FREE Weekly Bass Lessons: Week 6 BeBop Approach To Chord Tones

[@BlackRootsAcademyOfSoul]

Very good 👌🏿 Greetings from Uganda 🇺🇬👊🏿❤️

[@carlosduran5640]

Hola. Tony. Grey. Tienes. En. Pdf. Bebop. Para. Studic. Bass. Gracias. Charly

[@Essimo]

Nice !

[@francodimeglio3411]

great lesson tony! already practicing the thing...greets from Argentina!

[@Gamborg0101]

I would love to see your approach to practice arpeggios, and how to mix them with one another :-)

[@tonygrey7557]

Casper Gamborg I have an entire course on this subject inside the tonygreybassacademy you can check it out for a free trial and a free 1 hour lesson with me :)

[@tonygreybassonlineacademy]

Here's the link: tonygreybassacademy.com/free-7-day-trial/

[@vicencmiravet9015]

Fantastic good material to practice ! Thank you.

[@mbakugodsonforsab.4294]

Thanks much 💓💓

[@gullis1995]

Awesome lesson!

[@tonygreybassonlineacademy]

+Eduardo Díez Thank you!

[@YouDoTheShoot]

and your lessons are spot on without being convoluted

[@tonygreybassonlineacademy]

+YouDoTheShoot Thanks man

[@unyimej]

hey Tony, awesome teachings...been very revelatory, you are officially my bass teacher.

[@tonygreybassonlineacademy]

+superfelixbass Thanks so much. please join us for a free trial tonygreybassacademy.com/free-7-day-trial/

[@YouDoTheShoot]

tony your a great guy dude

[@tonygreybassonlineacademy]

+YouDoTheShoot thanks

[@ValentinBeeeeee]

Hey there! Great lesson! I have a question though, i want to also practice the other remaining keys , so i'll be starting with C#. Do i use the same pattern for the scale? Just move my finger up one fret? From the root (C#) E string : 2 4 , A string 1 2 4 , D string 1 2 4? (with the numbers i'm referring to my fingers)

[@DanielSing90]

Why does the approach tone going into the 3rd (E) use a semitone above? You move from F -> E whereas all the others are a whole step. Thanks for the lesson!

[@tonygreybassonlineacademy]

+Daniel Sing It's a diatonic note above the chord tone. For these dominant 7 examples, we're using the Mixolydian Mode as our chord scale choice to choose our diatonic notes. For C7 the approach to the C would be a whole step above the C, which is D. To the E (3rd) the approach to the E is an F, which is a half step. To the G (5th) the approach to the G is the A, which is a whole step. To the Bb the approach is from the C, which is a whole step above. Hope that helps! In this example I am focusing on these approaches.

[@DanielSing90]

+Tony Grey Bass Academy Perfect! Thanks so much.

[@tonygreybassonlineacademy]

Daniel Sing No problem!

[@lawrencelevinson]

🔥🔥🔥🔥🔥🔥

[@SuperCD93]

Hi Tony, I signed up for your newsletter but could not see anyway of downloading the sustained chord mp3, only the playalong files. Where can I find them?

[@tonygreybassonlineacademy]

+Conor Drinane We're sending out an email within the next few days with download info. Keep an eye on your inbox!

[@SuperCD93]

+Tony Grey Bass Academy Great, thanks Tony. Loving your channel btw. Especially the Bass Line You Should Know series.

[@tonygreybassonlineacademy]

Conor Drinane Great to hear you're enjoying it! This week we're switching from 'Bass Lines You Should Know' to our Weekly Transcriptions -- keep an eye on your inbox (assuming you've signed up to our mailing list already) and spread the word!! All the best, Tony