Рет қаралды 4,182
Ben Kerswell on the Fisk-Rosales organ, Op. 109/21
Edythe Bates Old Recital Hall and Grand Organ
Rice University in Houston, TX
"From the earliest use of the word, the name 'Toccata' has often been given instead of 'Sonata' as the title of a work for keyboard. This Toccata, while it does bear some resemblance to sonata form, has three subjects and a highly classical, solidly structured form. Its themes are rhythmical in character and rich in dramatic content. The imposing first theme is initially heard fortissimo, with its fragmented rhythmic and melodic elements; it reappears in the epilogue at the end of the work. A second theme then enters on a solo stop, quieter and more melodious, though over a restless accompaniment that is to emerge as a third theme while the first theme is restated over repeated chords. Each of the episodes in this work is a powerful affirmation of these motifs, breathing life into them as they grow in intensity, at last reaching a ringing proclamation of the second theme which in turn leads to a final, peremptory and decisive return of the first idea. The whole work thus exemplifies the two aspects of the organ, melodic flexibility and an almost aggressive percussiveness, which combine to give the instrument its tragic and flamboyant powers of expression." - Jean Guillou