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We took Lynn’s Brother, Ted, into the city yesterday to see the musical, “Come From Away” on Broadway. It was fantastic and I’d recommend it to anyone who might have the opportunity to see it. It was a long day though. This morning, Lynn took a ride out to Danbury, CT to Stew Leonards, a huge, specialty grocery store that has singing farm animals and talking produce and lots of free food. Why anyone would drive 45 minutes to a grocery store is beyond me, but she likes to do it once and a while. So, having the house to myself, I thought I’d do a quick video of a suggested song I’ve been working on. I’ve got a folder full of covers, some of which are a few years old, but I always seem to be partial to the one I’ve just done which is why I’m posting this today. Not looking forward to work tomorrow. I’m facing a pretty crappy day and am feeling a little under the weather. I hope everyone’s return to work or school is a good one or, at least, better than mine.
I’m playing the Ol’ Peavey T-40 which I haven’t touched in quite some time. It came out of the case in tune and needed no adjustments. This is the most active sounding, passive bass I’ve ever owned and, for this song, I actually played a bit with the pick-up blend and tones, which is something I normally do not do. Usually, whatever bass I’m playing has both p/u’s selected and tone and volume full up. The controls on this bass are very expressive…if that’s the right word.
The song is, Who Are You by The Who off of their album, “Who Are You”. Drummer, Keith Moon passed away just a few weeks after its release in 1978. Of course, the bass was played by the Late, Great John Entwistle.
According to Wikipedia, Keith was in pretty bad shape during the album’s recording and the rest of the band were a bit disinterested to boot. There’s a really rough spot involving the timing of the bass @ 1:30 and I tried to play it was it was recorded. It’s actually more difficult to learn someone’s (for lack of a better word) “error”, than you might think. I’m surprised it made it on to the album like that. And, at 2:40, I tried to concentrate on anything but the hi-hat…not that it was out of time, there was just something about what was being played that made it difficult for me to lock in with.
Does anyone else notice a glancing similarity during the verse sections to Tom Sawyer?