Rendering AOVs with Redshift in Maya for Compositing in After Effects

[@chaosli9040]

Your tutorials are amazing, instruction are direct and straight to the point, voice is nice and clear

[@DrJasonKennedy]

Thank you!

[@emmetofarrell3357]

awesome

[@DrJasonKennedy]

You're welcome!

[@hivetech4903]

In Resolve what is the color space setting for a Z depth render imported from Redshift?

[@keithyakouboff8755]

Why was the video cut off before we could see the final result of your z-depth pass?

[@DrJasonKennedy]

Great question, Keith. It's amazing that you're the first to ask it. The answer is.... I don't know. Either something got incorrectly edited in KZbin, or I did not press record after pausing to render the Z-depth pass and never realised it. This video was created about three years ago, so I cannot recall any of those details. However, you can watch the next video where I carry on from here. This includes the Z-depth pass as one of the images brought into After Effects: kzbin.info/www/bejne/gnqUmJyHq7J_r9U

[@keithyakouboff8755]

@@DrJasonKennedy Oh cool... thanks.

[@eugene4950]

Stupid question ,can you compose them inside maya directly in hypershade ?

[@DrJasonKennedy]

Hi Eugene, not sure what you mean by "compose" in this case. I assume you mean "composite"? If so, then the answer is no - Maya does not have built-in compositing features (yet), which is why you need to import the rendered results into a software like After Effects, Fusion, or Nuke to complete the composite.