Unveiling the Truth: The Pros and Cons of the Chronos 2.1HD Camera

[@chinitopinoy1726]

I have the Chronos 1.4 and run the 720P files to 2K via Topaz VEAI with mostly good results. I also use an anti-aliasing filter to remove some of the rainbow artifacts you get with the sensor. I was gonna upgrade to the 2.1 but will wait for a 4K version since Topaz VEAI with the 720P files can produce some nice results.

[@IAmAFilmDude]

That’s a great workflow, I’d love to see them introduce an OLPF in future models to get around the aliasing/moire issues when they pop up.

[@chinitopinoy1726]

@@IAmAFilmDude yeah I asked Krontech if they make an OLPF but nothing. : ( Right now, I'm using Caprock Anti-Moire filters but which strength filter I use always changes depending on the focal length of my lens. If you use too strong a filter on a longer focal length, it becomes too blurry. That's why having an OLPF solution is far better than having something in front of the lens.

[@quierovivirensanantoniotex7407]

Hi Great video Im planning on buying the Chronos 2.1 what lens , the most affordable to start learning and shooting for social media, like water effects ??

[@retlwiz]

Really interesting and useful video on this camera. I've started doing a bit of tabletop and food stuff and am interested in capturing a bit of high speed material and exploring that as a potential workstream, so this level of detail on the camera and the workflow involved is really useful. I would hire one for the odd day, so I haven't to time for a long learning curve, either.

[@Richoecreate]

Hi Nick just discovered you this was seriously an amazing overview and you nailed it on each category ! Im also a product videographer and Ive been working with the Chronos 2.1 consistently for 2 years , it is an amazing camera however as you said you need the right elements and you need to practice and fully understand how it works . I suffered with Magenta colours at first but thanks to Davince I finally broke through that barrier. I started laughing when you did mention lights bc I know that my 200 and 300 weren't enough at first even with speed boosters , not even close . Finally purchased a 1200 nanlux and things just started to look much better... Hot but better lol. People also need to know that even with those light you need diffusion . You really went into details and I appreciate that especially towards DB/iso, in which I never touch bc of noise .Not sure if you mentioned the black calibration , as I do it on ever single shoot which is annoying but its to make sure it's 100% calibrated. You got yourself a follower great work !

[@IAmAFilmDude]

Wow thanks mate! I know that profile pic anywhere 😂. Always in awe of your work I see on IG. Thanks for watching, it’s actually awesome that since this is such a niche camera, there’s a really cool community of owner operators across the globe. Great point, I didn’t raise black calibration but it’s a must any time there’s a change in light or camera settings for sure!

[@Richoecreate]

@@IAmAFilmDude thank you Nick I appreciate you !

[@kudobeats]

Thanks for the deep dive into the camera. Question...How much did you end up paying for vat and import charges? I am also looking to purchase the 32gb model (workflow, need those extra seconds)

[@IAmAFilmDude]

Thanks for watching! I’ll have to go back and have a look, I’ll come back to you shortly.

[@kudobeats]

@@IAmAFilmDude I appreciate that thank you

[@kudobeats]

@@IAmAFilmDude did you manage to find out?