@@JacksonLambProSpook Difficult is a relative term. All depends on your level. I’ve already covered a ton of stuff that people seem to usually think of as ‘difficult’. Just look back through the vids on the channel. There are a load of Les Claypool, Victor Wooten, Billy Sheehan, Stu Hamm and Jaco bass lines. But like I said those lines (including Colorado Bulldog) are only difficult if you can’t do them. By the same token I could give a supposedly simple bass line written out in standard notation to Billy Sheehan and he would be stumped. He couldn’t play it. Like I said. It’s all relative. Different people find different things difficult!

@@JacksonLambProSpook Here’s one for you kzbin.info/www/bejne/r4iVdHt4iZulg9Usi=dEeHG552FvoMfTDU

@@JacksonLambProSpook Here’s another kzbin.info/www/bejne/aWjCZZikfdqWpLcsi=uBo2HLNPlDDwClqC

And here’s one I arranged for the channel kzbin.info/www/bejne/a6CaY6SkqbFsgassi=57Wq_IP7oKFyz4W7

I never meant to defy or embarrass you. My question was genuine. Thank you for answering me.

That is A Sharp remark 😉

@ 😂😂😂😂😂😂😂😂😂😂😂

I will be soon.

@@99FXR As you can probably tell, Danny and I are from the same place.

The lead line is straight. The bass line is swung. Heavily. Listen to the extracted bass line. It's why something sounds slightly odd when you play along.

@@talkingbasslessons Fair enough, I did listen to the isolated track and most of it is syncopated. It seems to my ear that that first 16th note run up the blues scale is in fact not syncopated, though the rest of it is. It's actually quite interesting if I'm being honest... For the record, this is the isolated bass track I listened to: kzbin.info/www/bejne/nZbbnp-FnN2AqdEsi=L1LXlUDtXzWUoI9K&t=64 Or am I just crazy? 🤣

@ I think you might also be getting confused with terminology. Syncopation is not swing. They are totally different concepts. Syncopation is the accenting of usually weak beats. That’s nothing to do with swing.

I've found Mark's tutorials after two months of playing, and his exercises are just next level, I'm incorporating them in my 10-15 minute practices I do throughout the day. I love that he also gets into the notes and theory so I can also learn my theory at the same time

@@horacetaylor116 ?

@@RogerWeller-o5r You can adjust to taste. Pushing it down on the strings for full muting can be a little too much for me.

Which LaBella flats are you using?

@@joelballard4955 Basses don’t “feel” or “play” better based on price. If they did then everyone would be aiming for more expensive basses. For example, a vintage 1962 Pbass might be 20 times the price of a brand new Squier. But the Squier might be in way better condition and might subjectively play better for you. Or a custom built Ritter might be crazy expensive. The price will come from the personal labour and high quality materials. I’ve played a ton of VERY expensive basses. I generally prefer the feel of a basic Fender or Ibanez or Musicman bass. The prices are what they are for good reason but you probably wouldn’t notice or care.