Your Mix Sounds WEAK! 3 Ways To Fix

[@hardcoremusicstudio]

Grab your free Mixing Cheatsheet to learn the go-to starting points for EQ and compression in heavy mixes: www.hardcoremusicstudio.com/mixcheatsheet

[@Skunkrik]

That was my first attempt at a project like this

[@SeanHinds]

This is uncanny… I literally finished a mix a few hours ago and feel like you heard my mix and made this video just for me lol

[@RoelofKlop]

I did! :D

[@number6photo]

No criticism, as I always learn some valuable things from you guys. What strikes me about this video is just how much the genre makes a difference to what I can hear. The example shown in the first couple minutes is not the kind of music I enjoy listening to, and I didn’t notice any difference in the impact, power, etc. I turned it off after a few minutes. I’m glad I don’t have to mix music for a living and work through stuff like this that I don’t like, but again, I really appreciate your efforts to educate us.

[@LeanBearMusic]

You don't like satanic audio night soil. Good on you.

[@MortalFear-mt4ov]

Same. When I hear one of these songs on siriusxm (they play a lot of this BS) for instance it sounds terrible to me with all of the volume boosts.

[@joederbyshire_]

you do know you can choose what clients and projects you like. you don't have to mix music you don't like if you don't want to.

[@PaulEdsall-y8s]

And calling it music is a stretch

[@PaulEdsall-y8s]

Dinner music, candlelit dinner, wine , open fire, and this shit at 3;000 decibels

[@andrewanderson1173]

3:30 is not a weak mix by any means. These are super subtle differences that are important, but wasting time meandering on these things isn't going to instantly make your mix less weak. In my experience, it introduces more mud and more dynamics to have to learn to control. This video is essentially: How to fix a weak mix: Step 1: Start with a huge mix that is larger than life. Step 2: Add subtle volume automation, risers, and synth doubling to your already perfect mix.

[@bjdarl24]

A very creative approach to drawing attention to different elements of a song. Thanks

[@miklosnagy7411]

I feel like this kind of music (the first song) is so heavy it's not heavy anymore. These kind of genres start to sound like electronic music, which is cool in my opinion. But it just doesn't feel heavy anymore, it's not stinky, it's not scary, it's just very well produced. What an evolution.

[@JibberJabJones]

i think where i'm at with my mixes now is that i understand quite a lot of these principles, i'm just learning how much of each of them one needs.

[@Dave-Rough-Diamond-Dunn]

Great tips! I certainly can see how I can make my songs more interesting, it's given me a lot of ideas. Thanks!

[@naterblade]

Amazing thank you! Some of these thing I already do. I actually don't mind editing and automating. Its good to know some of the stuff I've been doing is not wrong.

[@maxfreniere3563]

Very nice one Roelof...i love it. Good timing, the test mix i am working on for a client just call for this stuff...Thanks 🤘

[@joelarmendariz8876]

awesome video from a production stand point, really like the automation and sample parts to enhance a production very nice

[@johnsnyder4949]

really creative ideas. its a good reminder to me the onmly thing holdiing me back is my imagination.

[@aymericyout5092]

Insane mix 😮 love the tips for this genre, the synth tricks are the real deal

[@popolokross444]

Woow, can't wait to dig in! Thanks guys!!

[@ДимаБогомолов]

Boosting 40hz side sounds sacreligious but I‘ll certainly give it a go🙌🏻

[@joederbyshire_]

Can I ask where you get your Post-Production FX from or are they sound designed by yourself? I love doing my own sound design but feel like it takes up too much time I could spend actually mixing, would be interested to hear of any good resources! Thanks!

[@officialWWM]

I’m confused. I recently finished mixing one of my songs and I was really happy with it. I mastered it with Ozone 11 and finally mixed it down a -14 luffs. However, when I listen to it on Spotify, it’s noticeably quieter than the song that played before and after it. Where did I go wrong?

[@dans5666]

Most songs you listen to on Spotify are usually mastered a lot louder, to around -7 luffs, before being auto adjusted back down to -14. I would aim for -7 with the next song you release as this can make a much bigger difference than you would imagine. Without hearing my your mix, there could be other factors like not having enough midrange (or more lows and highs) which may make your mix sound scooped and quieter compared to the songs before and after. Hope this helps!

[@officialWWM]

@ thanks so much, it really does help. I’ll try remastering the song tomorrow and see if it makes a difference. I don’t know if you’re familiar with Ozone but it has setting for “streaming”, which is what I’ve been using. I’ve been using Ozone Tone Master (I think that’s what it’s called) to make sure my mixes are sonically balanced and I think they sound pretty good, just not loud enough :/

[@dans5666]

@@officialWWM very welcome man. I haven’t used Ozone in years but the tone master sounds like the eq side of things is taken care of. I will always record the master into a new track in my DAW so I can see if something’s off and then bounce that new stereo track in solo. Once you’ve bounced your new master it should sound noticeably louder when you listen to the wav file vs songs on Spotify.

[@DreadedMetal]

I'd suggest you ignore LUFs. Just focus on making the master sound great. My masters usually end up between -9 and -6 but a few times some tracks have ended up at -5 to -4. I know a guy who makes super aggressive metal/electronic music and he has got it as loud as -2 without distortion... But other artists get great results at -14 to -10. It's all material dependent. I'd suggest you stop looking at numbers.

[@officialWWM]

@ Awesome, thanks for the advice! I appreciate it.

[@chris2353]

The very last example near the end was pretty catchy, what was that?

[@sethmonroe9603]

Because I am usually so worried that my mix sounds weak, it sometimes end up HARSH I would love a follow up video on how to fix a harsh mix

[@Quant-Beat]

I must be hard on one aspect. You claimed that no one listens to the mix in mono anyway, and that aspect can be over-looked. A mono-compatible mix is also STRONGER. It has a far greater area than just mono-listening...

[@juliantcach2712]

Amazing!! 🤘🏻🔊

[@skyDN1974]

6:01 was it way too much? I think hearing that once in a while would be sick. To Jordan’s point, I’d wanna mix it with GUTS! Just my .02

[@dillonbrowning4564]

Using a stereo synth to beef up the low end is really interesting. I always make everything bellow about 350hz mono thinking it sounded more solid but this is making me question that technique.

[@kwamalascience]

350 is wild brother, 150hz sounds more reasonable, we might not be mixing the same genre tho

[@dillonbrowning4564]

@kwamalascience I'm all over the place with genres but I typically move it down to around 250 or lower for heavier stuff. I write a lot on 7 strings in drop G so I think I may have better luck experimenting with moving it down to 150 or so.

[@Durkhead]

​@@dillonbrowning4564leave the bass from the guitars in stereo

[@joederbyshire_]

Contrary to the other comments I am glad to have this kind of music showcased on the channel! I think it fits the channel name more haha!

[@mastromattei100]

0:29 DJ Roeloff jumpscare

[@officialWWM]

I’m sure there’s something to be learned here but I can’t listen to that crap :/

[@Bhallmed]

this

[@johndoe-cb5ck]

I didn't know what was going on with that first song...

[@MythBrigade]

You missed an option. “Send the stems to Jordan.” 😂

[@Trad_Baylor]

Woah dude don’t yell at me, my mix isn’t that weak

[@BertyWP]

0:29 ...no no no.. keep going

[@Bhallmed]

I wish you showcased this in less of a saturated metal genre....

[@StuCrombie]

Im lazy I just automate the chorus,s drums up on the stereo mix 😂

[@Wizardofvoz2]

I can only get screamed at for about 20 seconds. I get enough of that from my wife. JS

[@Bhallmed]

same!

[@markdkberry]

I can fix it in 1. ozone 11.

[@burneraccounthandle]

not helpful

[@1VERZHN]

So you automate parts of the kit not the full volume😮 gamechanging😂

[@Wizardofvoz2]

I absolutely love the channel, but this track is completely useless as a teaching tool ,

[@380stroker]

Waste of time.

[@musikausdemosten]

AI regelt Leute. Dont waste your time to Mastering a track hours and hours when AI could make a better job. And thats not all i can give my AI Programm a Reference Track how my song should sounds like. Iam impressed actually...😮😮

[@Daozhille]

Ur so damn stupid no one will listen to your damn music anyway, yes AI will replace u because ur mediocre but the pro will never be replaced because he has full control. Wrap your head around this I guess ur too stupid to understand u fool