Why You Filthy PIRATES Can’t STEAL This Sound!

Ok, admit it, you love your STOLEN copy of Fab Filter & use it on everything. Just like EVERYONE else. No wonder you ONE OF US! ONE OF US! just like everyone else. "ONE OF US! ONE OF US! INDEPENDENT THOUGHT WILL NOT BE TOLERATED" Here's something that will set you apart from the sea of clones out there!
Get it at these affililate links:
Thomann: www.thomannmus...
Sweetwater: sweetwater.sjv...
For more information, check out Cranborne here: www.cranborne-...
About Spectre Sound Studios:
I'm Glenn Fricker, engineer here at Spectre Sound Studios. I love making records, and after doing it for sixteen years, I want to pass on what I've learned. On my channel you can find tutorials on how to record guitar, bass, real drums and vocals. There's reviews and demos of tube amps, amp sims, drums, mics, preamps, outboard gear, Electric Guitar, Bass Guitar, and plugin effects.
We've covered Moon on the Water, played Bias FX, given you the absolute best in Stupid Musician Texts, ranted & raved about bass guitar, and this channel is where The Eagle has Landed.
Everything you've wanted to learn about recording Hard Rock & Heavy Metal can be found right here on this channel!
I also respond to your comments & questions: The best make it into the SMG Viewer's Comments series of videos. Loads of fun, lots of laughs.
Thanks for checking out my channel & please subscribe!

[@cranborneaudio]

Thanks Glenn! Sorry about the labeling issue on the plug-in. The team member who led the GUI/UX design on the plugin is a bassist. Need we say more?

[@frankcarter6427]

That's the coolest response I've ever heard - Bravo!!

[@rovertkralc1]

Lol!

[@jloiben12]

In that case… I am surprised it is as good as it is ;)

[@AndrewAlex92]

This is what it's about - don't pretend there isn't an issue; don't make up excuses as to why it's bugged; just fix it and provide a reason. Not excuses - the truth.

[@joshuavovk3788]

I may be a bassist, but I'm also super particular about labeling and spelling... But I also don't work for you, so it wasn't me

[@soundescapemn]

Not seeing many people talking about the price point. I clicked on this expecting this to be 3-4k+. $1799 USD is really quite affordable when you put it up against other similar units.

[@cranborneaudio]

Underrated comment. We agree and we tried really hard to try and make digitally recallable analogue more accessible!

[@sleepdeep305]

Are you a rocket enthusiast? You use a bunch of Apollo b roll for the viewer’s comments episodes and the title of your intro song…speaks for itself

[@SpectreSoundStudios]

Yes. Was always fascinated with that stuff

[@DerSilvano]

That bass tone, as usual, GNARLY

[@alexnasla]

Yep! Thats just Glenn's preset in Element Bass!

[@DerSilvano]

@@alexnasla and it sounds like how a metal bass should sound. Element bass is where it's at

[@Gainovermg]

@13:50. That. Bass. Sound. Jesus Christ.

[@TheOtherJohnBrowne]

Arrrr!!! Shiver me timbers! Can't be pirated ye say?

[@RizzleK]

You thinking what I'm thinking? Ontario is still nice this time of year.

[@g3cd]

I've had the Cranborne Carnegy 500 EQs for a year now which have the same harmonic saturation and I sold my SSL UV EQ for them. In comparison, the SSL just boosted a single frequency but took away in other places while the Cranborne lift the desired frequency and keep the rest sounding great. If you already have a 500 lunchbox, get the Carnaby 500s - you can also stereo-link them and 2 of them will cost you half as much as the HE2, only without the USB DAW integration.

[@sansocie]

Love it. Shiny and has lights. This is a great company. Thanks Glenn.

[@ianhaas4697]

Cranbourne stuff is amazing

[@braxal6983]

Glenn, I have an HE2 you got to look at the middle button on the top of the plugin and switch from "NONE" to your device. In the lower right corner of the plugin is a gear. Click it to set it to always connect to your device. I had the same issue until Craneborn told me what to do.

[@robinstahlbaum9813]

Glen " it must be working.. all the pretty lights are on"

[@braxal6983]

Glenn, I really like using the HE 2 on MS on the mix bus. What is also cool is driving the input and backing off the output to get more saturation.

[@misfitwookiee3177]

Thank you for talking about the outboard gear I'm so curious about. Any chance for a video explaining how us n00bs begin with starting a rack? I don't know where to begin, how to utilize patch bays, etc... a video like this would be great for those of us not wanting to do it "in the box."

[@charlesrocks]

Targeted Saturation EQ is really what I need. I think I’m going to buy this.

[@mihneazoican2479]

Until you buy this, maybe try the Tokyo Dawn Labs EQ plugins and/or Spectre by Wavesfactory

[@michaellord7617]

the best part of new gear is that little "it doesn't f'n work, I don't think" only to realize a sub menu/hidden switch/pull knob has succeeded in ruining your afternoon.

[@davidmouser596]

Glen, I have to ask, the quick start guide you immediately threw away without even opening, did it have the info you needed for your, issue?

[@Arthemesia]

That book is the Necronomicon, if he opens that we are fucked, why would you suggest this???

[@davidmouser596]

​@@Arthemesia Absolutely

[@who_we_are______5926]

Bro wasted an hour when he should've just read the manual ahhh type shi 😭

[@swistedfilms]

"It's quite well protected." HAHAHA! No kidding, I am editing a photo of C-3P0 that I took at Star Tours when you said that!

[@Rebar77_real]

Will never own one but it sure is cool to see all the new bells and whistles!

[@brianrobichaud4798]

Im so glad i learned the tools needed and got myself equipped for life before i became a musician

[@gabormata6029]

I got a rookie question: How does physical gear go on software stuff? As I understand you route the track signal out to the gear and run it back. But how do you make it stay on the track? As you mentioned it, while putting it on the guitars, youre missing it from the snares. So does that mean you have to track with that? Or if you have already tracked, you need to rerecord it with it on? If that's the case, how do you make further adjustments?

[@grapefruitsimmons]

You cant steal a plugin unless theres a limited number of liscences publicly available. Its copyright violation, not theft. Theyrere a not losing a sale. If anything piracy is good bc that person had no intentions of buying, but may end up recommending it to someone who will or if they enjoy the product and can afford it, eventually buy a proper liscence. Piracy is for the people!

[@sparella]

The ability to defer gratification is correlated with success in life. Piracy reinforces thought patterns that the person deserves something they didn't earn, and they deserve it instantly. Here is an idea: save up money for weeks or months and then make the decision of whether to buy it or pirate it.

[@hadleymanmusic]

Thing about that neve not alot here might know, it can be wired up in all kinds of configurations like patch cable partys to do different things and its a whole anither job.

[@djsusan00]

5:34 Velcro cable ties saves lives my friend.

[@KurgerBing-p5i]

That wont stop me, i cant read.

[@28mmRPG]

10:40 your suggestion should have been RTFM with a fine tooth comb.

[@JoeStuffzAlt]

Your statement about 24-30 FPS vs 60 FPS got me to check out Concord. It looks weird, but when I watched it at 30 FPS, it looked much better. I wonder if it's just me

[@Ryan_Thompson_Guitarist]

Hey Glenn. Have you ever produced or mixed a live album? If you have, what are some of aspects that make it different than working on a studio album, even if that studio album was recorded live off the floor?

[@ferdinandobarisciano6934]

This is actually a great piece of gear but about reproducing it in a plugin form: have you ever seen the plugin Spectre by WavesFactory?

[@cranborneaudio]

We hear this plugin being compared to the Carnaby. Whilst they both manipulate harmonics (digitally Vs analogue on the HE2) the sound is a bit different as is the signal processing being undertaken by the circuit.

[@WarrenBey]

Glen you know most people who start their own studio ARE drummers right? 😅 if you had to pick between the four major food groups, guitarist, bassist, drummer or singer I would be willing to bet most of us who start down the endless money pit are drummers.

[@lithominium9955]

of course we go down endless money pits, this Zjilidan A Crash HAS to sound different from this Other Zjildian A Crash, you can hear the tonal difference! i swear!!

[@WarrenBey]

@lithominium9955 oh you're still on Zildjian? I left, went to Meinl then Sabian and I'm thinking about Paiste next 🤣 my verdict so far is that Sabian has a greater top end in brilliant tones. Especially in the HHX and AAX lines. All Meinl's are slightly trashy and even dark when they shouldn't be. Someone pointed out to me that all Meinl sound like shopping carts being slammed into each other. That ruined it forever for me. Zildjian A customs are very classic and safe sounding. I've always been under the assumption that getting a good top end is hard and something you can't EQ your way into. That's why I seek out so much brilliance in cymbals for recording.

[@ErickC]

@@WarrenBey : I'd say just get a set of 2002 mediums and stop worrying. That's what I did. The best thing is that if you crack a Paiste, you can buy another one and they'll sound the exact same.

[@ratmadness4858]

in the future everything will plug into a computer

[@NabPunk]

It already is the case to a concerning extent, not to mention all the subscriptions.

[@ptibhobbit7120]

Could anyone provide a link to the band whose song Glenn used ? Can't find anything about any eric arco's band :D

[@erikarko]

My band’s name is Six Feet Deeper and we have a bunch of stuff up here on the tubes, on Spotify and whatnot :)

[@AndrewAlex92]

So if it is all constructive and deconstructive interference, makes sense to me that you don't need to accomplish that with pure phase shifts but that still seems like the simplest way to

[@08superbee]

ANOTHER BANGER TO WHATCH AT WORK 🤘🔥

[@hadleymanmusic]

Eric arco?/it sounded good medley

[@mfsoab]

Thanks for your hard work, Glenn! Would you care to do a series on more affordable but good outboard gera as well? I believe the 100-400 bucks prize range would be very interesting to many and also be in the spirit of the channel: giving advice for best bang for the buck. Fick dich, Glenn!

[@TheHairyDude]

I see the attraction to plug-ins being able to control hardware. Problem is, eventually, the makers of the hardware/software give up making updates to the plug-in software, and it can't be installed on more modern systems. I discovered this with my Lexicon MX200, which has a USB interface for DAW control. Luckily, the Lexicon's USB connection comes up as an external MIDI interface, and I can control the Lexicon via MIDI commands in my DAW. Not pretty or ideal, but a workaround.

[@CR4SHN8URN]

Cry about it

[@sparella]

Yep. It stinks that it's always a temporary feature. Hopefully the hardware, as hardware, will last.

[@cranborneaudio]

We architected the HE2 plugin control to be maintained indefinitely (as long as we last as a company... So buy our stuff!). But even in a worse-case scenario 1) the hardware will still work 2) all the commands of the HE2 are mapped to MIDI and the HE2 is native MIDI (use USB to MIDI) so a workaround like your Lexicon would also be possible

[@robertscotti7970]

Raw is best! What you hear is what you get.!

[@apricity4290]

Hey Glenn, I recently asked on one of your mix review stream about using a boss pedal as a stopgap reamp box because of its buffer. You said it wouldn’t work. I’d love to know why not? I’d like to make a test and compares the two methods - obviously using an actual reamp box would be better but I currently can’t afford the real deal and I’m trying to explore ways around it for the the time being. As I understand it, the buffer in the pedal acts in the same way as a reamp box by boosting a line level signal up to something more like what the amp is expecting. Cheers mate, love the channel :)

[@sparella]

A passive DI box run backwards will get you by for now. Those are cheaper than proper Reamp boxes and available used all the time. I often use a Morley Hum Eliminator for "reamping" pedals.

[@apricity4290]

@@sparella I’d have though doing it with a backwards DI box would mean you’ve got to do much more level balancing as it attenuates a signal rather than boosting

[@sparella]

@@apricity4290 the amp is expecting instrument level which is less than line level.

[@Auspexgetchell]

RTFM!😂

[@SenseiKreese]

Even buying affordable gear, when you add it all up, just the guitar and recording stuff gets real expensive. It's taken me years to buy all my gear, from Helix's, other pedals etc, and cabinets and multiple decent guitars and basses and good computers and interfaces and monitors etc... Just maintaining the damn guitars is an expense. I've got 8 all up including basses, and I use them all. Some are SSS, HH, in different tunings, baritone etc. Then I gotta pay for setups for all of them, at least once a year and just that is a significant expense when it's 8 guitars, about $1000 Australian bucks a year on maintenance alone for me. I only work part time so I actually have real time for music. When I worked full time, I was just so drained nothing really got done besides me noodling. So I live poorer to have the time to be a musician and develop my skills and songwriting. Most musicians will just never have the money to spend on all the analog recording gear on top of what we have to spend on our playing gear. That's why we get into bands, all chip in, and pay someone like you record us. It's that, or all digital and all pirated lol.

[@hadleymanmusic]

13 was better than 8

[@hadleymanmusic]

Eq that buffs

[@xentrix89]

You know Glenn a smart pirate will just pirate a different eq right or set there's different then whatever's popular? you also don't need an analog device if you don't need to save time yes its your dream blah blah blah but nobody at home can afford that or cares and btw your talking about the copycats... that's a whole other group then software pirates.

[@sparella]

So.... Which plugin offers comparable functionality?

[@CyberChrist]

RTFM

[@robinstahlbaum9813]

16:20 sounds great

[@PooNinja]

5:03 oooh that’s like an awesome version of the old Digitech MEQ dual 14 ! Ahh the joys of digital control of EQ. Ps that was the unit Billy gibbons used to tone match all his guitars to his pearly gates so no matter what guitar he plays the tone stays the same. Check it out. An old buddy used one for his bass, two settings he used were for new strings or old strings, seemed a waste of 98 unused presets.

[@PooNinja]

Slurm, you know how they make that stuff right? But its soo good R.I.P Slurms McKenzie

[@hadleymanmusic]

Man years they been copyin it comin out their stereo speakers addin more gain more pedals more gain more pedals......... They dont realize that what they hear is not the guitars original sound. It a track thats been treated pulled eq compressed probly pulled eq again. Then on media goin thru their playback device then out their stereo speakers...... And not to forget the mic diaphragm overdriven crammed up in a speaker cone. None as the original sound of the players devise.

[@DarthV506]

Challenge accepted!

[@SHENDOH]

Folks these days dont focus on good songs. If your material is garbage who cares how good it sounds. Polishing turds seems to be the norm

[@TheSakuraGumiLTD]

So what you are saying Glen is: Pirate software so you can save money for analogue and other equipment?

[@clowray2747]

3rd.

[@matthewmontano1948]

First

[@matthewmontano1948]

🤷‍♂️🤷‍♂️

[@jcalzada74]

Grow up

[@SpectreSoundStudios]

You win!!! Nothing!!!!!!

[@eldorado5319]

I like it

[@smeemusic]

10:53 maybe just read the instructions instead of throwing them over your shoulder and then blaming the company for making a software you don’t understand automatically. I’m sorry Glenn but you’re kinda stepping into sounding like an entitled little brat with that complaint. You did this to yourself.

[@hardwire666too]

"💩'ty Volume knob" Almost made me spit my breakfast allover the f**king place.

[@m.a.6478]

I have a 500 Series Carnaby. Only one, so I can't say anything about stereo. I use it on guitar and I think it sounds great. Also its preamp is cool and clean, and it saves me a preampchannel when connecting from my IR loader. Would definitely recommend the unit.

[@chizzulwinduh1941]

Cranborne Audio, Wes Audio and Bettermaker are the real standout audio hardware innovation companies of the last 15 years as far as I'm concerned.

[@andrew_kay]

17:10 - shit, it sounds exactly like 5 recent Metallica albums, Glenn you're genius.

[@hunterroudebush]

Interesting stuff, would have been nice to hear an A/B with fabfilter.

[@yasunakaikumi]

Ok I'm waiting for Analog Obsession version of it

[@sparella]

I'm pretty sure Tunca needs a schematic to work off of. I could be wrong but I doubt there is one of the Carnaby circuit floating around.

[@cabe5792]

Is there really a noticeable difference between analog saturation/compression and digital dsp effects simulating that kind of analog clipping? would love to see a comparison since I dont really have access to analog gear. Apparently he UAD plugins are the best ones for that kind of stuff, I use arturia compressors and they distort nicely when pushed, especially the vca for crunchy drums, love it.

[@sparella]

StudioLife recently made LA2A blind test and reveal videos. It convinced me that a cheap hardware clone is my preference over plugins and the real LA2A, even though I only hear the difference on bassy signals, and not on female vocals. Time well spent, imo.

[@cranborneaudio]

This is something we know a lot about and have looked at intensively. Of course we are likely heavily biased, but the science/physics checks out. In short - digital "saturation" does not occur as a native function in DSP. Saturation in an analogue circuit is the result of components being pushed beyond their max signal level, and thusly "saturating" due to clipping behaviour and the materials of the components being pushed beyond their limits. Not all analogue circuits will have pleasing "saturation", but the revered kit does. And it's an impossible number of variables and interactions that creates this. When DSP attempts to do "analogue saturation" this cannot be done as a DSP function. Instead, DSP is written to emulate the frequency response and THD of an analogue circuit as measured and modeled with a particular input signal at a particular level. Some digital saturation may come close to analogue saturation depending on the care and attention to how this is done, but it is a recreation of a physical phenomenon under certain conditions and a copy of a particular sound effectively.

[@GuajoloteGonzales]

I use FabFilter-DS, MB, Q3 and Pro L-2 in Foobar2000 to smooth out the high mids and the highs, because sibilance is fucking annoying and it's awesome how they work in that context.

[@vincentpeer5188]

Can’t wait to hear what this thing can really do!

[@CountJoshula]

Hey Glenn, if you were in the market for a good single mic pre, would you buy something from Cranborne, or do you still swear by the Daking Mic Pre II? (I understand the Daking is 2 channels, I’ve just heard so many good things about it.) I know you’re a busy man, so even a 1- or 2- sentence reply would really make my day. Cheers!

[@snap-off5383]

3:42 I call that "riot proof packaging" especially when leaving feedback for a seller/shipper. 8:35, not sure if that's just the camera, or if they made the LEDs eye-bleedingly bright, but I hate when they do that and you have to put tape over the light to save your corneas.

[@TripWamsley]

Bought a piece of Cranborne gear. Had a component failure within three months. You can't get someone on the phone for this type of incident. I'll stick with BAE audio. I will not waste my money on cranborne gear.

[@GhostNoteAudio]

I recently watched a videos of Buster Odeholm (Vildhjarta, Humanity's Last Breath) where he stated he had started using Saturn (the multiband *saturation* plugin) to do a lot of his EQing, instead of Pro-Q. Another thing to try is; if your mix needs some more high-mids or treble, instead of boosting those frequencies with an EQ, try adding saturation, thus producing additional frequency content to fill in the mix. An interesting approach, for sure, and achieves a similar "dirty EQ" sound that a boosted analog EQ might do.

[@Carina_d3a]

you should talk about the shirt you're wearing in some vids like in the beginning or something. I'm sure you have a couple that has some good stories or what not

[@usarrr]

Let me fuel the AP Mastering feud :D How is this different than feeding my P̶r̶o̶Q̶ R̶e̶a̶E̶Q̶ ReEQ into my S̶a̶t̶u̶r̶n̶ J̶S̶ S̶a̶t̶u̶r̶a̶t̶i̶o̶n̶ JSFX Squashman? Besides saving 35 minutes on the hour. F007 you both, I guess?

[@menschlicheswesen84]

Off topic here: Glenn, did u ever tried an isobaric load setup with guitar speakers in a cab...? Its called clamshell, or back to front, or back to back setup where u wire two speakers together so they work as one unit... Just heard about this, and wanna hear your'e thought's...

[@mkultravamp]

hey glenn, i was curious if you would do a video on the differences between 2x12 and 4x12 cabinets. i saw something short saying that 4x12s are too overkill for modern guitar players and you lose tone compared to the 2x12 (but i might be wrong so). thank you for the videos, they help a lot as someone who's starting to properly get into the guitar world

[@PinoliCanoli]

I’ve been looking at getting the 500 series version of this EQ when I eventually make the leap to analog. I’d love to hear how it sounds on vocals

[@sierrawhiskey5144]

I'm pretty snobby when it comes to compression and EQ, all EQ and compressor VSTs pretty much sound the same to me. Even an el cheapo solid state FMR or Eventide (like the H9 pedal) or EH pedal comps are great for pushing sonic character and getting some colour in the mixes. Glad I'm still being validated.

[@robgooch6367]

Man as far as expensive EQs go and gear alltogether to be honest the biggest difference ive experienced is what i can only describe as head room. You plug into a great EQ and it just seems like there is all this air surrounding you. Cheap stuff just seems more compressed like everything is crammed into a small space. That might just be me but who knows ...

[@Eli-J]

Hey Glenn, off topic of this video but I use amp sims to record (NDSP Petrucci) and I’m experiencing interference from my PC no matter where I am in the room. Moving and turning away from the PC does improve the noise but I can always subtly hear it. Would active pickups help with this issue? That active circuit surely has to be good for something 😂 Cheers!

[@TheMixClub]

Dam this sounds killer. Your Studio I looking kick ass man.

[@nunninkav]

14:00 FUCK THAT SOUNDS GOOOOOOOOOOOOOD!!! GREAT MIX! got those cymbals right there perfect level, guitar sounds bad ass, drums are tight and punchy, bass sounds like the Kraken woke up pissed off. Love it!

[@alwynnienaber9021]

So you use the MX Keys but not the MX Master? Hmmm... Did you see logitech's new video editor stuff? I'd be keen to see you try that within a daw too! It's called the MX Creative Console... Thinking of getting one for Dav Resolve as I simply can't afford any of BlackMagic's Hardware units. Tho I have considered hooking up my midi controller to fairlight and seeing how that functions.

[@JamesJones-th3ml]

100,000 dollar NEVE crap!!!! LOL now 1800 dollar EQ!!!!!! CRAP? HAHAHAH you are going the wrong way Glen LMAO we need to save money we don't need to get broke... At least I don't need to get BROKE anyways LMAO

[@Chad-KD9VXO]

Thanks for the review. I’ve been thinking about buying some outboard gear. Mostly just to play around with and not sure where to start. I’ve been watching your old vids on this subject and they really help. Hope to buy my first piece of gear after the 1st. Thanks for all the great content!

[@jeremythornton433]

Oh how I want to be able to run some analogue gear in my studio. But the big question is, how the fuck do I wire it up? I'm using a Presonus StudioLive 32SC mixer as my interface and I have a Glenn recommended ART Pro VLA II stereo compressor. I'd love to run it on my main master buss but I can't seem to find the right way to hook it up through my Cubase 13 Pro DAW. PHUQUE!

[@justinreynolds3935]

No idea why adat protocol isn't more common. It's idiot proof(usually) and isn't crazy expensive. Cranbourne adat 500 box is absolutely mind blowing. Tracking. Summing. Everything in one. Was a breakthrough unit as far as I can see. Love cranbourne stuff. Even their pres and eqs are awesome. Also those fredenstien pres for $100 are absolutely amazing. I love how good hardware is now affordable. That Klark teknik 1176 is also stupidly good for $150 Anyone who has issues getting a good sound don't blame gear. Not anymore

[@Hyperlink1337]

"erm the whole point was so that i could control it through the computer☝🤓" like dude how did it take you an HOUR AND A HALF to find ONE OPTION in the MIDDLE of the screen? massive, mammoth L. i wouldn't have left that in if i were you. drums are still too loud btw

[@maddog1008]

Glen, Glen Glen Glen Glen. RTFM my friend. Thanks for showcasing this, I really wanted to see this in action.

[@brucebeamer2298]

One more video on recording gear and I'll need another studio rack mount,? mounter?, thing that holds the racks. Yes, I'm a guitar player🙄. Since watching your videos and recording drums and bass, I've cut my gain on the guitars way back. And it does sound much better! Thanks so very much Glenn and SMG videos.

[@yisraelhessler]

yo glen have you ever tried the API 5500, I have one and i was impressed how much i could push the EQ without it sounding bad, similar to what your talking about here

[@iainriley8819]

New Metal old , warm round sound , sounds fresh crisp but warm . If you ( Not you Glen )were alive when we had just 8 tracks and had to mix from 4" tape down to 2" , You get it . But show me a computer screen I'm lost. 🤣🤣I encountered my first New to me not seen a desk in 20+ years, desk a month ago to do gig for an American punk band called The Attack. I looked at the desk and was more than a little puckering up lol. So went back to basic's top, mid, bass and road the faders live. Was told best sound this side of the pond so far . My lesson being know your basic's the rest is either a bonus or a shiny thing . As good as modern tec So much of it is just polishing a turd , you still just have a turd. I'm not a luddite but loading, pirate soft where , monthly payments has it helped push us forward or stifled innovation.

[@SingularityMedia]

I've been toying with getting one of these for my mastering room. I like the sound of it here.

[@brianmorris6466]

Glenn, you need more space behind your racks to pull cables so your solution is to build a bigger studio? AND YOU THINK DRUMMERS ARE STUPID?!?!

[@HeadCannon1776]

Glenn needs a bigger place to deal with his rack... tehehehehe lolz jk jk love ya Glenn, thanks for showing us peasants a thing or two. would like to see a vid on how to set up a multi-effects preset for live and studio where you don't sound like crap on bass and guitar, say maybe with the Hotone ampero stomp/stage 2, or the Headrush Prime?

[@louisburley1597]

Did Native Instruments make this? My A49 Midi controller literally does this all the time and I fucking hate it. It won’t connect in logic so all the features get disabled. You can play but you can’t hit import things like…record and stop lol

[@deathcrush79]

1799? I thought it would be in the 3k range. Much more affordable as it would only cost me not going on holidays the coming year

[@dennismeyers2008]

13:51 "Oh hell yeah!" Is it my biased ears because this track sounds so bad ass? Who is that again? Or does that sound like it has a pillow-like feel to it? Does this EQ deliver the goods, floating in on a feather? Or am I leaning into it to much? Is this what you're hearing Glenn? It tugs at me. It invites me in without pushing.

[@chrismarcyy]

One of the most affordable ways to give analog vibes to my mixes was using a trick that Colt Capperrune uses. I bought an Art 2 channel tube preamp with a Warm audio bus comp, and run my final mix through it, and that helped me a lot without spending tons of money.

[@jroz8111]

Hey brother would be great to see how you break out your mix on the board, Returns for par compression or eq, Or just summing out to the board. How you handle Reverb, Delay Etc as a console user myself always really interested in peoples work flow.

[@keepingitsimple2021]

First of all, Glenn drummers know what simultaneously means. We do in fact use all four limbs, simultaneously. Secondly, No i have nothing to add thats all i wanted to say 🤷

[@nunninkav]

omg the first minute and a half had me nearly pissing myself. Then this EQ looks and sounds amazing with the price to match, but if you run a pro studio with pro clientele, this is a great piece.

[@Falconryder]

Hey Glenn, what do you think about the new remix of the Rocka Rolla album? I believe it's the first one since the original 50 years ago that Priest was actually involved in?

[@pixeltarian]

Well now I just feel like a fool for paying money to own fabfilter plugins. My favorite virtual analog rn is probably overloud EQ550.

[@Marksmusic191]

Would be interested to hear you create a Mesa mark v tone or Friedman tone on a budget with live gear. Also affordable cab shoot out. I know you love the Harley Benton one, but would be interesting to hear a side by side comparison with other cabs in that bracket.