Triads! The Secret To Learning The Fretboard

[@rodgersmith2506]

No matter what guitar you play you always have the best tone

[@robnic52]

For such relaxed, measured talker, you really shift around these licks. Seems like it's simple so I start to play it, it sounds sort of right but then i look closer at the slower explanations and I've way overcomplicated it. It's because there are so many little nuances happening, flicks off notes, those palm choked upstroked endings. It's a goldmine, beautiful little throwaway phrases tucked inside longer developing phrases. Impeccable timing and knowing exactly where you are in the 12 bar sequence. After Christmas i will have some time to practice. Great!

[@tfclarkin]

Thanks, and Happy Holidays from South Texas!

[@mikepeloso8562]

Best class yet

[@deadpatriot8047]

Those effortlessly played little trills are the smoothest I’ve ever heard

[@drewbarries]

Love this! It took me way too long to understand that a double stop has more signal and that beautiful capability of pushing the signal into breakup when the gain is set for that, this is something that I learned from you and by trying to match your tone.

[@jeffreywinsor350]

Thanks Jack. Great lesson, monster tone!

[@duyle8921]

Another great lesson from a masterful teacher and a supreme player

[@guitarbluz62]

Thanks, again, Jack! More blues magic from a true master. 💙💙💙

[@PeterKertesz2013]

Thank you Jack for the inspiration. Great blues lesson again! 💯

[@RobReischakMusic]

Sweet SG!! Incredibly tasteful playing as usual, Jack.

[@Kevin-the-Just]

So many useful fundamentals here. Great! What a nice Xmas present. Thanks, Jack.

[@stickman55100]

Always such valuable information contained in your posts. Thank you.

[@uberjam-sam8512]

Another incredible lesson...so packed with great ideas and brilliant phrasing to try to emulate. Ty JR

[@dc43tokyo]

This is AWESOME, thank you so much Jack.

[@paul_bliven]

The final solo is great!! Tying it all together and building up the solo!

[@robertbright7328]

Great lesson 👍

[@martynspooner5822]

Just brilliant, thanks for sharing your talent and knowledge much appreciated.

[@stephenowen5229]

Fantastic lesson! Thanks Jack!

[@phillipliberty3997]

Extra cool, every lesson really helps, looking forward to the next lesson, this definitely helps with phrases and how to expand on what you're doing, thanks so much!!

[@andrewmcarthur3843]

Great lesson and nice sounding SG.

[@jakejonesband4917]

WOW! Your lessen so made me think of Johnny WInter's tune. Boogie Real Low. Mis him...

[@MikeM-Colorado]

Really good. Thanks!

[@colando]

great lesson - thanks!

[@jstnxprsn]

Great stuff. Thanks Jack. Happy Holidays to you and yours, brother.

[@rizalomar4377]

nice one jack

[@peterwall4739]

Good video Jack...👍

[@talisman964]

Sublime ❤

[@RedMercuryBluesBand]

Ya need to show me how you make that pick scrape moving to the resolve of the lick - I can hear what you doing back can't come close to making it sound so cool.....LOL

[@Bangtorusaja]

Mantap Jack..!!!

[@bladerunner6282]

i would think the majority of the differences in sound are attributable to a combination of the thicker strings, the absence or presence of open strings and the ability of the performer to do hammer-ons, pull-offs, bending and vibrato, etc. similarly on strings of different gauges.

[@Papaward1]

Great 🎉

[@MC-1976Mei]

Hi Jack, your playing and style is such a huge influence to me. I religiously sit in front of the computer and learn your music note for note and play along with you. I'm having so much fun. 😀 I've been searching online but I can't find the answers, what string gauges do you prefer, do you play with a light touch, and If you could only have one guitar what would it be? Thank you and sorry to bother you.

[@JackRuch]

daddario nyxl 10-46 on all my guitars. Gibson es 335 would be the one for me

[@MC-1976Mei]

@@JackRuch Thanks for the reply! You're the BEST! 🧡💛 ❤

[@BobEstremera]

Beautiful, stuff and a great lesson as always, Jack. Can I play this lesson over E minor as well?

[@AP-ui7oi]

NIce SG

[@kaisriahi7198]

👋👋

[@Panjaz]

You said bring the E triad from the below open position up to the fifth threat. The fifth thread is a DNG where are you playing at at the fifth?

[@Panjaz]

So my question and comment was you said go up to the fifth threat to form this triad? How is this possible? You cannot do an E triad on the fifth right?

[@Panjaz]

I am replying to Jack. This reply here is supposed to be for Jack as was the original comment. I don’t even know who you are. He said go to the fifth threat to make an E triad which you cannot do so I would like a response please thank you from Jack

[@TomCPlus1]

@@Panjaz B (4th fret on the 3rd/G string) . . . E (5th fret on the 2nd/B string) . . . G# (4th fret on the 1st/E string). The E triad at those locations looks like an open D chord . . . And I ain't Jack. 😎😎🎸🎸