Shure SM7dB: A Great Mic That I Won't Be Keeping

[@tombuck]

If you're looking for some more mic comparisons, check out with video with 25+ mics, including the original SM7B, on both a male and female voice. It's by far the most in-depth comparison I've ever done (and also the most fun)! kzbin.info/www/bejne/h5zbmIaud9tpnbM

[@Slipsch]

After you return the SM7dB, get the Lauten Audio LS-208 or AEA KU5A if you want to spend a little bit more of your coins.

[@colton9841]

Where did you get the purple and blue windscreens? They are hard to find but look great. Would like to pick one up.

[@fullnelsontecmo]

Just wanted to thank you up front for not making this baity. Your content is always great. I respect content creators a ton more when they don't do the obnoxious thumbnails or video titles with unclosed loops. Again, I thank you. Great video as always.

[@tombuck]

Thank you! This is probably about the closest thing to a negative review I've ever made (even though I DO like the mic). I definitely wanted to start off with the conclusion so it's clear that I'm not trying to clickbait anyone 😁

[@fullnelsontecmo]

@@tombuck I think you did a nice job explaining that for your use case, it wasn't a good fit, given the low preamp noise from your Rode products. Me on the other hand, I have a great use case for something like this in our baseball press box. Now I just need them to shell out the $$$$$$$. 🤑

[@Slipsch]

This mic is a clear discrepancy of what consumer actually want vs what brands wants and what brands thought consumers want: 1) Brand thought with so many podcast using the SM7B, if they add the Shure logo, it will be free advertising for them. The only reason I'm not upgrading to 6 of the SM7dB and bought 6 Lauten Audio LS-208 is purely because of the logo that Shure added. If I don't use it hang down, the logo will be upside down unless I open the screw and rotate it and screw it back. 2) They beauty of the SM7B is how subtle it was, the black plate makes it look so clean, now they no longer gives you the back plate 3) It's nice that they make the switch easier to access, but what's the point if no one even uses the switches in the first place? 4) Build in Pre-amp 5 years too late, now entry level audio interfaces already have 69 db of gain like the latest generation Scarlett, 76 db of gain with the Rodecaster pro II/duo, 80 db of gain with mackie DLZ creator. How about studios? People will studio already have preamp like the 1073 which already have more than enough gain to power the SM7B. 5) The mic color (shiny) and proportion just looks wrong and camera, the elongated design with the taper, just make the mic looks weird, the original SM7B already look perfect, why mess with that? 6)Here's what people actually want, we want the next generation of SM7B -Better sound so we can upgrade our current SM7B to the next generation SM7C. Maybe neodymium magnet? Improved capsule? Better internals? Lower Noise Floor with the same sound signature? -The wire coming out from the side, we want it to be internal so it will look cleaner on camera -Better yok mount so it's easier to screw -Built in wire mesh pop filter inside the cage for the capsule, perhaps something like the JZ-PF pop filter -We want the rest to be the same, because of the MAYA effect - Most Advanced, Yet Acceptable - To sell something familiar, you must make it surprising and to sell something surprising, you must make it familiar.

[@tombuck]

You really hit the nail on the head here!

[@aaroncobeng]

Thanks for the time to make this. Yeah if you have a good enough setup you won't need the added benefits of the db, since it is exactly the same mic as the older version, I didn't expect any sonic difference anyway since micboosters are not known to color the sound too much. You can buy many types of mic boosters for less than 100usd like the fethead nowadays anyway.

[@tombuck]

Yeah, the CT-1 is quite good! I do appreciate the convenience of having a booster built in with no need for extra cables or anything, but I don't think it's worth $500.

[@annebokma4637]

​​@@tombuckI can imagine a few situations where you wished you spent the extra 100 , but that is mostly if you use it on tour or very disorganized 😂 But if a 100 makes the difference between being heard or not... It's not that much of a difference to not buy the option of (much) easier deployment. I know it is 25% more. But it's not an expensive item in the pro range of gear to begin with. I wanna buy a Sennheiser md21 but can't find a review where it is tried with a bit more distance. If it doesn't mind 70cm too much I want a different setup 😂 any recommendations for the 21?

[@WildSantiago]

Hellooo! Loved the video, I have a few questions, so I’m getting a new mic (upgrading from Hyperx Quadcast) and I’m going to buy the SM7DB , but I need to know what do I need to buy along with it? I don’t know much about audio and in seeking some help , please

[@tombuck]

One of the great things about the SM7dB is that you don't need much else. You will need an XLR interface (any one should work fine since it has the built in booster, so something like a Focusrite Scarlett Solo is probably the simplest place to start. Then you just need an XLR cable to connect it and probably a stand of some kind- either a tabletop one or a bigger boom arm. If you've already got one for your current mic, it should work just fine. 👍

[@WildSantiago]

@@tombuck that’s awesome! I saw in Shure’s website that I can buy a MVX2U along with the mic, is that necessary ?

[@tombuck]

@@WildSantiagoyou can use that as the interface if you want 😎

[@WildSantiago]

@@tombuck so I can just buy the mic, the MVX2U and a boom arm and I’ll be good to go? What do you recommend besides that? sorry if I bother but I get no help lol

[@tombuck]

Yep, and an XLR cable (I like the Rode ones because they're high quality and available in lots of colors, but any one will work). From there you should be good to go!

[@MickSupper]

I wanted to buy the SM7B and went with the SM58 and glad that I did. Being my first mic for voice over, I'm happy with it.

[@tombuck]

Oh nice! The 58 is fantastic. I'm not 100% sure about this, but I believe it has the same or at least a very similar capsule as the SM7B.

[@theperiidot]

​​​@@tombuckIt has the same capsule but a bass rolloff and a permanent presence boost to make it better for live situations Actually no, nvm, I think the capsule was upgraded for the sm7b

[@McKadeTV]

Alot of work went into this video I can't thank you enough for it It's been very informative

[@tombuck]

Thank you! I'm glad you enjoyed it and really appreciate the kind words. It's nice to know the work is appreciated!

[@McKadeTV]

@@tombuck Fo sho fam keep up the good work

[@JDfromNY]

Tom, I’m sure you have been asked this a thousand times but where can we find those beautiful pop filter covers for the SM7b?

[@tombuck]

Reporterstore.com! They're great!

[@moesaurenman4734]

Thx for the distance demonstration, that was exactly the information I was looking for. SM7dB it is for me! First time stumbling across your channel. Great content! Much appreciated!

[@Underhills]

I haven't slept much since I discovered this channel.

[@tombuck]

I am sorry. Please get some rest 😁

[@onocoffee]

I definitely thing the dB is a potentially good mic for the new KZbinr who's just starting to get their own gear, has heard so many people say they "must" buy a booster and has gear that is not properly capable. But it is good to know that the same sound people have come to depend upon is still present in the dB. Video Idea: Booster Alternatives - there are a few affordable mic preamps that can help deliver better quality sound and do more than simply boost the signal. ART Tube MP is a great little tube preamp whose V3 costs in the same range as a CloudLifter and the used V2 can be had for $40 or less. I've been playing with my old v2 lately (as I've been thinking more on outboard gear) with the RE20 and AM30 and have been enjoying the exploration.

[@tombuck]

I do have a booster video from a while back, but it could be worth trying out some different ones. Although with so many new interfaces having so much built in gain, I'm wondering if boosters overall are becoming a thing of that past?

[@onocoffee]

@@tombuck Agreed on the interfaces with more boosted preamps but just as a thought, the recording studio world still uses preamps and outboard effects (albeit a price points much greater than the average KZbinr) to help shape the sound. I've been playing around with it lately to see if they will add a better dimension to our voice overs.

[@PokeBeardTCG]

HELP! What should i get? Im a youtuber and i want to also do livestreams. I have 0 tech so far. Just a nice laptop, sony camera, and a rode on camera mic. What do you recommend? Sm7b or sm7db?

[@PierceJPeterson]

Hi Tom, Great video sir. I have a couple of questions for you, if you don't mind. 1) I'm looking at getting the Focusrite Vocaster One to use with the Shure SM7B. My first question is would using a Cloud Lifter result in any better audio than just using the Vocaster One by itself? 2) In looking into the Focusrite Vocaster One, it appears that it has a camera output. Does this mean that you can record audio from the Shure SM7B directly into the camera then? Would the audio be the same quality as recording into a computer? The camera I currently use is the Sony a6100 if that matters. Thanks!

[@bhgemini]

Loved these comparisons. I'm happy with my CAD E100S and MV7. After switching the MV7's screen to the SM7b's one has helped so much with plosives. Also, I totally forgot about the handheld mic being an emoji since I always use the vintage one that looks like a Shure 55.

[@tombuck]

Haha, I like the vintage one too 😁

[@PackingLess]

Where did you get those rode earphone coloured ear cups?

[@donbullock-techihound]

Tom, another excellent microphone review. I always enjoy hearing your prospective on new microphones. You mentioned the difficulty of mounting the Rode Procaster. I too was having problems. B&H included a shock mount with the Procaster that was similar to the Rode model free with the microphone. Because the Procaster is so heavy I had problems getting the microphone stay in my set position. Because of that problem I purchased a Gator Frameworks Universal Shockmount for 18-55mm Studio Condenser Microphones from B&H and placed it toward the middle of the Procaster. I did my best to find where the microphone’s balance point was. This new shock mount has solved my problems. I can now set the Procaster in almost any position and it will stay. This shock mount sort of mimics the “cradle” style mount on the SM7B and it does a much better job of isolating “handling noise” as well.

[@tombuck]

Hey thanks for this! I added it to my B&H wishlist. Such a smart idea!

[@evangelistadrianjones5851]

Thank you Tom for your knowledge and honesty …..You have really helped me out over the years with my equipment….Blessings to you…..😎

[@tombuck]

It means so much to hear this! Thank you and best of luck with your projects!

[@robertwells3556]

I just found you, your video is amazing bro 😊 I’m 8 minutes in and I got the info I needed. I’ve been looking at videos for 3 hours now.. Thanks 🙏🏽 back to the video.

[@tombuck]

Glad to hear it was helpful! Hopefully you can get the mic that works best for you.

[@stephansagmiller5460]

Your voice sounds perfect on the procaster. I miss it as your main mic. If you can believe it, I suspect you sound even better on the Broadcaster!

[@ArturZygmunt]

You become my new GodGuru in 5 minutes. Absolutely love the conclusions and the presentation. Especially that you listed some hardwares that have enough gain for standard sm7b. THANK YOU!

[@Ashragi]

I came across this video cause I'm looking to upgrade from a cheaper XLR mic. I laughed out loud at "The only time I really recommend it is if you're using an audio interface like this one" and you hold up my exact audio interface. Noted, dB it is, thank you!

[@tombuck]

Hey I guess the algorithm knew exactly what you needed! 😁

[@WaltervanDusen]

*QUESTION Please* What are the table top mic stands being used in the video please? I looked at your gear list and couldn’t find them.

[@tombuck]

Their Samson MD5 stands, super affordable and work great! geni.us/Ayyv I do use a Shure extension tube on them sometimes to boost the mic height a bit.

[@Convology]

Hey Tom, I’d love to know what settings you’re using for your sm7b on your rcp2. Since you recently tweaked them it sounds fantastic. I know they’re unique to every voice, but id love to test them as a starting point. Do you have a video or a place where you have those settings handy?

[@tombuck]

Glad you like it! I used this awesome video as a guide: kzbin.info/www/bejne/i2XLh3qqmdRog7ssi=shLJ8d0vpylpWJky But the trick is not to match everything exactly as he sets it, but rather tweak it for what sounds best to your specific voice.

[@thrivewithjenni]

Tom, thank you for your thorough review! I appreciate it! I Am new to having a mic, what would you recommend for someone who is just getting started, and doesn’t have any microphone setup equipment and who chooses a sm7b or SM7dB. Would you recommend SM7dB for newbies?

[@stevenishizu2645]

$500 is *wild* for what it is. I’ve found myself specing the Blue Sona in a lot of new builds these days, and the fact that it’s like 30% cheaper is a big question mark for Shure and this Sm7dB… like, who is gonna buy this?

[@tombuck]

I know there are die-hard SM7B fans out there who will pay extra specifically for it, but I just don't know how many of them there are who don't already have a powerful interface/mixer?

[@tombos211]

I upgraded from a Blue Yeti, but didn't have a mixer or any real audio equipment, so the SM7dB was perfect for me. The demo isn't existing high-end clients, it's people that are new to the space. @tombuck

[@marike1100]

A Cloudlifter sells for $149, so $100 increase over a vanilla SM7 is reasonable definitely not wild.

[@theoutsiderjess1869]

People who dont own an sm7b, a cloudlifter and just bought an audio interface

[@caseyzx]

I bought the SM7dB. I have a 2i2 3rd gen and the extra gain headroom helps a lot. I like the blacker, glosser look and don't mind the logo.

[@ehedaymaz]

Hello Tom 😊 I have a question; is it a good setup SM7DB and Scarlett Solo or 2i2? I want to start podcasting and i dont have any pro level mic and ai.

[@tombuck]

That would be a great combo!

[@ehedaymaz]

Thank you for all. I think that I dont need the 2i2 at the begining, right ? 😊

[@TMade193]

Honestly my biggest problem is the logo on the side. I use an mv7 for streaming and I gaff tape the logo. The big appeal of the sm7b for me was not making every stream an ad for shure

[@annekedebruyn7797]

It also doesnt make sense as a lot of people use it upside down too. It's such a big miss from Shure.

[@IngeborgBachmannn]

I mean that's super special interest, though. Everyone who googled "microphone" once in their lives knows what you're using just by the form of it, and that logo stands for quality. There are way worse brands to be "advertising".

[@KevinWathey]

This was an incredible review. Thank you. Just curious, if you had the original Rodecaster Pro, would you recommend then going with the SM7dB... or do you feel it's still okay to go with the original (like you used to use?)

[@DanielEvansMusic]

Fab video! Covered so much! I have an old Rode NT 1 for recording vocals but i’m looking for something like the SM7b but now you got me looking at other options. Problem is i’m getting keyboard sounds, even sustain pedal sounds on live recordings (wooden floor) and need a mic for clean vocals but that doesn’t pick up the keys sound or other outside noises and rumbles, is the SM7b still the best for that kind of environment? thanks 🙏

[@tombuck]

Very few mics outside of like a Coles sports announcer mic will block out all environmental sounds, but the SM7B and SM7dB are pretty darn good at rejecting unwanted sound, and the shock rejection is second to none. It's really phenomenal how much handling/table/mic arm noise these things don't pick up.

[@yorkvillefilmproductions57]

Tom, with the SN7db boost switch off - is it then the same as a regular 7b - and no added noise. I.e. maybe I’ll use the +28 on my zoom but turn off on my Rodecaster Pro 2.

[@tombuck]

Yes, it's exactly the same as the regular SM7B 👍

[@Alphagosney]

This is the best review of the shure mics out. Thank you!

[@tombuck]

Thank you! It means a whole lot to hear that.

[@MattHoover4]

I've been researching microphones and podcast setups for weeks on KZbin; this is by far the best video I've watched yet. Thank you! Two Questions: 1. If you had to buy just one of these mics in this video, which one would it be? 2. For someone starting a podcast where they may have just one other guest at any given time, which RODECaster would you buy?

[@theDecent60]

Tbh, I love my Samson Q9U, that I found due to your channel. I was using the Rode NT-USB which sounded good but I couldn't use any good pre-processing to make my voice sound cleaner with some post-processing software, also no clean gain boost. I'd like to get an SM7B but Q9U is doing everything for me. I do love how thorough you are with your reviews on it, even going back and reviewing them against others in similar style and prices as well as some higher priced items.

[@theoutsiderjess1869]

I still hate the mic its so muddy and disappointing compared to the q2u

[@DillyBobThornton]

Tom, honest question here. I know the new sm7db is pricey but say you had the opportunity to get the sm7db for 30-40% off its regular price, would you say its worth it? im trying to decide between getting a nicely discounted sm7db or if i go with the sm7b it will retain the same discount and be even cheaper 😅

[@tombuck]

That's a good question! If that 30-40% discount would apply to the original SM7B, that's what I'd get. But if it's a situation where the dB would be cheaper than the original, then I think the dB is the smarter choice 👍

[@blacksheepconvo]

are using MVX2U ? a specialist with Shure says I have to buy that to connect to computer. my goal is to set up for a podcast

[@tombuck]

I haven't used that one, but if you just need a simple way to get an XLR mic into a computer, it's a good option.

[@davidgatchalian885]

Thanks for this video Tom and for your previous assistance on previous investments. For others, I recently made the leap from the Shure MVX to the SM7B running through the MVX2U using the Motiv app for basic eq and voice fx for a minimalist setup. Running sound through some external speakers for live video calls and have found with the sound rejection and Zoom's noise and echo cancellation - things run perfectly.

[@theoutsiderjess1869]

The db sounds better with the mvx2u tho

[@AdrianSalisbury]

Great video Tom, super helpful 👍

[@tombuck]

Thanks Adrian! Hope you're doing well!!

[@AdrianSalisbury]

@@tombuck yes thanks, wouldn’t mind chatting about this mic actually, I’m message you 👍

[@jaycjay5392]

My only question is can you still use cloudlidter boosters with the sm7db ? Or are you only limited to the one build in ?

[@tombuck]

You could turn the built in booster off and then attach an external one instead (but it'd probably be better to just get the original SM7B in that case).

[@jaycjay5392]

@@tombuck absolutely. Thanks for you answer i'll stick with the OG + dynamite. 👊 Thank you man !

[@Dmogul]

Im so glad for this video, it got rid of some gas i was having, i use an original sm7b and was wondering if i should be shooting to get the new sm7db, but this video turns out to be the best GASx for me, thanks for that. Saving me money within the first 5 minutes

[@tombuck]

Haha, happy to help relieve some pressure! 😁

[@CatharticGuitar]

This was perfect for me. I just got the dB from Sweetwater because my old set up with the B and Cloudlifter going into older Scarlet Focusrite was hassle enough that I’d usually just use a Shure M58 to avoid the hassle of the Cloudlifter. I just sold the SM7B for $260 on Reverb and hope to sell the Cloudlifter to help pay for the SM7dB.

[@tombuck]

Yeah, that's a perfect situation for sure: simplifying and making things easier. Hopefully you're enjoying the new mic!

[@retrofizz727]

At some point I will probably buy an sm7b, but with an interface that already has enough gain. I don't want the new one because of the logo and the price tag, but I'm just wondering, will they totally replace the sm7b with the db version only ?

[@tombuck]

I can't say for sure, but I honestly can't imagine them replacing the original SM7B with the dB. They're definitely different mics for different purposes, so I'm sure the traditional version will be around for quite a while still. 👍

[@retrofizz727]

@@tombuck Yeah that seems fair, thanks for that insight :)

[@gijon305]

Hey Tom would you be able to share your shure sm7b preset. on the rode caster... my rode caster and shure sm7b are really low in volume and I don't know why. I would appreciate it.

[@none-2435]

Hi, thank you for the great video. I want to buy an DBX 286s and I have an Scarlett 2i2 3rd Gen USB Interface. Would you still recommend the SM7db or get an SM7B?

[@Agentgordon]

I have been waiting for you review since it was announced

[@tombuck]

That means a lot to hear. Hopefully it's helpful!

[@JMMinistries]

The SM7dB is 3yrs To Late In My Opinion. During 2020 (Covid) this Mic could have sold more than the SM7B! Just A Thought Shure!!! What do you think Tom?

[@JayRock_2019]

Yeah honestly main reason I upgraded is because of my 3rd gen Scarlett 4i4. I got it for a crazy good deal years ago since the store I got it at had it priced for the price of a 2i2 and they honored it because they mislabeled it. I’m keeping this interface until it stops working so I upgraded from the mv7x to the sm7db, made a quick $50 off the cloudlifter I don’t need any more. Plus not having to use 2 xlr cables. Sorry for the pointless long story 😂

[@typicalguardian2214]

Okay so I am super new to mics, I got a Hyper X one rn but my friends have an issue with it cutting out. Idk if I need a new mic but would the one in the video be good for someone who speaks low and has a deep voice??

[@MelconWagner]

Thank you for producing this spectacular video. You've convinced me to not mess around in an attempt to outsmart the industry standard. I've been informed that my new SM7B has been shipped and should arrive in a few days. I've been using the FFINE USB Condenser microphone. This mic truly is a wonderful value and has unusually rich sound quality for the price. However, now that I'm getting serious about recording I need my vocal tone to be as good as it can get.

[@tombuck]

Fifine mics really are an awesome value, but I'm shure you're going to love your new upgrade!

[@brianlin4044]

What table top stand is that you have in this video? Or is it the one in your links?

[@GwallahGwallah]

Thanks for your honest input on this item m8

[@SobrevivienteLuchadorGuerrero]

Tom, can you share your sm7b settings you made on Rodecaster Pro 2? I saw a previous video where you create your custom settings for it.

[@theamateurwithaccess]

The SM7dB really is a mic for people who are ready to update their sound but not necessarily ready to switch interfaces it seems. To wit, a beginner who may have started their journey with a budget interface or at least one without crazy amounts of gain, may be using a less expensive mic with it. An upgrade for that person typically will not just be the interface, it will be the mic too. When considering the prices of new podcast interfaces, the SM7dB doesn’t look expensive at all. For example, I have a Tascam MiniStudio Creator US 42b. It has 2 preamps and I have a Maono HD300T and the same Klark Teknik Booster you have. A decent setup that does what I have asked from it well, but it definitely isn’t being updated. But, fun fact for those who don’t know, the Klark Teknik Booster only has an EIN of about -120db which is about the same as the Ministudio. I can run the mic hotter, but I won’t improve my noise floor at all. Reports say that the EIN with the Booster on the SM7dB is more like -130dB which is a significant improvement to the noise floor for someone in my position. So, when someone like me looks at the price of upgrading their setup, any old booster won’t do with an SM7B if I want to improve the noise floor and upgrading my interface either costs me a ton of money and adds preamps I won’t use or (in the case of the Vocaster) cost me a quarter ton of money and sacrifices features (the MiniStudio has 3 sound pads and records multitrack). The thing that is often missing in reviews of Mic Boosters is the EIN they bring to the table. That is the puzzle piece that would help the most when choosing between the SM7dB, the Dynacaster and the Blue Sona and other mics of their ilk. I am not sure if it is scientifically possible to get better than -130db EIN but I would need to know what EIN the other mics are working with if noise floor control is my main concern (and for me it is, I actually like the MiniStudio). Hearing the mics compared on an already excellent but super expensive interface kinda leaves people with those less capable interfaces in the lurch because we aren’t hearing how they may sound on our systems.

[@theoutsiderjess1869]

People buying this mic have an audio interface might have a cheap mic like the Xm8500 and wants to upgrade to a legendary mic

[@emfromthechi]

I have a Universal audio apollo and still have to crank the gain for my sm7b to even get close to a good level. And that's nowhere near a "budget" interface

[@jamesfratanduono9033]

I'm totally ignorant but if you don't have an audio interface like your Roadcaster 2 and or a cloudlifter (Booster)? It would be the same price no? I have nothing so trying to get started with good base items like the Sm7b...(audio books, voiceovers podcast). I thought the Sm7db would eliminate the booster/ cloudlifter?

[@ROBOTRIX_eu]

With RC2, you will end having it sing 2 boosters.. I wonder how it would be compared in RodeCaster1(i have one, and there are now so many good deals on ebay, now) and SM7B with boosters vs SM7dB .. ..Every time i look at these SM7B mics, i find so obvious design flaw of cable, could go out of mic, just below, near of support, that would even hide it almost.. Nice video, as usual!

[@tombuck]

Since the built in booster is designed or built in collaboration with Cloud, I don't THINK there should be any difference between using an external one vs. the internal one with the original RCP. I honestly should've checked though before returning the mic!

[@D0WnL0DeR]

That blue sleeved XLR cable going to the DB, is it possible to get this in pink? matching the pink windscreen and if so, where can i get this? :)

[@tombuck]

Yes! It’s a Rode XLR cable and they make a bunch of awesome colors.

[@AlphaXray]

Hey there! What microphone stand are you using. I checked the description but it didn’t have it.

[@tombuck]

It's a Samson tabletop stand (geni.us/Ayyv) with a Shure extension tube on it (geni.us/nwDW) 👍

[@AlphaXray]

@@tombuck Thank you! I ended up making a purchase last night, which ended up being the Samson and the innogear extension tubes. So I'm pretty sure I made basically the same choice.

[@deanmasi6684]

Great review. Best review so far, HANDS DOWN!!!! Thanks for that

[@HomesickMac]

Great that you went so much in detail in this video. I bumped up the audio in my headphones to hear those nuances.. I'm all with you regarding this new/old mic and understand who it's for 100%. On this end I'm still flaggin' out of sheer pride that I invested in an Earthworks SR314 because it's great, great, great. I use it both live and for studio, livestreaming.. I've even tested it in a church environment where my PA was quite close to me (BOSE L1), worked great. Oops, that wasn't a subject here, bragging.. But when you were showing and demoing that gorgeous EV-RE20, I've always favoured it more than SM7B, it sounded just great, despite plosives.. And, Tom, you can't spell an iMac without Mac 🙂 Cheers!

[@HelloIamLeo]

I'm more attracted by the stand than mic itself

[@edwinacuna8500]

Hi, question for you or anyone kind enough to answer. Starting a podcast here and got the sm7db from the research I did. With the h6 zoom recorder, is that a relatively good set up? Considering we don’t know much about audio, I didn’t want to buy more like the cloud lifter for the sm7b. Figured I’d buy the db and just hold on to that without having to upgrade. Thanks

[@DJMikeMarquez]

When you first announced you were going to get the db, I was skeptical because it seemed like a SM7B but with a boost for $100 extra which didnt make sense since Logi covered that department with thr Sona. Now, w/your video I realize the Sona still wins because the noise floor was quieter and is CHEAPER!! Hello!!! I think my question now is what are your settings on the RCPII for thr Sona? Do you use the preset for the 7B or have something specisl for the Sona?

[@tombuck]

I usually use the SM7B preset with the Sona, but I've been trying to spend a bit more time dialing in my own presets and saving them. I wish it were possible to export and share them!

[@kingpaco87]

I'm considering purchasing one of these microphones, but now I'm confused about which one to buy. Please help me decide: 1. Shure SM57 Dynamic Instrument Microphone 2. RØDE PodMic USB Versatile Dynamic Broadcast Microphone With XLR and USB Connectivity for Podcasting, Streaming, Gaming, Music-Making, and Content Creation 3. Elgato Wave DX - Dynamic XLR Microphone, Cardioid Pattern, Noise Rejection, Speech optimized for Podcasting, Streaming, Broadcasting, No Signal Booster Required, Works with Any Interface, for Mac, PC 4. FIFINE XLR Dynamic Microphone, Vocal Podcast Microphone with Cardioid Pattern, Studio Metal Mic for Streaming Voice-Over Dubbing Video Recording, Black-K669D 5. Rode PodMic Cardioid Dynamic Broadcast Microphone, Black

[@Demolition2024]

So it has the Cloudlifter circuits inside? I prefer having them separate in case something fails your only out half of it. Question is will there be "Fake" SM7db's?

[@tombuck]

That's a good question- the counterfeit market is so frustrating.

[@zulrich]

Great video. What if all I have is a PC and want high quality mic for streaming video games? Should I get the db then?

[@tombuck]

It really depends on your interface. The dB (and any XLR mic) will require some sort of USB XLR interface. There are specific USB mics out there like the Shure MV7+ or Sennheiser Profile (and a million others) that can just connect to the computer directly. Fortunately just about any mic and interface will work with just about any computer 👍

[@zulrich]

@@tombuck I see, so I’ll have to purchase an interface if I want the sm7. Thank you for that.

[@audradietz]

where did you get the color mic covers, pink & blue? I need red...? Shure?

[@tombuck]

reporterstore.com 👍

[@bigbadjojo4863]

I have Native interments Komplete Audio 6 MK1 model do I need a preamp? this is what I see in the manual: "48V: Lights orange when phantom power is activated."

[@ZAKtalksTECH]

Tom, I clicked the video because of the windscreen... now I'm looking at that store. Good stuff!

[@tombuck]

Yes! Reporterstore is great and everything is really high quality.

[@SterlingSanders]

As they say, "if it ain't broke..." The SM7B is a perfect microphone. I'm all for increasing usability and removing friction. But if you have one, just enjoy it. No need to upgrade everything.

[@seanlingham5254]

I can still bypass with the SM7dB with the Rodecaster Pro and not hear that extra noise you mentioned right?

[@tombuck]

Yes, you don't HAVE to use the built in booster if you don't need it.

[@danielschaller-digitalcrealab]

Great video Tom, made me think about something, if you didn’t do that already and I missed and/or if not already in the 100 video ideas that Heather and you came up with… maybe a video on how you approach effects/equalizing on the RCP would be cool… less the settings those being ‘personal’ and more the process…

[@yeevent]

Do you have your DB connected to your Sony FX3 Top handle ? While recording

[@tombuck]

I did as an example in part of this video and it worked very well.

[@austinp4940]

Is your EQ settings on the RCP2 for the SM7B available anywhere? @tombuck

[@ygwkevin]

If I had a RCP1, is it worth getting the SM7B with a Cloudlifter or a SM7DB? I don't really want to buy another RCP2 just to drive a SM7B without a Cloudlifter.

[@tombuck]

In that case, the SM7dB is probably a perfect choice if you don't already have the SM7B. Definitely not worth upgrading to the RCP2 just for that, like you said.

[@jpg334]

I have the Elgato Wave DX and Wave XLR but I’m not 100% happy with it anymore what would you recommend for me I’m considering getting a Shure SM7B or SM7dB and Bridge Cast X XLR interface

[@fredoverflow]

The Wave XLR easily has enough gain for the SM7B.

[@jpg334]

I have the Elgato Wave DX with the Wave XLR would there be any point in changing to the Shure SM7B in the future I might also at some point in the future get a new XLR interface maybe the Bridgecast

[@ActividadesParanormales]

What am I doing wrong, I sound great while I listen to myself using headphones but when I record a session in OBS that great sound disappears.

[@exhaust4246]

What do you think about shure sm7db + fethead setup?

[@truecuckoo]

I think the original, with external preamp sounds noticeably better, fuller, more detailed in this video, compared to the dB with its internal booster turned on that I think looses some of those qualities.

[@randyrektor]

$669.00 CAD is relatively insane for a 50-year old dynamic mic with a small output upgrade. The original was already wildly overpriced. I imagine the streamer-hype is really guiding the price on this. Shure is surely laughing their way to the bank every week.

[@TheEsportLoungePodcast]

where did you find your rode color ear cushions ????? nice colors

[@seifbuys]

ya no Tom is GOATED 🐐.. wondering can you use it like a shotgun mic but close to ur mouth.. just out of frame? the sm7db or the sm7b with rodecaster pro or duo

[@tombuck]

To be honest, neither one is great from a distance. They really need to be close to the sound source to sound their best!

[@seifbuys]

@@tombuck gotcha, TY!

[@not-quite-but-maybe]

omg this is actually perfect for me 😭😭I've had my heart set on the SM7B for years bc I love the sound as far as I've heard it from several of my favorite creators and musicians, and I've seen how it preforms on voices with similar ranges to me, doing things similar to what I plan to do with it. Add the fact that I hate handling noise and I like the look of the SM7B, and I've been very focused on it ever since. I, personally, do not have the budget for it as of currently - I'm a student, so it is what it is, but despite that, I've been set on it and refuse to get anything else. I know it's a bit ridiculous, but honestly? Yeah, I've seen cheaper alternatives, ones that would suit my purpose and are a tenth of a price, but I know how my brain works - if I buy a cheaper alternative, I'm going to be unsatisfied with it until I actually get an SM7B, in which case I'd end up spending more by getting the alternatives on top of the one I actually want. *However.* I'm absolutely HORRIBLE at cable management. I'm always getting tangled/having things fall apart/come unplugged, and it's insanely annoying. This issue is happening with the $5 microphone I got at a garage sale and a $2 cable, so I know it would be even worse with even more elements. As in love with the SM7B as I am, I've been absolutely dreading having to sort out the cables and the cloudlifter, since my audio interface doesn't have any sort of preamp. I found an amazon bundle for the SM7B, a cloudlifter, and the second cable I'd need to connect it all, and it goes for $600. I know there are cheaper options but I don't trust my own judgement enough to confidently pick something else, so I mentally settled for that bundle. I just went "I can't do that yet, but I'm willing to spend that to get it, so I'll bookmark this and wait until I can" because that's how much I want it. So, a $500 microphone that sounds exactly like the SM7B, not worse not better but _exactly_ like it (as again my interface doesn't have preamp like that), with the addition of easier-to-access switches (bc I'm the sort of person who loves to mess around with settings to see what works) and the gain built into it?? The thing I want most but without the part I'm dreading, for $100 CHEAPER than I was willing to pay for it??? Perfect for me. anyways, long ramble bc I'm pretty much the exact target niche of this microphone, but I LOVE THIS VIDEO. I've spent ages watching various microphone reviews, trying (and failing) to find one that was cheaper but more appealing than the SM7B to me, and they often take forever to get to the point. This one was straight-to-the-point but in a way that kept me watching the whole time, and the comparisons were super helpful! Plus, I think this is the first time I've ever seen someone do a distance test of any sort?? Which is another part of why this is such a helpful video for me 😭tysm for this

[@theperiidot]

Tbf I wouldn't expect much from a $2 cable

[@ThisIsLeeBird]

I’m running the rode I forget what they are called mics. The $99 ones. I run those into a fethead straight into my pocket cinema 4k’s. Works awesome, however, after editing my first podcast I noticed why the SM7b’s are the gold standard. That rear rejection. The rode mics pic up EVERYTHING around them. I think these are on my radar 👍👍

[@tombuck]

The SM7B's sound and shock rejection abilities are pretty phenomenal and sometimes easy to take for granted. And since you've already got boosters, you can save some money by just going with the original 👍

[@ThisIsLeeBird]

@@tombuck yeah, I guess I could save the $100 or maybe even $150 if they go on sale Black Friday. I was just thinking less things to connect.

[@DeclanKirk]

Awesome video, thanks for the review! Thinking about getting my first Sure SM7, I currently use the Zoom F3 to record onto a micro SD card and XLR cable. I think the F3 has Phantom Power, am I right in thinking I'm better of getting the SM7DB rather than the SM7B? For the cost is there a better mic to buy? Thanks!!! Keep fighting the good fight

[@tombuck]

The F3 does have phantom power and would usually need a booster to power the SM7B, so in that case the SM7dB is probably the way to go 👍

[@DeclanKirk]

@@tombuck legend- thanks!

[@selw0nk]

I really wanted to the Shure MV7 or maybe the SM7DB, but the logo on the side is annoying to me. I might end up getting the SM7B instead because of the clean matte black look.

[@tombuck]

Love the classic style of the original!

[@edificandolafe8176]

I'm going to tell you what I did and you'll agree with me... ok I found an open box smb7db in the store (NYC Store) so I bought it for 300 dollars, it's brand new, it smells new and they sent me the original pop filter and a thicker one, ok it arrived and I connected it, and what do you think haha... it didn't work... so I started looking for the fault and found that it was a little cable that was disconnected and since I know a little about this I soldered it and look, I now have a new sm7db... what do you think?

[@tombuck]

Now that's a great deal! Glad you were able to bring the mic back to life!

[@austinthagreat]

im 7 mins in right now. quick question, what about if someone like me that has nether I just have a Jlabs mic and looking to upgrade to something better like the shure would it bet worth to just get the SM7dB? plus I can't afford the mic and something like the rodecaster

[@tombuck]

If you don't have an interface with a lot of gain, then the dB is the way to go. If you have a booster or a high-gain interface (more than 70dB), then the original SM7B is smarter 👍

[@austinthagreat]

@@tombuck I dont have an interface at all so sounds like the dB is the way to go for me. because I can us the XLR to USB right

[@realerwinonair]

Thank god u are making an review to the Shure SM7DB... i really have some question on it >.>

[@tombuck]

Hopefully this answers some of them!

[@realerwinonair]

Yep it did! Thank you very much

[@ThatOneGuitarGamer]

What mic stand is he using?

[@APMTenants]

I went with 2 sm57s with A2WS windscreens, and A55M shock mounts, like what the President uses. Actually looks a bit like an sm7 on camera, and sounds just as good through a DBX286 preamp. Paid $80 each on sale. $840 savings compared to two of these.

[@tombuck]

Such a great setup! And definitely an awesome price. My first "real" mic was an SM57 that I got 20 years ago and it still works perfectly.

[@katadareTube]

Since the SM7B had a new release, do you think the RE20 will also have a new revision soon too?

[@tombuck]

I have no idea, but it seems like ElectroVoice kinda does their own thing and doesn’t feel too much pressure to do what others do.

[@katadareTube]

@@tombuckmy only hint is that they’re sold out from the big chains where I am… so I was wondering if something new is coming. 🧐

[@BrixsDNAfortnite]

I been watching your vids since December, but just subscribe. nice vids!

[@tombuck]

Thank you! I hope they've been helpful!

[@BrixsDNAfortnite]

@@tombuck informative! 👍

[@craigchristianson6386]

Don’t need to send it back… I did not buy it. My SM7b works great with RCP2's Revolution preamps. Not interested in SM7db until Shure adds an USB-C port and 32 bit float option. What do you think?

[@JohnWi11is]

Time for me to grab a coffee…. I’ve been waiting for this video!!

[@verebellus]

so if i have a shure sm7b and a good amp, the sm7db wouldnt be worth it at all?

[@tombuck]

Exactly- the only difference you'll notice is that your wallet is lighter 😉

[@verebellus]

@@tombuck ill keep my money safe then😎

[@SondelaConsulting]

I love the blue pads on your headphones (is that the Rode NTH100 ? Whee did you get them from I want some for mine... THE DB on the microphone stands for DONT BUY :)

[@brap17x]

I know it's a odd request, but any chance you could do a review of the Shure Nexadyne 8/c, I know it's not really meant for a podcast or streaming purpose, but I think it would work well

[@SpencerThayer]

I've had my SM7B for 14 years and I'm likely never going to upgrade. However if Shure releases a C that isn't so noisy that would be great. You hear me Shure? Make that happen.

[@tombuck]

Listen to this man!

[@steinmil]

For me: It was between SM7B + Cloudlifter CL-1 and SM7dB. Price difference was 10$ so I went with the SM7dB.

[@theghosty99]

Something I learned from this video I didn't realize was what you were saying about the sm7b being designed for professional environments. I've been wondering why some people using the SM7b on here sound weak and lack dynamics while others (like you) sound like you're using a $3k voiceover microphone. I really wonder how many youtubers are just assuming the SM7b is plug-n-play magic, and don't realize it's not a Yeti or a Razer mic.