The pairing of their combined artistry never failed to reproduce the exact same sensation! The magical synchronicity, the timbre of one voice complementing the other rewarded the spectators with an ethereal opulence of sound, rarely matched and never bettered.

Quelle intelligence !!!!

Siderale. L'ultima (per quello che mi risulta) ad aver aggiunto un'aria da baule nell'Elisir con Pavarotti. Dopo il prendi per me sei libero aggiunge un'aria di agilità strabiliante e mai ascoltata da nessuna altra interprete. E' vero che la dizione era quello che era, ma la musica nella voce supera tutto.

I believe that TV programming changed because the viewing public changed. The younger viewers wanted more of the Beetles and every type of rock music that came after it. Classical, big band, easy listening, Sinatra and the like went by the way side. TV stations and advertises wanted to appeal to that segment of the population that they felt would generate the most revenue. Even the old country western music faded away. Country is very. Popular today but for the most part it is rock with a southern accent. Then came the rap craze. Young people became drawn to this music with all of its vulgarity. Much of it degrading to woman in particular. It goes right along with the violent vulgar movies that have been produced by Hollywood over thy past 25-30 years, and on tv I might add. Then we all wonder why we see so much violance amongst young people especially. It’s all part and parcell of our decline as a society. Sorry for the rant. Just my opinion.

Asi es que suena un tenor con tecnica perfecta.

Purely voice 🌷

Джоанн Сазерленд величайшая дива 20 столетия! Нет ни одной ноты, которая была бы не пропета! И это касается не только этой сложнейшей арии, но и всех партий для колоратурного сопрано, которые она исполняла! Величайшая певица, прекрасная, тонкая драматическая актриса, обладающая комическим даром, роскошная женщина! Всегда была моим кумиром и образцом для достижения вокальных высот, которые, ох(!)как не просто даются!Светлая память!Брависсимо, Дама Джоанн!!!❤

She was divine but this live recorded Ugonotti is not of good quality.

Wonderful choices. 🥳🥳🙏

훌륭한 작품이 훌륭한 가수를 탄생케합니다 ~ 작품이 가지는 인간 내면의 역 동성~ 그것이 또다른 인간으로 재 탄 생케 되는 것이 죠 ~ 피로 물들은 드 레스를 뒤로 한 채 쓰러지는 장 면은 잊지 못할 인간 내면의 광 기와 광란의 이 율배반적 운명 의 비극적 최후 의 장면인것이 죠 ~ ☆☆☆☆☆

Joan sutherland의 명 연주에 다시 감탄의 찬사를~ ~브라보 ~

광기와 광란의 분노는 또다른 재판장의 운명 앞에 우리 자신 의 과거안에 맞 닥뜨려 미래에 순응합니다 ~ 그안에서 나 자 신을 깨닫게합 니다~ 비극적 운명의 장난 ~ # 역작 ! ~BEST~ 🎉🎉🎉🎉♡♡

Have had the privilege of hearing Ms Sutherland sing multiple times. Certainly one of the top singers of the 20th century. But what many people don't realize is that she was a fantastic comedian. Got to see her in Fledermaus in San Francisco and she brought the house down.

Oh Joan...such Glorious singing that fills the soul to overflow with a kind of enthralling joy, a joy that is so close to tears paradoxically because we sense that we can only soar so high for every real but, in the end, fleeting moment...

Such clarity of sound, and great focus her voice had in the early days of her career! As time progressed, the sound became darker, heavier, overly covered, and even "hootie".

High notes are cool things, but her trill in the first clip is exquisite.

What I've always found most interesting about comparisons between her recordings made years apart is that the performance does not essentially change. When she prepared the aria with her husband, it was locked in place; there were no interpretive alterations, so second thoughts about phrasing. She learned it, performed it magnificently, and that was it. Unlike Callas, whose thoughts about an aria were constantly evolving and where a multitude of differences in interpretation could be found from one performance to another, Joan's version was set in stone. This is not meant to be a criticism of her, since her art is of the highest caliber imaginable.

A salute to Bellini, maestro composer of this most favourite, ravishingly beautiful duet, the height of the bell canto tradition.

Spettacolari, perfette, una grande lezione di belcanto !❤❤❤

RED SKELETON WAS A GENIUS HE MADE OUR TELEVISIONS A MEMBER OF OUR FAMILY

Bel canto trios, quartets, quintets and sextets are just better than what came after. Everyone gushes over the 'Rigoletto' quartet (I have a feeling the movie had something to do with this) but these are just better. Donizetti, Mercadante, Bellini, Rossini...endless thank yous

Good performance, but if one heard Nathalie Dessay....well well it all becomes relative to inner culture impregnation.

I have the entire original recording.

Quizás Ganaríais bastante si al poner la interpretación del canto, y más aún cuando son óperas y Grandes Galas, pusiérais a la vista dicha representación desde el escenario y en lo que fue "En Directo". Ganaríais más fama de cómo poneis en youtube las músicas, cantos, Réquiems, Misas Chorales, Óperas, Galas, y las Grandes Galas.

¡¡Qué Voz Más Preciosa, Cómo Sube el Timbre y, ¡¡Con Qué Facilidad Sube unos Tonos!!. Era una Voz que Podríamos y Podemos Decir que ha sido Mil Veces Más Prodigiosa que la Monserratita (si le quitamos el Monse se queda en "ratita"😂). Fue una Voz tan Prodigiosa, La Estupenda, como así se le conocía ¡¡Y CON RAZÓN!!, que todavía nos gustaría tenerla entre nuestros escenarios. ¡¡Qué Preciosidad!!. Si por un momento nos fijamos en la Combinación de Voces de Pavarotti y Sutherland, podíamos y podemos decir que, al Tener Pavarotti aquel timbre de Tenor Tan ALTO, y Subiendo Tantas Scalas dentro de la Voz de Tenor, Joan Sutherland disfrutaba pudiendo subir también varias Scalas dentro de su Voz de Soprano, y a donde no le alcanzaban. Sólo muy pocas sopranos. ¡¡Ahora bien: Éso no quita para que digamos que también cantó con unas voces Muy Prodigiosas, y de Enorme Valía como fueron Renata Scotto, Mirella Frenni, Edita Gruberova, y a muy grades distancias de Joan Sutherland, a Años Luz estaba la Monserratita. Con voces masculinas creo recordar haber visto óperas y carteles en donde cantaba con Pavarotti, Alfredo Krauss, Giovanni Forlanetto, Domingo. No sé y creo que no se sabe qué tenía Joan SUTHERLAND, que con sólo oir su nombre y que le podías ver interpretando la obra, ¡¡Te Desbordabas de Emoción y Gusto por oírla!!. ¡¡Algo tenía, pero un algo que no sabes describirla ni de qué se puede tratar. Pero era algo EXTRAORDINARIA!!. ¡¡QUÉ JOYA DE LA ÓPERA Y CON QUÉ FIGURAS SE MOVIÓ!!.

By any chance, Sutherland sang the complete motet in 1978?

Di più e meglio di lei forse non sarà mai possibile....

How Sutherland managed to have such atrocious hairstyles all her life, whatever the decade, is a real mystery.

What an arrogant conductor!

Dame Joan met her match with Alfredo Kraus

Great vocalist, but she sings it as though they were vocal exercises. Listen to de Los Angeles’ version; you can hear the joy and exultation in her singing.

I was at some of her performances at the Metropolitan opera. After the opera I went backstage and met her a few times. I still have the photo she kindly let me take. She was a very kind person which adds to her greatness.

по мне потрясающее исполнение. Сазарленд вообще моя любимая певица.

Her voice was so huge in the theatre that it seemed to be coming from all around you and enveloping you rather than from the stage. She was also a delightful person. After one Sonnambula performance, I waited at the Met stage door, with at least a couple of hundred others at first, to catch a glimpse of her. It was January and an exceedingly cold night for New York. After more than half an hour of waiting there were only three of us left. Suddenly the stage door opened and someone came out and said "MFiss Sutherland wonders if you would have tea with her." I think all three of us thought we had died and gone to opera heaven. For the next 45 minutes we were able to sit and talk with her and Richard, ask questions about performing [the other two were voice students] and sit in awe of how down to earth our diva was.

3:25

From your best admire in Chicago! I love you Marilyn Horne!

OMG! My ears are bleeding! What screaming!!

Sovrannaturale

alucinante.............................

Era genial.

Que pena no sabia que habia muerto .

Muy bonito es una escelente cantante.para mi gusto lamejor

Best rendition out there.

Один из величайших итальянских баритонов,который пел действительно старой итальянской школой!!! (сейчас так не поют....)

Es buenisima

The greatest recording of this sextet ever made. It is musically and vocally untouchable by any before or since. This one is for the history books. You have incredible greats all in their prime and the sound is the most incredibly beautiful amalgamation of voices ever put to record. Sutherland, Merrill, Siepi....ungodly fabulous.

Supercalifragilisticexpialidocious. Extremely good. Live long and prosper.

Supercalifragilisticexpialidocious. Extremely good. Live long and prosper.

Superb singing, of course. The people that designed their gowns and hair should be prosecuted.

Extraordinary Joan. Music, no matter how fiendishly difficult held no terrors for her. I get annoyed when people try to denigrate her when comparing to Maria Callas - they were very different artists with their own unique talent.