What If Creeping Death was on ...And Justice for All? | Album Crossovers

I'd like to thank Warhedd for coming up with the orignal idea, and video (im sorry XD)
I'd also like to thank Stateofmercury for letting me plagiarize his thumbnail art LMAO
'Jason Newsted vocals' are done poorly by me
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[@williamjones4164]

Anesthesia (Pulling Teeth) on AJFA: *silence*

[@DanielLightspeedMcNair]

*several minutes of silence* *drums suddenly kick in to absolutely nothing* Lars: “exactly as it should be”

[@dantheman2907]

Too soon.

[@FluffyEnbyneering]

william jones That be fucking sick! Would love to hear that

[@williamjones4164]

Fluff so would Lars tbh, like who really needs bass guitar? Doesn’t add a heavy backbone or extra definition to riffs at all... 🙄😂

[@FluffyEnbyneering]

william jones take a joke plz

[@artanmcmanusarchives]

3:52 Slayer is calling, they would like their solos back.

[@johnp.smithasimpleman7281]

😂

[@sharkedog6007]

AKA the last 4 hours of raining blood

[@mercmouth1]

Lmao

[@nightraven2975]

Bruh! I almost spilt my coffe when I read that and heard it.😂😂

[@peter2213]

I love you 😂

[@Samford_]

Love that blackened part in the main riff

[@ivans.191]

Blackened Death

[@ConvD59]

Lmao I heard that too

[@devinwatson4594]

I dont. Just kiddin

[@GameboyFanatic]

@@ivans.191 The Black Death

[@Metallica22best]

The only reason I played it I was looking for that hahahahaha

[@MrMItzi-cc3xo]

4:45 gonna tell my kids this is Jason Newsted

[@pedroafonsowurdigsilva4930]

holy shit the guy just made a Jason Newsted impression, epic

[@evertonschmidt9083]

It's was good but I think it's too high on the mix.

[@stscallop3254]

It wasnt an impression. He probably sampled it from a live version.

[@pedroafonsowurdigsilva4930]

@@stscallop3254 actually he said he did it in the description

[@charlesrocks]

GIMME NEWSTEAD OR GIMME DEATH

[@MetalheadEchidna]

yeah, newsted vocals were tight, i would've mixed them a little lower but i dug it dude.

[@ozancanca9740]

The title should have been: “ Lightning”

[@bluesbandofdog5650]

Somebody help me! I don't get the joke!

[@MilersMascots]

@@bluesbandofdog5650 He was referring to the album art collage, they should've been swapped so that AJFA was on the left and RTL was on the right

[@bluesbandofdog5650]

@@MilersMascots Spasibo, Lummy! 👍

[@chaos9608]

Ride The Justice

[@kaanuygan268]

4:21 no... this cant be right Bass on AJFA?

[@artanmcmanusarchives]

he's just that great.

[@jmelder6499]

Remastered

[@jayceledet6756]

Yeah despite the “meme” so to speak, you actually CAN hear the bass on AJFA, it’s just EXTREMELY HARD, I have very good bass on my headphones and I still struggle to hear it, but you can pick it out if you try really hard

[@ihsahnakerfeldt9280]

@@jayceledet6756 What you're hearing is the low ends of the guitar. The bass is basically non existent on that album.

[@shilpi326]

Ihsahn Åkerfeldt No, during the beginning of the song ...And Justice For All you can hear the bass. I can hear it with my good speakers.

[@neverculiao]

7:14 schism xD

[@stefandobrev2238]

If Chocolate Chip Trip was on St Anger Feat. Lars Ulrich

[@nightraven2975]

Sneaky boi!!

[@schpeidermann]

@@stefandobrev2238 Sure. Let's also make some ice cream out of fire.

[@Staticc_e210]

“Ride The Justice For All” 😂😂

[@snoopcat9351]

I3lackwind Ride the Justice

[@Ilshatey]

...And Lightning For All ...And Ridening For All

[@chaos9608]

And Rides for All

[@ali965]

and justice for lightning

[@thedragons8538]

And justice for lightning

[@EkinDurdag]

Wait, the ”jason vocals” are actually your vocals?!

[@topsecret1837]

No, that’s 1991/2’s Jason vocals from the Monsters of Rock concert.

[@omegalst8729]

@@topsecret1837 it says in the description that he did them

[@OriginalKingRichTv]

@@omegalst8729 it isn’t him though. It’s definitely Jason from 91 creeping death. If you have Apple Music you’d know lol. It’s my favorite version of creeping death. I thought it was James saying it till the video cuts to Jason screaming

[@redeye4516]

+King Rich Tv is it him though? I watched their 1991 performance in Moscow (the video of it I should note, I was not alive in 1991 unfortunately) and it sounds different from Jason. Maybe he was just quieter compared to the music around him, but I can kind of tell the difference in the voices after listening to this one and the real Jason back to back. Maybe I'm wrong, but I wanted to see. They sound very similar but something seem a little off about these Jason vocals so it wouldn't surprise me if it's just a very good impression.

[@jeobarlomento9898]

@@OriginalKingRichTv but he said he did it "poorly" in the descreption

[@guilhermeviana6959]

The tone is perfect

[@Aaron_17]

4:25 made my soul smile, and I didn't even think I had a soul. Well done!

[@gfeast4518]

Wonder what his parents were thinking when he recorded Jason’s vocals? 😂 *MUUTHHAFUUKKAA DIIIEEE*

[@BryceBarilla]

My mom got very concerned 10 minutes in

[@johngray5477]

Bryce Barilla haahahahahahah you’re a legend

[@unleashthebloodthirst69420]

I hear bass. Not Acurate!

[@chemicalmilkshake]

I like how the alignment between the lightning and Lady Justice's arm forms an "M."

[@arthurgabriel4325]

I feel like there's always a hidden "M" in Metallica's covers

[@Better_Call_Bad]

Blackened Death seems like an appropriate title for this mixup, fuckin' awesome🤘

[@MKDumas1981]

"Blackened Death", from the album ...And Lightning For All.

[@danzemacabre8899]

Death doing a cover of blackened is all i could think of when you put that comment in lol unfortunately we will never hear that

[@Rings0fSaturn2k]

Or, what about just Black Death?

[@dreamofyouandi]

@@MKDumas1981 oh this goes HARD

[@kerploink]

The Black Death by metallica off the album And Lightning for all 😮‍💨😮‍💨😮‍💨

[@TheWatchernator]

You and Stateofmercury are the 2 that really make quality crossovers.

[@3amir126]

goddammit this is gooooooooddddddd! actually the solo and "DIE BY MY HAND!!!!" part edit:your vocals are actually goodd mang!! Jason approved!!

[@kondorian]

Your backing vocals are so loud I was frightened hearing this "DIE"

[@jickerson707]

i love how you gave the bass a section by itself like they did when they played creeping death in moscow, it really gave the bass a voice and just realized how nasty that bass riff is when crowd chanting “die”

[@MKDumas1981]

Weird thing was, you could hear it.

[@princemjbp695]

The altered main riff kinda sounds weird at first, but it gets addicting the longer I listened to it

[@prozystudios1595]

6:17 do I hear thunderstruck? also the vocals are killer!

[@conorknott2683]

SkullGamer omg trueeeee

[@akiraisrealtrust]

Thought about the same thing

[@matthewwu115]

Clearly Bryce is actually Jason trying to live his moments as if he was in Metallica in the early ages

[@cris289k3]

0:12 Is this creeping death on AJFA or bryan may playing creeping death?

[@jonk5740]

I was thinking that, but it's still awesome

[@diegovaldez6095]

if “one” was on RTL question mark question mark

[@imampatrick]

bass is audiable :D except that this is perfect

[@PersephonevanderWaard]

My two cents: Your version opens with a measure of China cymbals. This is followed by a busy hi-hat (0:04) and... bass?! This is obviously uncharacteristic of the band at this stage, but your tone and playing are excellent. No complaints from me. I also love how you have several measures of power chords, and several measures of harmonized chords. However, because this is in the style of Justice the difference between them is much more pronounced. They have a very raw quality here, as well, and almost sound stretched as if by pedal effects. I love the pause you've included before the main riff, which you've modified to include variations that sound like Blackened (0:25; always a good thing). The guitar on the left establishes the riff; the crescendo is foreshadowed by a steady cymbal pattern that jumps into double-time before the second guitar, panned to the right, joins in (I love that one-two from the snare at 0:31-very punchy). Then things kick off in a fairly ironic way: We have the guitars, the drums and the bass, all playing audibly together, and it sounds great. Not something that would be heard on the original album, but if you stick to the live sound or the legion of remasters determined to reinsert the bass into the album, it works. And this sounds positively *heavy* as a result (seriously, that chug at 0:41 is to die for-not to mention the nice bit of variation with the palm muting). When James' voice joins in, it still sounds a fair bit like his Ride the Lightning vocals. Blown up instead of tight and dry, it doesn't quite mesh with the instruments, here. It's not enough to distract as the song goes on, but I did notice it at first. I love how Lars sounds incapable of playing a steady pattern here (i.e., 0:56-1:05). There's all kinds of nifty stutters and stops that he wouldn't have bothered with, back in 1984. It sounds like you've taken a couple notes out of the chorus riff, extending some of what remains and stressing things slightly differently (1:22). Also, the dominant(?) chord is a nice touch (1:29). This and the snare sounds more prevalent during the verse, and the kick gets more love during the chorus. You've clearly put a lot of work into this and I appreciate all the little things you've included. I'm also really in love with Lars' kit; it sounds pretty much perfect, I think (i.e., 1:47-2:03). It really makes me want to air drum-a sign you've done your job well. This being said, 2:11 almost sounds like a mistake. During solo before the bridge, I love that held chord-how it almost harmonizes with Kirk when he starts the solo (2:34). The solo itself sounds fine, but I will confess it's a tad quiet and hard to hear against the rhythm tracks. Still, there's some really cool stuff going on in here. The tapping pattern at 2:49-2:53 sounds proper weird, for example, but I like it; it has kind of an experimental sound to it, while "Kirk's" guitar is pretty raw and intense. It's an interesting combination for sure-if only the solo were a bit louder! After it ends, you've taken the final phrase and stretched it into a harmonized refrain, which is very typical of Justice. I do wish the higher notes manifested immediately. Instead, it takes eight bars before things harmonize properly and I feel like it could have simply started off that way (a la Blackened: "See your mother die..."). Once things begin in earnest though, it sounds absolutely great! There's a nice crescendo before you return to the original, pre-ostinato phrase (a good cluster of notes at 3:34). This part sounds fucking awesome with double bass. There's no rhythm to get in the way and the legato variations and whammy bar are all welcome touches. The ostinato itself feels a little busier, with a faster tom roll (and some nifty-but-small rhythm changes at 4:03 / 4:10). I like the transition into "live James," but his voice does inevitably sound older (again, a minor quibble more than anything). Your bass tone is great and I love the rhythmic interplay between Jason and Lars. I see what you were going for with Jason's backup vocals (4:44). However, they're called back-up vocals for a reason, but yours are drowning out the lead singer! Other than that, they actually sound pretty great from an execution standpoint. You said you recorded them yourself? Nice job! That final growl (5:00) before the second solo is blood-curdling! The guitar fill at 5:07 is great, as are the brief time changes you introduce, starting at 5:16. I can really feel myself getting pulled around; less driving I think, but I appreciate the effort and enjoy the sensation! Apart from that, the snare roll at 5:33 sounds like it might have one too many notes. The interplay between the drums and the rhythm before the outro is neat, as well (5:52-5:59). The stacking harmonies here have the same issue as those during the bridge; there's too many measures with a single voice, and here the guitars are a little quiet (including the brand-new voice you've added at 6:16). I would've dropped everything but the base power chords for Kirk to solo over (6:32 is nearly incomprehensible); there's just too much going on at the end. Lastly, considering how drum-heavy this version is, the lack of a balls-to-the-wall outro from Lars feels missed. Great work, Bryce! Please don't take any of these criticisms to heart; you've taken a lot of risks with this one, and it really pays off. Mainly the issues are volume (quiet solos), but the end section is a bit cluttered, I'll admit. A great outing from you, and look forward to more. Keep 'em coming! \m/

[@BryceBarilla]

Damn! Take a break my dude! Thats a very long and detailed $2000 right there. Thanks for your cents my man!

[@PersephonevanderWaard]

Happy to pitch in Bryce. You're doing God's work, haha!

[@8tonystark8]

We need your two cents on StateOfMercury channel! kzbin.info/www/bejne/fZLYh6CLlLuZhtE

[@panamajack5972]

Ah, the ancient one has migrated.

[@federicoprincipato2229]

I missed your comments

[@sam8404]

A band with Bryce and StateOfMercury on guitars would be absolutely unstoppable.

[@mikemarino7806]

I LOVE the integration of the main creeping death riff and the slight toss in of blackened you do...

[@thelife_ofmike]

The pause before the main riff starts gives me chills

[@DwayneRidgwayOfficial]

Those Jason vocals go hard, man. I genuinely thought you ripped Jason's vocals at first. Great job, you have a really good vocal tone for that sort of back up singing I think.

[@CrookedEyeSniper]

Bruh, 4:44 was like downing shots of thumbtacks with a stein of razors chaser. That was the most badass thing in all of most badass thing history.

[@SalswkangJamatia]

StateOfMercury and Bryce Barilla, the two channels which make the most of Metallica song rework making the songs if it were released on that particular album.

[@mugetsu3509]

this crossovers are driving me nuts yoooooh hahahahhahaha schism at the end XD and the rhythm part under the solo at 2:30 is so tight, maybe not everyone noticed that it's different

[@sam8404]

"what are you guys listening to lately?" "I just discovered this new genre called 'if Metallica song X was on Album Y". Seriously this stuff is amazing.

[@ashersligh]

I would have thought the "Die by my Hand", part would have been slower, the boys were notorious for doing the speed up and slow down shpeel on Justice.

[@jaimichaeldee1373]

Wait.... There's bass??

[@erikgames9683]

Hehehe Nice!

[@RabbitFighter666]

Discovering this channel today and I feel like a kid who got like 500 amazing Xmas presents before Xmas

[@CGJUGO80]

The fact the people all over the comments don’t believe that's your impression of Jason just proves you did a fcking awesome job bro! Unbelievable...please upload an mp3 of it slightly lowered so we can hear James a bit more! Thank you for these amazing works of art

[@reacbeac8436]

This is a perfect work of art 3:02 to 3:52 is out of this world

[@prestonlawarrior2322]

The Jason vocals are crazy!!!!

[@Sharkman3472]

“Ride the justice” or “And justice for lightning”

[@kerploink]

wait i just realized you did the vocals for jason wtf?! that sounds phenomenal bro much love

[@lavenspace22]

The Jason vocals gave me chills, great job, man!

[@muhammadirsyazman8389]

And Ride For All - Uber

[@ejejshejsjs]

And Wife For All - Brazzers

[@MetalGuitarist18]

Dude. As a guitar player who loves old school Metallica? That transition from the D chord sliding up to E chord at 2:15 is wicked! You did an overall smashing job on this song my man! Fucking aye!

[@liapinvadim]

Creep and blackened riff’s collab is great!

[@Randomeris1]

Now this is the Official Definitive version of the song. The Die part cemented this into existence.

[@drumtum81]

The drums are exactly like how Lars played when he was at the top of his game, well done!

[@MrPannagon789]

killer Jason vocals dude, thought it was actually him before I read the description

[@tombscoot9095]

Yo you should be doing backing vocals for tallica that die chant riff is so close to newstead

[@rivalmjd8541]

That’s literally the best Jason Impression ever.

[@Simon-oe3xp]

I love how loud Jason backing vocals are in the mix.

[@SunsetBear]

Holy fuck man. The main riffs, they combined to make something somehow cooler. That sounds so good. If these keep getting copyright claimed, maybe you could take out the vocals and release them as covers on iTunes or Spotify or something?

[@SunsetBear]

HOLY FUCK THAT SOLO WAS AMAZING DO YOU HAVE ANY ORIGINAL SONGS

[@SunsetBear]

This is by far your best work. By a mile and a million. A little volume variation to make repeated hits sound more natural couldn’t hurt, but otherwise the drums sound fucking fantastic. You have taken more creative liberties in this song than any other and it shows. I prefer this to half of metallica’s Actual Discography. It’s so good. Make original stuff if you don’t. If you do, link that shit.

[@SunsetBear]

That bass sounds insanely close to justice. I may or may not have a proposal for you involving that and something extra I’m doing for my next remaster of justice. Reply to this if you give a fuck

[@MotorHead333]

Producer of a future Metallica album lmao!

[@idahoterritorymotorsportsv9374]

I like how tight & clean the drums sound on this. Lars was a bad man back in the day.

[@Gunslingerwashere]

If there's someone who can do a James Hetfield impression that's as spot on as that Jason Newsted impression, that'd be fucking killer. P.S. Suicide & Redemption on ...And Justice for All, please

[@smellthel]

Next video: what if master of puppets was on master of puppets

[@neilkelly3818]

I know you don’t really do song combinations, but hearing For Whom the Bell Tolls lyrics on Don’t Tread on Me or vice versa would sound amazing. Amazing edit BTW.

[@venon4575]

Guitar hero doesn't have stems for dont tread on me

[@assnapkined9295]

VenonEnergyPro YT whatchu mean by “stems” I’m a noob

[@venon4575]

@@assnapkined9295 stems is the main thing on guitar hero, like if you wanted to hear just the guitar or bass or vocals or just the instrumental. Like dont tread on me wasn't on any guitar hero so it doesn't have any vocal tracks that you could take.

[@jonaharledge3180]

Wow, Jason’s vocals were amazing

[@shaZam9]

3:02 Love this part.

[@jimlunn]

So badass. That vocal part in the middle rules

[@walle7ks543]

I can’t believe I JUST NOW finding out about this. It’s beautiful. This is a masterpiece!! Jason’s part is great! It sounds exactly like him. I just wish the final chorus was sung by Jason like it is live but besides that, this is incredibly insane. Great work man! Awesome

[@flowersknives0257]

HOLY SHIT, THAT JASON IMPRESSION MADE ME LITERALLY FLINCHED. THAT WAS AMAZEBALLS! GOOD JOB, MAN! And no shit. I've got goosebumps on that part. But it overpowered James's vocals, tho. But hey! It's great! I just subscribed. Looking forward to watch more of your contents. :)

[@ShinSuperSaiyajin]

wow! you even added Lars' random fills in this version LOL not complaining though. That's Lars being Lars LOL

[@retrolightman6737]

Man you have rekindled an old love for Metallica from me. I mean I've always lived them but this is like hearing them all over again for the first time! I feel 15 years younger again thanks to you

[@jmelder6499]

This and MoP on RTL are easily the greatest creations on all of KZbin.

[@lavenspace22]

2 years later and your Jason impression still gives me chills

[@maniaw6605]

I knew i would love this but wow. Everything you create is absolutely amazing

[@paki811]

Ride all for the justice Great job and those vocals are amazing

[@ruhardtnel2921]

I heard that little schism part at the end nice

[@ina.aaahhh]

oh my god my right arm hurts from listening to this

[@marcodhampir6796]

Wow! Great crossover, dude! Now I can hear the bass, and sounds like the original AJFA bass... I love it!

[@Chad-po1im]

Am i the only one who heard "he hea boi" in the start?

[@TheJuseman]

Damn bro, listened to this a lot these last few weeks and had no idea that wasn’t Jason on vocals. BEAST!

[@prestonlawarrior2322]

Sounds like some parts of blackened are in this song 00:34

[@soupisbetterthanstew3896]

Soup is high quality

[@soupisbetterthanstew3896]

Stew is not high quality

[@prestonlawarrior2322]

Yo

[@prestonlawarrior2322]

I think I know you

[@wariokhabib245]

Dude, this was really good!!!

[@depressoespresso3079]

4:25 i LOVE IT

[@johngae4063]

This song just topped my top 100 charts, keep up the amazing work!

[@mattgoldsworthy3278]

I'm loving these.

[@loganbrewer313]

3:12 that sounds so much like fade to black ending or welcome home ending

[@stalwartoak6345]

This is so good, thank you so much for making this.

[@Tenshi_Tenshi_1703]

This is very f*cking amazing!!! And the "DIE" part si so glorious!!!

[@feliperoa5821]

Creeping Death sounds so fucking good when it goes faster

[@schpeidermann]

I really thought that was Jason from a live recording! Same energy! Well done!

[@jaydenruiz3116]

This whole crossover is awesome and the ending is amazing

[@federicoprincipato2229]

This channel is going better and better Keep on 🤘

[@Dubile]

You sure have talent for mixing great music.

[@tinopacino9400]

Wow Sounds Great!! Love this

[@mikerotchburns7287]

3:56 slayer called. They want their Angel of Death vocals back.

[@Monster-gr8on]

Love it! Do another one, do another one!

[@kiro7956]

Whoa! This is crazy good!

[@paulsmith5469]

Lol imagine if they did this on stage! That would be awesome.

[@andersmetalzone]

This is something that I enjoy a fukin' lot!

[@MrJeffersonggg]

Insane and fantastic!

[@darrell1924]

Kicks so much ass! Thanks for creating this masterpiece!

[@matiasespinoza5628]

4:14 this should just be drums 💀

[@axelis6860]

Holy. Fucking. Shit. Thanks. By the way the idea of the bridge at 3:03 is good af, that’s ur best cover by far

[@qezeq]

i love that u added a little of blackened riff