What I've Learned from CREATIVE ANXIETY

Two weeks ago, I uploaded a video in which I shared the email I received from a subscriber named Thomas…
He explained how he had everything he needed in terms of material and resources for information about technique, yet couldn’t paint.
Fear of painting, fear of not bein...
I knew the video would be valuable to many, and I knew that because Thomas’ experience was an experience I’ve had in the past. I figured that if it resonated with me, it could resonate with others as well.
But I couldn’t imagine how far the echo would travel and how many people it would reach.
Reaction had been a transforming experience in multiple ways.
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About me (bio) :
I am an artist living and working in France. I learned the techniques of the Atelier of the Nineteenth century and now I try to share some of my knowledge with the rest of the world, because I think that beauty still has an important role to play in artistic creation. I do mostly drawing and oil painting, and my goal is always to provide techniques and explanations that can be useful to anyone, from beginners to more advanced artists.
The material I use most of the time (not necessarily in this video) :
Drawing
Equipement
✓ Kneaded eraser
✓ Plumb line
✓ Small mirror
✓ An old synthetic brush
✓ Masking tape
✓ Cutter
✓ Sandpaper or sanding block
✓ Mahlstick or Hand rest (DIY)
✓ Level ruler
Graphite
✓ Pencils 2H, HB and 2B
Charcoal
✓ If available: Nitram charcoals (H, HB and B)
!!! Or, if not::
✓ Square Venetian charcoals Lefranc and Bourgeois
✓ Natural charcoal box (check that the heart of the stick is not spongy and hollow)
Black and white chalk
✓ Sketch pencil Conté white
✓ Square Conté noir : HB and 2B
✓ Chalk or pencil holder
✓ Pencil sketch Conté Pierre noire : H and HB
Sanguine
✓ Sketch pencil Conté : Blood and blood Medici
✓ Crayon Polychromos Faber-Castel : sanguine
✓ Sketch pencil Conté white
Oil painting
Palette
(Extra-fine paint, recommended brands according to availability: Lefranc Bourgeois, Winsor and Newton, Royal Talens Rembrandt, Sennelier)
✓ Titanium white PW6
✓ Yellow ochre PY42
✓ Burnt Sienna PR101 or PBr7
✓ Venetian red or English red PR101
✓ Permanent Alizarin crimson (Attention: do not use the traditional pigment, which is not very light-fast) PV19 or PR177
✓ Cobalt teal blue PG50
✓ French ultramarine blue PB29
✓ Raw umber PBr7
✓ Burnt umber PBr7
✓ Ivory Black PBk9
Brushes
✓ About ten filbert hog bristle brushes sizes n° 4, 6, 8, 10 and 12
✓ Some flat brushes
✓ Round sable brush or round Kolinsky sable n°10 (from the size of the nail (about one inch) or synthetic imitation
Medium
✓ Linseed stand oil
✓ Odourless mineral spirits
✓ Safflower oil
Surface
✓ Linen canvas, fine grain universal coating
✓ Canson oil-acrylic oil paper Figueras
Others
✓ Palette
✓ Foam and spalter brushes
✓ Palette knife in the shape of a water drop
✓ A few small pots, containers, jars...
✓ Paper towels
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Thanks for watching !