What is True Bypass? | Too Afraid To Ask

This video was sponsored by Skillshare. First 500 people get 2 months FREE membership here: skl.sh/csguitars3
The only 'stupid questions' are the ones you are Too Afraid To Ask. "What does True Bypass mean in a pedals?" is the question for this TATA video. Let's look at buffers and pedal switching to find out.
Leave your TATAs in the comment section and I'll make a video answering them.
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[@ScienceofLoud]

This video was sponsored by Skillshare. First 500 people get 2 months FREE membership here: skl.sh/csguitars3 The only 'stupid questions' are the ones you are Too Afraid To Ask. "What does True Bypass mean in a pedals?" is the question for this TATA video. Let's look at buffers and pedal switching to find out. Leave your TATAs in the comment section and I'll make a video answering them. More from CSGuitars: Gain access to exclusive content at: www.patreon.com/csguitars Buy CSGuitars Merchandise: csguitars.bigcartel.com/ Website: www.csguitars.co.uk Contact: [e-mail]

[@samueljett7807]

Dude this series is literally one of the greatest out there.

[@BritishEnglishJapan]

Here's another TATA question for you Colin... How can we identify where ground hum is emanating from in a guitar - pedal - amp rig.?

[@11metalfan]

Unplug stuff one by one until it stops is the trick I use

[@DarioVarasG]

Incredible question!

[@11metalfan]

@Zach Isley Well I think you're pretty neat! ^_^

[@luukderuijter1332]

That's not a small question to answer

[@doublelunch24]

Here's a TATA I'd like you to tackle: What does Presence do on an amp?

[@Asmogrim]

Yes! I've seen so many different definitions of presence.

[@Patrick-857]

Presence is just another EQ. It's a knob for the the very high frequencies.

[@danieljensen2626]

He has done a video on this now.

[@evmanbutts]

It's an eq tone control of the highs. Makes the clears more "crispy" and "lively" in my opinion

[@Mr-Safology]

More presence sounds like more brightness. Am I right, or am I tone deaf?

[@luismorsa666]

Man, I’m speechless, what a great video and a great explanation. I never thought of guitar cables as capacitors (even though it seems pretty obvious now) and the way in which those could alter the guitar’s signal. Keep going man, you’re the best teaching people about guitar technology! 🤘🏼

[@stevewallek990]

Big TATA: How to adjust the truss rod? Also when and why should you do it

[@roberthofmann932]

The bass wizard did an excellent video on this topic. Applies to guitar as well

[@Kylora2112]

Dave's World Of Fun Stuff does a lot of explanation when he does a setup job.

[@TheCrimsonIdol987]

Truss rod adjustments are easy as pie. Generally a neck will have an allen key, or a nut that you turn to correct the neck relief. Ideally, you want just a slight relief. The way to determine this is to fret the first fret with your pointer finger. Then, with the other hand, use your thumb to fret the 15th fret, and stretch your middle or pointer finger to the 7th fret. Using that finger, just tap the 7th fret to get an eyeball for the curvature. If it's half the thickness of a credit card, the neck has the proper relief. If it's the thickness of a credit card or more, the truss rod is too loose, thus you need to tighten it by turning the truss rod 1/4 turn clockwise, then check it again. Go slow until it's right on the money. If it's less than half the thickness of a credit card or more, the truss rod is too tight and needs to be loosened by turning the truss rod 1/4 counter-clockwise, then check it again. Again, go slow until it's right on the money. With truss rods, slow and steady is the key here. Generally you adjust the truss rod if you're experiencing a rapid change in climate, put a different gauge of string on, or any time it's not right on the money. It's never done to adjust the action, action is adjusted by adjusting the bridge height, or the height of the nut. Now, due to the nature of guitars, some have more stable necks than others, so some guitars will have to be adjusted more. Thankfully, either due to the construction of my guitars, or the climate I live in, I don't have to adjust very often. YMMV.

[@leoseanster]

Jesus, I was wondering for many years why my pedal board sounded so thin and lifeless - I had no buffer at the start of the chain, I was running through a classic Dunlop crybaby wah, and, I had many many effects in between with long cable runs. You've just helped this hopeless man and have given me reason to go pedal hunting again (whether that's a good thing is another question). Great and wonderful series!

[@EtherDais]

Has your GAS subsided?

[@lulz71]

Been a fan of this channel for years now. Best guitar gear videos on the internet!

[@chuckelator]

As always, great video! I was well aware of needing a buffer somewhere on ones pedal board and the basic why, (I'm a technician in the telecom industry, so I'm well versed in impedance, high end roll off, attenuation over distance, etc...) but definitely learned more of the subtleties in the why from watching! And I'd like to say, THANK YOU for what you do here. The better we understand why our gear does what it does, and how it does those things will make us not only more informed when making choices in gear, but i also think it makes us better musicians. 🤘

[@hazrod13]

Great video ! The tone comparison is very usefull. Damn man, the quality of your content is so good lately ! Not that it was bad before but I feel like besoming a patreon was the best choice I could have made.

[@ScienceofLoud]

Patreon support is really helping me to raise my game. I'm very thankful for all the love you and the others show.

[@SpencerDamned]

Love your channel, love this series. Keep on keeping on!!

[@NathanielAbernathy]

I appreciate the explanations of these concepts. I look at the buffer/true bypass as guidelines to a good starting point and are great "pressure" points when troubleshooting issues. Ultimately, if you like the tone you get from your pedalboard, then the types of pedals and the signal chain is moot until you make a change. Good stuff.

[@Yanthungbemo]

Your graphical presentation makes understanding really easy! 👍

[@tyschuby]

Awesome video Colin! I often wondered how the buffer really effects the over all sound and the part showing the wha pedal really explained a lot about my old rig. Great content!

[@BrandenTheTroll]

Best educational content on tech. Straight and to the point. Thank you ❤️

[@editorrbr2107]

Really glad you played some illustrative comps. As always, it’s better to show than to tell. Thanks!

[@jepatawaran]

Hi Colin. I just want to say that you have great and awesome videos especially the TATA series. I love guitar and pedals and through your videos, i'm learning so many things. Thanks a lot! From Philippines

[@thezerb]

Great video. The issue with cable runs, pedalboards and Buffers is one of the primary reasons (together with noise concerns) that I switched to EMGs for live use. Because as an active Pickup, they basically have a decent to high quality buffer inside the pickup itself in the form of the preamp ;)

[@stuartbowlerwell2845]

It's so nice hearing the r in buffered and weird. I love our accent. Great vid!!!

[@SalemSick]

Great video, as usual, Colin. Thanks!

[@pjstraightedge]

You deserve so many more subs. Keep up the great work!

[@mustyguitar]

oh man i love this guy! he knows like everything, and everything he knows is true... keep em comin my good friend!

[@hearpalhere]

Another great video and the first I've seen where someone actually explains what the buffer does. Most people use circular definition to explain it and it's super frustrating - "You know, the buffer is there to buffer the signal..."

[@brunoromiti7708]

great content, keep it up colin 👏👏👏👏

[@williamkeys2596]

Bro. I never thought cable length would make such a huge difference in tone and that I've been so wrong about non bypass pedals for so long!! Mind.... Blown

[@nicksregor4208]

Great info! I would ad that: If the total length of your cables + the internal wiring inside several true-bypass pedals (which I assume you could approximate to roughly 5-7 inches each) is less than 30 or so feet, then you're fine without a buffer. So cool that you had an 85ft cable to use as a demonstration! Next subject idea: How to reduce 120 cycle hum and RF interference from pedals who's manufacturers decided to be cheap or stupid & didn't include RF rejection/power-supply filtering!

[@Umbrellas0]

That example of tone with and without the buffer pedal was insane. I don't have the best speakers, but I couldn't hear the 1st string at all until the buffer was engaged.

[@alanredversangel]

Not sure how to say it without sounding patronising but you had some excellent examples of tone loss in this video. Well thought out.

[@fairguinevere666]

This is why I love the polytune 3. Buffered bypass (if ya want it, Ofc) that sounds killer, and it's just a good tuner. I think it's basically the bona-fide buffer stuffed into a polytune, but it's cheaper and smaller than using both.

[@bpabustan]

I have already watched your buffer video some time ago but this refresher video is a welcome addition. The reason I am quite "obsessed" with buffer vs. true bypass is because of the pedalboard I am currently designing. I am in a band who plays Sinatra to Metallica in the same night and sometimes in the same set. And one of the things that bug me big time is when I play clean my treble is almost gone. That being said my pedalboard is about to have 16 pedals in it! And though some are true bypass, many are buffered. And different brands (BOSS, Ibanez, Visual Sound, MXR and Line 6) that have different buffer design then you have a big tone suck. I am now thinking how do I go about it. Thanks again Colin!

[@uhhkonichiwa...]

Exactly what I needed

[@migdonalds]

i love you for adding a timer on the promotion, makes it so much easier to skip

[@ScienceofLoud]

People complain way less about the ads when it's there. I do try to make the ads entertaining so that they are worth watching too.

[@migdonalds]

@@ScienceofLoud but it says alot about how you care about viewers that you'd add it. underrated!

[@markhammer643]

Historically, stompswitches that could *completely* bypass an effect circuit were rare, and bloody expensive. In the pre-internet days, I was regularly paying $20 for a DPDT footswitch...if and when I could find them. Major manufacturers in the 1970s used SPDT switches in their pedals. These would leave the input of the circuit always connected to the input jack of the pedal, and the footswitch simply took its signal from the output of the circuit board or the input jack. If you were using a single pedal, that wasn't a huge problem. But if you were using more than one pedal, all the input terminating resistances of however many pedals you were using were placed in parallel, providing significantly more loading. Consider that one pedal with a 470k resistor to ground at its input would likely provide less signal degradation than the cable being used. Put four similar such pedals - all "bypassed" with an SPDT switch - in your signal path, however, and that 470k drops down to 117k, and significant signal loss. As well, with but a single pedal, it was easy to keep track of whether it was "on" or not; no status LED required. Boss addressed all of these challenges with electronic switching that could provide indicator LEDs, and something close to full bypass, inexpensively, reliably, and without requiring new technology. As it turned out, many of the pedals they were becoming well-known for used the mixing of dry and wet signals to produce the "effect" (chorus, flanger, delay, phaser), and only required lifting/blocking the wet signal to make the effect go away. It wasn't "bypassed" so much as cancelled. Much of the pedal's circuitry still remained in the signal path. Again, though, if you only had one or two such pedals, it wasn't a big deal. Stack a dozen of these things in series, though, and the hiss and treble loss starts to add up. In the mid-'90s, Mike Fuller, of Fulltone pedals, began getting custom switches made for him and his pedal line. Instead of having only 2 sets of contacts (DPDT), these had three (3PDT). The first two were used to completely bypass the circuit board, eliminating any unintended loading concerns, and the third was used to switch an LED on and off so you could tell at a glance which of the 15 pedals on your board were engaged. These have since become standard, easily available from many sources, and relatively cheap. As Colin correctly alludes to, such switches eliminated the signal-degrading effect that the pedal-circuits themselves might create by loading. However, they did not eliminate the potential signal-degrading effect of all that cable from your guitar to pedalboard, from pedal-to-pedal, and pedalboard to amp. The recommendation to stick a decent buffer as the first thing your guitar sees before anything else is a sound one, and sage advice. But consider that some artists have used loading in a productive manner over the years. One of our favourites - Jimi Hendrix - was known to have used a "curly cord" from his guitar to his pedals. These cables were notorious for eating up high end, due to their high cable capacitance. Jimi used Marshall amps for the most part, and though he used a bright guitar and a bright amplifier, his tone was never strident or shrill, but strong and clear. To some extent it was his productive use of loading that enabled his signature sound. I don't mention this to suggest that use of a cheap curly cable will make you sound like the esteemed Mr. H. Rather, consider loading, and "unloading", to be sonic tools that one applies in the context of the overall signal chain, to achieve a desired outcome. True bypass is not a complete solution, but rather something that lets the user say "OK, I don't have to worry about *that* ". Your a good explainer, Colin. I tip my tam to you.

[@legoharry100]

I usually go Tuner/buffer - Compressor and drives - noise gate - another buffer - amp - FX send/buffer - delays and reverbs - buffer/FX return. So 4 buffers in total, though I have several pedals that are buffered so it’s closer to like 7 buffers and 13 true bypass.

[@huginstarkstrom]

I have been playing for 30+ years, have collected and modded guitars. I have watched some of your Videos thinking "yeah, I know that" (not saying they are bad Videos, just I knew that stuff already. But this time, I learnt something - apparently one can teach an old horse a new trick :)

[@HaroonRahman]

Can confirm - SKillshare is awesome, would recommend. Thanks Colin!

[@0riole11]

Nice you mentioned Fuzz in this, I'm running Guitar --> Fuzz --> TC Electric Polytune, which has the Bonafide Buffer built in to it --> The rest of the board. The other thing to note, is if the amp is a long way from the pedal board, i.e. in an Amp room when recording a buffer just before the input on the amp can be of assistance. Also, when can we expect more CSFlute vids? :P

[@WeyounSix]

The way you explained how a cable is a transistor and how it related to the tone knob blew my mind man haha

[@ScienceofLoud]

The cable is a capacitor, rolling off high frequencies as one side is connected to ground. Transistors are very different things, they are voltage controlled 'gates' which control the flow of current. I don't want you getting those two terms mixed up.

[@thebamfordman]

Excellent video

[@jacobstracener4702]

Quality stuff as always! Quick question: if I purchase a dedicated buffer to go first in my signal chain, would I still need to make that true bypass modification you discussed to my wah pedal, or would that be redundant?

[@theajprentice]

Could you do an episode about grounding and when to use ground lifting? There is a lot of incorrect and potentially dangerous advice regarding this issue on the internet!

[@JDODify]

I've got a couple of drive pedals right at the start of my chain (after my tuner), a TS mini and an OCD, both of which are True Bypass I think. But they're followed by a Boss Chorus which is buffered.

[@johnroberts838]

Hi Colin, Excellent Video👍👍👍. Brilliant advice, Thank you. I do have a question, I have a Jerry Cantrell JC95 Wah and a Kirk Hammet Dunlop Wah, are these considered tone Suckers? Take care mate, Melbourne, Australia.

[@TheChadPad]

I'm gonna do that mod to my Crybaby! Good to know. I noticed a lot of bottom end loss in the long cable demo using a buffer as compared to the short cable without one. I'm not sure whether to attribute that to the cable or the buffer, but as a rule of thumb, I'd say to keep your cables as short as possible and know when to use a buffer. It really saved the high end, but the bottom end is what I'm all about.... ;)

[@charleswagner284]

Colin, do you have any videos that are in english? Lol love the vids, thank you!

[@rafaeloda]

Binge watching your videos, not only learning about gear, but also, learning cool English accent.

[@ScienceofLoud]

*twitches* Scottish accent. Calling a Scotsman 'English' is an incredibly dangerous thing to do.

[@rafaeloda]

@@ScienceofLoud lol, my mistake, It was meant as english language. Not as those bloody sassenachs.

[@patrickmkiv]

Interesting. I have always noticed the change in tone using a Dunlop Crybaby when switched off but actually prefer this altered tone to the clean signal and often plug the pedal in just for that reason. To me it sounds s bit more bassy and full.

[@d.u6990]

I'd have a question of interest: is there a way to build a buffer into the control cavity of the guitar in order to have a buffered output from the guitar? Great channel btw.

[@Rollermanfromspace]

What is phasing? Like what does in and out of phase mean when you rotate pickups and wire them backwards?

[@4142Wilb]

TATA: What really brings the dynamics to an amps overdrive tone - pricey preamp tubes & pricey power tubes or just the amps internal production?

[@aek4018]

greets from poland :) great video as always!

[@brianmesser4220]

What is meant by the phrase "tight" when describing a tone. I've heard it used to describe the lows specifically or to the guitar tone as a whole.

[@Patrick-857]

Usually it means a low end roll off. But it means nothing in a technical sense. What they mean is it is has definition and punchy dynamics. It means you can get good chugs out of it, without the low notes going all farty or flubby.

[@s.e.n3264]

I use the Bona Fida buffer that you reviewed awhile back, definitely helps a shit ton since I've got a crybaby.

[@overvieweffect9034]

What I've been wondering for a while is if adding a good buffer before or after a bad one helps improve the tone

[@JackFou]

One question I've always had related to this topic: If I have a quality buffer like the bonafide early in the signal chain and then a terrible buffer like the crybaby later, do I still get tone-suck from the bad buffer or is the signal "immune" to the effects of additional buffers down the line from the first one?

[@tyschuby]

A TaTa for you Colin, what are the main differences between different magnets in guitar pickups? Ceramic, Alnico, ect.

[@TheReal_Dicey]

Quick question on pickup impedance load. The new Axe I/O interface made me aware that a passive guitar's pickups have an impedance load that can change depending on what it's plugged in to. Is this why some guitar and amp combos sound better than others? If you use something like the radial SGI to be able to have a long run without noise or tone loss (or even a buffer or buffered pedal), would the guitar's pickup impedance load still be affected, or would it only work with a direct run (which could include DI boxes and true bypass pedals) from the guitar to the amp?

[@darrellwestrick2110]

So I got some advice about putting my tuner last because it is buffered. It helped relieve some feedback issues but I've always heard to put the tuner 1st. Which would make sense with your pedal board config. Thoughts?

[@mikecantwell77]

Appreciate it's a bit of an older video but I was watching TPS's "To Buffer Or Not To Buffer: That Is The Question" video. They were getting themselves in a bit of a fankle so thought I'd come here. Question from your video though... Would a high quality buffer protect you from a sh!te one further down the chain? For example, if the wah was getting a low impedence signal from a good buffer, would it still mangle your tone or would it be relatively protected?

[@bengermein4913]

I run my modulation effects front of the amp and my delays and reverb in the FX loop. Would putting a buffer first work or unnecessary due to the pre-amp or would it be best at the start of the FX loop. I use all true by-pass and notice a drop in my high end. Thanks Chief.

[@turkeytrailhoneybeefarmgeo6292]

A good one to cover would be valve amps rectifier tube vs diode rectified vs clipping diode what does it all mean?

[@ChrisPreece]

You also can deliberately exploit the effect for your tone. I have an absurdly spanky telecaster that I deliberately want as much treble bled off as possible, vs my Les Paul which needs all the good buffering it can get.

[@Insert_Bland_Name_Here]

Okay, I have a follow-up question: If I have a Dunlop CryBaby Wah that isn't True Bypass and have a TC BonaFide Buffer, what would you say is the best order for those two? Wah first or Buffer first?

[@MrBerUa]

What's that about Fuzzes and Buffers? I know they don't play well together, but I want to understand why.

[@Eruin04]

Question for another TATA... What’s the deal with standby switches? Is there really a “proper” way to turn on/off an amp? Great video and video series!

[@yallevereatenbeans2723]

He's already addressed this in a video that was called something along the lines of "your standby switch is a lie"

[@Eruin04]

Paul Blart Mall Cop Thanks man!

[@RonDicken1971]

Too afraid to ask what is an effects loop? I've seen it on some amps, but I wouldn't even begin to know what it is, or how to use it. Thanks!

[@tomaszmazurek64]

Besides the tone loss a problem with badly implemented buffers can be noise. Famously cheap Behringer effects have a big problem with noisy buffers. And while in some situations that's not a big deal, in other (before a high gain pedal/amp) it makes those pedals almost useless. That's why a change to true bypass in TC Electronics edition of those effects was a welcome one. Also, there is one more type of non-true-bypass and that's something I would call a digital bypass. If the effect is digital (like most reverbs and delays) the cheapest way to implement bypass is to just tell the processor to not do any processing and just pass the data straight from the AD converter to the DA converter. This has the inevitable effect of adding quantization noise and jitter to the signal, which for low quality converters, like those found in cheaper effects, can be quite significant. So again, for cheap digital effects having true bypass might be quite important, if the alternative is the digital bypass.

[@danieljensen2626]

For reference, those "expensive" switches cost like 30 cents even when not buying them in bulk. But that is a good deal more than resistors or other parts you can get for fractions of a cent.

[@saschaschneider6355]

About buffers: as an IT guy buffers always equal delay (as in holding up the signal for a short time, not the sound effect, obviously) for me and in my mind every buffer in my signal chain adds a bit of latency to my signal. Is this true for guitar pedals? Does every buffer in my signal chain add delay?

[@u2acrobata]

great vid !!! i have one question ... is there any kind of pedals that wont work great afyer a buffer ??!!! like FUZZ ... is there any concern about sound having a fuzz right after a Fuzz pedal ??? thanks from Portugal ...

[@emmaceleste_]

More of a bass question, but I currently have my fuzz after my compressor. Should I put the fuzz first? Does the compressor affect impedance like other effect pedals?

[@emmanieuwenhuis2688]

Say my setup is a Bonafide buffer and a Sentry gate, should the buffer come after the Sentry, or before?

[@loganknapp8905]

How about the Seymour Duncan pickup booster? It is claimed to be a line driver. That mixed with a "good buffer"... Also preamp pedal placement, specifically Dunlop Ecoplex preamp 101 pedal. Please!!!!!!

[@waynejones3428]

I couldn't have said it better! 😯 🍻

[@christopherheadcase6886]

So the buffer goes first? I have a G30 into an 808 into a gate then the buffer into the head. Is that wrong?

[@edwardfanboy]

Cables don't just have capacitance between signal and ground, they also have series inductance in each wire, which further reduces treble.

[@luukderuijter1332]

Would you consider the ts9/ ts9dx buffer a good or a bad one, and the buffer of pre 20/20 morley wahs?

[@PearlJamaholic]

I'm not too afraid to ask this, but I'm curious why wah is always considered to go first in the pedal chain, and not in the area of modulation effects?

[@Mcsteveberry]

hey dude! yay! love you :3

[@asamcqueen3513]

When you ran it through the longer cable was it spread out, or coiled up? If coiled up what effect would inductance have on the signal? P.S. watching your videos kind of makes me want to produce music that takes advantage of weird math things. Like what if I used 22/7 as a time signature? Can I somehow apply a Riemann sum to music? Harmonic series anyone?

[@DreidMusicalX]

I would like to see you do a video on cables on low noise and what makes them low noise:"?

[@owwillis]

Now that you’ve had some expensive guitars for awhile, do you think they’re any better than the guitars you’ve built? And do you think you’ll keep building?

[@seantierson2633]

What is a ground loop/hum and how do they manifest?

[@copperdragon9214]

Here’s one. How do you make compression on guitar tracks sound good?

[@MemousOdysseus]

Not a TATA, but I do love fuzz. Could you maybe do a video on fuzz?

[@SuperKomedyKing]

Even at 53 I am still learning things. Is it possible or worthwhile to compensate for any losses on the other end of the chain? So just crank the treble and presence on the amp and forgo the buffer?

[@timnoble4137]

Another great, informative video. Thanks. Colin, I am converting my SSS Partscaster to HSS. I want separate volume controls for the HB and the SC's. What type and value pots would work best?

[@nathanielthompson8651]

Generally 500k for Humbuckers, and 250k for single coils. Many manufacturers will state which pots to use with their product somewhere on the product page though. Edit: I know I'm not Collin, just figured I throw my two cents in.

[@guitardudesteve]

I have another TATA for you. I have an Ibanez Artcore AS73. Basically a hollow body similar to a Gibson ES 335. I've never owned a guitar with multiple volume knobs before, and I just noticed that when the 3 way selector switch is in the middle position, either volume knob will completely turn off the overall volume when turned down. Is that normal? If so, why does it work like that?

[@victorjones8699]

TATA question - if I have the option to run some pedal at 18v vs 9v should I do it?

[@hotdogslayer4430]

How can you remove feedback when you sometimes move the cable in your input jack?

[@DeadmanDance]

Impedance! Impedance mismatch. Ohms. Going crazy with these!

[@mudjumper]

How does using a wireless system affect tone compared to using cables?

[@nathannorton2093]

I don't really know how to set the EQ on an amp properly. Any general tips?

[@SonicX185]

TATA Why are guitars made up of different types of woods (maple, rose, Koa, etc.) is it just to make a guitar fancy there for cost more or does these woods effect the play and tone of the guitars? (For acoustic and electric guitar)

[@MetalLeo30]

My TATA would be tuners vs locking tuners and ratio locking tuners. What are the differences and benefits

[@williamharrison54]

What is the difference between the c and ce buttons on a calculator?

[@jsd1982]

TATA: the difference between +4dBU and -10dBU levels and when to use each when given a choice (slider switch on rack units)?

[@ScienceofLoud]

14dBU and use them when you need the signal to be louder or quieter respectively

[@ashtonbrown81]

TC: We use high quality bypass and analog dry though to keep your tone safe! Boss: Buffers are cheaper 🤷🏾‍♂️🤷🏾‍♂️🤷🏾‍♂️

[@randysosa7616]

I've been playing guitar for years yet only now am I developing my ear towards having good tone. Your videos are so helpful in understanding the difference between true bypass and buffered. However when I actually listening to your side by side, I notice very little difference. I feel like I'm missing something. Can you really have such great tone loss that it sounds horrible to play? (Full disclosure: I do not own any true by pass pedals)

[@mightymcloven3321]

How do you use a whammy bar and how does it work?