Tutorial on Cinematography - Amazing Tricks with Camera Filters #1

[@KenTanis]

Some of the best videos on the subject on KZbin. I can't believe you're not getting more views.

[@JustinPhillipsScuba]

This is one of the best cinematography tutorials I have watched. Thanks for this!

[@Thats_my_Point]

Damn. I have to try this. It makes so much sense. I cannot believe in the last 5 years, no one has told me this

[@johannbauermeister3916]

Amazing. Thanks so much for sharing your knowledge!

[@armanrespicio3622]

Now I know who's the maker of epic filipino commercials :) you're the best, thanks for all your tutorials. God bless you!

[@BampFilm]

Love this tutorial, any news on part 2 Matthew??

[@rigapictures]

finally i got what i was looking for in so many years...really really top level stuff...i request you to please upload more of these stuff...if i would b able to replicate any of these work in future...definately you will b one of the main reason behind that...your stuff is cream of the cream...really great...thank you so much sir...your stuff is rare...as it is stock based not digital...

[@francescoelipanni]

I saw most of your videos an must say, they are incredibly good!

[@rsunghun]

this is just so helpful. Shooting sky porperly was what I always wanted to achieve but gave me frustrating result. Now I know where to start!

[@induplicable]

Ive been looking for this sort of content! THANK YOU SIR! I love what can be done in post now but long been of the persuasion to get it right in camera first.

[@GFavoreto]

Really amazing tricks. Waiting for the #2, 3, 4....

[@islandboystv]

Ok, maybe Ill start using my matt box and filter set again. Your work looks great!

[@AdamUPNow]

Well I'm off to see more about those filters, thanks!

[@sk1nj0b]

These videos are amazing thank you! Too bad we never got the polarising filters video in the end 😅

[@recurringdream]

Great info, thank you for sharing!

[@Sam-em1ic]

Thanks for this awesome tip! Filtration definitely is a dying art. I just bought two hoya 85a filters to try this on my next project in africa, along with a tiffen linear polarizer, a schneider hollywood black magic 1/4 and a schneider digicon 1/4. everything but the digicon will be stacked 82mm filters. I want really vivid blue skies and popping dark skintones, as well as a little digital edge taken off the c100. Do you think this is too many at once? Also do you have some advice on how to order them? the digicon has to be in front as it is a 4x4 but the rest can go on any way. Any advice would be greatly appreciated! Have subscribed and will watch the rest of your videos thanks so much!

[@micgivens23]

Bang on!

[@BigBlobProductions]

There's something to be said for getting the look in-camera, keep post simple, fix it on set. I bet this would work great for a day-for-night shot.

[@roughcutfilms3787]

thanks again great just great

[@ErikThureson]

Nicely done!

[@andresisthename]

Amazing video my dear colleague.

[@JaspreetSinghArtist]

nice , useful details

[@FlyingJackalope]

When you put these on do you make any compensations in the WB settings to adjust for any math differences between what the actual sunlight reading is vs. 5500K? I.E., if the sun happens to read 6500k, do you add 1000k to the 3200k filter setting or keep it at 3200k? And, if you use two filters stacked do you still keep the setting at 3200 or drop it down in the 2000 range?

[@ForPeace333]

Hi! Thank you for sharing all this knowledge, it helped me a lot. I tried the 85 filter technic and it work well, now my main problem is to color the shot. It is really difficult to recover the color, I work with Davinci Resolve but can't have the same deep color as yours. Any advice on how to color grade these double 85 shots?

[@Jerbod2]

Shoot in the highest bitrate and codec possible. Totally depends on the camera.

[@aZeddPrattFilm]

Could you explain to me why kelvin is the opposite in working in the camera's white balance? For example, if I bring my white balance up to 6000, it looks red, although your graph shows blue along with many other graphs I have seen.

[@kinetek2881]

+The Zedd Productions 6000K in the camera is referring to the colour temp of the ambient light you are shooting in. 6000K, as you correctly noted is blue.The reason your camera goes red is because it is correcting the ambient colour temp to white by adding red. Hope that helps.

[@aZeddPrattFilm]

KINETEK Would you delve deeper into your last sentence? Your reply is clear and understandable, but there is something I'm not getting so that's why I'm asking for help. Also, separate note: I find you and your content to be absolutely fantastic in explaining what appears to me to be complex things, very very well. So thank you.

[@mangilothevii7458]

Thank's

[@ja2359]

this is an real tip

[@canturgan]

How do cinematographers see through the film cameras when using a strong ND filter and additional filters?

[@Jerbod2]

That's a very good question, I know old photo cameras had a pin that once you pressed the "preview" button it'd open the aperture all the way for easier focussing. Sort of like that, I doubt you'd not be able to tell what you're filming though with the filters and all... I mean if you can't see the camera won't either. Unless you're using long exposure.

[@Jerbod2]

But hold on, I was sort of told that whitebalance really doesn't matter anymore on my sony a7 II for instance... so setting it to tungsten and then using some real filters in front of the lens wouldn't do much compared to not messing with the whitebalance in the first place right?

[@Vindexi]

what are the red filters you were referring to?

[@МихаилРодин-н3р]

85B color balancing