Workflow From Home: Ep 1 - Setting up at Home

In Frame.io's new video series, "Workflow From Home," Global SVP of Innovation Michael Cioni takes you through the necessary steps to enable a secure and robust remote workflow. Aimed at teams who typically work in brick-and-mortar post-production facilities or cutting rooms, Michael provides actionable advice to get you up and running quickly.
In Episode One, he discusses the difference between pure cloud and hybrid cloud workflows, shows you how to measure your internet bandwidth, and shows you how Frame.io can sit at the center of a highly secure and collaborative project.
Check out our remote workflow resource page for more valuable tutorials, guides, and articles: frame.io/remot...
Download HEVC test files here: f.io/KDOIrPrz
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[@chasvox2]

I am a composer and already doing the work-from-home process. Just finished scoring a small film working from home, and I salute you for encouraging this process....Nice presentation on your part, BTW.....

[@mickyb275]

Thanks Michael C, look forward to the series and reading the comments....

[@MrChazkat]

Very helpful. Just starting working with Frame.io recently with my company. Now with social distancing, I am looking for ways to work from home as an Avid editor when many jobs are for Premiere. This sounds like a solution. I can work on a Premiere job on Avid and Frame.io does the transcoding for me.

[@thegrocerytv]

Hi, I'm wondering if Frame IO supports Photography Raw File? Thanks.

[@KmfilmAt]

Very cool series! We‘ve also used frame.io a few weeks ago for a journalistic episode, the two colleagues were video noobs and liked it a lot!

[@fcurvetweaker]

Cool videos. It looks to work nicely for proxy media tasks like editorial. A few questions. Are there “creative limitations” beyond latency when it comes to pure cloud work flow? I can’t find anything anything about color accuracy for compositing or grading on pure cloud, or are you assuming hybrid cloud for color accurate tasks?

[@2drewman]

Really need the watch folders to be used on a NAS OR DDP setting to fully utilize the workflow needed....than it can be integrated with an EVS setting. We still work on-site but we don't work off desktop levels.

[@arjayjalmaani]

What about using Celtx with Frame.io? Is that something that can be done?

[@mitchstookey]

If you are using Teradici to control your workstation remotely, do you know of any solution that allows for real time review with a director who is also working remotely?

[@alexcollinger4795]

Please add Microsoft Teams support like there is for slack.

[@ultradarlem]

why are you comparing DNx36 with ProRes LT but not ProRes Proxy (which is actually the same bitrate of 36 mbit for 24fps)?

[@ultradarlem]

@Michael Cioni thanks for clarifying! Just wanted to note that you're not stuck on a higher bitrate codec if using FCPx or Premiere. Interesting insight on using LT for offline tho :)

[@ethanrussell4009]

Thanks, Michael and team! This is great - we've been toying with the idea of cloud DAM to work in conjunction with our shared storage server at the office. Currently, you guys offer 250/250GB and 1TB/1TB for team/enterprise, respectively. Do you have any plans to beef that up at all so that Frame.io could function more like a true DAM? That would be magnifique. ;-) Looking forward to more of these tutorials.

[@ethanrussell4009]

@Michael Cioni Thank you!

[@RobertJamesAshe]

Nice Stuff man. What are you filming on?

[@Iamjimpage]

220Mbps is NOT average, certainly in the UK. the normal over here is 50-70.

[@mitchellkasdin1899]

Pretty nice. No delivered dailies. No renders. So H.264 serves as low res Proxies which are frame.io natively transcoded. So ProRes LT is legit at 80Mbps for delivery? Once the project is complete the footage is then rendered from the original native file footage on the SANS? This is the DOOM of “post houses” with rooms and edit bays as a service. Game Changer!! Plus anyone anywhere can edit your project. It now boils down to talent, bandwidth and skill.

[@namekyoyo]

9:23 Teradici