Using ARRI's LogC3 on Panasonic's Lumix GH7

[@BandH]

Learn more about the Panasonic LUMIX GH7: kzbin.info/www/bejne/fnu0eohjpKyir6M

[@williepadin]

Can you tell me how you rigged the GH7?

[@zemariaabreusantos]

Great tutorial overall. Good job! Just one note: The Arri library Look Luts (Log to Log) are designed to work in Arri LogC3 Colourspace. By converting the footage to Davinci Intermediate, the looks will differ slightly from the log to rec707 versions. To correctly apply the luts using Davinci Color Management, either choose Arri LogC3 as your timeline Colourspace or right-click on the node you applied the lut on and select Arri LogC3 Arri Wide Gamut 3 from the Gamma and Colourspace options.

[@haulfilms]

I enjoyed watching the test footage 👍 and I look forward to trying the ARRI LogC3

[@Filmmaker809]

I can't wait to move from Adobe Premiere to Davinci Reolve.

[@wilfredo.urenajr]

You will not regret making that decision.

[@epice10]

Brilliant ! Bravo!

[@andersistbesser]

Did you know arri is a german company, founded in munich?

[@stevetimko1461]

Can the free version of DaVinci Resolve work for this or do you have to buy the paid version?

[@GadrielDemartinos]

The free version manages the ARRI LogC3 fine.

[@arielshpitzer]

You cant use 10 bit footage only 8 bit in the free version. free version is for amateurs.

[@Nattodayy]

Arri Nano

[@timelesstruths]

Great script writing and acting.

[@disco4178]

Tyler, get out. 😠

[@arielshpitzer]

YOU JUST CST ANY LOG TO ARRI LOG AND APPLY THE LUTS !!! DUDE..... ?!