【香港藝術館 -「多元視野──八、九〇年代香港藝術新象」研究計劃：藝術家訪談 | 鮑藹倫】

鮑藹倫是香港80年代少數融合新科技與藝術創作的開創者。1986年她與黃志輝、馮美華及毛文羽共同創辦錄映太奇，於1996年獲當時剛成立的香港藝術發展局資助，為本地最早的錄像媒體藝術家組織及媒體藝術文獻庫。研究計劃的同名展覽中展出鮑氏的代表作品《循環影院》是2001年「第49屆威尼斯雙年展」首個香港館的參展作品，印證着她致力推廣媒體和錄像藝術，在香港藝術發展佔據重要席位。其後，鮑氏創辦「微波錄像節」（現稱「微波國際新媒體藝術節」），成為國際與本地當代藝術對話的重要平台，大大推動了香港新媒體的當代藝術創作。
此影片乃「多元視野-八、九〇年代香港藝術新象」研究計劃成果。同名展覽在5.3.2021至29.5.2022，於香港藝術館五樓新空間展出。如欲了解更多有關研究計劃及展覽的內容，請瀏覽香港藝術館網頁 hk.art.museum/... 。
【HKMoA - Research Project “New Horizons: Ways of Seeing Hong Kong Art in the 80s and 90s”: Artist Interview | Ellen Pau】
Ellen Pau has been a pioneer in bringing together new technology and art creation in Hong Kong since the 1980s. In 1986, she co-founded Videotage with Wong Chi-fai, May Fung, and Comyn Mo Man-yu, and the collective receiving funding from the then newly established Hong Kong Arts Development Council. Videotage was the first video artist collective and archive for media art in Hong Kong. Recycling Cinema, featured in the exhibition under the same name as the research project, is one of Pau’s iconic works. It was showcased at the first Hong Kong Pavilion at the “49th Venice Biennale” in 2001, reflecting her status as a seminal figure in media and video art in Hong Kong. She also founded the "Microwave Festival" (now “Microwave International New Media Arts Festival”), offering a platform for local and international dialogues on contemporary art and fostering the rise of new media works in Hong Kong contemporary art.
The video showcases the research findings of “New Horizons: Ways of Seeing Hong Kong Art in the 80s and 90s.” The exhibition, under the same name, was held at The Lab, 5/F of the Hong Kong Museum of Art from 5th March 2021 to 29th May 2022. For more information about the research project and the exhibition, please visit the website of the Hong Kong Museum of Art hk.art.museum/... .