. It is blatantly obvious that the team had few trial sessions before this concert - BUT what a super rendition with so many lessons for carnatic music learners - other than TMK's positioning of words during neraval - text ( vaaarthegal) is ALL Over the place, completely out-of-whack with taalum. BUT for Mrudangam and Ghatam's excellent melody things might have been slightly different. Beauty is ALL artistes seem to enjoy the concert...

[@ssrinath66]

Could not have articulated better. Many thanks for the fine details, Giridhar Sir.

[@Gowtham.D]

Pallavi: Sri Nathadi Guruguho Jayathi Jayathi Sri Chidaananda Naathohamiti Santhatham Hridini Bhaja Anupallavi: Naanaa Prapancha Vichitrakaro Naamaroopa Pancha Bhoothakaro Ajnaana Dhvaanta Prachanda Bhaaskaro Jnaana Pradaayako Maheshwaro Madhyama Kala Sahityam: Dinavanodyukta Divyataro Divyaughaadi Sakala Deha Dharo Maanasaanandakara Chaturataro Mad Guruvaro Mangalam Karotu Charanam: Maaya Maya Visvaadhisthaano Maatmakaadi Mataanusthaano Maalini Mandalaanta Vidhaano Mantraadyjapaa Hamsa Dhyaano Maayaakaarya Kalanaa Heeno Maamaka Sahasra Kamalaasino Maadhurya Gaanaamruta Paano Maadhavaadyabhaya Vara Pradaano Maayaa Sabalitha Brahma rupo Maarakoti Sundara Svarupo Mathimataam Hrudaya Gopura Dipo Matta Suraadi Jayaprataapo Madhyama Kala Sahityam: Maayaamaalavagaulaadidesha Mahipati Pujitha Pada Pradesha Maadhavaadyamara Brunda Prakaasha Maheshasya Mahaarthopadesha

[@rangamurali7667]

Thanks much for providing these beautiful lines

[@govindaraousha8501]

Swara pravaham!!

[@PadmajaGanti]

Bliss!! All through... not one dull moment .. soaked in mayamalavagowla 🙏🏽🙏🏽🙏🏽 such quality artists all of them!!!

[@sharadaarkalgud5693]

What a wonderful rendition!

[@manasagorthy8966]

Ofcourse tmk sir..it's magical..especially Praveen ji on mridangam n Chandrasekhar ji on ghatam..you've done a brilliant job

[@surimenon7660]

🙏Hare Krishna 🙏❤️❤️❤️🙏Blessed to hear his rendering 🙏Radhe Radhe 🙏 Brilliant TEAM ❤️❤️❤️🙏

[@srinivasangkailasam8952]

Thanks a million for this exposition to the traditions covering Nadaswara Vidwans and the Instrument itself. Very informative.

[@A1978kumar]

Shri TMK is singing from heart, which he is feeling before converting into sound.

[@eytonshalom]

TMK at his best, no doubt...the whole Ensemble is fabulous....

[@nicolanuti1305]

Great performance, and these clothes are so stunning!

[@adarshdatt]

TMK's briiliance. The flower of this krithi at the Lord's feet. Madhurya gaanamritha paano indeed.

[@sankarspr4270]

soulful rendering! wow!! spr.sankar

[@Roar9force]

At peace! Thanks to all the co artists & TMK. I wanted to listen to it in such acoustic brilliance & you have made it :)

[@venkateshkl7115]

That superb neraval.....grt kalpana svaraas......and the coordination at the end .....tm sir started to sing when thanni avartanam got finished......it was really ...I lack words!...most beautiful

[@nischalgautam9324]

Thank you for publishing this amazing content online. Blessed

[@daitaswaraarnavam]

A well planned and structured presentation. Kudos to the entire team on and off the screen.

[@TechFidller]

Raaga, Taala, composition, singer, violinist, laya all in equal unison. This reverberates through the senses giving the calming effects of devotion. Truly well chanted !

[@thoma7873]

Chanting!!! TM Krishna said in the past that there is no devotion involved in his singing apart from pure pleasure.

[@ninde75]

Easy go my friend, Its an opinion and i truly believe its divine. I am also a die hard fan of TMK specifically when he is singing Bhairavi and Mayamalavagowla................Anything that brings in positivism is divinity and its MY opinion :) and I leave it to TMK or you to assume there is no devotion

[@ramaswamybn8349]

Ananthashayana Mosale Satyanarayana s

[@anithaajaien6391]

It's 'Raagam' 'Taalam'

[@kankuppe]

@@anithaajaien6391 in Karnataka we call it raaga and taala :)

[@suryadeepty]

divine music..words cannot explain what is divine...if u listen this music..you can experience what is DIVINE music...my pranamams to TMK.Sir....

[@classicalraju1]

இனிமையான கானம் அருமையான குரல் அற்புதமான உணர்ச்சி பாவம் வாழ்க நீவிர் எம்மான்

[@sriramkumar4139]

Superb...one of the very best I have ever heard.

[@meet5945]

I lost my father dearest recently.why did Lord Subramanya take him away so soon? Sri NAthAdhi GuruGuho?🙏

[@Nandakii]

The lord wanted his company. Sad to hear your loss.

[@janakigopalan1992]

Brilliant and touching. Great team work, thank you 🙏

[@pbvidhulya4498]

Fantabulous rendition... I have no words to express my feelings... Could imagine semmangudi mama in your singing... The silence after 'Malini' is just magical... My humble pranams

[@avimohan6738]

The violinist is also very good.

[@rakshith3547]

She's one of the top performing violinist in Carnatic music..

[@seshannandan]

25 mins of pure goosebumps

[@ramababuta2936]

Devine , out of the world experience

[@tonythomas372]

Namichu guruvai namichu Karnaticalil ithreyum feel odai varnikan pattumennu aadhyamaayitta kelkensi

[@renukanair5516]

Amazing rendering of mayamalavagaula by TMKsir & brilliant superb accompanists

[@sonofnothing]

One of the finest performances I've seen. Absolutely incredible

[@sureshchari3126]

I listen to this song every day. Couldn’t stop watching. So much addictive. Especially @ 17:42

[@Nandakii]

Mayamalavagoula at its purest. I think this is the only contemporary recording that can stand amongst the majesty of Mayamalavagoula as rendered in MDR's Meru Samana and Balasaraswati's Tulasi Dalamulache. These three recordings, along with T. Brinda's famous video recording of Meru Samana and MS' magnificent Deva Deva Kalayami from one of her best concerts ever, the one in 1960 at RR Sabha with MSG, form the best of the Raga ever performed, according to me.

[@crazyclassical]

Best performance of this Keerthanam ever in my humble view. Period. Long live TMK. Thanks to the entire crew for producing such a wonderful series. 🙏

[@varshinhimusic]

9:08 really made me cry

[@vikasmaitreya1562]

That's pure magic!! Could you please post Kharaharapriya as well!

[@sasichembath1681]

One of the Best,Hats off to you Sir......!!

[@PraneshSR3]

Awesome start fr the song. Worth listening .

[@lakshminarasimhashastryvis6825]

Pure meditation stuff !

[@karthiksunil1747]

Hats of to carnatic music

[@abhilash7463]

Who is mridangam and khadam playing what a beautiful playing suuuuuper

[@jayamangalamsudharsan5296]

What sort of MAYA in your manOdharmam Guruji ? it is MALAvinchina your guru dharmamaa? GOWLLA garu ? I have witnessed many concerts from my young age but not your's, t is superb, simply nice

[@rajeerajee2544]

While listening seems like Some granfather voice Resemblence... Perhaps Grand grand father Mr. shemangudi voice Resemblence...

[@kalpanasarangam5744]

Yes i had the same thought when i ĺistened first. His guru semmangudi footsteps

[@Sam-hc4sd]

But unfortunately not his ideals..

[@dearkrish1]

Divine Kirti in Divine language by Divine composer is rendered Divinely!

[@bjonlineserver]

Endaro mahanubhaavulu.... the essence.... Sathakoti vandhalaalu...

[@iamyouu]

Why cant you people just put the damn song name in the title. what an amazing rendition by TMK 16:50

[@hkoushik]

Wonderful. So captivating.

[@aarramram]

Brilliant.....just feel dissolved...! 🙏

[@vadirajlimaye]

Superb... please upload Ragam Kaharapriya Janaki pathe by TM krishna sung in same concert!

[@ramankrishnan8881]

Simply superb. Captivating music.

[@prabhabalachandar9583]

Blissful....🙏🙏 soulful rendition. Kudos to the team

[@srinirgs]

rainmanvs ಅವರು ಹೇಳುವಂತೆ, It's hard to overstate how superb the accompaniment was in this rendition.

[@prasannasridharan3730]

I almost 99% disagree with him on his societal views but full captivated by his treatment of mayamalavagowla ragam which is very rarely done justice to this level by many others. What a great aesthetics followed and great artisanship by all artists supported with amazing recording and video quality.

[@bigsmilesdental7816]

music is the only food the Soul needs...its depth depends on its " hunger"...as with any form of success....such wealth which cannot be written in a book

[@vasudevabhat]

This is a marvel!

[@varadarajanr4960]

Serene Ganga flows from TMK's manodharma!

[@ganeshrajasekaran5186]

So soothing .. God Bless

[@babaiyermanispiritualandpo2062]

wah kya super voice hain.

[@SrijanSomeshwar]

This is a drug for your ears. Pure bliss.

[@surjithkallachi6121]

Hats off to the full team..love TMK❤️❤️