Understanding Form: The Gigue

[@moonchild7456]

This was so entertaining and interesting. I only wish we could have seen more gigue dancing.

[@robinfox4440]

Thank you so much for this invaluable resource on classical music education and history. I only wish my early violin teachers were so informed! I would be so much more interested if they were able to answer my questions as to why so many of my Suzuki Violin music was called Minuet or Gavotte.

[@xrrainx823]

I never click on notifications as fast as I do for yours haha

[@arshiaganji5204]

Thank you very much for this series! It helped me a lot. Please make more videos about other forms of music.

[@fernwehn5925]

Amazing.

[@callenclarke371]

Fantastic content. I must say...as you went along with referencing the influence of the Gigue, I thought...you know, Beethoven's 9th, 2nd movement... And then you said it. :)

[@lesleydavies8796]

Thank you

[@caterscarrots3407]

Will you cover the Bourree and Passipied at some point? Also, I feel more of a duple meter in the Beethoven’s Ninth Scherzo than 3/4, 12/8, or anything similar. Each measure feels either accented or unaccented, like the beats of a 2/4 measure.

[@tristanpaxton51]

Just discovered this channel! So excited, thanks for the meticulous work

[@kofiLjunggren]

Yesssss!!! Antother high qaulity video

[@generalferret7129]

I can’t wait for more! :D

[@neilwalsh3977]

I love your Gigue - elements of Art of Fugue there

[@JKBlackwell]

Do have a video that explains Minuets?

[@johannpetersen3637]

thanks so much for these videos

[@francobonanni3499]

All very interesting. Could you please make a video on the pavan's. I would like to try to compose a Pavan's gut I would like to know more thank you so much.

[@kateb3288]

Do you have anything for cello solo?

[@caterscarrots3407]

You say that 6/8, 9/8, and 12/8 are all derivatives of 3/8. I don’t really agree with that interpretation. Instead my preferred interpretation is this: Any compound meter in a multiple of 3, divide the top by 3 and the bottom by 2 and you have your time signature derivation. It’s basically implicit triplets. I like this interpretation, because it doesn’t just apply to the Gigue and some Scherzos, but also much more tranquil pieces, like the nocturnes of Chopin and John Field. As an example, Nocturne no. 1 in Eb by John Field. It’s in 12/8, as is Chopin’s Nocturne in Eb. And in both, I would say that it is basically 4/4 time with implicit triplets.

[@ItJamesIs]

Awesome. Sad though you won't cover the Chaconne..

[@MusicaUniversalis]

I will, but I want to write one first.

[@stuff2870]

What's the difference between a gigue and a tarantella

[@98voteforpedro]

Love this series

[@ogorangeduck]

Your voice sounds like 3blue1brown heh

[@kofiLjunggren]

Woah! Didn’t even notice that!

[@pablomunoz2138]

!

[@drtejashmodi]

You never made a video on sonata or sonata form?

[@MusicaUniversalis]

Doesn’t mean I never will 😉

[@neilwalsh3977]

CF KREUZER SONATA 2nd mvt - ?

[@Fine_Mouche]

do some of your musics are on spotify / soundcloud / YT music ? (especially your baroc album)

[@MusicaUniversalis]

My Baroque Album has been on Spotify for a few months now. Here‘s the link: open.spotify.com/album/2seMCbnetvv3EaVSSeshuz?si=q3ez-sRoSc-EN56aSCMVQw&dl_branch=1

[@Fine_Mouche]

@@MusicaUniversalis thanks you ^^

[@submaryne3518]

my homework sent me here

[@MusicaUniversalis]

I hope it was of some help!

[@submaryne3518]

@@MusicaUniversalis my whole infographic is based off this xd